She had watched him from the same hammock and in the same position in which I found her prostrated by the last lights of old age when I returned to this forgotten village, trying to put the broken mirror of memory back together from so many scattered shards. She could barely make out shapes in full light and had some medicinal leaves on her temples for the eternal headache that her son had left her the last time he went through the bedroom. She was on her side, clutching the cords at the head of the hammock as she tried to get up, and there in the half shadows was the baptistry smell that had startled me on the morning of the crime.
No sooner had I appeared on the threshold than she confused me with the memory of Santiago Nasar.
In this paragraph, which appears early in the first chapter, the Narrator reveals just how much time has elapsed since Santiago’s murder. And yet for the Narrator and the inhabitants of the “forgotten village,” the… (153 more words in this explanation)
But she couldn't avoid a wave of fright as she remembered Santiago Nasar's horror when she pulled out the insides of a rabbit by the roots and threw the steaming guts to the dogs.
“Don't be a savage,” he told her. “Make believe it was a human being.”
Victoria Guzmán needed almost twenty years to understand that a man accustomed to killing defenseless animals could suddenly express such horror.
On the morning of his murder, Santiago enters his kitchen to find the cook, Victoria Guzmán, disemboweling rabbits. The image, with a kind of brute force, grimly foreshadows the violence that will befall Santiago. As… (136 more words in this explanation)
No one could understand such fatal coincidences. The investigating judge who came from Riohacha must have sensed them without daring to admit it, for his impulse to give them a rational explanation was obvious in his report. The door to the square was cited several times with a dime-novel title: “The Fatal Door.”
The Narrator is referring here to Santiago’s unusual decision, on the morning of his death, to exit his house through the front door, thus inviting the attention of the Vicario twins (who are waiting across… (204 more words in this explanation)
What happened, according to her, was that the boat whistle let off a shower of compressed steam as it passed by the docks, and it soaked those who were closest to the edge. It was a fleeting illusion: the bishop began to make the sign of the cross in the air opposite the crowd on the pier, and he kept on doing it mechanically afterwards, without malice or inspiration, until the boat was lost from view and all that remained was the uproar of the roosters.
Just moments before Santiago Nasar is murdered, the Bishop, whose arrival the whole town—including Santiago—has been eagerly awaiting, passes by on his boat without stopping. Here the narrator recounts what he heard of the snub… (144 more words in this explanation)
I met him a short while after she did, when I came home for Christmas vacation, and I found him just as strange as they had said. He seemed attractive, certainly, but far from Magdalena Oliver's idyllic vision. He seemed more serious to me than his antics would have led one to believe, and with a hidden tension that was barely concealed by his excessive good manners.
Here the Narrator remembers meeting the outsider Bayardo San Román for the first time, after hearing his mother sing the man’s praises for months. The Narrator has already heard how impressive Bayardo is to the… (107 more words in this explanation)
The parents' decisive argument was that a family dignified by modest means had no right to disdain that prize of destiny. Angela Vicario only dared hint at the inconvenience of a lack of love, but her mother demolished it with a single phrase:
“Love can be learned too.”
Bayardo has sprung a marriage proposal on Angela Vicario. Actually, to be more precise, he has sprung the proposal on her parents. Angela barely knows the strange, rich man, and certainly doesn’t love him. Her… (192 more words in this explanation)
They insisted that even the most difficult of husbands resigned themselves to anything as long as nobody knew about it. They convinced her, finally, that most men came to their wedding night so frightened that they were incapable of doing anything without the woman's help, and at the moment of truth they couldn't answer for their own acts. “The only thing they believe is what they see on the sheet,” they told her. And they taught her old wives’ tricks to feign her lost possession, so that on her first morning as a newlywed she could display open under the sun in the courtyard of her house the linen sheet with the stain of honor.
In this passage, Angela Vicario’s closest confidants try to coach her on how to conceal her lack of virginity from Bayardo, and reassure her in no uncertain terms that the town’s obsession with virginity is… (136 more words in this explanation)
She only took the time necessary to say the name. She looked for it in the shadows, she found it at first sight among the many, many easily confused names from this world and the other, and she nailed it to the wall with her well-aimed dart, like a butterfly with no will whose sentence has always been written.
Here the Narrator attempts to imagine how Angela Vicario came up with Santiago’s name when her brothers asked her who deflowered her. The Narrator’s description betrays his suspicion that Santiago had nothing to do with… (125 more words in this explanation)
So he put the knife in his hand and dragged him off almost by force in search of their sister’s lost honor.
“There's no way out of this,” he told him. “It's as if it had already happened.”
After their knives are confiscated and their plans foiled by Colonel Lázaro Aponte, the Vicario twins have a disagreement over whether to get new knives and continue on. Pablo, otherwise the more passive of the… (155 more words in this explanation)
Santiago Nasar had an almost magical talent for disguises, and his favorite sport was to confuse the identities of the mulatto girls. He would rifle the wardrobe of some to disguise the others, so that they all ended up feeling different from themselves and like the ones they weren't. On a certain occasion, one of them found herself repeated in another with such exactness that she had an attack of tears. “I felt like I'd stepped out of the mirror,” she said.
The Narrator presents this mysterious description of Santiago’s wily antics when he is recounting their time at María Alejandrina Cervantes’ brothel. It is one of the few direct descriptions of Santiago’s character—his hobbies and his… (76 more words in this explanation)
“The truth is I didn't know what to do,” he told me. “My first thought was that it wasn't any business of mine but something for the civil authorities, but then I made up my mind to say something in passing to Plácida Linero.” Yet when he crossed the square, he’d forgotten completely. “You have to understand,” he told me, “that the bishop was coming on that unfortunate day.” At the moment of the crime he felt such despair and was so disgusted with himself that the only thing he could think of was to ring the fire alarm.
The Narrator presses Father Amador to explain why he did nothing to prevent the crime when it was completely in his power to do so, and this is the answer Father Amador offers. His complacence… (92 more words in this explanation)
They gave us back a completely different body. Half of the cranium had been destroyed by the trepanation, and the lady-killer face that death had preserved ended up having lost its identity. Furthermore, the priest had pulled out the sliced-up intestines by the roots, but in the end he didn't know what to do with them, and he gave them an angry blessing and threw them into the garbage pail.
The Narrator offers this description of Santiago’s body after Father Amador has completed his clumsy autopsy. The passage shows in gruesome detail the transformative quality of violence—how it reduces Santiago to a mere thing, or… (98 more words in this explanation)
For the immense majority of people there was only one victim: Bayardo San Román. They took it for granted that the other actors in the tragedy had been fulfilling with dignity, and even with a certain grandeur, their part of the destiny that life had assigned them.
Here the Narrator explains that, in the days following the murder, Santiago’s burial, the arrest of the Vicario twins, and the flight of the Vicario family, the townspeople reserve all of their pity for Bayardo… (70 more words in this explanation)
She became lucid, overbearing, mistress of her own free will, and she became a virgin again just for him, and she recognized no other authority than her own nor any other service than that of her obsession.
After Santiago’s murder, Angela Vicario falls mysteriously in love with Bayardo, and she begins writing to him every day. Here the narrator explains that her obsession allows her to transcend, in a certain sense, the… (80 more words in this explanation)
For years we couldn't talk about anything else. Our daily conduct, dominated then by so many linear habits, had suddenly begun to spin around a single common anxiety. The cocks of dawn would catch us trying to give order to the chain of many chance events that had made absurdity possible, and it was obvious that we weren't doing it from an urge to clear up mysteries but because none of us could go on living without an exact knowledge of the place and the mission assigned to us by fate.
In this paragraph, which opens the final chapter, the Narrator explains the lasting effects of Santiago’s murder, and the community’s methods of confronting their own complicity in it. While their lives before the murder had… (70 more words in this explanation)
He was so perplexed by the enigma that fate had touched him with, that he kept falling into lyrical distractions that ran contrary to the rigor of his profession. Most of all, he never thought it legitimate that life should make use of so many coincidences forbidden literature, so that there should be the untrammeled fulfillment of a death so clearly foretold.
Here the Narrator describes the young, exuberant Magistrate who comes to investigate the murder. The Magistrate’s tendency toward “lyrical distraction” and his habit of interpreting the murder through the lens of literature is another one… (82 more words in this explanation)
They were sitting down to breakfast when they saw Santiago Nasar enter, soaked in blood and carrying the roots of his entrails in his hands. Poncho Lanao told me: “What I'll never forget was the terrible smell of shit.” But Argénida Lanao, the oldest daughter, said that Santiago Nasar walked with his usual good bearing, measuring his steps well, and that his Saracen face with its dashing ringlets was handsomer than ever. As he passed by the table he smiled at them and continued through the bedrooms to the rear door of the house.
After he is brutally stabbed by the Vicario twins, Santiago passes through his neighbor’s house in order to reach his own back door. He does this automatically, as it is a kind of ritual he… (71 more words in this explanation)