The Edible Woman

by Margaret Atwood

Duncan/The Pale Man Character Analysis

Duncan (whom Marian initially only identifies as a strange, pale man) is an English PhD student. He is also Trevor and Fish’s third roommate and Marian’s eventual lover. Duncan is the antithesis of the conventional, monotonous routines Marian has established with her fiancé Peter, as Marian’s meetings with Duncan are unplanned and unpredictable (occurring as they do in laundromats or late-night movie screenings). Though Duncan is often insightful, giving voice to the novel’s critiques of consumerism and meaningless language, he is also self-involved, obsessing over his own needs while paying very little attention to Marian’s own. Duncan is also unpredictable, telling lies about small things (like whether he prefers beer or scotch) and larger things (like whether or not Marian is the first woman he has had sex with). Yet even as Marian sees Duncan’s flaws, her strange attraction to him represents her willingness to challenge the prevailing consumerism and patriarchy of her era. Indeed, the narrative ends as Duncan dives into the woman-shaped cake Marian has prepared, his willingness to participate in this funny, carnal act a reminder of all the things Marian finds most “delicious” in life.

Duncan/The Pale Man Quotes in The Edible Woman

The The Edible Woman quotes below are all either spoken by Duncan/The Pale Man or refer to Duncan/The Pale Man . For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Gendered Expectations vs. Personal Identity Theme Icon
).

Chapter 11 Quotes

“Once I went to the zoo and there was a cage with a frenzied armadillo in it going around in figure-eights […] They say all caged animals get that way when they're caged, it's a form of psychosis, and even if you set the animals free after they go like that they'll just run around in the same pattern. You read and read the material and after you've read the twentieth article you can't make any sense out of it anymore, and then you start thinking about the number of books that are published in any given year, in any given month, in any given week, and that's just too much. Words,” he said, looking in my direction finally but with his eyes strangely unfocused, as though he was really looking at a point several inches beneath my skin, “are beginning to lose their meanings.”

Related Characters: Duncan/The Pale Man (speaker), Marian McAlpin (speaker)
Page Number and Citation: 101
Explanation and Analysis:

Chapter 16 Quotes

“It's like term papers, you produce all that stuff and nothing is ever done with it, you just get a grade for it and heave it in the trash, you know that some other poor comma-counter is going to come along the year after you and have to do the same thing over again, it's a treadmill, even ironing, you iron the damn things and then you wear them and they get all wrinkled again.”

“Well, and then you can iron them again, can't you?” Marian said soothingly. “If they stayed neat you wouldn't have anything to do.”

“Maybe I do something worthwhile for a change,” [Duncan] said. […] “Production-consumption. You begin to wonder whether it isn't just a question of making one kind of garbage into another kind. The human mind was the last to be commercialized but they're doing a good job of it now.”

Related Characters: Duncan/The Pale Man (speaker), Marian McAlpin (speaker)
Page Number and Citation: 154
Explanation and Analysis:

Chapter 21 Quotes

Of course Duncan was making what they called “demands,” if only on her time and attention; but at least he wasn’t threatening her with some intangible gift in return. His complete self-centeredness was reassuring in a peculiar way. Thus, when he would murmur, with his lips touching her cheek, “You know, I don’t even like you very much,” it didn’t disturb her at all because she didn’t have to answer. But when Peter, with his mouth in approximately the same position, would whisper “I love you” and wait for the echo, she had to exert herself.

Related Characters: Duncan/The Pale Man (speaker), Marian McAlpin, Peter Wollander
Page Number and Citation: 200
Explanation and Analysis:

Chapter 31 Quotes

I had just begun on the windows when the phone rang. It was Duncan. I was surprised; I had more or less forgotten about him. […]

I was irritated with him for not wanting to discuss what I was going to do myself. Now that I was thinking of myself in the first-person singular again I found my own situation much more interesting than his.

Related Characters: Marian McAlpin (speaker), Ainsley Tewce , Fischer Smythe (Fish), Duncan/The Pale Man
Page Number and Citation: 306
Explanation and Analysis:

“Maybe Peter was trying to destroy me, or maybe I was trying to destroy him, or we were both trying to destroy each other, how's that? What does it matter, you're back to so-called reality, you're a consumer.”

“Incidentally,” I said, remembering, “would you like some cake?” I had half the torso and the head left over.

[…] It gave me a peculiar sense of satisfaction to see [Duncan] eat as if the work hadn't been wasted after all—although the cake was absorbed without exclamations of pleasure, even without noticeable expression. I smiled comfortably at him.

[…] He scraped the last chocolate curl up with his fork and pushed away the plate. “Thank you,” he said, licking his lips. “It was delicious.”

Related Characters: Duncan/The Pale Man (speaker), Marian McAlpin (speaker), Peter Wollander
Related Symbols: The Woman-Shaped Cake
Page Number and Citation: 309
Explanation and Analysis:
Get the entire The Edible Woman LitChart as a printable PDF.
"My students can't get enough of your charts and their results have gone through the roof." -Graham S.
The Edible Woman PDF

Duncan/The Pale Man Character Timeline in The Edible Woman

The timeline below shows where the character Duncan/The Pale Man appears in The Edible Woman. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 6
Routine, Repetition, and Resistance Theme Icon
...skinny young man lets Marian in. At first, she assumes he is a teenager—but when the pale man tells her his parents are dead, Marian asks him more questions, eventually learning that he... (full context)
Routine, Repetition, and Resistance Theme Icon
...apartment, which is covered in thick treatises and loose papers. Marian tries to sit, but the pale man warns her that his roommates Trevor and Fish will be angry if she moves any... (full context)
Gendered Expectations vs. Personal Identity Theme Icon
Consumerism and Consumption Theme Icon
Routine, Repetition, and Resistance Theme Icon
Marian begins the survey, starting with the free association portion, where she asks the pale man to think about phrases like “deep-down manly flavor” and “hearty healthy taste.” The pale man... (full context)
Language, Meaning, and Alienation Theme Icon
Routine, Repetition, and Resistance Theme Icon
...see herself out. As she leaves, she hears one of the roommates offer the pale manDuncan, apparently—a beer. Duncan explains that he was just tricking Marian and, when she gets annoyed,... (full context)
Chapter 11
Gendered Expectations vs. Personal Identity Theme Icon
Bodies, Pregnancy, and Food Theme Icon
Routine, Repetition, and Resistance Theme Icon
...machine next to Marian hands her his detergent. With a start, Marian realizes it is Duncan, the pale man from the interview. Duncan comments with interest on Ainsley’s lacy underwear, and... (full context)
Bodies, Pregnancy, and Food Theme Icon
Routine, Repetition, and Resistance Theme Icon
Duncan discusses his love of laundromats: he likes watching the machines go round and round, and... (full context)
Consumerism and Consumption Theme Icon
Language, Meaning, and Alienation Theme Icon
Routine, Repetition, and Resistance Theme Icon
Duncan explains that he and his roommates are all getting doctorates in English. Though Marian thinks... (full context)
Bodies, Pregnancy, and Food Theme Icon
Duncan tells Marian more about his life. None of his roommates are from here; he is... (full context)
Gendered Expectations vs. Personal Identity Theme Icon
Bodies, Pregnancy, and Food Theme Icon
Duncan warns Marian that his grumpy, invalid persona can be tempting, as women love to feel... (full context)
Chapter 12
Gendered Expectations vs. Personal Identity Theme Icon
Routine, Repetition, and Resistance Theme Icon
...sentimental reasons. She feels she should probably throw the dolls out. Marian’s mind flashes on Duncan, but she redirects, thinking of the letter she should write to tell her parents the... (full context)
Chapter 14
Consumerism and Consumption Theme Icon
Bodies, Pregnancy, and Food Theme Icon
Routine, Repetition, and Resistance Theme Icon
...cracking sound over her shoulder. When she turns to look, she is surprised to see Duncan, the man from the laundromat. He is eating something with shells, too small to be... (full context)
Bodies, Pregnancy, and Food Theme Icon
Though Marian does not acknowledge Duncan, she feels irrationally happy that he is beside her. Marian feels an instinctive urge to... (full context)
Chapter 15
Routine, Repetition, and Resistance Theme Icon
...they even had a long conversation about what they might eat together. But then, shockingly, Duncan called her at the office, sounding nervous. Duncan explained why he called: he had ironed... (full context)
Gendered Expectations vs. Personal Identity Theme Icon
Routine, Repetition, and Resistance Theme Icon
Marian agreed to bring Duncan laundry, and she plans to head there right after her visit with Clara. On her... (full context)
Chapter 16
Gendered Expectations vs. Personal Identity Theme Icon
Marian remembers the route to Duncan’s apartment perfectly, even though she has only been there once before. When she arrives, Duncan... (full context)
Gendered Expectations vs. Personal Identity Theme Icon
Language, Meaning, and Alienation Theme Icon
In between the hospital and her visit with Duncan, Marian ran into Ainsley at home. Ainsley was overjoyed about last night’s conquest with Len.... (full context)
Language, Meaning, and Alienation Theme Icon
Marian watches Duncan iron, feeling a little left out by the intense focus he gives to the garments.... (full context)
Gendered Expectations vs. Personal Identity Theme Icon
Before Marian can even express sympathy, however, Duncan changes his story, explaining that he really just smashed the mirror because he wanted to.... (full context)
Bodies, Pregnancy, and Food Theme Icon
Language, Meaning, and Alienation Theme Icon
Marian wonders again why Duncan likes ironing so much. He says that writing his term papers always gets him “tangled... (full context)
Consumerism and Consumption Theme Icon
Routine, Repetition, and Resistance Theme Icon
Duncan finishes ironing and crawls into bed beside Marian. He closes his eyes, frustrated with the... (full context)
Language, Meaning, and Alienation Theme Icon
Duncan opens his eyes, taking in the image of Marian in the dressing gown. “You look... (full context)
Gendered Expectations vs. Personal Identity Theme Icon
Bodies, Pregnancy, and Food Theme Icon
Language, Meaning, and Alienation Theme Icon
Duncan kisses Marian on the nose, assuring her that their tryst does not mean anything to... (full context)
Chapter 19
Language, Meaning, and Alienation Theme Icon
Duncan greets Marian. Though she had no way of knowing he would be here, she is... (full context)
Chapter 21
Gendered Expectations vs. Personal Identity Theme Icon
Language, Meaning, and Alienation Theme Icon
Over the next three weeks, Marian sees Duncan more often and more intentionally. Now, they are at the museum together, looking down over... (full context)
Bodies, Pregnancy, and Food Theme Icon
Marian dreads the idea of Peter and Duncan ever meeting, though she does not know “who would be destroyed by whom.” For that... (full context)
Consumerism and Consumption Theme Icon
Bodies, Pregnancy, and Food Theme Icon
In the museum, Marian and Duncan have arrived at the ancient Egypt wing. Duncan explains that he often comes here to... (full context)
Gendered Expectations vs. Personal Identity Theme Icon
At the museum coffee shop, Duncan tells Marian that he wants to “go to bed” with her. When Marian protests that... (full context)
Gendered Expectations vs. Personal Identity Theme Icon
Bodies, Pregnancy, and Food Theme Icon
Routine, Repetition, and Resistance Theme Icon
Just then, Marian spots Trevor and Fish across the coffee shop. Marian tells Duncan to go say hello to his “parents,” and when he returns, he seems like a... (full context)
Chapter 22
Gendered Expectations vs. Personal Identity Theme Icon
Bodies, Pregnancy, and Food Theme Icon
Routine, Repetition, and Resistance Theme Icon
Before going into Duncan’s apartment, Marian debates whether she should keep her engagement ring on, ultimately deciding to put... (full context)
Bodies, Pregnancy, and Food Theme Icon
Routine, Repetition, and Resistance Theme Icon
...to attend to more dinner party tasks, Marian chucks a small chunk of meat towards Duncan, who cleverly hides it on his plate. Unfortunately, Fish concludes his monologue by standing up,... (full context)
Consumerism and Consumption Theme Icon
Bodies, Pregnancy, and Food Theme Icon
Language, Meaning, and Alienation Theme Icon
Duncan walks Marian part of the way home. Again, he brings up the idea of sleeping... (full context)
Chapter 25
Bodies, Pregnancy, and Food Theme Icon
Language, Meaning, and Alienation Theme Icon
Not knowing what else to do, Marian calls Duncan and begs him to come to Peter’s party tonight, even inviting Trevor and Fish. The... (full context)
Chapter 27
Gendered Expectations vs. Personal Identity Theme Icon
Consumerism and Consumption Theme Icon
Routine, Repetition, and Resistance Theme Icon
...sudden serenity strikes Marian as a sign of danger. And to make matters worse, Trevor, Duncan, and Fish have all arrived. When Marian enters the door, Trevor does not even recognize... (full context)
Bodies, Pregnancy, and Food Theme Icon
Duncan is horrified by Marian’s new look, the first person she has encountered who has not... (full context)
Consumerism and Consumption Theme Icon
...Peter advises her not to drink anymore. Marian runs into the bedroom, determined to find Duncan and get out of here. For the first time, Marian realizes that Peter’s bedroom will... (full context)
Chapter 28
Gendered Expectations vs. Personal Identity Theme Icon
Consumerism and Consumption Theme Icon
Routine, Repetition, and Resistance Theme Icon
When Marian arrives at the laundromat, it takes her a second to find Duncan. Once she locates him, he is dour; he protests that he does not need to... (full context)
Consumerism and Consumption Theme Icon
Duncan and Marian walk for a long time. The first motel they stop into looks rundown,... (full context)
Consumerism and Consumption Theme Icon
Bodies, Pregnancy, and Food Theme Icon
Feeling desperate, Marian orders Duncan to take his clothes off, and he does so with such speed that it makes... (full context)
Consumerism and Consumption Theme Icon
Bodies, Pregnancy, and Food Theme Icon
Language, Meaning, and Alienation Theme Icon
Half an hour later, Duncan gives up, pronouncing himself “incorruptible.” As he goes to get a cigarette, Marian panics, feeling... (full context)
Chapter 29
Consumerism and Consumption Theme Icon
Bodies, Pregnancy, and Food Theme Icon
The next morning, Duncan and Marian get breakfast together. In the middle of the night, Marian felt suddenly calm,... (full context)
Gendered Expectations vs. Personal Identity Theme Icon
Bodies, Pregnancy, and Food Theme Icon
When the waitress comes, Duncan orders ham and eggs, but Marian cannot stomach even toast or a glass of orange... (full context)
Language, Meaning, and Alienation Theme Icon
Routine, Repetition, and Resistance Theme Icon
After a while, Duncan suggests they catch a streetcar. They ride the streetcar several stops, then walk for a... (full context)
Consumerism and Consumption Theme Icon
Bodies, Pregnancy, and Food Theme Icon
Marian realizes where Duncan has been taking her: to an abandoned factory, sitting at the center of a giant... (full context)
Gendered Expectations vs. Personal Identity Theme Icon
Bodies, Pregnancy, and Food Theme Icon
Language, Meaning, and Alienation Theme Icon
Suddenly, Marian feels a desperate need to verify Duncan’s existence. “How was it for you last night?” she asks him, waiting for his response... (full context)
Bodies, Pregnancy, and Food Theme Icon
Language, Meaning, and Alienation Theme Icon
Marian is hurt to know that she is not Duncan’s first, even though she cannot tell whether Duncan was lying before or whether he is... (full context)
Chapter 31
Gendered Expectations vs. Personal Identity Theme Icon
Language, Meaning, and Alienation Theme Icon
...behind. Then she tackles the dishes and the fridge, scrubbing all the rotten food away. Duncan calls, wanting to know what happened last night. When Marian explains that she has left... (full context)
Gendered Expectations vs. Personal Identity Theme Icon
Language, Meaning, and Alienation Theme Icon
Routine, Repetition, and Resistance Theme Icon
Marian invites Duncan over, annoyed by his self-involvement—“now that I was thinking of myself in the first person... (full context)
Gendered Expectations vs. Personal Identity Theme Icon
Half-heartedly, Duncan wonders what will become of him now that he comes from “a broken home.” Oddly,... (full context)
Consumerism and Consumption Theme Icon
Routine, Repetition, and Resistance Theme Icon
The sound of the defrosting refrigerator startles Duncan, who asks Marian if she is eating again. Marian boasts that she had steak for... (full context)
Gendered Expectations vs. Personal Identity Theme Icon
Consumerism and Consumption Theme Icon
Bodies, Pregnancy, and Food Theme Icon
Language, Meaning, and Alienation Theme Icon
Routine, Repetition, and Resistance Theme Icon
Marian offers Duncan some of the woman-shaped cake. He accepts, hungrily eating the cake-woman’s face and hair. Though... (full context)