The Eumenides

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Blood Symbol Analysis

Blood Symbol Icon

In The Eumenides, blood is essentially synonymous with guilt. This connection makes itself clear from the very first scene of the play, when a terrified Pythia describes Orestes, drenched in blood, waiting at Apollo’s altar. Once Apollo has cleansed him, Orestes becomes clean once again—the Furies, however, beg to differ. To them, Clytemnestra’s blood is a stain that will contaminate Orestes for his entire life. They strive to exact vengeance, and to pay back bloodshed with more bloodshed.

Blood Quotes in The Eumenides

The The Eumenides quotes below all refer to the symbol of Blood. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Revenge vs. Justice Theme Icon
). Note: all page and citation info for the quotes below refers to the Penguin Books edition of The Eumenides published in 1975.
Lines 64-234 Quotes

You—how can you sleep?
Awake, awake—what use are sleepers now?
I go stripped of honour, thanks to you,
Alone among the dead. And for those I killed
The charges of the dead will never cease, never—
I wander in disgrace, I feel the guilt, I tell you,
Withering guilt from all the outraged dead!
But I suffered too, terribly, from dear ones,
And none of my spirits rages to avenge me.
I was slaughtered by his matricidal hand.
See these gashes—Carve them in your heart!

Related Characters: The ghost of Clytemnestra (speaker), Orestes, The Furies
Related Symbols: Blood
Page Number: 97-107
Explanation and Analysis:

The Furies sleep, exhausted from chasing Orestes, even as their prey is spirited away by Apollo and Hermes. As they slumber, however, the ghost of the murdered Clytemnestra emerges and berates them for failing in their task.

Her speech helps audiences and readers to understand the Furies' motivation, and their purpose in life. In their worldview, the dead cannot rest until they are avenged. Clytemnestra is a tortured ghost precisely because her murderer (and son) still lives, unpunished, despite having corrupted his familial bond with his mother.

Clytemnestra's appearance also emphasizes the vivid presence of the dead in The Eumenides, a fact that is true in many Greek dramas. To the characters in the play, the dead are still an active and powerful presence, and letting them down or going against their wishes can have terrible consequences. 


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Lines 235-566 Quotes

Queen Athena,
Under Apollo’s orders I have come.
Receive me kindly. Curst and an outcast,
No suppliant for purging…my hands are clean.

Related Characters: Orestes (speaker), Athena, Apollo
Related Symbols: Blood
Page Number: 232-235
Explanation and Analysis:

Having reached Athens and the temple of Athena, Orestes begs the goddess to shelter him from the avenging Furies. His prayer illustrates his deep faith in both Apollo and Athena, demonstrating the immense power of the gods over human life within this play—and presenting Orestes as a worthy hero because of his piety. 

Orestes' claim that his "hands are clean," meanwhile, allows us to understand that Orestes does not view himself as guilty of his mother's murder. He has followed divine orders, and carried out what he believes to be justice, and is therefore free of sin or corruption. At the same time, however, Orestes considers himself to be unfairly "curst" by the actions of the Furies. 

You’ll give me blood for blood, you must!
Out of your living marrow I will drain
My red libation, out of your veins I suck my food,
My raw, brutal cups—
Wither you alive,
Drag you down and there you pay, agony
For mother-killing agony!
And there you will see them all.
Every mortal who outraged god or guest or loving parent:
Each receives the pain his pains exact.

Related Characters: The Furies (speaker), Orestes, The ghost of Clytemnestra
Related Symbols: Blood
Page Number: 262-269
Explanation and Analysis:

As the Furies find Orestes cowering at the shrine of Athena, they threaten him, demanding their vengeance. Their brutal, bloody language vividly illustrates their violent worldview. The language they use also illuminates their eye-for-an-eye mentality. The Furies' logic is very simple: since Orestes has shed his mother's blood, his blood must be shed in turn. Or in their words: "Each receives the pain his pains exact."

This point of view contrasts with that of Apollo and Orestes, who believe that since Orestes was avenging his father, he does not deserve to be punished for his own murder of his mother. It is this debate that will become central as the play continues. 

Hold out your hands, if they are clean
No fury of ours will stalk you,
You will go through life unscathed.
But show us the guilty—one like this
Who hides his reeking hands,
And up from the outraged dead we rise,
Witness bound to avenge their blood
We rise in flames against him to the end!

Related Characters: The Furies (speaker), Orestes
Related Symbols: Blood
Page Number: 313-320
Explanation and Analysis:

Having confronted Orestes in Athena's temple, the Furies weave a spell in order to trap him there. As they do so, they explain the rules under which they carry out their grim task, promising not to harm anyone innocent of sin. Their only purpose, they say, is to punish the guilty, especially those (like Orestes) who hide among the innocent.

During their chant, the Furies also make clear the close ties that they have to the dead, explaining how they "rise" from "the outraged dead" in order to exact vengeance. To the Furies, the dead (such as Clytemnestra) are just as important as the living (like Orestes). They believe that it is their duty to put the dead to rest, and that the only way to do so is through bloody and violent vengeance. 

Lines 567-1043 Quotes

You’d force this man’s acquittal? Behold, Justice!
Can a son spill his mother’s blood on the ground,
Then settle into his father’s halls in Argos?

Related Characters: The Furies (speaker), Orestes, Apollo, The ghost of Clytemnestra, Agamemnon
Related Symbols: Blood
Page Number: 659-662
Explanation and Analysis:

After Apollo has testified in Orestes' favor, the Furies once again take the stand, mocking what the god has just said. While Apollo has argued that Orestes in fact carried out justice by killing his mother, the Furies find this argument laughable. To them, the fact that Orestes has killed his mother is unforgivable. They believe that he should be cast out of society altogether, rather than eventually take his father Agamemnon's place as king of Argos. 

The Furies' powerful argument illustrates the true difficulty of this case. Although Orestes seeks justice, he himself is a murderer, and an agent of vengeance. Apollo calls for justice, but the Furies point out his hypocrisy, given his investment in vengeance in this play's prequel, The Libation Bearers.

You, you younger gods!—
You have ridden down
The ancient laws, wrenched them from my grasp—
And I, robbed of my birthright, suffering, great with wrath,
I loose my poison over the soil, aieee!
Poison to match my grief comes pouring out my heart,
Cursing the land to burn it sterile and now
Rising up from its roots a cancer blasting leaf and child,
Now for Justice, Justice!—cross the face of the earth
The bloody tide comes hurling, all mankind destroyed.

Related Characters: The Furies (speaker), Athena, Apollo
Related Symbols: Blood
Page Number: 820-828
Explanation and Analysis:

Learning that they have lost the trial, the Furies launch into a horrifying and vengeful rant, vowing to pay back all those who have wronged them. In reality, the ancient goddesses are terrified. In losing the trial, they have essentially lost their identity--unable to punish someone whom they believe deserves vengeance, they have been robbed of their purpose in life. The only recourse, in their understanding of the world, is to wreak vengeance on those who have decided against them. They are essentially portrayed as being unwilling to admit that they have been usurped by the "younger gods" and the polis of Athens itself.

Once again, the Furies imply that since vengeance has been thwarted, justice has as well. They truly do not understand that the two concepts are different, and can even exist in opposition to each other. Rather than understanding that in this instance justice has defeated vengeance, the Furies instead believe that justice on earth has come to an end, and destruction is near. 

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Blood Symbol Timeline in The Eumenides

The timeline below shows where the symbol Blood appears in The Eumenides. The colored dots and icons indicate which themes are associated with that appearance.
Lines 1-63
Revenge vs. Justice Theme Icon
Gender Roles Theme Icon
The Power of the Gods Theme Icon
...a man (Orestes) inside waiting to be purified at her altar. He is covered in blood, but holding an olive branch topped with a tuft of wool (a signal that he... (full context)
Lines 64-234
Revenge vs. Justice Theme Icon
Gender Roles Theme Icon
The Power of the Gods Theme Icon
...the Olympians—the young gods—control the world. They then see that the Navelstone is stained with blood, and cry that Apollo has defiled his own temple. (full context)
Lines 235-566
Revenge vs. Justice Theme Icon
Gender Roles Theme Icon
Familial Bonds Theme Icon
The Power of the Gods Theme Icon
...and to punish him for trying to escape them. They remind Orestes of the mother’s blood that he spilled, and assert that they must now take his blood as payment, threatening... (full context)
Revenge vs. Justice Theme Icon
Familial Bonds Theme Icon
The Power of the Gods Theme Icon Apollo has purged him of his sins, and how he can feel his mother’s blood fading from his hands. He calls upon Athena once again, asking her to come in... (full context)
Lines 567-1043
Revenge vs. Justice Theme Icon
Familial Bonds Theme Icon
The Power of the Gods Theme Icon would not be just. They speak again of Orestes’ defilement, and of the “mother’s blood” that is on his hands. (full context)