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Maya Angelou
Bailey is Maya’s older brother, with whom she has a special kind of familial bond. Bailey looks out for Marguerite when they are children, and Marguerite trusts him more than anyone. Bailey’s experiences growing up as a black boy in the south demonstrate the particular challenges and indignities endured by black men in America.
Bailey Johnson Quotes in I Know Why the Caged Bird Sings
The I Know Why the Caged Bird Sings quotes below are all either spoken by Bailey Johnson or refer to Bailey Johnson. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
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Chapter 4 Quotes
When I was described by our playmates as being shit color, he was lauded for his velvet-black skin…And yet he loved me.
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The brother-sister relationship between Maya and Bailey is central to this book. In other contexts a passage like this might signal jealousy on Maya’s part; she is treated poorly for her tone of black skin, and Bailey is “lauded” for it. But here, amidst all of Maya’s admiration for and amazement at her brother Bailey, there is little room for jealousy. Angelou uses two very different but equally powerful descriptors for their blackness: “shit color” for her, and “velvet-black” for Bailey.In these descriptions Angelou unflinchingly takes on the language of her detractors, forcing the reader to feel some of the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus ea
Chapter 7 Quotes
Momma intended to teach Bailey and me to use the paths of life she and her generation and all the Negroes gone before had found, and found to be safe ones.
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In reading this passage, it helps to have a sense of how ardently Maya Angelou worked, throughout her career, to tell new types of stories about blackness and being black in the United States. This quotation clearly emerges in retrospect, as Angelou reflects on the ways Momma held her and Bailey within the safe confines of relative black success as sanctioned by white society. In this passage we find both sympathy for Momma’s beliefs and a real desire to surpass them, to live radically outside of what could be considered “safe” because it wouldn’t offend any of the power-holding white Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferen
Chapter 17 Quotes
The Black woman in the south who raises sons, grandsons, and nephews had her heartstrings tied to a hanging noose.
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In this startling passage, Angelou ties the common imagery of “heartstrings” to the uniquely black horror of the “hanging noose.” This shift from a universal image to a very particular one conveys the specificity of Angelou’s claim: it is the southern black woman— and these are the three core aspects of Maya’s political reality— who feels this unique pain of knowing that her son, grandson, and nephew could be killed for just about any sort of infraction, legitimate or not, like Bailey’s failure to return home by sundown. Black men are in unique danger, which puts their family members in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut ve
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Bailey Johnson Character Timeline in I Know Why the Caged Bird Sings
The timeline below shows where the character Bailey Johnson appears in I Know Why the Caged Bird Sings. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1
Marguerite and her brother Bailey arrive in Stamps, Arkansas when Marguerite is three and Bailey is four. They’d been sent...
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Marguerite and Bailey’s grandmother, whom they call Momma, has owned a store for 25 years. The store is...
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Chapter 4
Bailey, Marguerite’s brother, is the “greatest person in her world.” Where Marguerite perceives herself to be...
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Chapter 6
...“preach it!” then rises from her seat, evades the ushers, and pursues the Reverend again. Bailey keeps whispering “preach it!” to Marguerite, and she can barely contain her laughter. Sister Monroe...
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Chapter 9
One year later, when Marguerite is seven years old, Daddy Bailey comes to town. He is a huge, exceptionally handsome man with a great sense of...
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...to be the daughter of a woman like that. Shortly after dropping them off, Big Bailey leaves St. Louis to go to California.
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Chapter 10
...fact that the schools in St. Louis are full of relatively uneducated children. Marguerite and Bailey knew how to count because of their work on the register, and they both spent...
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Chapter 11
...he tells her that if she ever tells anyone what just happened, he will kill Bailey. Marguerite is frightened, and struggles to understand but agrees to keep the incident a secret...
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Chapter 12
One afternoon when Vivien and Bailey are out for the day, Mr. Freeman calls Marguerite over to him. She resists—she has...
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Chapter 13
In the hospital Marguerite says if she tells who attacked her, Bailey will be killed. Bailey tells Marguerite no one can kill him, and Marguerite trusts him...
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...It is likely that Vivien’s brothers killed him. Meanwhile, Vivien also decides that Marguerite and Bailey would be better off in Stamps. Marguerite becomes withdrawn and sullen, and believes she is...
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Chapter 15
...for the first time in her life she is liked—not because she is related to Bailey or Momma, but just because she is herself.
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After this visit, Marguerite comes home and tells Bailey all about it. Then she says “By the way,” and tells Bailey Mrs. Flowers sent...
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Chapter 16
...the woman. This story is a source of endless entertainment and enjoyment for Marguerite and Bailey.
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Chapter 17
One day, Bailey, who has become more surly and unhappy after being sent away from his mother yet...
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Later Bailey explains to Marguerite that he’d seen Mother at the movies—a white actress that looked exactly...
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Chapter 21
Bailey, an adolescent now, begins “playing house” with other girls around his age (11 years old)...
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Later Bailey proudly tells Marguerite that Joyce has hair between her legs and under her arms because...
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Chapter 25
...to California. Marguerite is fairly certain this decision came about because of an incident involving Bailey. He had been walking home from the movies and had noticed the body of a...
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...the transportation. She will ride with Marguerite on the train about a month ahead of Bailey, so as to spread out the cost of the tickets. Marguerite knows she will miss...
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Chapter 26
Momma and Marguerite and Bailey live in Los Angeles together while the children adjust to life in California. Looking back,...
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Bailey and Marguerite drive to San Francisco with their mother (Vivien). They live in a dingy...
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Chapter 33
Bailey and his mother’s relationship has become fraught and contentious. They push each other’s buttons and...
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Bailey moves to a motel. After a while, Maya goes to visit Bailey in his dingy...
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