Clear Light of Day
by Anita Desai
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Baba Character Analysis

Baba is the youngest Das sibling, who faces a lifelong developmental disability. He never learns to speak more than the occasional word and cannot make complex decisions, although he understands most of what is going on around him and enjoys physical games like marbles and bagatelle. He spends most of his time on repetitive activities, like throwing pebbles and particularly listening to his gramophone, and he ironically becomes the head of the family business after Mr. Sharma explains that he need only go into the office and sign paperwork. Desai briefly gives the reader a view of his inner world when his gramophone needle wears out and he runs off into the street during Part I. The novel’s climax involves Bim, who has taken care of him ever since Aunt Mira’s death, taking out her anger on him and telling him he will have to move to Raja’s house in Hyderabad. His visible disappointment conceals a much deeper sorrow, and she immediately regrets and takes back her statement. Baba serves as an essentially innocent but dependent character whose disability leaves him stuck in the past—particularly as he spends decades living in the same room and listening to the same old records from the 1940s. In this sense, the novel draws a clear analogy between his personal trajectory on the one hand, and the tragedy of India’s Partition and Old Delhi’s gradual decline on the other.

Baba Quotes in Clear Light of Day

The Clear Light of Day quotes below are all either spoken by Baba or refer to Baba. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Family, Love, and Forgiveness Theme Icon
).

Part 1 Quotes

“Old Delhi does not change. It only decays. My students tell me it is a great cemetery, every house a tomb. Nothing but sleeping graves. Now New Delhi, they say is different. That is where things happen. The way they describe it, it sounds like a nest of fleas. So much happens there, it must be a jumping place. I never go. Baba never goes. And here, here nothing happens at all. Whatever happened, happened lone ago—in the time of the Tughlaqs the Khiljis the Sultanate, the Moghuls—that lot.” She snapped her fingers in time to her words smartly. “And then the British built New Delhi and moved everything out. Here we are left rocking on the backwaters, getting duller and greyer I suppose. Anyone who isn’t dull and grey goes away—to New Delhi, to England, to Canada, the Middle East. They don’t come back.”

Related Characters: Bim (speaker), Tara, Baba, Bakul
Related Symbols: The Das House
Page Number and Citation: 5
Explanation and Analysis:
When Tara first returns to her family home at the beginning of Part I, she remarks that little seems to have changed and reminisces with Bim about their childhood, unhappy as it may have been. Bim gives her this speech about Old Delhi, which establishes an ongoing metaphorical link between the city, the Das household, and Bim herself. All three change only by decaying: their essences remain the same, and they do not grow or adapt to the times. Yet they are all also full of rich history and tradition, which historians like Bim cherish but modern types are often Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum.

[Tara] was prevented from explaining herself by the approach of a monstrous body of noise that seemed to be pushing its way out through a tight tunnel, rustily grinding through, and then emerged into full brassy volume, making the pigeons that lived on the ledge under the veranda ceiling throw up their wings and depart as if at a shot.

Related Characters: Tara, Baba, Bim
Related Symbols: Baba’s Gramophone
Page Number and Citation: 7
Explanation and Analysis:
Baba’s decades-old gramophone screeches alive unexpectedly, interrupting a conversation between Tara and Bim. Tara is surprised to hear that he still has the same machine and handful of old records from the 1940s (although readers will later learn that Raja tried to buy him a newer model, but he refused to use it). But more importantly, she notes that the sound is deafening to the point of being all-consuming: Baba plays his records so loud that it’s difficult to have any sort of conversation, or even be alone with one’s thoughts. Tara is disappointed to see that Bim simply accepts Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt.

The ice-cream did have, she had to admit, a beneficial effect all round: in a little while, as the students began to leave the house, prettily covering their heads against the sun with coloured veils and squealing as the heat of the earth burnt through their slippers, the gramophone in Baba’s room stirred and rumbled into life again. Tara was grateful for it. She wished Bakul could see them now—her family.

Related Characters: Tara, Bakul, Bim, Baba
Related Symbols: Baba’s Gramophone
Page Number and Citation: 20
Explanation and Analysis:
Tara’s first day back in Delhi is full of disappointment and frustration. The house is decaying, Bim is inflexible and cold, and Baba panics and runs out into the street. Additionally, Bakul criticizes Tara’s family, tries to force her to spend the day with his family instead, and gets angry when she refuses. But then, Bim’s students come over to the house for a tutoring session, and the ice cream man follows. In the sweltering Delhi summer afternoon—the sunlight of the book’s title—Tara suddenly finds herself at ease. Seeing Bim and Baba in their respective elements, Tara remembers what she Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae

You must remember that when I left you, I promised I would always look after you, Bim. When Hyder Ali Sahib was ill and making out his will, Benazir herself spoke to him about the house and asked him to allow you to keep it at the same rent we used to pay him when father and mother were alive. He agreed—you know he never cared for money, only for friendship—and I want to assure you that now that he is dead and has left all his property to us, you may continue to have it at the same rent, I shall never think of raising it or of selling the house as long as you and Baba need it. If you have any worries, Bim, you have only to tell—Raja.

Related Characters: Raja (speaker), Hyder Ali , Bim, Baba, The Das Mother, Benazir, The Das Father
Related Symbols: The Das House
Page Number and Citation: 27
Explanation and Analysis:
This passage is from Raja’s letter to Bim, which he clearly meant in good faith but which she took as a grave insult. This early in the novel, readers still do not know the whole backstory about Raja’s relationship with Hyder Ali (who was like a father to him) and his marriage to Benazir. But it is clear that Raja has inherited Hyder Ali’s property, including the family’s house, and is trying to accommodate Bim, who has chosen to stay there with Baba. There are many reasons this could irritate Bim—perhaps she cannot stand the prospect of her brother becoming Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem

Part 2 Quotes

“Now I understand why you do not wish to marry. You have dedicated your life to others—to your sick brother and your aged aunt and your little brother who will be dependent on you all his life. You have sacrificed your own life for them.”

Related Characters: Dr. Biswas (speaker), Tara, Aunt Mira, Baba, Raja, Bim
Page Number and Citation: 97
Explanation and Analysis:
Dr. Biswas tells Bim this at the end of their final meeting. She has long written off the prospect of marrying him, and he has finally figured it out. Yet it’s unclear whether he says this out of bitterness or sincerity—after all, he is consistently awkward and has little sense of what is socially appropriate. Of course, it’s true that Bim is sacrificing her time and many of her plans to take care of Raja, Mira, and Baba—and some readers might even think that her decision to stay in Delhi for the rest of her life instead of moving onto Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequ

“I have to go. Now I can go. I have to begin my life some time, don’t I? You don’t want me to spend all my life down in this hole, do you? You don’t think I can go on living just to keep my brother and sister company, do you?”

[…]

“Bim, I’ll come back,” he said. “I’m leaving all my books and papers with you. Look after them till I come back.”

“Why should you come back?” Bim asked stonily.

“Bim, don’t be so hard. You know I must come back—to look after you and Baba. I can’t leave you alone.”

Related Characters: Raja (speaker), Bim (speaker), Hyder Ali , Baba
Related Symbols: The Das House
Page Number and Citation: 100-101
Explanation and Analysis:
After recovering from his tuberculosis, Raja frantically leaves Delhi to join Hyder Ali in Hyderabad. As he packs his things, he justifies his departure by insisting that he has no choice: he has to live the life he has planned; he cannot stay in Delhi just because Bim and Baba are there. Somehow, it doesn’t occur to him that Bim has done precisely what he insists he can’t possibly do, staying in Delhi and putting her studies on hold to care for him, Baba, and Aunt Mira. But as he actually gets in the car to go away, he promises Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Q

Part 3 Quotes

No one could help noticing how slow he was to learn such baby skills as turning over, sitting up, smiling in response, talking, standing or walking. It all seemed to take an age with him. He seemed to have no desire to reach out and take anything. It was as if his parents, too aged, had given birth to a child without vitality or will—all that had gone into the other, earlier children and there had been none left for this last, late one. […] His mother soon tired of carrying him about, feeding him milky foods with a silver spoon, washing and powdering him. […] “My bridge is suffering,” she complained. There was the ayah of course, Tara’s ayah made nurse again, but she could only be made to work twelve hours a day, or sixteen, or eighteen, not more. She could not stay awake for twenty-four.

Related Characters: The Das Mother (speaker), Baba, The Ayah, Aunt Mira, Tara
Page Number and Citation: 103
Explanation and Analysis:
Shortly after Baba’s birth, it immediately becomes clear to everybody that there is something out of the ordinary about him. Rather than engaging with the world around him, he just passively stares at it. He does not develop interests, make friends, or even talk. Clearly, he needs special support—but instead of making an extra effort to get him this support, his mother just gives up on him instead and blames the ayah (nanny) for his issues. She puts her own preferences above her baby’s needs, and so she withdraws—just as she does with all of her other children. While her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam offici

They grew around her knees, stubby and strong, some as high as her waist, some rising to her shoulders. She felt their limbs, brown and knobby with muscle, hot with the life force. They crowded about her so that they formed a ring, a protective railing about her. Now no one could approach, no threat, no menace. Their arms were tight around her, keeping her for themselves. They owned her and yes, she wanted to be owned. She owned them too, and they needed to be owned. Their opposing needs seemed to mingle and meet at the very roots, inside the soil in which they grew.

Related Characters: Aunt Mira, Tara, Bim, Baba, Raja
Page Number and Citation: 111
Explanation and Analysis:
Desai explains how Aunt Mira’s relationship with the Das siblings changed over time by analogizing them all to trees. Aunt Mira is like a strong older tree and the children like the younger ones that grow together in its shadow. But inevitably, they outgrow her, robbing her of her special role and sense of purpose. Notably, this passage emphasizes that the protection is mutual: Aunt Mira may help the children grow at first by providing a safe and enriching environment for them, but they also form “a protective railing” for her, serving as a buffer between her and the harshness Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibu

“I shall earn my own living—and look after Mira-masi and Baba and—and be independent. There’ll be so many things to do—when we are grown up—when all this is over—” and she swept an arm out over the garden party, dismissing it. “When we are grown up at last—then—then—” but she couldn’t finish for emotion, and her eyes shone in the dusk.

Related Characters: Bim (speaker), Aunt Mira, Baba, Tara, Misra Sisters (Jaya and Sarla)
Page Number and Citation: 140-141
Explanation and Analysis:
At the Misra sisters’ joint engagement party, Bim and Tara have a rare heart-to-heart about their dreams and plans for the future. Tara admits to Bim that she wants to be like the Misras: she wants to marry as soon as possible, then move away from home. But Bim explains that she has higher hopes for herself. Given her outstanding performance at school, she knows that she can have a successful career and be independent—or trade a woman’s life for a man’s, according to colonial India’s gender norms. But she doesn’t think she has to choose between this and the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum

Part 4 Quotes

She had not known she was going to say that till she had said it. She had only walked in to talk to Baba—cut down his defence and demand some kind of a response from him, some kind of justification from him for herself, her own life, her ways and attitudes, like a blessing from Baba. She had not known she would be led into making such a threat, or blackmailing Baba. She was still hardly aware of what she had said, only something seemed to slam inside her head, painfully, when she looked at Baba.

Related Characters: Baba, Raja, Bim, Tara
Page Number and Citation: 163-164
Explanation and Analysis:
As her fury at Tara and Raja grows, Bim starts behaving in increasingly erratic, reckless, and even cruel ways. She starts planning to sell the family’s shares in their insurance business over Tara and Bakul’s objections, and eventually, she even turns against Baba, telling him that he may have to move in with Raja in Hyderabad if she does ultimately sell the shares. Baba responds with his characteristic silence and a glance of disappointment and fear that Bim alone is capable of recognizing. Bim quickly catches herself, reminds herself that Baba is absolutely innocent, and starts wondering how she reached Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus

Although it was shadowy and dark, Bim could see as well as by the clear light of day that she felt only love and yearning for them all, and if there were hurts, these gashes and wounds in her side that bled, then it was only because her love was imperfect and did not encompass them thoroughly enough, and because it had flaws and inadequacies and did not extend to all equally.

Related Characters: Baba, Bim, The Das Father, The Das Mother, Tara, Raja
Page Number and Citation: 165
Explanation and Analysis:
The novel’s title comes from this description of Bim’s epiphany about the importance of love and the power of forgiveness. As she takes a broader view of her life and relationships, she realizes that she is essentially choosing her own unhappiness: while her siblings are willing to forgive and seek reconciliation, she has been the holdout. The solution to her “gashes and wounds” is not to push her loved ones away and sink deeper into isolation, but rather to learn to love them better—which requires accepting their shortcomings and their mistakes in the past. Specifically, she realizes that her resentment Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. N

“Shall I tell Raja—?”

“Yes,” Bim urged, her voice flying, buoyant. “Tell him how we’re not used to it—Baba and I. Tell him we never travel any more. Tell him we couldn’t come—but he should come. Bring him back with you, Tara—or tell him to come in the winter. All of them. And he can see Sharma about the firm—and settle things. And see to Hyder Ali’s old house—and repair it. Tell him I’m—I’m waiting for him—I want him to come—I want to see him.”

As if frightened by this breakdown in Bim’s innermost self, this crumbling of a great block of stone and concrete, a dam, to release a flood of roaring water, Tara unexpectedly let go Bim’s hand and fell forwards into the car.

Related Characters: Bim (speaker), Tara (speaker), Hyder Ali , Mr. Sharma, Baba, Raja
Related Symbols: The Das House
Page Number and Citation: 175-176
Explanation and Analysis:
This is Tara and Bim’s final exchange before Tara and her family depart for Hyderabad. Bim agrees not just to see Raja, and not just to work toward repairing their relationship, but also to reintegrate him into all the family dynamics and decisions from which she has excluded him for so long. In this way, she chooses forgiveness over resentment and brings the novel’s main conflict to a resolution. Given Bim’s lifelong pattern of extreme stubbornness, Tara is astonished to see her open up and decide to leave behind a decades-old feud in a matter of days. Bim’s very “innermost Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperia
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Baba Character Timeline in Clear Light of Day

The timeline below shows where the character Baba appears in Clear Light of Day. The colored dots and icons indicate which themes are associated with that appearance.
Part 1
Family, Love, and Forgiveness Theme Icon
Memory, Change, and Identity Theme Icon
...move away. Tara notes that Bim didn’t, and Bim replies that she and their brother Baba don’t travel, unlike Tara and her husband Bakul. Bim bitterly asks if Tara wishes Raja... (full context)
Family, Love, and Forgiveness Theme Icon
Memory, Change, and Identity Theme Icon
Art and Social Divisions Theme Icon
...compare it to a cemetery and prefer the activity of New Delhi, but Bim and Baba never leave. Most people who leave go forever. But Tara notes that she and Bakul... (full context)
Family, Love, and Forgiveness Theme Icon
Memory, Change, and Identity Theme Icon
Art and Social Divisions Theme Icon
Baba’s record-player screeches on, and Tara notices Bakul sitting on the veranda, waiting for tea. Walking... (full context)
Family, Love, and Forgiveness Theme Icon
...summer vacation. Bakul says that he and Tara should visit his relatives, and Bim asks Baba several times if he will go in to the office. He smiles, obliviously stares at... (full context)
Family, Love, and Forgiveness Theme Icon
Memory, Change, and Identity Theme Icon
Gender and Indian Culture Theme Icon
...fruit, and laments that her daughters don’t understand “such rustic pleasures.” She wonders why Bim, Baba, and the house haven’t changed, and she decides that Bakul is right to resent them. (full context)
Family, Love, and Forgiveness Theme Icon
Tara finds Baba sitting on the bed and listening to the gramophone in his large, empty room. She... (full context)
Family, Love, and Forgiveness Theme Icon
Gender and Indian Culture Theme Icon
Baba’s record starts to repeat due to his gramophone’s worn-out needle, so he throws it away... (full context)
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Memory, Change, and Identity Theme Icon
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Art and Social Divisions Theme Icon
...from a man on his bicycle. She buys one for Tara too, takes one into Baba’s room, and then jokingly scolds one of her students for giving her leftovers to Badshah.... (full context)
Family, Love, and Forgiveness Theme Icon
Memory, Change, and Identity Theme Icon
Gender and Indian Culture Theme Icon
Art and Social Divisions Theme Icon
...inherited his father-in-law Hyder Ali Sahib’s property but won’t raise the rent on Bim and Baba. Tara remembers Hyder Ali, their onetime landlord, who lived across the street and was greatly... (full context)
Family, Love, and Forgiveness Theme Icon
Memory, Change, and Identity Theme Icon
Art and Social Divisions Theme Icon
Back at home, Tara and Bim pass the sleeping Baba, who looks like a shell of his former self. As they walk through the garden,... (full context)
Part 2
Family, Love, and Forgiveness Theme Icon
Memory, Change, and Identity Theme Icon
Gender and Indian Culture Theme Icon
...go to bed in the early evening, at which time Bim would take her place. Baba would sit near her on the steps to the veranda, playing with pebbles and saying... (full context)
Gender and Indian Culture Theme Icon
Art and Social Divisions Theme Icon
...visits to offer Raja his father’s role in the insurance firm. Raja refuses and proposes Baba take the position, but Bim protests, noting Baba’s cognitive limitations. Sharma assures her that they... (full context)
Memory, Change, and Identity Theme Icon
Art and Social Divisions Theme Icon
...and asks Raja to check on his house. Since Raja is too sick, Bim and Baba go to the house, which is eerily dark and empty, with only some furniture remaining.... (full context)
Memory, Change, and Identity Theme Icon
Gender and Indian Culture Theme Icon
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Bim and Baba find a servant (Bhakta) in his quarters. He tells them to be quiet, lest the... (full context)
Family, Love, and Forgiveness Theme Icon
Memory, Change, and Identity Theme Icon
Gender and Indian Culture Theme Icon
...then trips over her clothes, spilling her bottle. As the gramophone starts to play in Baba’s room next door, Aunt Mira feels that her life is overwhelming her, but can be... (full context)
Gender and Indian Culture Theme Icon
Art and Social Divisions Theme Icon
...starts visiting the family more often to treat both Aunt Mira’s drinking and Raja’s fevers. Baba’s records play constantly, and Bim rushes around the house, trying to hold things together. Dr.... (full context)
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Memory, Change, and Identity Theme Icon
Gender and Indian Culture Theme Icon
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Tara’s marriage, Baba’s gramophone, and Aunt Mira’s alcoholism bring Raja and Bim closer than ever. They spend their... (full context)
Family, Love, and Forgiveness Theme Icon
Gender and Indian Culture Theme Icon
...Bim doesn’t want to marry: she has already sacrificed her own life to care for Baba, Raja, and Aunt Mira. Shocked and offended, Bim attributes this comment to a “grotesque misunderstanding”... (full context)
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...He leaves, taking Hyder Ali’s servant Bhakta with him. Bim sits on the steps with Baba, who plays with his pebbles. She remarks that although they are the only two left,... (full context)
Part 3
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After Baba’s birth, everyone sees how beautiful and quiet he is, but they also notice that he... (full context)
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...power over Aunt Mira, but they also cherish her warmth and attention. She greatly helps Baba, teaching him to eat his own bread, button his own shirt, and play marbles and... (full context)
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...across the Jumna on summer evenings to pick melons straight from the tree. Tara and Baba go to bring them home, and the four siblings all watch Hyder Ali Sahib ride... (full context)
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...her family. Bim declares that she will have her own career and take care of Baba and Aunt Mira. (full context)
Part 4
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...room table. Everything looks orange due to the dust storm. Tara says that Bim and Baba should come to Raja’s daughter Moyna’s wedding for a change of scenery. Noting that Bim... (full context)
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...Moyna’s birth. Raja was fat and brought gifts—pearls for Bim and a new gramophone for Baba—but they didn’t touch either gift. Raja complained that they “know nothing.” Bim wonders if Moyna,... (full context)
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...blood and then flew away, leaving her behind like a dusty heirloom. She looks at Baba and wonders what he thinks of her and whether he would notice if she disappeared. (full context)
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...from Sharma, who needs a family member to go to an important meeting. Bim asks Baba, who stares at his gramophone. She considers going herself or sending Bakul, lamenting that Raja... (full context)
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...whole family should discuss this decision, but Bim says that it’s up to her and Baba now. Bakul proposes asking Raja, and Bim firmly refuses. (full context)
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...pink or blue. But Jaya says that Bim is fine and busy taking care of Baba. Tara explains that Bim doesn’t want to go to the wedding, but Jaya just calls... (full context)
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...eat. She gets furious at having to clean up a dead baby bird, and when Baba keeps playing the song “Don’t Fence Me In,” she goes to his room, turns off... (full context)
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...spends the rest of the day lying still in bed, unsettled by the silence, wishing Baba’s gramophone would fill it. She wonders why she took her anger out on Baba instead... (full context)
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When Bim brings Baba his tea that afternoon, she is relieved to see that he wasn’t punishing her by... (full context)
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...makes tea. The girls spend lots of time listening to music and playing bagatelle with Baba, and when Bakul tries to send them out to buy saris, Tara refuses. (full context)
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...car and say goodbye to the servants. Tara runs back inside, and Bim worries that Baba will try to leave with her. Instead, Tara returns to the car and says that... (full context)
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Bim returns to the veranda. Baba and the cat join her. Bim asks if Baba wanted to attend the wedding, and... (full context)
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One of the Misra sisters, Jaya, comes over to invite Bim and Baba to attend (and help set up for) the youngest Misra brother Mulk’s guru’s birthday party... (full context)