Internment is extremely interested in the power of the written word to assert control, create change, and offer hope. Seventeen-year-old Layla’s dad, a poet and college professor, published his first collection of poetry just before the 2016 election, hoping that his poems would offer comfort and solace during a time when Muslim Americans seemed to be in danger. Indeed, Dad’s book is one that Layla sees being burned at her town’s book-burning soon before she and her family are ultimately taken to an internment camp—highlighting, in a different way, the power of the written word. The government wishes to control the population, the information citizens have access to, and the voices people hear, and so censorship—of poetry and of news media—becomes a central goal of the government. Without truthful reporting or stories and poems from actual Muslim Americans about their experience, it’s possible for the government to generate intense anti-Muslim sentiment and hide the fact that it’s inhumanely incarcerating hundreds of Muslim Americans in the California desert.
Having been raised to value the power of the written word, Layla fully understands the importance of telling her story and spreading it. Thus, she begins writing about her experience in the camp, and her boyfriend David and the guard Jake help her smuggle the stories out and to an independent blog for publishing. Layla’s blog posts are hugely motivating to non-Muslim Americans who read them, and they ultimately help spur a days-long protest outside the camp and, in the end, the camp’s closure. The true power of writing and storytelling, the novel suggests, is to shed light on people’s shared humanity and to speak the truth—both things that censorship, by contrast, seeks to shut down.
Power, Writing, and Censorship ThemeTracker
Power, Writing, and Censorship Quotes in Internment
Chapter 1 Quotes
The woman keeps her head turned away from me, refusing to meet my gaze, shoveling the books and papers back into her bag. I reach for two books and glance at the titles before she grabs them from my fingers. Palace Walk by Naguib Mahfouz. Nameless Saints by Ali Amin—my father.
For a split second, she looks me in the eye. I suck in my breath. “Mrs. Brown, I—I’m sorry—” My voice fades away.
Mrs. Brown owns the Sweet Spot on Jefferson Street. She made my favorite birthday cake ever, a green-frosted Tinkerbell confection for my fifth birthday.
Chapter 5 Quotes
The man clears his throat and nods. “We need to stamp the inside of your wrist with your ID number.”
[...]
“Hold still,” he says as a two-inch rectangular metal bar descends and presses into the soft flesh on the inside of my wrist for a few seconds. When the bar rises up, I see nothing on my skin. It’s UV. Ultraviolet. Invisible ink. Permanent, the man explains, like an automaton.
[...] I grip my wrist like someone has cut me with a knife. I hold it close to my face, then farther away, squinting, holding my wrist up to the fluorescent slants of light that pass through the hall. I can’t feel the mark; I can’t see it. But it’s there. Forever.
Chapter 6 Quotes
I remember something else my nanni used to tell me: Praying is important. But you can’t simply pray for what you want. You have to act.
Chapter 15 Quotes
“During the trial I think Sophie said, ‘Somebody, after all, had to make a start.’ Didn’t she? I think I remember seeing that in my textbook. And she was right. Somebody has to make a start. And it might as well be us.”
Ayesha gulps. “But you want to do leaflets in here?”
“No. I want to write stories that will rile people up on the outside. And I’m going to ask David to get them out there. I know he’s afraid. But at some point we have to stop talking and start reminding people of who we are. Americans. Human beings.”
Chapter 19 Quotes
My eyes fix on the screen. I read the headline again, and it knocks the wind out of me. I scan the words, my words. And then I’m there again, in that moment. Hearing it. Noor’s screams. The security guys dragging her away. Asmaa and Bilqis, who tried to help her. Their blood staining the dry earth. The Director. The gun. Tears fill my eyes. I whisper, “The whole world will know their names.”
Chapter 20 Quotes
I can’t believe I’m hearing this. But I am.
Mom continues. “They have put us in danger, but we’re in danger every moment anyway. Progress in this country always carries a component risk. Every movement has—civil rights, marriage equality, women’s rights—”



