Enuma Elish

by

Anonymous

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Enuma Elish: Tablet 1 Summary & Analysis

Summary
Analysis
Before the skies or earth are named, Apsu, the “begetter,” and Tiamat, the “maker,” dwell together, “[mixing] their waters.” No pastures, reed-beds, or other gods exist; no names have been pronounced, “nor destinies decreed.”
The epic begins before anything else in creation exists, only the two primordial gods, Apsu and Tiamat. None of the landforms that would be familiar to the Babylonian audience yet exists; nothing has been named, and no futures have yet been determined—just the two gods dwelling together.
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Quotes
Then, gods are born within Apsu and Tiamat: Lahmu and Lahamu, Anshar and Kishar. Anshar has a son named Anu, and Anu begets Nudimmud, also called Ea. Each successive generation of gods surpasses the previous one. Nudimmud is “profound of understanding” as well as strong.
The pantheon of Babylonian gods comes into being. As time goes on, the gods become better and better in both wisdom and strength.
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The gods of this generation sometimes get together, and their noise disturbs Tiamat; “their clamor reverberated.” The noise of their play “[stirs] up Tiamat’s belly.” Apsu can’t quiet them down, and Tiamat indulges their noise, even though it upsets her.
Tiamat’s offspring like to engage in noisy play, which distresses Tiamat, but she lets the children do what they want.
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Finally Apsu summons his vizier, Mummu. The two sit before Tiamat and discuss the gods’ behavior. Apsu tells Tiamat, “I shall abolish their ways and disperse them!” Then he and Tiamat will be able to sleep. But Tiamat becomes furious at this. She asks Apsu how they can allow their creations to perish, and argues that they should bear patiently with their children’s ways.
This is the first instance in the epic of gods holding a meeting of some sort—something that will recur as the story goes on. In this case, Apsu selfishly wants to destroy their children, but Tiamat wants to bear with them, even though they’re behaving badly.
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Quotes
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Mummu disagrees with Tiamat and counsels Apsu accordingly, urging him to put an end to the playful gods and their noisy ways. Apsu’s face lights up at this “evil” suggestion, and he embraces Mummu.
Mummu advises Apsu poorly, and Apsu goes behind the backs of Tiamat and the other gods with a wicked plot.
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When the gods hear of Apsu’s plan to destroy them, they fall silent. Ea, “superior in understanding,” finds out everything about the plot, then concocts a spell of his own. The spell stills the tumultuous waters and causes Apsu to fall into a sound sleep and Mummu into a daze. Then Ea slays Apsu.
Ea, the greatest of the gods who exists so far, takes the initiative to find out what Apsu plans to do and to kill him preemptively in order to spare himself and the other gods. He is able to lull Apsu with a skillful spell and then slay him, using a combination of his wisdom and his strength.
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After Ea’s triumph over Apsu, he builds his dwelling atop Apsu’s remains and gives a “triumphal cry.” He rests inside his new quarters, which he calls “Apsu.” He and his lover, Damkina, dwell there in splendor. Inside this “chamber of destinies,” Marduk, “cleverest of the clever, sage of the gods,” is begotten and born.
In keeping with the pattern established so far in the epic, Ea’s offspring surpasses him and all previous gods. Significantly, Marduk is begotten within the dwelling built atop his slain ancestor, suggesting he’ll partake of his predecessor’s strengths while also much exceeding them.
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Marduk “[suckles] the teats of goddesses,” which “[fills] him with awesomeness.” He has a “proud” form and a “piercing” stare, and he is mature and powerful from the beginning. Anu, his grandfather, rejoices with pride when he sees Marduk, who is so perfect that “his godhead [is] doubled,” “elevated […] above” and superior to his predecessors “in every way.” He has four all-perceiving eyes, four enormous ears, and lips that blaze forth fire.
Marduk is awe-inspiring from birth, even more impressive in his divinity than the gods who’ve come before him. His celebrated superiority anticipates his dominant role in the rest of the story.
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Quotes
Anu creates the four winds and gives them to Marduk to play with. Marduk then creates waves, which stir up Tiamat, who “[heaves] restlessly day and night,” disrupting the other gods’ rest. In response, the weary gods “[plot] evil” and tell Tiamat that because she did not stop Ea from slaying Apsu, they are now suffering. They ask her, “Are you not a mother? […] Don’t you love us? Our grip is slack, and our eyes are sunken.” They beg Tiamat to avenge Apsu.
Marduk’s delight in creation causes Tiamat’s waters to become wild and restless, and the gods seem to seize upon this pretext to turn on Tiamat, accusing her of failing to defend her lover Apsu, as well as being an inadequate mother.
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Tiamat listens to her children’s speech and is pleased by it. She says they should do as the children say; the gods who dwell within Apsu “adopted evil for the gods who begot them,” so they, in turn, should be disturbed. The gods rally around Tiamat, “fierce” and “scheming,” and “working up to war.” They also “[convene] a council and [create] conflict.”
Tiamat is swayed by her offspring’s suggestions, agreeing that because Ea and his fellow gods stirred up trouble for their ancestors, they deserve trouble in their turn. A showdown between the older and younger gods is imminent. The line about convening a council and creating conflict will become a refrain in the text, suggesting how councils can go awry to yield discord instead of order.
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Tiamat—here referred to as “Mother Hubur, who fashions all things”—makes an “unfaceable weapon” of giant, venom-filled snakes. She also makes “ferocious dragons” and chants a spell over them. A variety of other creatures join this fearsome menagerie, including a dragon, demons, a fish-man, and a bull-man.
Tiamat’s power as “maker” is deployed here in alarming and unsettling ways—forming creatures whose function is deadly and whose appearances become more and more distorted, in contrast to her divine progeny, who had become higher and higher specimens of divinity.
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Quotes
Tiamat then promotes her consort, Qingu, and gives him leadership of her whole army. She sets him on a throne and announces that he now rules over the gods and, as her only lover, will be the greatest of all. She grants him the Tablet of Destinies and declares that his word will be law. Qingu then “[decrees] destinies” for the gods.
Tiamat essentially places her new consort, Qingu, in the roles once occupied by Apsu, granting him highest authority and the ability to appoint the destinies of all subject to him.
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