LitCharts assigns a color and icon to each theme in Bonjour Tristesse, which you can use to track the themes throughout the work.
Coming of Age
Love vs. Passion
Decadence and Self-Destruction
Control
Summary
Analysis
Cécile, as narrator, takes a step back to reflect on Raymond’s character. She describes him as “neither vain nor selfish, but just incurably frivolous.” She values her relationship to her father above all others, and the devastation she felt when it seemed he was “abandoning” her was more painful than anything she had experienced in life up to that point. Cécile knows that whenever Raymond left a social event to take her home on their evenings out together, he must surely have been missing out on what Charles Webb would call “a fine chance.”
Cécile’s recognition of Raymond’s “incurably frivolous” personality shows that she is capable of reflecting honestly on her father and his lifestyle, even if that reflecting forces her to acknowledge his less positive traits. Cécile’s reflections in this scene also shed light on the real reason she is so determined to come between Anne and Raymond: she fears her father is “abandoning” her and doesn’t want to lose him. At 17, Cécile is still a child, and her apprehension and vulnerability is understandable.
Active
Themes
Cécile describes Raymond as being totally honest and practical about his emotions. She knows that he considered his longing for Elsa as “a nuisance” rather than a moral plight. She also knows that Anne, with her smarts and subdued temperament, offers a distinct but welcome change from the type of woman Raymond usually goes for. Looking back, though, Cécile doesn’t think her father really understood the depth of Anne’s feelings for him: “He thought of her as the ideal mistress and an ideal mother for me, but I do not think he visualized her as the ideal wife for himself, with all this implied.” Cécile admits that she didn’t consider Raymond when she formulated her plan to get rid of Anne, having assumed that Raymond would simply start a new affair with a new woman.
Cécile’s reflections in the first section of this chapter also implicitly remind readers that Cécile is narrating her story from an unspecified point after the novel’s main events have occurred, with the benefit of hindsight. Knowing this, the contemplative and subtly remorseful tone she adopts here and elsewhere in the novel seems to foreshadow a sad or even tragic end to the summer holiday. In particular, her comment about Raymond not realizing how deeply Anne cared for him seems to imply that the relationship doesn’t work out, though it’s not yet clear how or why that came to be. Cécile’s observations made in hindsight also have a more mature and honest tone, showing how age and experience have made her wiser and more contemplative than she was at 17.
Active
Themes
Cécile guesses it was Raymond’s fear of aging that compelled him to pine for Elsa. She thinks he must have wished to tell Anne to let him be with Elsa “for just one day” in order to “prove to [him]self” that he is “not an old fogey.” Cécile knows this would have been impossible however, as Anne had chosen to live with Raymond “on her own terms.” Cécile recognizes, in retrospect, that Anne’s perspective is totally reasonable. Looking back, Cécile knows she could have orchestrated a situation that would allow Raymond to satisfy his craving for Elsa once and for all—she could have invited Anne to accompany her to Nice, leaving Raymond alone to do as he pleased. They would have returned to Raymond, and he and Anne could have forged ahead with their life together as planned. But that’s not what happened.
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Active
Themes
The holiday continues. Encouraged by her simmering hatred for Anne’s disapproval of Cécile and Raymond’s carefree lifestyle, Cécile does everything she can to stoke Raymond’s attraction to Elsa, and she no longer feels guilty about it. Meanwhile, Cécile continues to see Cyril and have sex with him in secret. Cyril feels increasingly guilty for the role he has played in coming between Anne and Raymond. Cécile tries to convince him that they need Anne out of the picture if they want to continue their relationship.
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