The Castle of Otranto
by Horace Walpole
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Gender and Marriage Theme Analysis

Themes and Colors
Humor, the Gothic, and the Supernatural Theme Icon
The Divine vs. The Mundane Theme Icon
Lineage and Leadership Theme Icon
Class, Comedy, and Tragedy Theme Icon
Gender and Marriage Theme Icon
LitCharts assigns a color and icon to each theme in The Castle of Otranto, which you can use to track the themes throughout the work.
Gender and Marriage Theme Icon
Gender and Marriage Theme Icon

A recurring element in The Castle of Otranto is the female characters’ absolute devotion to their husbands and fathers. For example, despite her husband’s temper and repeated rejections of her, Hippolita is entirely devoted to Manfred. Even when presented with Manfred’s sins, betrayals, and intention to marry their ward and former daughter-in-law-to-be Isabella, Hippolita passively agrees to Manfred’s demand for a divorce and refuses to acknowledge Manfred’s wrongdoing. Both Matilda and Isabella are instilled with a “dreadful obedience” to her parents. Though she is in love with Theodore, Matilda is nearly forced into a marriage with Isabella’s father, while Isabella unhappily agrees to a marriage with Conrad because she believes her father arranged the engagement. However, when Isabella begins to pray to heaven to avoid marriage with Manfred, Hippolita stops her, claiming that her father should have the final say. By doing so, Hippolita, though extremely pious, implicitly assumes that a woman’s prayers to divinity are not or should not be as important as the commands of one’s father or husband. Hippolita even goes so far as to claim, “It is not ours to make election for ourselves: heaven, our fathers, and our husbands, must decide for us.” Hippolita’s belief in such a male-dominated worldview suggests that women have no agency of their own; all of their decisions must be decided by men or God. That Hippolita groups “fathers” and “husbands” with “heaven” suggests that men have a claim to female obedience equal to that of God. Further, this patriarchal viewpoint oppresses women even more profoundly than is at first evident, as it also implies that women are unable to become as close to God as men.

While the women of the novel adore, respect, and obey the men in their lives, the men view the women as little more than objects that will unquestioningly fulfill their desires. For example, once Hippolita is unable to produce another male heir, Manfred decides to discard her and nearly murders her, as she is no longer useful to him as a reproductive tool. Matilda is objectified both by her father and by her potential suitor. Despite her original intention to become a nun, Manfred decides to marry her off to Frederic without consulting her in order to maintain his control over Otranto. Frederic, too, objectifies Matilda by discussing the engagement without her consent and by using his own daughter as currency to obtain Matilda.

In the time in which the story is set and in which Walpole wrote, this objectification of women was also economic. Women were regarded as property, and their key selling point was their marriageability — that is, their virginity and their ability to reproduce. Consequently, noblewomen’s bodies were often pawns used by their families to forge alliances and gain property and power.

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Gender and Marriage ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Gender and Marriage appears in each chapter of The Castle of Otranto. Click or tap on any chapter to read its Summary & Analysis.
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Gender and Marriage Quotes in The Castle of Otranto

Below you will find the important quotes in The Castle of Otranto related to the theme of Gender and Marriage.

Chapter 1 Quotes

She was, however, just going to beg admittance, when Manfred suddenly opened the door; and, as it was now twilight, concurring with the disorder of his mind, he did not distinguish the person, but asked angrily, who it was? Matilda replied, trembling, “My dearest father, it is I, your daughter.” Manfred, stepping back hastily, cried, “Begone! I do not want a daughter”; and flinging back abruptly, clapped the door against the terrified Matilda.

Related Characters: Matilda (speaker), Manfred (speaker)
Page Number and Citation: Book Page 32
Explanation and Analysis:
After Hippolita orders her daughter Matilda to check on her father, Matilda, the dutiful daughter, obeys. However, when she reaches the door, Manfred does not recognize her and orders her to leave. Manfred’s inability to recognize Matilda here echoes his more general inability to recognize Isabella as his daughter – whether as his daughter-in-law, or as his de facto daughter from having been his ward – that is inherent in his desire to force Isabella to marry him and give birth to his heir. Manfred’s declaration, “I do not want a daughter,” points both to his desire for a son, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipi

That excellent lady, who no more than Manfred doubted the reality of the vision, yet affected to treat it as a delirium of the servant. Willing, however, to save her lord from any additional shock, and prepared by a series of grief not to tremble at any accession to it, she determined to make herself the first sacrifice, if fate had marked the present hour for their destruction.

Related Characters: Hippolita, Manfred, Diego
Related Symbols: The Giant Suit of Armor
Page Number and Citation: 44
Explanation and Analysis:
Though both are sure of its reality, Hippolita and Manfred dismiss the servants’ report of a giant leg in armor as superstition. However, as they will soon learn, they are wrong to do so, as the armor represents the end of Manfred’s rule. Hippolita’s decision to offer herself up as a sacrifice leads her to anticipate disaster throughout the novel, and as a result, she is all too ready to consent to a divorce from Manfred when he asks her to do so. Constantly putting Manfred’s needs before her own, Hippolita’s willingness to sacrifice herself for her husband’s sake is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequunt

Ashamed, too, of his inhuman treatment of a princess, who returned every injury with new marks of tenderness and duty; he felt returning love forcing itself into his eyes—but not less ashamed of feeling remorse towards one, against whom he was inwardly meditating a yet more bitter outrage, he curbed the yearnings of his heart, and did not dare to lean even towards pity. The next transition of his soul was to exquisite villainy. Presuming on the unshaken submission of Hippolita, he flattered himself that she would not only acquiesce with patience to a divorce, but would obey, if it was his pleasure, in endeavouring to persuade Isabella to give him her hand.

Related Characters: Manfred, Hippolita, Isabella
Related Symbols: The Giant Suit of Armor
Page Number and Citation: 44
Explanation and Analysis:
After his initial feverish search for Isabella failed, Manfred has calmed down at the reassurance of his wife and begins to feel remorse for his treatment of both Hippolita and Isabella. However, though he is beginning to feel shame, he simultaneously feels “a yet more bitter outrage” against Isabella and his fickle emotions soon bring him back to “exquisite villainy,” as his anger and pride overcomes his conscience. Both highly patriarchal and unreasonably proud of his ability to persuade others, Manfred deludes himself into believing that his wife will be so obedient that she would readily betray her morals for Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore

Chapter 2 Quotes

“O that dear mother! yes, Bianca, ‘tis there I feel the rugged temper of Manfred. I can support his harshness to me with patience; but it wounds my soul when I am witness to his causeless severity towards her.” “Oh! madam,” said Bianca, “all men use their wives so, when they are weary of them.” “And yet your congratulated me but now,” said Matilda, “when you fancied my father intended to dispose of me!” “I would have you a great lady,” replied Bianca, “come what will. I do not wish to see you moped in a convent, as you would be if you had your will, and if my lady, your mother, who knows that a bad husband is better than no husband at all, did not hinder you—”

Related Characters: Matilda (speaker), Bianca (speaker), Hippolita, Manfred
Page Number and Citation: 46
Explanation and Analysis:
At the beginning of Chapter 2, shortly after Isabella’s disappearance, Matilda is in her room, ruminating over the day’s events in the company of her servant Bianca. Ever the dutiful daughter, Matilda is used to her father’s indifference but cannot stand his poor treatment of her mother. Bianca’s explanation for Manfred’s behavior, that all men “use” their wives, and her belief that women should be married, suggest that in her view, women are meant to be married and to be “used” – that women are objects that exist for men.In contrast, Matilda’s desire to become a nun is thus a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad d

“Father,” interrupted Manfred, “I pay due reverence to your holy profession; but I am sovereign here, and will allow no meddling priest to interfere in the affairs of my domestic. If you have aught to say, attend me to my chamber—I do not use to let my wife be acquainted with the secret affairs of my state; they are not within a woman’s province.”

Related Characters: Manfred (speaker), Father Jerome, Hippolita
Page Number and Citation: 52
Explanation and Analysis:
Interrupting Jerome from telling Hippolita of his wrongdoings, Manfred asserts that priests and woman have no place in the political sphere, and asks to speak to Jerome alone. As he will do again and again in his conversations with Jerome throughout the novel, Manfred insists on a separation between church and state, a separation which, in the world of the novel, is shown to be against divine will. Just as he declares that his wife should have no say in his rule, Manfred argues that a mere priest has no authority over him. However, unlike Hippolita who submits easily to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque o

“Holy father,” said Hippolita, “it is your office to be no respecter of persons: you must speak as your duty prescribes—but it is my duty to hear nothing that it pleases not my lord I should hear.”

Related Characters: Hippolita (speaker), Manfred, Father Jerome
Page Number and Citation: 53-43
Explanation and Analysis:
After Manfred declares that it is not Hippolita’s place as a woman to listen to what he does not wish her to hear, Hippolita folds easily, submitting to her husband’s desires. However, like Manfred, she makes the mistake of implicitly supporting a separation between church and state, or in her case, church and everyday life. By speaking of Jerome’s obligations to God and her own duties to her husband as if they are comparable, Hippolita implies that her worldly duties as a wife, rather than her moral obligations as a Christian, are of the utmost importance to her. Only at Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut ven

I fear no man’s displeasure when a woman in distress puts herself under my protection.

Related Characters: Theodore (speaker), Isabella, Manfred
Page Number and Citation: 57
Explanation and Analysis:
Believing that Theodore and Isabella are in love, Manfred is interrogating the peasant about his relationship to Isabella. In response, Theodore declares here that Isabella is under his protection. Theodore’s brave, though perhaps impetuous, declaration allows him to take on the roles of hero and knight. That Isabella is “a woman in distress…under [his] protection” emphasizes that even narratives of chivalry, where women are to be protected, are patriarchal constructs in which women must simultaneously be protected from men and are dependent on men for their safety. Women in chivalric tales provide much the same roles as Walpole’s servant characters; Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut ve

Chapter 3 Quotes

Know then, that I have long been troubled in mind on my union with the princess Hippolita…for we are related within the forbidden degrees. My only difficulty was to fix on a successor, who would be tender of my people, and to dispose of the Lady Isabella, who is dear to me as my own blood. I was willing to restore the line of Alfonso, even in his most distant kindred…. I would submit to anything for the good of my people—were it not the best, the only way to extinguish the feuds between our families, if I was to take the Lady Isabella to wife—you start—but, though Hippolita’s virtues will ever be dear to me, a prince must not consider himself; he is born for his people.

Related Characters: Manfred (speaker), Hippolita, Isabella, Alfonso
Page Number and Citation: 69-70
Explanation and Analysis:
After inviting Frederic’s men into the castle, Manfred is determined to appease them in order to maintain his rule, and so he recycles for the knights the same story that he believes worked on Jerome. Claiming that he wishes to avoid incest by divorcing his wife, Manfred proposes that the best solution for him and his people is to marry Isabella, who is “dear to [him] as [his] own blood.” Manfred does not seem to realize that such a marriage would also be incestuous and that his proposed solution – to avoid incest with his wife by marrying his ward Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendi

Matilda disengaged herself from her women, stole up to the black tower, and unbolting the door, presented herself to the astonished Theodore. “Young man,” said she, “though filial duty and womanly modesty condemn the step I am taking, yet holy charity, surmounting all other ties, justifies this act. Fly, the doors of thy prison are open: my father and his domestics are absent, but they may soon return.”

Related Characters: Matilda (speaker), Manfred, Theodore
Page Number and Citation: 71
Explanation and Analysis:
While all of Manfred’s men are racing Frederic’s knights to find Isabella, Theodore is locked in a prison that is now unguarded. By freeing Theodore from prison, Matilda reverses traditional gender roles of knight and damsel in distress. It is not the princess who is freed from the locked tower by a knight, as would normally be expected of heroic tales, but rather the knight who is freed by the princess.Playing a “masculine” role, Matilda is aware that her actions go against both her father’s wishes and against “womanly modesty.” However, her violation of both worldly norms is justified by Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Vo

Chapter 4 Quotes

Where’er a casque that suits this sword is found,
With perils is thy daughter compass’ed round;
Alfonso’s blood alone can save the maid,
And quiet a long restless prince’s shade.

Related Characters: Frederic (speaker), Isabella, Theodore, Alfonso
Related Symbols: The Giant Suit of Armor
Page Number and Citation: 80
Explanation and Analysis:
At the beginning of Chapter 4, after Theodore mistakenly injures Frederic and brings him to the castle with Isabella, Frederic reveals a prophecy inscribed on a giant sword led him to Otranto. This is the second prophecy of the novel, and it claims that near the helmet matching the sword, Frederic’s daughter Isabella will be in danger, and that only “Alfonso’s blood,” can save her and free Alfonso’s ghost. That Isabella is the “maid” to be “saved” reinforces gender stereotypes of women as damsels in distress, especially if “Alfonso’s blood” is Theodore, her future husband, or Frederic, her father. In Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus h

“Thou art as much too good for this world,” said Isabella, “as Manfred is execrable—but think not, lady, that thy weakness shall determine for me. I swear, hear me all ye angels” — Stop, I adjure thee,” cried Hippolita; “remember thou dost not depend on thyself; thou hast a father.”

Related Characters: Isabella (speaker), Hippolita (speaker), Manfred, Frederic
Page Number and Citation: 87
Explanation and Analysis:
After Matilda and Isabella reconcile, Hippolita arrives to announce that she has proposed a marriage between Matilda and Frederic. Isabella, knowing that this will make Manfred’s plans to marry her easier, begins to pray. However, Hippolita stops her, telling Isabella that she must listen to her father (Frederic) first. Hippolita’s interruption of Isabella’s prayer shows once again that Hippolita’s priorities are not in order. By claiming that Isabella’s fate depends on her father, Hippolita is implying that Frederic’s authority as a father is greater than the divine authority of the angels. Just as she does with her own husband, Hippolita Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia ape

It is not ours to make election for ourselves: heaven, our fathers, and our husbands, must decide for us. Have patience until you hear what Manfred and Frederic have determined. If the marquis accepts Matilda’s hand, I know she will readily obey. Heaven may interpose and prevent the rest.

Related Characters: Hippolita (speaker), Frederic, Matilda, Isabella, Manfred
Page Number and Citation: 87
Explanation and Analysis:
Advising Isabella to listen to her father first, Hippolita declares that it is not the place of a woman to make any choices for herself and that such choices must be made by “heaven, our fathers, and our husbands.” Without distinguishing between the level of authority that heaven, fathers, and husbands each have over women, Hippolita implies that fathers and husbands have at least equal authority over women compared to heaven. Just as she assumed in Chapter 2 that Jerome’s obligations to the divine were comparable to her obligations to her husband, Hippolita mistakenly implies that men’s authority over women Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusanti

Manfred, in the mean time, had broken his purpose to Frederic, and proposed the double marriage. That weak prince, who had been struck with the charms of Matilda, listened but too eagerly to the offer. He forgot his enmity to Manfred, whom he saw but little hope of dispossessing by force; and flattering himself that no issue might succeed from the union of his daughter with the tyrant, he looked upon his own succession to the principality as facilitated by wedding Matilda.

Related Characters: Manfred, Frederic, Matilda, Isabella
Page Number and Citation: Book Page 91
Explanation and Analysis:
While Jerome is urging Hippolita not to consent to divorce, Manfred is proposing that he and Frederic marry each other’s daughters. Frederic, forgetting his mission to save Isabella from Manfred, is deeply tempted by the thought of marrying Matilda, and places his romantic desires and desire to control Otranto above his divinely sanctioned mission.Though Manfred’s marriage to Isabella would already be sinful, as she is his de facto daughter and was meant to be his daughter-in-law, the double marriage between the two men and each other’s daughters would be even more incestuous because of the complicated in-law relationships resulting from Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollit

Chapter 5 Quotes

That prince had discovered so much passion for Matilda, that Manfred hoped to obtain all he wished by holding out or withdrawing his daughter’s charms, according as the marquis should appear more or less disposed to co-operate in his views.

Related Characters: Manfred, Frederic, Matilda
Page Number and Citation: 94
Explanation and Analysis:
Delighted at the extent of Frederic’s temptation for Matilda, Manfred decides to use his daughter to manipulate Frederic into yielding to Manfred’s plans. Having forgotten the reason for his arrival at Otranto, Frederic’s “passion” for Matilda renders him more easily manipulated and thus corruptible. Manfred’s ability to use Matilda as a carrot to wave in front of Frederic stems from a patriarchal system that objectifies women and exploits female bodies. As Matilda’s father, Manfred is able to dispose of her as he wishes. As a woman’s marriageability was often tied to her physical appearance and virginity, the female body became Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad

“Thou guiltless, but unhappy woman! unhappy by my crimes!” replied Manfred, “my heart, at last, is open to thy devout admonitions. Oh! could—but it cannot be—ye are lost in wonder—let me at last do justice on myself! To heap shame on my own head is all the satisfaction I have left to offer to offended Heaven. My story has drawn down these judgements: let my confession atone—but ah! what can atone for usurpation, and a murdered child! a child murdered in a consecrated place!—List, sirs, and may this bloody record be a warning to future tyrants!

Related Characters: Manfred (speaker), Hippolita, Matilda
Page Number and Citation: 105
Explanation and Analysis:
Repentant for killing his daughter and awed by the appearance of Alfonso’s ghost, Manfred is finally ready to atone for his sins and to listen to Hippolita, marking a drastic change from his previous refusal to listen to anything a priest or woman had to say. Confessing his murder of Matilda and the story of how his grandfather usurped the throne, Manfred presents his story as a “warning to future tyrants.” However, one could argue that, because Walpole dismissed the effectiveness of Muralto’s “message” in his first preface, Manfred’s transformation from a lustful, power-hungry tyrant to a repentant monk seems Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Poss