The Postmaster
by Rabindranath Tagore

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The Postmaster Quotes

The postmaster was a Calcutta boy—he was a fish out of water in a village like this. His office was in a dark thatched hut; there was a pond next to it, scummed over with weeds, and jungle all around. The indigo agents and employees had hardly any spare time, and were not suitable company for an educated man. Or rather, his Calcutta background made him a bad mixer—in an unfamiliar place he was either arrogant or ill-at-ease. So there was not much contact between him and the residents in the area.

Related Characters: The Postmaster
Related Symbols: Water
Related Literary Devices:
Page Number and Citation: 42
Explanation and Analysis:
Tagore quickly establishes why the postmaster is isolated in Ulapur: his upper-class, educated background sets him apart from the laborers in the village. He is unable to interact easily with them, since he considers himself superior to the indigo agents, and his surroundings (a “dark thatched hut” in the jungle) are jarringly rural and unfamiliar. It is clear that the postmaster feels out of place in rural Ulapur and cannot overcome his feeling of estrangement from his environment by connecting with other individuals. At the beginning of the story, the postmaster is a “fish out of water”; by the end Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus e

Sometimes he tried to write poems. The bliss of spending one’s life watching the leaves trembling in the trees or the clouds in the sky—that was what the poems expressed. God knew, however, that if a genie out of an Arab tale had come and cut down all the leafy trees overnight, made a road, and blocked out the sky with rows of tall buildings, this half-dead, well-bred young man would have come alive again.

Related Characters: The Postmaster
Related Symbols: Poetry
Page Number and Citation: 42
Explanation and Analysis:
Because he has little work in Ulapur, the postmaster spends some of his free time writing poems. He attempts to convey the transcendent beauty of his natural surroundings through poetry, but he finds it difficult to appreciate these surroundings since he is thinking mainly of the urban life he left behind in Calcutta—a city with “tall buildings” and “roads,” features that he longs for in the midst of his bucolic isolation. Here, Tagore again affirms a division between urban and rural life but also suggests the power of poetry as a force that can inspire “bliss” and tranquil reflection, even Dolorem et quae. Exercitationem non aut. Eveniet dolor non. I

The postmaster would say abruptly, “So, Ratan, do you remember your mother?” She had lots to tell him: some things she remembered, others she did not. Her father loved her more than her mother did—she remembered him a little. He used to come home in the evening after working hard all day, and one or two evenings were clearly etched in her memory. As she talked, Ratan edged nearer to the postmaster, and would end up sitting on the ground at his feet.

Related Characters: The Postmaster (speaker), Ratan
Page Number and Citation: 43
Explanation and Analysis:
Ratan and the postmaster begin to form a relationship on the basis of their late-night conversations, in which they express memories from their childhood. Notably, Ratan is the first to share her recollections, upon the postmaster’s prompting; her memories allow the postmaster to understand her not merely as an outcast orphan but as an individual with a family life and vibrant memories. By sharing her stories, Ratan comes alive—brightened and excited by the prospect of interaction and conversation—and she and the postmaster experience moments of unity that transcend their disparate class statuses. This connection, in turn, makes the postmaster’s ultimate Dolorem et quae. Exercitationem non aut.

He felt in need of comfort, ill and miserable as he was, in this isolated place, the rain pouring down. He remembered the touch on his forehead of soft hands, conch-shell bangles. He wished his mother or sister were sitting here next to him, soothing his illness and loneliness with feminine tenderness. And his longings did not stay unfulfilled. The young girl Ratan was a young girl no longer. From that moment on she took on the role of a mother.

Related Characters: The Postmaster , Ratan
Related Symbols: Water
Related Literary Devices:
Page Number and Citation: 44
Explanation and Analysis:
The postmaster is severely affected by the weather in Ulapur—namely, its intense monsoons—and becomes ill. His illness makes him homesick for his female relatives, who often soothed him during illnesses, and their “feminine tenderness.” Ratan steps into the role of a female relative for the postmaster here, providing for him in his pain and demonstrating the “tenderness” he craves. Yet the postmaster does not acknowledge her as a potential wife nor a member of his family (though she desires to be a part of his), understanding that they are from two different worlds, and from two different rungs of society.

When the postmaster had had his meal, she suddenly asked, “Dadababu, will you take me home with you?” “How could I do that!” said the postmaster, laughing. He saw no need to explain to the girl why the idea was impossible. All night long, whether dreaming or awake, Ratan felt the postmaster’s laugh ringing in her ears. “How could I do that!”

Related Characters: Ratan (speaker), The Postmaster (speaker)
Related Literary Devices:
Page Number and Citation: 45
Explanation and Analysis:
To the postmaster, the reason he cannot bring Ratan home with him is obvious: she is his servant, only important to him for the services she provides. Though he has shown Ratan kindness and helped her begin to improve her life, ultimately he feels that he has no obligation to her. This is despite the closeness that Ratan herself feels toward him. The postmaster’s laughing retort, which occurs at the climax of the narrative, is a cruel rejection of Ratan and a definitive confirmation of their impassable class statuses. Ratan’s bravery in asking a man of higher class status to Dolorem et quae. Exercitationem non au

The postmaster felt a huge anguish: the image of a simple young village-girl’s grief-stricken face seemed to speak a great inarticulate universal sorrow. He felt a sharp desire to go back: should he not fetch that orphaned girl, whom the world had abandoned? ... Detached by the current of the river, he reflected that in life there are many separations, many deaths. What point was there in going back? Who belonged to whom in this world?”

Related Characters: The Postmaster (speaker), Ratan
Related Symbols: Water
Page Number and Citation: 46
Explanation and Analysis:
The postmaster has philosophy to comfort him as he departs Ulapur, borne away on fierce flood waters that symbolize the profound power of the natural world. He cannot return to Ratan, since he believes that all relationships in life are fleeting. In deciding to remain on his journey, the postmaster overlooks the consequences of his actions: he has left behind a young woman poised on the brink of a better life, ultimately preventing her from grasping new opportunities by cutting off her education and denying her the support he once provided. Ratan’s face speaks “universal sorrow,” yet the postmaster seems Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedi

But Ratan had no such philosophy to console her. All she could do was wander near the post office, weeping copiously. Maybe a faint hope lingered in her mind that Dadababu might return; and this was enough to tie her to the spot, prevent her from going far. O poor, unthinking human heart! Error will not go away, logic and reason are slow to penetrate.

Related Characters: Ratan (speaker), The Postmaster
Related Literary Devices:
Page Number and Citation: 47
Explanation and Analysis:
Though the postmaster leaves Ulapur comforted by his belief that no relationships in life can last, Ratan cannot find comfort in her misery, since she cannot leave her native village: she has neither the education nor the financial means to do so. Ratan is sustained by “faint hope” that the postmaster might return and help her to find opportunities outside of Ulapur, but as Tagore’s narrator affirms, this is merely “error”—her hope is false and futile, though it will continue to sustain her as she lingers near the post office, attending the postmaster’s return. Yet Ratan’s life has not been Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaqu
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