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In this fascinating section, we begin to understand more about the architecture of the novel. We’d assumed that the story of “going after Cacciato” is the one O’Brien is presenting to us as the truth (within the world of the novel). Now, however, it’s suggested that the story of the soldiers’ journey could be a product of Berlin’s imagination—he seems to be making up the story as we go along, fantasizing about making it all the way to Paris. This implies that the “observation post” chapters and Berlin’s memories of the war before Cacciato’s desertion are the only “true” events Dolorem et qua