Wharton’s writing style in “The Other Two” is characterized by a combination of simple, restrained dialogue between characters and evocative, descriptive language from the narrator. This combination is Wharton’s way of highlighting how her upper-class characters behave in very controlled, formal ways with each other—in accordance with the etiquette required in their social circle—while secretly having full emotional reactions that they keep inside.
Take the following passage, for example, which comes as Waythorn greets Haskett in his own home and assures him that his daughter Lily is in good health:
“Thank you, Mr. Waythorn, it’s been an anxious time for me.”
“Ah, well, that’s past. Soon she’ll be able to go to you.” Waythorn nodded and passed out.
In his own room he flung himself down with a groan. He hated the womanish sensibility which made him suffer so acutely from the grotesque chances of life.