Maud Martha

by Gwendolyn Brooks

Helen Brown Character Analysis

Helen Brown is the older sister of Maud Martha and Harry and the daughter of Abraham and Belva. Where Maud Martha is large, dark, and wild-haired, Helen is dainty, fair, and suave. As such, she is beloved both by her doting family and by the neighborhood boys while she is growing up. As a teenager, she has no shortage of beaus, although she is much slower to marry than Maud Martha. Eventually, desiring material comforts and financial security, she sets her sights on the family doctor who treated her and her siblings when they were children. Helen is a foil for Maud Martha, and Maud Martha’s jealousy toward her sister fuels many of the earlier chapters. The sisters grow apart as they grow older, in part because Helen turns up her nose at the tiny hovel where Maud Martha lives with Paul and Paulette. Her physical appearance allows the book to interrogate the fine gradations of colorism in the Black community and her superficial life—both in terms of her physical beauty and small ambitions—throws the depths of Maud Martha’s intelligence, curiosity, and spirit into stark relief.

Helen Brown Quotes in Maud Martha

The Maud Martha quotes below are all either spoken by Helen Brown or refer to Helen Brown. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
A Good Life Theme Icon
).

Chapter 1 Quotes

She would have liked a lotus, or China asters or Japanese Iris, or meadow lilies—yes, she would have liked meadow lilies, because the very word meadow made her breathe more deeply, and […] fling her arms […] rapturously up to whatever was watching in the sky. But dandelions were what she chiefly saw. Yellow jewels for everyday, studding the patched green dress of her back yard. She liked their demure prettiness second to their everydayness; for in that latter quality she thought she saw a picture of herself, and it was comforting to know that what was common could also be a flower.

Related Characters: Maud Martha Brown, Helen Brown
Related Symbols: Flowers
Page Number and Citation: 1
Explanation and Analysis:

Chapter 4 Quotes

How alone they were, how removed from this woman, this ordinary woman who had suddenly become a queen, for whom presently the most interesting door of them all would open, who, lying locked in boards with her “hawhs,” yet towered, triumphed over them, while they stood there asking the stupid questions people ask the sick, out of aw, out of half horror, half envy.

“I never saw anyone die before,” thought Maud Martha. “But I’m seeing somebody die now.”

Related Characters: Maud Martha Brown (speaker), Belva Brown, Ernestine Brown, Helen Brown, Harry Brown
Page Number and Citation: 9
Explanation and Analysis:

Chapter 9 Quotes

She did not know what it was. She had tried to find the something that must be there to imitate, that she might imitate it. But she did not know what it was. I wash as much as Helen does, she thought. My hair is longer and thicker, she thought. I’m much smarter. I read books and newspapers and old folks like to talk with me, she thought.

But the kernel of the matter was that, in spite of these things, she was poor, and Helen was still the ranking queen, not only with the Emmanuels of the world, but even with their father—their mother—their brother. She did not blame the family. It was not their fault. She understood. They could not help it. They were enslaved, were fascinated, and they were not at all to blame.

Related Characters: Harry Brown, Abraham Brown, Helen Brown, Maud Martha Brown, Belva Brown
Page Number and Citation: 24
Explanation and Analysis:

[Often] had Helen given her opinion, unasked, of the whole house, of the whole “hulk of rotten wood.” Often had her cool and gentle eyes sneered, gently and coolly, at her father’s determination to hold his poor estate! But take that kitchen, for instance! Maud Martha, taking it, saw herself there, up and down her seventeen years, eating apples after school; making sweet potato tarts; drawing, on the pathetic table, the horse that won her the sixth-grade prize; getting her hair curled for her first party, at that stove; washing dishes by summer twilight, with the back door wide open; making cheese and peanut butter sandwiches for a picnic. And even, crying, crying in that pantry, when no one knew. The old sorrows brought there!—now dried, flattened out, breaking into interesting dust at the merest look….

Related Characters: Helen Brown (speaker), Abraham Brown, Maud Martha Brown
Related Symbols: Flowers
Page Number and Citation: 24
Explanation and Analysis:

Chapter 13 Quotes

But I am certainly not what he would call pretty. Even with all this hair (which I have just assured him, in response to his question, is not “natural,” is not good grade or anything like good grade) even with whatever I have that puts a dimple in his heart, even with these nice ears, I am still, definitely, not what he can call pretty. Pretty would be a little cream-colored thing with curly hair. Or at the very lowest pretty would be a little curly-haired thing the color of cocoa with a lot of milk in it. Whereas, I am the color of cocoa straight, if you can even be that “kind” to me.

Related Characters: Maud Martha Brown (speaker), Helen Brown, Paul Phillips
Page Number and Citation: 33
Explanation and Analysis:

Chapter 19 Quotes

“It’s not,” thought Maud Martha, “that they love each other. It oughta be that simple. Then I could lick it. It oughta be that easy. But it’s my color that makes him mad. I try to shut my eyes to that, but it’s no good. What I am inside, what is really me, he likes okay. But he keeps looking at my color, which is like a wall. He has to jump over it in order to meet and touch what I’ve got for him. He has to jump away up high in order to see it. He gets awful tired of all that jumping.”

[…]

“I could, considered Maud Martha, “go over there and scratch her upsweep down. […] I could scream, ‘I’m making a baby for this man and I mean to do it in peace.’”

But if the root was sour what business did she have up there hacking at a leaf?

Related Characters: Maud Martha Brown (speaker), Maella, Paul Phillips, Helen Brown
Page Number and Citation: 56
Explanation and Analysis:

Chapter 30 Quotes

There was no introduction, but the elder Burns-Cooper boomed, “Those potato parings are entirely too thick!”

There was no remonstrance; no firing! They just looked. But for the first time, she understood what Paul endured daily. For so—she could gather from a Paul-word here, a Paul-curse there—his Boss! when, squared, upright, terribly upright, superior to the President, commander of the world, he wished to underline Paul’s lacks, to indicate soft shock, controlled incredulity. As his boss looked at Paul, so these people looked at her. As though she were a child, a ridiculous one, and one that ought to be given a little shaking, except that shaking was—not quite the thing, would not quite do. One held up one’s finger (if one did anything), cocked one’s head, was arch. AS in the old song, one hinted, “Tut tut! Now now! Come come!” Metal rose, all built, in one’s eye.

Related Characters: Helen Brown, Paul Phillips, Mrs. Burns-Cooper, Maud Martha Brown, Clement Lewy, Teenie Thompson
Page Number and Citation: 103
Explanation and Analysis:

Chapter 33 Quotes

Helen, she thought, would not have twitched, back there. Would not have yearned to jerk trimming scissors from purse and jab jab jab that evading eye. Would have gathered her fires, patted them, rolled them out, and blown on them. Because it really would not have made much difference to Helen. Paul would have twitched, twitched awfully, might have cursed, but after the first tough cough-up of rage would forget, or put off studious perusal indefinitely.

She could neither resolve or dismiss. There were these scraps of baffled hate in her, hate with no eyes, no smile and—this she especially regretted, called her hungriest lack—not much voice.

Related Characters: Maud Martha Brown (speaker), Helen Brown, Paul Phillips, Mrs. Burns-Cooper, Paulette
Page Number and Citation: 111-112
Explanation and Analysis:
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Helen Brown Character Timeline in Maud Martha

The timeline below shows where the character Helen Brown appears in Maud Martha. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1
A Good Life Theme Icon
Class Limitations  Theme Icon
...which are so unlike strikingly beautiful things, like asters, irises, and Maud Martha’s older sister, Helen(full context)
Chapter 4
A Good Life Theme Icon
Death and Life  Theme Icon
Belva takes Helen, Maud Martha, and Harry to the hospital where their Gramma, Ernestine, is dying. They must... (full context)
Race Relations  Theme Icon
Death and Life  Theme Icon
...for a bedpan. She asks Maud Martha for help. A short while later, when Belva, Helen, Maud Martha, and Harry leave, Maud asks a nurse to help the woman. But the... (full context)
Death and Life  Theme Icon
As they leave the hospital, Maud Martha begins to cry. And by the time Belva, Helen, Maud Martha, and Harry get home, the hospital has called to say that Ernestine is... (full context)
Chapter 8
A Good Life Theme Icon
Class Limitations  Theme Icon
Belva, Maud Martha, and Helen are sitting on the porch watching the sunset and anxiously waiting for Abraham’s return. They... (full context)
Chapter 9
Race Relations  Theme Icon
...now 17 and a high school graduate. She is intensely jealous of her older sister, Helen, whom everyone likes better because she is prettier, fairer skinned, and more delicate. When they... (full context)
A Good Life Theme Icon
Race Relations  Theme Icon
...and the history it contains.  Maud Martha thinks about the kitchen as she stands in Helen’s room, watching Helen prepare to go out on a date. As Helen powders her nose,... (full context)
Chapter 22
A Good Life Theme Icon
Gender Roles Theme Icon
Race Relations  Theme Icon
Class Limitations  Theme Icon
...tree was a beloved family tradition. Belva would make hot cocoa with whipped cream while Helen, Maud Martha, and Harry helped Abraham decorate the tree. There were other traditions, too, like... (full context)
Chapter 32
A Good Life Theme Icon
Gender Roles Theme Icon
...with Maud Martha. She brings oranges, chocolate, and pecans to share. Maud Martha asks about Helen, who tends to avoid visiting the tiny apartment. Belva says that Helen is planning to... (full context)
Gender Roles Theme Icon
Maud Martha points out how odd it is that she and Helen are so different—one charming and social climbing, the other “sweet” and content—even though they share... (full context)