The Marriage Portrait
by Maggie O'Farrell

The Marriage Portrait: Chapter 6: The End of the Meal Summary & Analysis

Summary
Analysis
Back at the fortress in 1561, Alfonso remarks that Lucrezia seems cold, and they move to the fireplace, where he pulls her into his lap. She cannot tell his motives from his face and wonders if her imagination has carried her away in thinking he means to hurt her. As a distraction, she kisses him. Alfonso’s enthusiastic response convinces her that he must love her after all, that her mind is, indeed, playing tricks on her. Ascending the stairs, Lucrezia asks when her maidservants will arrive. Alfonso speculates it will not be tonight, and again Lucrezia struggles to paint the situation as innocent. He leads her to her chamber.
Alfonso’s calm demeanor makes Lucrezia question her conviction that he means to kill her. Her concern that she is being too imaginative shows how her family’s dismissal of her imaginative disposition is ingrained in her mind. While Lucrezia has hinted at her husband’s darker side, it has yet to appear in the novel, making the reader doubtful as well. Even so, Lucrezia’s general uncertainty about Alfonso’s motives suggest he is more manipulative than forthright, and this characterizes him as cunning.
Active Themes
Duality and Identity Theme Icon
Gender Roles, Male Violence, and Female Solidarity Theme Icon