Clear Light of Day
by Anita Desai
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Part 1 Quotes

“But you wouldn’t want to return to life as it used to be, would you?” Bim continued to tease her in that dry voice. “All that dullness, boredom, waiting. Would you care to live that over again? Of course not. Do you know anyone who would—secretly, sincerely, in his innermost self—really prefer to return to childhood?”

Related Characters: Bim (speaker), Tara
Related Symbols: The Das House
Page Number and Citation: 4
Explanation and Analysis:
When Tara arrives to Delhi, one of the first things she remarks to Bim is that the family house seems exactly as before. Bim teases her, first asking if she expected it to change and then asking if there’s really anything positive about it not changing—as she says here, nobody really wants to go back to childhood anyways. While she presents this idea as innocent banter, it’s also entirely true for the Das siblings, whose unhappy childhood continues to haunt them—and drive them apart—more than three decades later. This conversation at the very beginning of the novel foreshadows its central Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus po

“Old Delhi does not change. It only decays. My students tell me it is a great cemetery, every house a tomb. Nothing but sleeping graves. Now New Delhi, they say is different. That is where things happen. The way they describe it, it sounds like a nest of fleas. So much happens there, it must be a jumping place. I never go. Baba never goes. And here, here nothing happens at all. Whatever happened, happened lone ago—in the time of the Tughlaqs the Khiljis the Sultanate, the Moghuls—that lot.” She snapped her fingers in time to her words smartly. “And then the British built New Delhi and moved everything out. Here we are left rocking on the backwaters, getting duller and greyer I suppose. Anyone who isn’t dull and grey goes away—to New Delhi, to England, to Canada, the Middle East. They don’t come back.”

Related Characters: Bim (speaker), Tara, Baba, Bakul
Related Symbols: The Das House
Page Number and Citation: 5
Explanation and Analysis:
When Tara first returns to her family home at the beginning of Part I, she remarks that little seems to have changed and reminisces with Bim about their childhood, unhappy as it may have been. Bim gives her this speech about Old Delhi, which establishes an ongoing metaphorical link between the city, the Das household, and Bim herself. All three change only by decaying: their essences remain the same, and they do not grow or adapt to the times. Yet they are all also full of rich history and tradition, which historians like Bim cherish but modern types are often Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum.

[Tara] was prevented from explaining herself by the approach of a monstrous body of noise that seemed to be pushing its way out through a tight tunnel, rustily grinding through, and then emerged into full brassy volume, making the pigeons that lived on the ledge under the veranda ceiling throw up their wings and depart as if at a shot.

Related Characters: Tara, Baba, Bim
Related Symbols: Baba’s Gramophone
Page Number and Citation: 7
Explanation and Analysis:
Baba’s decades-old gramophone screeches alive unexpectedly, interrupting a conversation between Tara and Bim. Tara is surprised to hear that he still has the same machine and handful of old records from the 1940s (although readers will later learn that Raja tried to buy him a newer model, but he refused to use it). But more importantly, she notes that the sound is deafening to the point of being all-consuming: Baba plays his records so loud that it’s difficult to have any sort of conversation, or even be alone with one’s thoughts. Tara is disappointed to see that Bim simply accepts Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt.

The ice-cream did have, she had to admit, a beneficial effect all round: in a little while, as the students began to leave the house, prettily covering their heads against the sun with coloured veils and squealing as the heat of the earth burnt through their slippers, the gramophone in Baba’s room stirred and rumbled into life again. Tara was grateful for it. She wished Bakul could see them now—her family.

Related Characters: Tara, Bakul, Bim, Baba
Related Symbols: Baba’s Gramophone
Page Number and Citation: 20
Explanation and Analysis:
Tara’s first day back in Delhi is full of disappointment and frustration. The house is decaying, Bim is inflexible and cold, and Baba panics and runs out into the street. Additionally, Bakul criticizes Tara’s family, tries to force her to spend the day with his family instead, and gets angry when she refuses. But then, Bim’s students come over to the house for a tutoring session, and the ice cream man follows. In the sweltering Delhi summer afternoon—the sunlight of the book’s title—Tara suddenly finds herself at ease. Seeing Bim and Baba in their respective elements, Tara remembers what she Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae

You must remember that when I left you, I promised I would always look after you, Bim. When Hyder Ali Sahib was ill and making out his will, Benazir herself spoke to him about the house and asked him to allow you to keep it at the same rent we used to pay him when father and mother were alive. He agreed—you know he never cared for money, only for friendship—and I want to assure you that now that he is dead and has left all his property to us, you may continue to have it at the same rent, I shall never think of raising it or of selling the house as long as you and Baba need it. If you have any worries, Bim, you have only to tell—Raja.

Related Characters: Raja (speaker), Hyder Ali , Bim, Baba, The Das Mother, Benazir, The Das Father
Related Symbols: The Das House
Page Number and Citation: 27
Explanation and Analysis:
This passage is from Raja’s letter to Bim, which he clearly meant in good faith but which she took as a grave insult. This early in the novel, readers still do not know the whole backstory about Raja’s relationship with Hyder Ali (who was like a father to him) and his marriage to Benazir. But it is clear that Raja has inherited Hyder Ali’s property, including the family’s house, and is trying to accommodate Bim, who has chosen to stay there with Baba. There are many reasons this could irritate Bim—perhaps she cannot stand the prospect of her brother becoming Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem

“I still keep it in my desk—to remind me. Whenever I begin to wish to see Raja again or wish he would come and see us, then I take out that letter and read it again. Oh, I can tell you, I could write him such an answer, he wouldn’t forget it for many years either!” She gave a short laugh and ended it with a kind of a choke, saying “You say I should come to Hyderabad with you for his daughter’s wedding. How can I? How can I enter his house—my landlord’s house? I, such a poor tenant? Because of me, he can’t raise the rent or sell the house and make a profit—imagine that. The sacrifice!”

Related Characters: Bim (speaker), Raja, Tara
Related Symbols: The Das House
Page Number and Citation: 28
Explanation and Analysis:
Bim tells Tara why she has kept Raja’s letter (and refused to respond) for so many years. Even though Tara quite justifiably chalks it up to a misunderstanding and encourages Bim to move on, Bim insists that she cannot and will not. Indeed, she even admits that she sometimes wants to reach out to Raja, but she has to use the letter to convince herself not to. This suggests that she has some other, deeper reason for avoiding Raja: perhaps she is afraid of his judgment, envious of him, or angry about something far worse than the rent on the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perfe

Part 2 Quotes

Raja had studied Urdu in school in those days before the Partition when students had a choice between Hindi and Urdu. It was a natural enough choice to make for the son of a Delhi family: Urdu had been the court language in the days of the Muslim and Moghul rulers and had persisted as the language of the learned and the cultivated. Hindi was not then considered a language of great pedigree; it had little to show for itself in its modern, clipped, workaday form, and its literature was all in ancient, extinct dialects. Raja, who read much and had a good ear, was aware of such differences.

Related Characters: Raja
Page Number and Citation: 47
Explanation and Analysis:
This passage explains how Raja first became interested in Urdu and why Urdu had such a special place in Delhi before the Partition. It also points to some of the reasons why the difference between Hindi and Urdu remains so controversial. In reality, they are two different versions of the same language: Delhi’s rulers infused the language with Persian influences and wrote it in the Persian (or Arabic) script, turning it into Urdu, while the Hindu population continued using a more Sanskrit-influenced version of the language, which became Hindi. Delhi’s high culture—including its literature—was virtually all in Urdu, even during Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque i

“This is no college for you. It is a Jamia Millia form.”

“That is where I want to study. I went there to get a form.”

“You can’t study there,” his father said, taking the cigar out of his mouth and spitting out a shred of tobacco. “It is a college for Muslim boys.”

“No, anyone can go there who wants to specialise in Islamic studies.”

Related Characters: Raja (speaker), The Das Father (speaker)
Page Number and Citation: 51
Explanation and Analysis:
When Raja reveals that he wants to go to the Jamia Millia Islamic College to study Urdu poetry, this is his father’s reaction. Without hesitation, his father says that a Hindu boy cannot study at an Islamic college in India in the 1940s. This decision is more about cynicism than bigotry: Raja’s father knows that religious tensions are on the rise in India, particularly as Muslim leaders are calling for the formation of a separate Muslim state called Pakistan, and this means it could be dangerous for a Hindu boy to study at an Islamic college. Muslim students may be Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Mole

She needed protection. She wanted help. She reached out for the hand that would help her, protect her …

… Here it was. Here, in this tall, slim coolness just by her hand, at the tips of her fingers. If she got her fingers around it, its slender pale glassiness, and then drew it closer, close to her mouth, she could close her lips about it and suck, suck little, little sips, with little, little juicy sounds, and it would be so sweet, so sweet again, just as when they were little babies, little babies for her to feed, herself a little baby sucking, sucking at the little trickle of juice that came hurrying in, sliding in …

And she sucked and laughed and sucked and cried.

Related Characters: Aunt Mira, Tara, Raja, Bim
Related Symbols: Baba’s Gramophone
Page Number and Citation: 78-79
Explanation and Analysis:
This is one of Desai’s haunting descriptions of Aunt Mira’s descent into alcoholism, which not coincidentally begins after Bim and Raja grow up and Tara marries Bakul and moves away. Without the children and work that gave her life a sense of purpose, Aunt Mira finds life itself slipping outside her control. It is too lonely, cold, and overwhelming, so she turns to alcohol—which, as this passage illustrates, promises to protect her from the harsh realities of the world (kind of like motherhood does for Tara, poetry does for Raja, history does for Bim, and the gramophone does for Baba). Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corpo

“Now I understand why you do not wish to marry. You have dedicated your life to others—to your sick brother and your aged aunt and your little brother who will be dependent on you all his life. You have sacrificed your own life for them.”

Related Characters: Dr. Biswas (speaker), Tara, Aunt Mira, Baba, Raja, Bim
Page Number and Citation: 97
Explanation and Analysis:
Dr. Biswas tells Bim this at the end of their final meeting. She has long written off the prospect of marrying him, and he has finally figured it out. Yet it’s unclear whether he says this out of bitterness or sincerity—after all, he is consistently awkward and has little sense of what is socially appropriate. Of course, it’s true that Bim is sacrificing her time and many of her plans to take care of Raja, Mira, and Baba—and some readers might even think that her decision to stay in Delhi for the rest of her life instead of moving onto Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequ

“I have to go. Now I can go. I have to begin my life some time, don’t I? You don’t want me to spend all my life down in this hole, do you? You don’t think I can go on living just to keep my brother and sister company, do you?”

[…]

“Bim, I’ll come back,” he said. “I’m leaving all my books and papers with you. Look after them till I come back.”

“Why should you come back?” Bim asked stonily.

“Bim, don’t be so hard. You know I must come back—to look after you and Baba. I can’t leave you alone.”

Related Characters: Raja (speaker), Bim (speaker), Hyder Ali , Baba
Related Symbols: The Das House
Page Number and Citation: 100-101
Explanation and Analysis:
After recovering from his tuberculosis, Raja frantically leaves Delhi to join Hyder Ali in Hyderabad. As he packs his things, he justifies his departure by insisting that he has no choice: he has to live the life he has planned; he cannot stay in Delhi just because Bim and Baba are there. Somehow, it doesn’t occur to him that Bim has done precisely what he insists he can’t possibly do, staying in Delhi and putting her studies on hold to care for him, Baba, and Aunt Mira. But as he actually gets in the car to go away, he promises Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Q

Part 3 Quotes

Usually the mother did not take exercise. She either sat up at the card table, playing, or lay very still on her bed, with a suffering face tilted upwards in warning so that Tara did not dare approach. Even now she kept her distance. She paced slowly, obediently, her arms folded, her chin sunk into her neck, as if considering a hand of cards, while Tara, in her nightie, skipped and danced after her, her bare feet making tracks through the misty dew on the grass.

Related Characters: The Das Mother, Tara
Page Number and Citation: 102
Explanation and Analysis:
After Part II describes the Das parents’ deaths during the fateful summer of 1947, Part III returns to the siblings’ childhoods and so gives the most complete picture anywhere in the novel of what their parents were actually like—and why they proved so incapable of nurturing their children. In particular, it focuses on the Das mother, who suffered a severe case of diabetes that left her in chronic pain. She struggled to find the energy for much of anything and spent most of her waking hours playing cards with her friends at her country club. But the doctor ordered her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi neces

No one could help noticing how slow he was to learn such baby skills as turning over, sitting up, smiling in response, talking, standing or walking. It all seemed to take an age with him. He seemed to have no desire to reach out and take anything. It was as if his parents, too aged, had given birth to a child without vitality or will—all that had gone into the other, earlier children and there had been none left for this last, late one. […] His mother soon tired of carrying him about, feeding him milky foods with a silver spoon, washing and powdering him. […] “My bridge is suffering,” she complained. There was the ayah of course, Tara’s ayah made nurse again, but she could only be made to work twelve hours a day, or sixteen, or eighteen, not more. She could not stay awake for twenty-four.

Related Characters: The Das Mother (speaker), Baba, The Ayah, Aunt Mira, Tara
Page Number and Citation: 103
Explanation and Analysis:
Shortly after Baba’s birth, it immediately becomes clear to everybody that there is something out of the ordinary about him. Rather than engaging with the world around him, he just passively stares at it. He does not develop interests, make friends, or even talk. Clearly, he needs special support—but instead of making an extra effort to get him this support, his mother just gives up on him instead and blames the ayah (nanny) for his issues. She puts her own preferences above her baby’s needs, and so she withdraws—just as she does with all of her other children. While her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam offici

The girls […] looked through the green tin trunk once again for some remnant of her wedding, of her improbable married life. And there was one: a stripe of crimson and gold edging an untouched Benares silk sari. Since it was white, she had been allowed to retain it, and now it was yellowed like old ivory. The strip of crimson and gold made it impossible for her to wear: taboo. It was wrapped carefully in tissue and laid away like some precious relic. […] It contained Aunt Mira’s past, and the might-have-been future, as floating and elusive as the musk itself. But she would not touch it. When they became insistent, she said, laughing, “All right, when I die, you may dress me in it for the funeral pyre.”

Related Characters: Aunt Mira (speaker), Tara, Bim
Page Number and Citation: 108-109
Explanation and Analysis:
The Das children are curious about Aunt Mira’s past and particularly wonder why she only wears white. Their parents explain that it’s because Aunt Mira is a widow, and Indian women traditionally wear white in mourning for the rest of their lives after being widowed. But Tara and Bim insist that Aunt Mira should shed this baggage now that she lives with them. Adding some color back into her wardrobe would be a way to symbolically reclaim her independence, to define herself in her own way instead of letting the dead husband she barely ever met continue to define her. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint ap

They grew around her knees, stubby and strong, some as high as her waist, some rising to her shoulders. She felt their limbs, brown and knobby with muscle, hot with the life force. They crowded about her so that they formed a ring, a protective railing about her. Now no one could approach, no threat, no menace. Their arms were tight around her, keeping her for themselves. They owned her and yes, she wanted to be owned. She owned them too, and they needed to be owned. Their opposing needs seemed to mingle and meet at the very roots, inside the soil in which they grew.

Related Characters: Aunt Mira, Tara, Bim, Baba, Raja
Page Number and Citation: 111
Explanation and Analysis:
Desai explains how Aunt Mira’s relationship with the Das siblings changed over time by analogizing them all to trees. Aunt Mira is like a strong older tree and the children like the younger ones that grow together in its shadow. But inevitably, they outgrow her, robbing her of her special role and sense of purpose. Notably, this passage emphasizes that the protection is mutual: Aunt Mira may help the children grow at first by providing a safe and enriching environment for them, but they also form “a protective railing” for her, serving as a buffer between her and the harshness Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibu

The water at the bottom was black, with an oily, green sheen. […] The cow had never been hauled out. Although men had come with ropes and pulleys to help the gardener, it had proved impossible. She had been left to rot: that was what made the horror of it so dense and intolerable. The girls stared, scarcely breathing, till their eyes started out of their heads, but no ghostly ship of bones rode the still water. It must have sunk to the bottom and rooted itself in the mud, like a tree. There was nothing to see—neither hoof nor horn nor one staring, glittering eye. The water had stagnated and blackened, closing over the bones like a new skin. But even the new skin was black now and although it stank, it gave away nothing.

Related Characters: The Cow, Bim, Tara
Related Symbols: The Well
Page Number and Citation: 118
Explanation and Analysis:
During a game of hide-and-seek tag with their brother, Bim and Tara venture into the house’s back garden and come face-to-face with the dreaded well, which they have never seen before. They look down inside, heeding their parents’ warnings to be careful not to fall in, and search for any sign of the cow that fell inside and died. This event still haunts the family years later, but they can’t see actual evidence of the event: the cow has long since decomposed, and its bones are hiding somewhere in the well’s invisible deaths. This cow is a metaphor for the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti sol

The girls became infected with something of Raja’s restlessness. It made Bim more ambitious at school […] She was not quite sure where this would lead but she seemed to realize it was a way out. A way out of what? They still could not say, could not define the unsatisfactory atmosphere of their home. They did not realize now that this unsatisfactoriness was not based only on their parents’ continual absence, their seemingly total disinterest in their children, their absorption in each other. The secret, hopeless suffering of their mother was somehow at the root of this subdued greyness, this silent desperation that pervaded the house. Also the disappointment that Baba’s very life and existence were to them, his hopeless future, their anxiety over him. The children could only sense all this, they did not share it, except unwillingly.

Related Characters: The Das Father, Tara, Bim, Raja, The Das Mother
Related Symbols: The Das House
Page Number and Citation: 130
Explanation and Analysis:
The older they grow, the further away from home the Das children begin to set their sights. They do so in different ways: Raja continues dreaming of becoming a poet and Tara of marriage, but Bim looks for a middle ground, a practical and respectable career that can bring her independence. In parallel, the children also start to analyze their family life and understand why they find the prospect of staying at home so dreadful. As this passage explains, while they may not yet fully understand “the unsatisfactory atmosphere of their home,” they now see that their relationship with their Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Veli

“I shall earn my own living—and look after Mira-masi and Baba and—and be independent. There’ll be so many things to do—when we are grown up—when all this is over—” and she swept an arm out over the garden party, dismissing it. “When we are grown up at last—then—then—” but she couldn’t finish for emotion, and her eyes shone in the dusk.

Related Characters: Bim (speaker), Aunt Mira, Baba, Tara, Misra Sisters (Jaya and Sarla)
Page Number and Citation: 140-141
Explanation and Analysis:
At the Misra sisters’ joint engagement party, Bim and Tara have a rare heart-to-heart about their dreams and plans for the future. Tara admits to Bim that she wants to be like the Misras: she wants to marry as soon as possible, then move away from home. But Bim explains that she has higher hopes for herself. Given her outstanding performance at school, she knows that she can have a successful career and be independent—or trade a woman’s life for a man’s, according to colonial India’s gender norms. But she doesn’t think she has to choose between this and the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum

Part 4 Quotes

She had always thought Bim so competent, so capable. Everyone had thought that—Aunt Mira, the teachers at school, even Raja. But Bim seemed to stampede through the house like a dishevelled storm, creating more havoc than order. […] Tara saw how little she had really observed—either as a child or as a grown woman. She had seen Bim through the lenses of her own self, as she had wanted to see her. And now, when she tried to be objective, when she was old enough, grown enough and removed enough to study her objectively, she found she could not—her vision was strewn, obscured and screened by too much of the past.

Related Characters: Tara, Raja, Aunt Mira, Bim
Related Symbols: The Das House
Page Number and Citation: 148
Explanation and Analysis:
As Tara takes stock of Bim’s lifestyle and conflict with Raja, she starts questioning her own previous assumptions about her sister. She had always admired Bim, who did so much better in school and never seemed to doubt herself. But now, she sees that Bim lives in a state of permanent chaos, following whim more than logic. She starts to wonder if her childhood ideas about Bim were too rosy, or if perhaps she has come to remember a different version of Bim than the sister she actually knew as a girl. In other words, Tara’s new perspective on Bim Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus poss

They had come like mosquitoes—Tara and Bakul, and behind them the Misras, and somewhere in the distance Raja and Benazir—only to torment her and, mosquito-like, sip her blood. All of them fed on her blood, at some time or the other had fed—it must have been good blood, sweet and nourishing. Now, when they were full, they rose in swarms, humming away, turning their backs on her.

All these years she had felt herself to be the centre—she had watched them all circling in the air, then returning, landing like birds, folding up their wings and letting down their legs till they touched solid ground. Solid ground. That was what the house had been—the lawn, the rose walk, the guava trees, the veranda: Bim’s domain.

Related Characters: Tara, Misra Brothers (Brij, Manu, and Mulk), Misra Sisters (Jaya and Sarla), Benazir, Raja, Bakul, Bim
Related Symbols: The Das House
Page Number and Citation: 153
Explanation and Analysis:
Bim, Tara, and Bakul spend the evening sulking, drowning in mutual resentment. This is how Bim justifies hers: she feels that all the people she lists here, but most of all Tara and Raja, have benefited from her generosity but refused to repay it in kind. She has spent her whole life giving and giving, hoping that someone will finally give back to her, and it has taken decades to realize that it will not happen. Having stayed in Delhi while the others have left, she associates herself with the family home. After all, it has done much the same: Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti s

She had not known she was going to say that till she had said it. She had only walked in to talk to Baba—cut down his defence and demand some kind of a response from him, some kind of justification from him for herself, her own life, her ways and attitudes, like a blessing from Baba. She had not known she would be led into making such a threat, or blackmailing Baba. She was still hardly aware of what she had said, only something seemed to slam inside her head, painfully, when she looked at Baba.

Related Characters: Baba, Raja, Bim, Tara
Page Number and Citation: 163-164
Explanation and Analysis:
As her fury at Tara and Raja grows, Bim starts behaving in increasingly erratic, reckless, and even cruel ways. She starts planning to sell the family’s shares in their insurance business over Tara and Bakul’s objections, and eventually, she even turns against Baba, telling him that he may have to move in with Raja in Hyderabad if she does ultimately sell the shares. Baba responds with his characteristic silence and a glance of disappointment and fear that Bim alone is capable of recognizing. Bim quickly catches herself, reminds herself that Baba is absolutely innocent, and starts wondering how she reached Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus

Although it was shadowy and dark, Bim could see as well as by the clear light of day that she felt only love and yearning for them all, and if there were hurts, these gashes and wounds in her side that bled, then it was only because her love was imperfect and did not encompass them thoroughly enough, and because it had flaws and inadequacies and did not extend to all equally.

Related Characters: Baba, Bim, The Das Father, The Das Mother, Tara, Raja
Page Number and Citation: 165
Explanation and Analysis:
The novel’s title comes from this description of Bim’s epiphany about the importance of love and the power of forgiveness. As she takes a broader view of her life and relationships, she realizes that she is essentially choosing her own unhappiness: while her siblings are willing to forgive and seek reconciliation, she has been the holdout. The solution to her “gashes and wounds” is not to push her loved ones away and sink deeper into isolation, but rather to learn to love them better—which requires accepting their shortcomings and their mistakes in the past. Specifically, she realizes that her resentment Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. N

“Soul of my soul . . . Now I am going alone. I grieve for your helplessness, but what is the use? Every torment I have inflicted, every sin I have committed, every wrong I have done, I carry the consequences with me. Strange that I came with nothing into the world, and now go away with this stupendous caravan of sin!”

Related Characters: Bim
Page Number and Citation: 167
Explanation and Analysis:
As she contemplates her relationships with her siblings in her study, Bim reads these lines from a history book. They are some of the final words of the great Mughal emperor Aurangzeb, a legendary conqueror who turned India into the world’s largest, richest, and most powerful empire—but also inflicted great pain and suffering on the people he ruled. As he faces mortality, Aurangzeb starts to reinterpret his decisions. What will follow him into the afterlife and define him for posterity, he seems to ask: his greatness or the sins he committed to achieve it? The parallel to Bim’s own situation Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas

“Shall I tell Raja—?”

“Yes,” Bim urged, her voice flying, buoyant. “Tell him how we’re not used to it—Baba and I. Tell him we never travel any more. Tell him we couldn’t come—but he should come. Bring him back with you, Tara—or tell him to come in the winter. All of them. And he can see Sharma about the firm—and settle things. And see to Hyder Ali’s old house—and repair it. Tell him I’m—I’m waiting for him—I want him to come—I want to see him.”

As if frightened by this breakdown in Bim’s innermost self, this crumbling of a great block of stone and concrete, a dam, to release a flood of roaring water, Tara unexpectedly let go Bim’s hand and fell forwards into the car.

Related Characters: Bim (speaker), Tara (speaker), Hyder Ali , Mr. Sharma, Baba, Raja
Related Symbols: The Das House
Page Number and Citation: 175-176
Explanation and Analysis:
This is Tara and Bim’s final exchange before Tara and her family depart for Hyderabad. Bim agrees not just to see Raja, and not just to work toward repairing their relationship, but also to reintegrate him into all the family dynamics and decisions from which she has excluded him for so long. In this way, she chooses forgiveness over resentment and brings the novel’s main conflict to a resolution. Given Bim’s lifelong pattern of extreme stubbornness, Tara is astonished to see her open up and decide to leave behind a decades-old feud in a matter of days. Bim’s very “innermost Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperia

With her inner eye she saw how her own house and its particular history linked and contained her as well as her whole family with all their separate histories and experiences—not binding them within some dead and airless cell but giving them the soil in which to send down their roots, and food to make them grow and spread, reach out to new experiences and new lives, but always drawing from the same soil, the same secret darkness. That soil contained all time, past and future, in it. It was dark with time, rich with time. It was where her deepest self lived, and the deepest selves of her sister and brothers and all those who shared that time with her.

Related Characters: Bim, Misra Brothers (Brij, Manu, and Mulk)
Related Symbols: The Das House
Related Literary Devices:
Page Number and Citation: 182
Explanation and Analysis:
The novel ends with Bim contemplating her siblings’ fate and her decision to forgive them while watching Mulk Misra and his guru sing. She remembers a T.S. Eliot line—“Time the destroyer is time the preserver”—and realizes that time is what has both sundered and reunified her family. As she explains here, the beauty of family is precisely that people can always return to it in a new form. Family gives people the security of consistency, but also permission to change. People’s deep connections to their family members can never completely disappear, even if they separate for decades, like Bim and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi
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