Between the title and the first two lines of the poem, "Daddy" immediately employs two different instances of apostrophe. The first instance is through the title itself, which is addressing the speaker's dead father—something she will continue to do throughout the poem. Her father, of course, cannot respond; the use of apostrophe thus highlights the continued role he plays in the speaker's life even after his death. She is still trying to talk to him, to tell him something—even if that something is that she wants nothing more to do with him.
In the second instance, the speaker begins the poem by speaking directly to her situation in life, which she personifies by addressing as a "You." She then goes on to metaphorically describe this "You" as a shoe in which she has lived for her entire life.
Because these two instances of apostrophe sit so close to each other, the reader is likely to conflate the father with the oppressive black shoe in which the speaker lives. In this way, it could be said that the speaker is actually addressing her father in both instances, but that he shows up in different ways: as "Daddy" in her memory, but also as an oppressive presence in her life.
The speaker continues to address her father throughout the entire poem, intermittently calling him "Daddy." In the second stanza she declares that she has had to kill her father because he died before she got the chance, informing the reader that she is in fact addressing the memory of her father rather than her father himself.
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