The Bloody Chamber
by Angela Carter
✓

or to save your progress

Power and Objectification Theme Analysis

Themes and Colors
Sexuality and Violence Theme Icon
Virginity Theme Icon
Metamorphosis Theme Icon
Power and Objectification Theme Icon
LitCharts assigns a color and icon to each theme in The Bloody Chamber, which you can use to track the themes throughout the work.
Power and Objectification Theme Icon
Power and Objectification Theme Icon

The book’s sexual violence and Carter’s feminist worldview create a theme of manipulative power and the objectification of women. This is part of the “latent content” that Carter tried to expose in the old fairy tales. In most of the original stories there is already a divide between a poor, virginal heroine and a wealthy, powerful man/monster, but in Carter’s versions this divide also leads to sexual oppression. In “The Bloody Chamber” and “The Courtship of Mr Lyon” the heroines are indebted to bestial men for lifting them out of poverty, and so they must endure their desires.

These archetypes of victim and victimizer lead many of the stories to the stark objectification of a woman, usually through a scene where the woman is naked and the man/beast is clothed. So in “The Tiger’s Bride” The Beast wants to see the heroine naked, and the Erl-King strips the heroine like “skinning a rabbit.” This pornographic image, like the sadistic pictures the Marquis collects in “The Bloody Chamber,” is the ultimate example of the woman as object and the man as powerful manipulator. In a similar vein to the pornographic image is the Erl-King’s hypnotic whistle and Signor Panteleone (of “Puss-in-Boots”) viewing his young wife as another possession to hoard.

While in these situations (and throughout the old versions of the fairy tales) the women seem totally objectified and powerless, in Carter’s stories they can also gain an agency of their own, like the heroine killing the Erl-King and escaping his power. Instead of rejecting the old fairy tales for their objectification of women and sexual violence, Carter retells them from a female point of view, giving the stories’ heroines greater agency in their fates.

Related Themes from Other Texts
Compare and contrast themes from other texts to this theme…

Power and Objectification ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Power and Objectification appears in each story of The Bloody Chamber. Click or tap on any chapter to read its Summary & Analysis.
How often theme appears:
story length:
Get the entire The Bloody Chamber LitChart as a printable PDF.
"My students can't get enough of your charts and their results have gone through the roof." -Graham S.
The Bloody Chamber PDF

Power and Objectification Quotes in The Bloody Chamber

Below you will find the important quotes in The Bloody Chamber related to the theme of Power and Objectification.

The Bloody Chamber Quotes

His wedding gift, clasped round my throat. A choker of rubies, two inches wide, like an extraordinarily precious slit throat.

Related Characters: Heroine (The Bloody Chamber) (speaker), The Marquis
Page Number and Citation: 11
Explanation and Analysis:
In this passage, the mysterious Marquis offers the story's Heroine a wedding present: a ruby choker (a tight necklace). The Heroine notes that the choker makes her seem to have a slit throat, and to be bleeding from the neck--a grisly reference to the French Revolution, during which noblemen like the Marquis were beheaded at the guillotine. The Heroine notes that such ironic references to the bloody past are now in vogue among the nobility.In general, the ruby choker symbolizes the Marquis sadistic tendencies: he clearly desires the Heroine, channeling his feelings into violence and bloodshed. This image of a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia

I saw him watching me in the gilded mirrors with the assessing eye of a connoisseur inspecting horseflesh, or even of a housewife in the market, inspecting cuts on the slab. I’d never seen, or else had never acknowledged, that regard of his before… When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror… I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.

Related Characters: Heroine (The Bloody Chamber) (speaker), The Marquis
Page Number and Citation: 11
Explanation and Analysis:
In this passage, the Marquis stares at the Heroine, regarding her as a mere object for his sexual gratification: a toy to be played with. The Marquis stares at the Heroine, even when she's not staring back--the very definition of the "male gaze." Furthermore, the mirrors of the opera house (the setting of this scene) make it seem that the Marquis surrounds the Heroine on all sides, symbolizing his power and total domination.And yet the passage also suggests that the Heroine herself is somewhat complicit in her own objectification. Unlike many feminist writers of the era, Carter isn't afraid to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium es

He stripped me, gourmand that he was, as if he were stripping the leaves off an artichoke… And when nothing but my scarlet, palpitating core remained, I saw, in the mirror, the living image of an etching by Rops… He in his London tailoring; she, bare as a lamb chop. Most pornographic of all confrontations. And so my purchaser unwrapped his bargain. And, as at the opera, when I had first seen my flesh in his eyes, I was aghast to feel myself stirring.

Related Characters: Heroine (The Bloody Chamber) (speaker), The Marquis
Page Number and Citation: 15
Explanation and Analysis:
Here the Marquis has taken the Heroine, his new wife, back to his home. There, he undresses her and prepares to have sex with her for the first time. The Heroine notes that the Marquis "owns" her completely--it's implied that she has no rights, no ways of fighting back against the Marquis. As in the previous passage, she watches herself in the many mirrors on the walls, and again sees herself as an object--here presented as food to be inspected and consumed, an "artichoke" or a "lamb chop."The passage emphasizes many of the themes of the story collection. The heroine Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deseru

I stammered foolishly: We’ve not taken luncheon yet; and, besides, it is broad daylight…
All the better to see you.
He made me put on my choker, the family heirloom of one woman who had escaped the blade… Rapt, he intoned: “Of her apparel she retains/Only her sonorous jewellery.”
A dozen husbands impaled a dozen brides while the mewing gulls swung on invisible trapezes in the empty air outside.

Related Characters: The Marquis (speaker), Heroine (The Bloody Chamber) (speaker)
Page Number and Citation: 17
Explanation and Analysis:
In this passage, the Marquis prepares to have sex with the Heroine. He's aroused by the fact that she's a virgin, and can't wait to take her virginity. The Marquis seems to think of the Heroine as a passive part of his own pleasure: he undresses her, and then makes her put on the choker, as if she's a mannequin being arranged on a stage.The passage uses rich imagery, and even fairy-tale imagery ("The better to see you" comes straight out of "Little Red Riding Hood," often interpreted, including by Carter herself, as a story about sexual seduction) to convey Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officii

On her eighteenth birthday, my mother had disposed of a man-eating tiger that ravaged the villages in the hills north of Hanoi. Now, without a moment’s hesitation, she raised my father’s gun, took aim and put a single, irreproachable bullet through my husband’s head.

Related Characters: Heroine (The Bloody Chamber) (speaker), The Marquis, Heroine’s Mother
Page Number and Citation: 40
Explanation and Analysis:
In the climax of the short story, the Heroine's mother emerges from the background to protect her daughter from the threats of the Marquis. The Marquis is about to execute the Heroine, but at that moment the Mother arrives and shoots the Marquis in the head.Carter here changes the traditional story of Bluebeard to make her version more unabashedly feminist and inspiring. In the original tale, the Heroine would have been rescued by her brothers, but in this ending the "hero" rescuing the "damsel in distress" is another woman--and furthermore, a woman with experience killing "beasts" (like the tiger, and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Oc

The Courtship of Mr Lyon Quotes

How strange he was. She found his bewildering difference from herself almost intolerable; its presence choked her. There seemed a heavy, soundless pressure upon her in his house, as if it lay under water, and when she saw the great paws lying on the arm of his chair, she thought: they are the death of any tender herbivore. And such a one she felt herself to be, Miss Lamb, spotless, sacrificial.

Related Characters: Beauty, The Beast (The Courtship of Mr. Lyon)
Page Number and Citation: 45
Explanation and Analysis:
This next story is one of two based on the fairy-tale "Beauty and the Beast." Here Beauty has come to live with the titular Beast. The Beast, later Mr. Lyon, is an intimidating, wild-looking creature, frightening to any "herbivores" (which the virginal, harmless heroine considers herself to be, no matter what she might actually eat). In this passage, Beauty has taken her father's place in the Beast's home, as punishment for her father's decision to steal a rose from the Beast. Beauty feels that she's a helpless object, a sacrificial lamb to be consumed by the Beast: she's sacrificed herself Dolorem et quae. Exercitationem

The Tiger’s Bride Quotes

And The Beast gave me the rose from his own impeccable if outmoded buttonhole when he arrived, the valet brushing the snow off his black cloak. This white rose, unnatural, out of season, that now my nervous fingers ripped, petal by petal, apart as my father magnificently concluded the career he had made of catastrophe.

Related Characters: Heroine (The Tiger's Bride) (speaker), The Beast (The Tiger's Bride)
Related Symbols: Roses
Page Number and Citation: 52-53
Explanation and Analysis:
In this story, a kind of inversion of the previous one (but another re-interpretation of Beauty and the Beast), the Heroine watches as her father gambles away all his money to the Beast. The Beast gives the Heroine a white rose, which the Heroine nervously rips apart, reflecting her father's plummeting fortunes (and also calls back to the first story, where the Marquis stripped away the Heroine's clothes like the leaves of an artichoke). Soon, we sense, the father will be forced to gamble away the Heroine herself.Now that we're at the third story, it's clear that certain images, characters, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a.

The Erl-King Quotes

In the evenings when the cold darkness settles down, I always go to the Erl-King and he lays me down on his bed of rustling straw where I lie at the mercy of his huge hands.
He is the tender butcher who showed me how the price of flesh is love; skin the rabbit, he says! Off come all my clothes.

Related Characters: The Erl-King (speaker), Heroine (The Erl-King) (speaker)
Page Number and Citation: 87
Explanation and Analysis:
In this story, the Heroine has become the live-in lover of the Erl-King, a powerful elfish figure who lives in the forest. Like so may of the women in Carter's short story collection, the Heroine seems simultaneously attracted to and repelled by the Erl-King: she enjoys the feeling of domination (being treated like a "piece of meat"), and yet also finds his brutality and objectification repellent. Carter sums up the Heroine's attitude toward the Erl-King with one oxymoronic phrase: "tender butcher."As in several other stories involving "metamorphoses," the Erl-King seems to be singularly fixated on removing "layers"--an act that's both Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delec

When I realized what the Erl-King meant to do to me, I was shaken with a terrible fear and did not know what to do for I loved him with all my heart and yet I had no wish to join the whistling congregation he kept in his cages… His embraces were his enticements and yet, oh yet! they were the branches of which the trap itself was woven. But in his innocence he never knew he might be the death of me, although I knew from the first moment I saw him how Erl-King would do me grievous harm.

Related Characters: Heroine (The Erl-King) (speaker), The Erl-King
Page Number and Citation: 90
Explanation and Analysis:
In this passage, the Heroine becomes aware that the birds the Erl-King keeps in cages are actually past lovers of his: if the Heroine stays with the Erl-King for any longer he'll surely transform her into an animal. And Carter's choice ofanimal is no coincidence: birds in cages are traditional symbols of women being stifled and kept under a man's control.The Heroine is conflicted in her feelings toward the Erl-King: she really does love him, and yet she values her freedom more highly than her love. She seems to find something inevitable about her falling-out with the Erl-King: indeed, she Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asp

I shall take two huge handfuls of his rustling hair as he lies half dreaming, half waking, and wind them into ropes, very softly, so he will not wake up, and, softly, with hands as gentle as rain, I shall strangle him with them.
Then she will open all the cages and let the birds free; they will change back into young girls, every one, each with the crimson imprint of his love-bite on their throats.

Related Characters: Heroine (The Erl-King) (speaker), The Erl-King
Page Number and Citation: 91
Explanation and Analysis:
In this passage, we're told how the Heroine strangles the Erl-King with his own hair--an allusion, perhaps, to the Biblical story of Samson, another tale about a man's downfall caused by hair (and a woman). The Heroine's act of murder is both brutal and tender; it's as if she's making love to him one last time, rather than choosing to spend the rest of her days in a cage.The passage is surprising in that it transitions back and forth between the present and future tenses, and between the first and second persons. It's as if the ferocity of the Heroine's Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus

The Company of Wolves Quotes

Every wolf in the world now howled a prothalamion outside the window as she freely gave the kiss she owed him.
What big teeth you have!…
All the better to eat you with.
The girl burst out laughing; she knew she was nobody’s meat. She laughed at him full in the face, she ripped off his shirt for him and flung it into the fire, in the fiery wake of her own discarded clothing…
Carnivore incarnate, only immaculate flesh appeases him.

Related Characters: Huntsman (speaker), Child (The Company of Wolves) (speaker)
Page Number and Citation: 118
Explanation and Analysis:
At the end of the story, the child (a version of Little Red Riding-Hood) arrives at her grandmother's house and finds the wolf, waiting in bed, disguised as her own grandmother, as other wolves howl a "prothalamion" (a celebration of a marriage) outside. In this retelling, the child isn't fooled or frightened in the slightest: she recognizes the wolf for what he is. And yet the child seems to play along with the wolf's charade: she praises the wolf, and freely offers the kiss he asks for. And when it's time for the wolf to "eat" her, the child instead Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque place