Beloved
by Toni Morrison
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Part 1, Chapter 1 Quotes

124 was spiteful. Full of a baby’s venom.

Page Number and Citation: 3
Explanation and Analysis:
The novel’s opening lines describe the house in which Sethe and Denver live. We are presented first with its name and second with a description of its malicious nature. These sentences create several levels of distance between the text and the reader. First, beginning with a number rather than a word is disorienting, and presents the story in a sterile and abstract environment. Second, instead of describing a character or natural setting, the text opts to hone in on a building. Third, that building is detailed with emotional language that would seem more fitting for a human. In addition to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollit

“How come everybody run off from Sweet Home can’t stop talking about it? Look like if it was so sweet you would have stayed.”
[...]
Paul D laughed. “True, true. [Denver’s] right, Sethe. It wasn’t sweet and it sure wasn’t home.” He shook his head.
“But it’s where we were,” said Sethe. “All together. Comes back whether we want it to or not.”

Related Characters: Paul D (speaker), Sethe (speaker), Denver (speaker)
Related Literary Devices:
Page Number and Citation: 16
Explanation and Analysis:
Denver is perturbed by Paul D's arrival and his conversations with Sethe. She interrogates them about their discussion of Sweet Home, to which they respond that the place continues to exert powerful control over their lives. This exchange establishes the fraught relationship these characters have to the plantation from which they have escaped. Although the location signifies cruel memories, it is also part of Sethe’s personal history, as well as the communal history created among all the slaves who worked there. Her simple constructions—“it’s where we were” and “all together”—make the incontestable argument that the plantation functioned much like a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit be

Part 1, Chapter 2 Quotes

[...] in all of Baby’s life, as well as Sethe’s own, men and women were moved around like checkers. Anybody Baby Suggs knew, let alone loved, who hadn’t run off or been hanged, got rented out, loaned out, bought up, brought back, stored up, mortgaged, won, stolen or seized. So Baby’s eight children had six fathers. What she called the nastiness of life was the shock she received upon learning that nobody stopped playing checkers just because the pieces included her children.

Related Characters: Sethe, Baby Suggs
Related Literary Devices:
Page Number and Citation: 27-28
Explanation and Analysis:
Sethe ruminates on her life and the lives of other slaves back at Sweet Home. She explains here that those lives have generally been lived at the whims of other people: white slave owners. That people “were moved around like checkers” shows how in slavery, humans were treated like pieces in a game—objects to be manipulated rather than given real care or dignity. The following series of verbs are presented in similarly passive constructions: “been hanged, got rented out […]” that place the subjects in roles lacking actual control. It presents their lives as subject to external forces rather than Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beata

Part 1, Chapter 3 Quotes

Some things go. Pass on. Some things just stay. I used to think it was my rememory.... Places, places are still there.

Related Characters: Sethe (speaker)
Related Literary Devices:
Page Number and Citation: 43
Explanation and Analysis:
Denver is moved by the sight of a praying Sethe’s white dress, and she thinks of the story of her birth. When she asks Sethe what she was doing, Sethe reflects on the endurance of both memory and actual places. Sethe makes two important distinctions on the permanence of certain aspects of life. The first is between things that “go” and things that “stay”: Certain events or people, she implies, are transitory while others maintain a permanent presence in her life. In making this distinction, she responds to Denver’s earlier skepticism on her and Paul D’s interest in Sweet Home, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minim

As for Denver, the job Sethe had of keeping her from the past that was still waiting for her was all that mattered.

Related Characters: Sethe, Denver
Page Number and Citation: 51
Explanation and Analysis:
Sethe ponders a potential future with Paul D, but notes that Denver must be her first priority. She worries about how her slave past may affect Denver’s future. This passage inverts a traditional linear time-scale, for it positions “the past” to be “waiting” for Denver as if it is in fact in her future. Sethe has already spoken of the way the past can play a continued role in the present, but here she takes the claim one step further—observing that it can also affect the future. As a result, the past takes on qualities of aggression, even violence—things from Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium

Part 1, Chapter 5 Quotes

Odd clusters and strays of Negroes wandered the back roads and cowpaths from Schenectady to Jackson.... Some of them were running from family that could not support them, some to family; some were running from dead crops, dead kin, life threats, and took-over land. Boys younger than Buglar and Howard; configurations and blends of families of women and children, while elsewhere, solitary, hunted and hunting for, were men, men, men.

Page Number and Citation: 63
Explanation and Analysis:
When Paul D meets Beloved, he decides not to interrogate her about her past. He contemplates the various ways that ex-slaves traveled to escape their plantations.Here Paul D presents the ways that this population moved through the United States. Instead of portraying a coherent migration, he uses language that connotes haphazard movement: “odd clusters and strays” as the subject, “wandered” as the verb. He then subdivides this general movement into a series of separate ones—a set of “some” groups that fled from and toward various destinations. The makeup of the populations, he notes, was similarly varied: the phrase “configurations and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placea

Part 1, Chapter 6 Quotes

Sethe learned the profound satisfaction Beloved got from storytelling. It amazed Sethe... because every mention of her past life hurt.... But, as she began telling about the earrings, she found herself wanting to, liking it. Perhaps it was Beloved’s distance from the events itself, or her thirst for hearing it—in any case it was an unexpected pleasure.

Related Characters: Sethe, Beloved
Page Number and Citation: 69
Explanation and Analysis:
When Sethe recounts the tale of her earrings, she is surprised at how much the story pleases Beloved. She wonders why they relate to her memories so differently. This passage returns to the theme of how the past continues to affect the present. Here, “storytelling” connects earlier memories to a current interaction—which is precisely what Sethe wished to avoid for both herself and for Denver. As a result, she is surprised that Beloved gains “profound satisfaction” from the tales: a combination of words that implies not only pleasure but also a deeper sense of meaning. More intriguing still, this enjoyment Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptat

She threw them all away but you. The one from the crew she threw away on the island. The others from more whites she also threw away. Without names, she threw them. You she gave the name of the black man... Telling you. I am telling you, small girl Sethe.

Related Characters: Sethe
Page Number and Citation: 74
Explanation and Analysis:
Sethe recounts a story a woman Nan told her about Sethe's mother. When the two were crossing from Africa on a slave-boat, Sethe’s mother was raped repeatedly by white men, and she "threw away" all the children except for Sethe. This tale sets up a cyclic quality to time in this novel, in which past events are repeated throughout different generations. Just as Sethe killed Beloved, we learn that her mother had killed many of her own children—selecting only one to save, just as Sethe only saved Denver. The abandoned children were similarly nameless, thus establishing the giving of names Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Vel

Part 1, Chapter 7 Quotes

[Sethe] shook her head from side to side, resigned to her rebellious brain. Why was there nothing it refused? No misery, no regret, no hateful picture too rotten to accept? Like a greedy child it snatched up everything. Just once, could it say, No thank you?

Related Characters: Sethe
Related Literary Devices:
Page Number and Citation: 82-83
Explanation and Analysis:
Paul D has just told Sethe that Halle saw her being attacked by the white men back at Sweet Home. In response, Sethe despairs that her memories refuse her attempts at controlling them. This passage develops a model of deeply involuntary memory. Whereas Sethe wishes to control her relationship to the past, she finds herself stuck with “her rebellious brain.” She wonders why it indiscriminately incorporates all information: nothing is “refused,” and all is permissible “to accept.” That memory can never say “No thank you” means that it can never be shut out of the present moment. Though Sethe earnestly Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi

Mister, he looked so...free. Better than me. Stronger, tougher. ...Mister was allowed to be and stay what he was. But I wasn’t allowed to be and stay what I was. Even if you cooked him you’d be cooking a rooster named Mister. But wasn’t no way I’d ever be Paul D again, living or dead.

Related Characters: Paul D (speaker), Paul D
Page Number and Citation: 86
Explanation and Analysis:
Sethe agrees to listen to Paul D’s stories about the past. He recounts, here, the despair he felt when he saw a rooster named Mister. By juxtaposing the liberty of an animal with his own lack of liberty, Paul D shows the true destitution experienced in slavery. He considers the rooster to epitomize manlike qualities of “Stronger and tougher,” and to have more agency in determining his place in the world. In contrast to Mister’s ability to “stay what he was,” Paul D feels himself to be at the whims of others. This comparison functions in two ways: retroactively, it Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima p

Part 1, Chapter 9 Quotes

Yonder they do not love your flesh. They despise it. They don’t love your eyes; they’d just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them.... No, they don’t love your mouth. You got to love it. ...The dark, dark liver—love it, love it, and the beat and beating heart, love that too.

Related Characters: Baby Suggs (speaker)
Page Number and Citation: 103-104
Explanation and Analysis:
Here Sethe recounts the sermons that Baby Suggs would deliver at the clearing. The oration encouraged ex-slaves to love themselves and each other, a behavior in direct contrast to the hatred and dehumanization they experienced from white people. This passage shows the way Baby Suggs was, for a time, able to cultivate a meaningful and isolated community for ex-slaves. She defines the clearing in opposition to a “yonder,” which is described in terms of negations: “do not love”; “don’t love”; “no more do they love” etc. The clearing, on the other hand, is characterized by affirmations and actions—which Baby Suggs Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusant

Part 1, Chapter 10 Quotes

They chain-danced over the fields... They sang it out and beat it up, garbling the words so they could not be understood; tricking the words so their syllables yielded up other meanings.

Related Characters: Paul D
Page Number and Citation: 128
Explanation and Analysis:
Paul D remembers the time that he spent on a Georgia chain gang. He reflects specifically on the way they used music as a way to connect to each other. This passage speaks to the way that artistic expression allowed the slaves a limited amount of agency and mobility within their lives. Though they were unable to alter their work conditions, the slaves could still control their use of language. Thus “garbling the words” becomes an expression of personal control in that they can scramble language to their whims. “Tricking the words” presents their behavior as subversive, for the chain Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. I

The chain that held them would save all or none, and Hi Man was the Delivery. They talked through that chain like Sam Morse and, Great God, they all came up. Like the unshriven dead, zombies on the loose, holding the chains in their hands, they trusted the rain and the dark, yes, but mostly Hi Man and each other.

Related Characters: Paul D
Page Number and Citation: 130
Explanation and Analysis:
While Paul D is working on the chain gang, a terrible storm threatens his group but also offers a route to escape. He observes that the instrument of their oppression could also serve as a route to salvation. “The chain” becomes, in this description, far more than a physical object, but rather a way for the men attached to communicate and connect to each other. Morrison positions it as an active agent when she makes it the subject of the sentence that “would save all or none.” In comparison, the slaves are “unshriven dead, zombies,” language that emphasizes how dehumanized Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium

It was some time before he could put Alfred, Georgia, Sixo, schoolteacher, Halle, his brothers, Sethe, Mister, the taste of iron, the sight of butter, the smell of hickory, notebook paper, one by one, into the tobacco tin lodged in his chest. By the time he got to 124 nothing in this world could pry it open.

Related Characters: Paul D, Sixo, Sethe
Related Symbols: Paul D’s Tobacco Tin
Page Number and Citation: 133
Explanation and Analysis:
Paul D describes his journey after escaping from the chain gang. He imagines placing memories into a tobacco tin in his chest, leaving them stored away and inaccessible. This passage offers one example of how ex-slaves sought to confront their harrowing pasts. Here, Paul D’s strategy is to firmly seal off those memories in a metaphorical tobacco tin. He applies this process indiscriminately—to the cruel “schoolteacher” just as to his lover “Sethe” and to sensory images like butter and hickory. In contrast to the passage in which Sethe railed against how memory’s involuntary nature could easily overwhelm her, Paul D Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beata

Part 1, Chapter 15 Quotes

The last of [Baby Suggs’] children, whom she barely glanced at when he was born because it wasn’t worth the trouble to try to learn features you would never see change into adulthood anyway. Seven times she had done that: held a little foot; examined the fat fingertips with her own—fingers she never saw become the male or female hands a mother would recognize anywhere. She didn’t know to this day what their permanent teeth looked like; or how they held their heads when they walked.

Related Characters: Baby Suggs, Halle
Page Number and Citation: 163
Explanation and Analysis:
While waiting for Sethe and Halle to arrive at 124, Baby Suggs thinks fondly of her son. She recounts how her previous children had been stolen from her immediately upon being born. Suggs’ memories speak to the alienation between slaves and their relatives. The cruel actions of traders and owners would rip families apart, even severing children from their mothers. As a result, Suggs’ memory is imprinted only with the initial physical components of her children, and she lacks any knowledge of their future. Describing the children in terms of fractured body parts—“a little foot”; “the fat fingertips”—emphasizes the disconnected Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque

Part 1, Chapter 18 Quotes

And if [Sethe] thought anything, it was No. No. Nono. Nonono. Simple. She just flew. Collected every bit of life she had made, all the parts of her that were precious and fine and beautiful, and carried, pushed, dragged them through the veil, out, away, over there where no one else could hurt them. Over there. Outside this place, where they would be safe.

Related Characters: Beloved, Sethe, Denver
Page Number and Citation: 192
Explanation and Analysis:
Paul D confronts Sethe about murdering her child. During their discussion, she tells this story of her escape from Sweet Home. Morrison juxtaposes two forms of potential action: a well-reasoned escape plan in which the route has been rationally conceptualized; and the haphazard, desperate style characterized of Sethe. Indeed, Sethe's mindset here does not seem to revolve around “thought” at all, but rather the absence of thought—the blunt rejection of “No” that grows and replicates itself into “Nonono.” We have little insight into Sethe’s thought process, for her journey lacks a coherent direction, a clear set of objects that she Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam conseq

Part 2, Chapter 19 Quotes

I can forget it all now because as soon as I got the gravestone in place you made your presence known in the house and worried us all to distraction. I didn’t understand it then. I thought you were mad with me. And now I know that if you was, you ain’t now because you came back here to me... I only need to know one thing. How bad is the scar?

Related Characters: Sethe (speaker), Beloved
Page Number and Citation: 217
Explanation and Analysis:
After her skating outing with Denver and Beloved, Sethe grows increasingly convinced that Beloved is the spirit of her dead child. She ponders here how her dead spirit haunted 124. This passage displays Sethe trying to reconcile with her memories—and to make sense of how past experiences exist alongside current ones. For instance, the new meaningful times with Beloved and Denver have caused her to “forget it all now,” thus distancing herself from the past. Similarly, she “didn’t understand it then,” but the past does have a more sensible nature when now considered in retrospect. It seems that Sethe is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit n

I was about to turn around and keep on my way to where the muslin was, when I heard [Schoolteacher] say, “No, no. That’s not the way. I told you to put her human characteristics on the left; her animal ones on the right. And don’t forget to line them up.”

Related Characters: Sethe (speaker), Schoolteacher, Sethe
Page Number and Citation: 228
Explanation and Analysis:
Sethe continues to involuntarily recall different events from Sweet Home. She cites a memory of Schoolteacher instructing his nephew, writing down lists of her human and animal characteristics. This moment portrays the way slaveowners would make use of horrific and dehumanizing practices, as well as the pseudoscience they used to justify the institution itself. The Schoolteacher and his nephew have the semblance of scientific study through lining up attributes in a scientific manner. Yet their work horrifically demeans Sethe, reducing her human complexity to a series of bullet points. That one of those atomized lists is composed of “animal” characteristics Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. El

Whitepeople belived that whatever the manners, under every dark skin was a jungle. Swift unnavigable waters, swinging screaming baboons, sleeping snakes, red gums ready for their sweet white blood. In a way, he thought, they were right.... But it wasn’t the jungle blacks brought with them to this place from the other (livable) place. It was the jungle whitefolks planted in them.

Related Literary Devices:
Page Number and Citation: 234
Explanation and Analysis:
Stamp Paid ponders the frightening noises of 124. He describes a certain wildness in black people, but attributes it to the cruelty of whites. At first, Stamp Paid seems to be engaging in the stereotypes held by white people toward black people. He describes the “jungle” beneath dark skin in exotifying imagery—reminiscent of a stereotypical idea of an African landscape—that presents slaves as pseudo-apes. Thus he develops the previous point that slaves are, in some way, part animal rather than entirely human. But then comes an unexpected turn: Stamp Paid does not deny the value of this image, and indeed Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a dese

Part 2, Chapter 20 Quotes

Beloved, she my daughter. She mine.... She had to be safe and I put her where she would be. But my love was tough and she back now. I knew she would be.... I won’t never let her go.

Related Characters: Sethe (speaker), Beloved
Page Number and Citation: 236
Explanation and Analysis:
The novel has entered a pure stream-of-consciousness style at this point. Sethe repeatedly describes her deep love of Beloved and how that affection motivated her actions. These lines reiterate that Sethe’s infanticide was the result of her deep love for Beloved. The action is phrased not even as a choice, but rather as a necessity given the circumstances: “She had to be safe.” In this way, Sethe seeks to justify her action not as the best choice given a set of circumstances, but indeed as the only one that could have been made. Morrison thus demonstrates how horrifically the definitions Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Min

Part 2, Chapter 24 Quotes

For years Paul D believed schoolteacher broke into children what Garner had raised into men. And it was that that made them run off. Now, plagued by the contents of his tobacco tin, he wondered how much difference there really was between before schoolteacher and after.

Related Characters: Schoolteacher, Paul D
Related Symbols: Paul D’s Tobacco Tin
Page Number and Citation: 260
Explanation and Analysis:
Now fully immersed in memories, Paul D questions the way he separated Garner and Schoolteacher. He thinks perhaps they were not as different as he had once thought. This passages criticizes the way both whites and blacks would sometimes form hierarchies between slaveowners. It was and is a common practice to describe certain slaveowners as kinder than others. Here, Paul D has always believed Garner is kinder: His practices are applied to “men” instead of “children,” and they are “raised”—a relatively kind and nurturing verb—compared to the expression “broke into” used for Schoolteacher. Yet when Paul D revisits the actual Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qu

Remembering his own price, down to the cent, that schoolteacher was able to get for him, [Paul D] wondered what Sethe’s would have been. What had Baby Suggs’ been? How much did Halle owe, still, besides his labor? What did Mrs. Garner get for Paul F? More than nine hundred dollars? How much more? Ten dollars? Twenty?

Related Characters: Sethe, Halle, Paul D
Page Number and Citation: 269
Explanation and Analysis:
Still consumed by memories of Sweet Home, Paul D wonders about the economics of slavery. He starts to brainstorm the costs that might have been paid for other slaves on the plantation. This description emphasizes once more the dehumanizing way that slaveowners interacted with their slaves. Whereas earlier descriptions pointed out how slaves were likened to animals, this passages views them as commodities for sale. That each person can be affixed with a certain price point condenses their identity into a single interchangeable number. Even more insidiously, this mindset seems to have infiltrated Paul D. He takes on the language Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam

Part 3, Chapter 26 Quotes

Yet [Denver] knew Sethe’s greatest fear was...that Beloved might leave.... Leave before Sethe could make her realize that far worse than [death]...was what Baby Suggs died of, what Ella knew, what Stamp saw and what made Paul D tremble. That anybody white could take your whole self for anything that came to mind. Not just work, kill, or maim you, but dirty you. Dirty you so bad you couldn’t like yourself anymore. Dirty you so bad you forgot who you were and couldn’t think it up.

Related Characters: Denver, Sethe, Beloved, Baby Suggs, Ella, Stamp Paid, Paul D
Page Number and Citation: 295
Explanation and Analysis:
As life at 124 grows ever worse, Denver reflects on what is motivating Sethe to acquiesce to Beloved’s wishes. Sethe, she explains, wants to prove to Beloved that her infanticide offered her a better end than she would have had alive under slavery. This passage casts Sethe’s relationship with Beloved in a somewhat different light than before. Whereas earlier sections justified her actions as derived from pure affection, this passage presents them as seeking some kind of repentance or justice. That Sethe wants Beloved to “realize” that another fate (slavery) was “far worse” reveals a wish for acceptance and forgiveness Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Ten

Part 3, Chapter 28 Quotes

They forgot her like a bad dream. After they made up their tales, shaped and decorated them, those that saw her that day on the porch quickly and deliberately forgot her. It took longer for those who had spoken to her, lived with her, fallen in love with her, to forget... In the end, they forgot her too.

Related Characters: Beloved
Page Number and Citation: 323-324
Explanation and Analysis:
In this novel’s final chapter, the narrator describes the outcome of Beloved’s disappearance. She explains that Beloved soon faded from the town’s communal memory. That Beloved is described as a “bad dream” emphasizes her spectral and haunted nature. At this point, she is not deemed to be Sethe’s actual child, but rather an abstract embodiment of the horrors of slavery. As a result, she takes on different meanings for different members of the town. They “made up their tales,” thus fitting her into personal narratives, but those narratives soon diverge from actual memories as they “deliberately forgot her.” Morrison here Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam offici

This is not a story to pass on.

Related Literary Devices:
Page Number and Citation: 324
Explanation and Analysis:
At the novel’s conclusion, the narrator reflects on the storytelling process itself. She claims that the tale ought to remain, ironically, untold. This line uses a normative tense—“this is not”—to make a decisive, moral statement on the story. Morrison seems to take up the belief of her characters’ that certain narrative and personal histories belong to the past and should not be retold or re-experienced. Yet it is deeply ironic that this line appears at the end of a novel: Morrison has clearly decided that the story is worth passing on to her readership as she has just told it. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur e
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