Tender

by

Cate Kennedy

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Themes and Colors
The Illusion of Control Theme Icon
Nature vs. Technology Theme Icon
The Power of Love Theme Icon
LitCharts assigns a color and icon to each theme in Tender, which you can use to track the themes throughout the work.
Nature vs. Technology Theme Icon

Throughout “Tender,” Kennedy hints at Christine and Al’s desire to keep their home relatively free of modern technology, even at the cost of inconvenience. Although they are still drawn to the natural way of life they once prioritized, having children has pushed Christine and Al to give in to some of the temptations provided by modern technology, such as a television and computer. The lump under Christine’s arm has highlighted that compromise, sending her to the hospital for advanced medical treatments like an ultrasound and biopsy. However, Christine’s experiences with the lump and with her daily family life also indicate that people cannot separate themselves totally from nature, even when they embrace modern lives. Through Christine and Al’s struggle to balance natural and technological ways of life, Kennedy proposes that modern technology, though alluring and sometimes necessary, cannot truly overcome nature.

Christine originally planned to live a simple lifestyle with Al, avoiding modern technology where possible. She claims that nobody could have told her “seven years ago,” presumably before Hannah and Jamie were born, that she and Al would own a television or electric heaters. Although they do have these comforts now—including a computer, on which Al surfs the Internet nightly—she and Al clearly intended to do without them but changed course once they had children. She remembers arguing with Al over building their house with mud walls, in order to avoid any toxic chemicals involved in using cement or other materials. Although mud walls would have been less convenient, she and Al tried to consider “pure environments” and “every bloody thing” about sustainability when planning their future lives. To cook dinner, Christine loads wood into a firebox attached to a wood-burning oven. Although she dreams of owning an electric oven, she and Al must have committed to minimizing their electricity use when constructing the house. She also mentions solar panels installed to provide some electricity, as part of an effort to build a sustainable home. She and Al still keep mostly herbal medicines in their pantry and prefer not to go to the pharmacy or doctor for treatments. Christine is even proud of not having visited a hospital since Hannah’s birth, at least until her recent appointments.

However, after their children were born, Christine and Al accepted more modern technology into their lives. While they had debated mud walls when building their house, she acknowledges that this was only part of a “grand theory of sustainability” that had to be adapted to a more “prosaic reality.” In other words, their idealistic dreams had to make way for the day-to-day demands of family life. And although they have solar panels, their home is now fitted with “an electric system like everyone else’s” and any power from the panels is “just a booster.” Christine sees herbal medicines in the pantry and scoffs at how she and Al would never have imagined giving store-bought medicine to their children, even if that medicine is still natural and homeopathic. Similarly, prior to discovering the lump in her arm, she hadn’t been to the hospital since Hannah was born. Especially when medical care is involved, Christine and Al have accepted modern medicine in addition to using herbal remedies.

Eventually, Al and particularly Christine learn that relying on technology doesn’t actually prevent nature from running its course. Though Christine clearly values the natural world, the lump under her arm shows how nature can act in unpredictable ways. Christine turns to technology—specifically, modern medicine—to try and understand it, but even after the initial ultrasound, the doctor is unable to tell whether the lump is benign or malignant. It remains unclear at the end of the story what treatments she might need after the biopsy. The lump is naturally occurring, but that doesn't make it good; it’s simply something that the family has to confront.

Although the lump is an example of nature causing pain and uncertainty in Christine’s life, she also experiences the persistent beauty and wonder of nature throughout the story. She describes her daughter as a “healthy, respiring” child with “cells [that are] a blur of miraculously multiply and flowering growth.” Essentially, the same kind of biological process that is behind Christine’s tumor is also responsible for the wonder of her children growing healthy and strong. Similarly, when Christine collects materials for Jamie’s diorama from the garden, she becomes calm when she “paus[es] to inhale the deep spicy smell of the lemon-scented gum” and “feel[s] the dew drench her ankles” and compares a “little patch of bush” growing beneath the kitchen window to “a healing scar.” She takes solace in the beauty of the raw wilderness and how it fights to grow and survive regardless of human intervention.

At the end of the story, Christine’s mousetraps do not catch any mice, even though she sets up several around the kitchen. By collecting the mousetraps and resetting them each “with a benign and harmless snap,” Christine symbolically accepts that she cannot use technology to pick and choose which parts of nature to experience. In order to appreciate its beauty, she must also deal with its challenges—both small ones like pests and bigger ones like the lump under her arm. By ending the story on this note, Kennedy conveys that technology can’t fully suppress nature, and that nature must be accepted as a whole, including both ugly and beautiful elements.

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Nature vs. Technology ThemeTracker

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Nature vs. Technology Quotes in Tender

Below you will find the important quotes in Tender related to the theme of Nature vs. Technology.
Tender Quotes

She remembers Al and her arguing over whether to render the walls with mud and cement or just mud—statistics about toxicity, about pure environments, about every bloody thing, things that buckled in the face of practicality and time. Now the solar panels are just a booster for an electric system like everyone else's, and to Christine that seems to sum up the whole experiment: it's a bonus, a gesture, a grand theory of sustainability modified to a more prosaic reality. The trees outside, which she'd imagined sprouting into a shady arbour, are taller and stalkier now but still unmistakably seedlings, painstakingly hand-watered from the dam and the bath. The piles of clay turned over by digging the house site still glint exposed through the thin groundcovers, and Jamie's BMX track has worn a looping circuit through the landscaping, turning her plans for terracing into an assortment of jumps and scrambles. Christine puts more wood in the firebox and, with a familiar mix of guilt and resentment, dreams her nightly dream of an electric oven.

Related Characters: Christine (speaker), Al
Page Number: 59
Explanation and Analysis:

Then the doctor, finally, looking through the ultrasound films as he made a point of giving her the reassuring statistics of how many lumps turn out to be benign. She'd hated the way he'd stared off over her head as his fingers had coolly explored the lump, gazing into the distance like someone solving a mental equation.

[…]

Him writing something on her card, like his final answer in a quiz, before meeting her eyes again. Briskness and neutrality finetuned, as he said, 'Best to take that out and have a good look at it, I think.'

Related Characters: Christine (speaker)
Page Number: 61
Explanation and Analysis:

She gets up and finds two traps in the pantry, in behind the jars and plastic containers and the box full of herbal cough and cold remedies, valerian tea and rescue remedy. Back when the kids were born, she and Al would never have dreamed of treating them with any commercial preparations from the chemist.

[…]

Rescue remedy, she thinks as she replaces the little bottle on the shelf. And can't stop her mouth twisting into a humourless, cynical curl as she dabs some peanut butter onto the mousetraps and sets them, pushing them cautiously back into shadowy corners with the tip of her finger.

Related Characters: Christine (speaker), Al
Related Symbols: Mousetraps
Page Number: 62
Explanation and Analysis:

She gets up, silently, at five, nagged by an unfinished vision and the sensation of the night draining away. Out in the garden she's calm again, feeling the dew drench her ankles and the bottom of her white cotton nightdress. She can sleep on the train, anyway. She walks slowly through the hillocks and raised beds, seeing her nightdress billow like a faintly luminous ghost, pausing to inhale the deep spicy smell of the lemon-scented gum.

Related Characters: Christine (speaker)
Page Number: 70
Explanation and Analysis:

Then, cold but wide awake and ready, she locates each of the five mousetraps she's set and kneels down in front of each of them in turn. Carefully, with the flat of her hand, she releases the springs so that the small metal trays of bait slip from the jagged hook holding them in place. She's humming to herself as she grasps each straining metal bar and guides it back to let it settle, with a benign and harmless snap, against the small rectangle of wood.

Related Characters: Christine (speaker)
Related Symbols: Mousetraps
Page Number: 71
Explanation and Analysis: