The Prophet

by Kahlil Gibran

Almustafa Character Analysis

Almustafa is the book’s titular prophet. At the beginning of the story, he sees a ship from his home country approaching to retrieve him from Orphalese, where he has lived for the last 12 years. He has spent these years roaming the hills outside town in a profound spiritual quest, which has caused the townspeople to see him as aloof. But the townspeople clearly seem to recognize the prophet’s spiritual power and authority, since they delay his departure by assailing him with questions about life’s fundamental issues, and they lament when he leaves. Almustafa’s background and reasons for coming to Orphalese remain a mystery, as does his life after he departs. And despite his apparent divine favor and his resulting insights into the nature of things, which he divulges at length over the course of an afternoon, Almustafa comes off as a pained, melancholic figure. He advances a vision of cosmic harmony and universal oneness, but he seems to recognize an incongruity between this optimistic vision and the actual state of society. Like Christ or the Buddha, he personally suffers on account of the discord and unhappiness of humankind. And similar to those figures, he promises to return. Unfortunately, the necessity of his return indicates his failure to make his teachings understood the first time. This communicative impasse between him and the unenlightened townspeople seems to contribute to his pain. His joy upon leaving Orphalese indicates relief from a real suffering that he felt there. It also indicates his vulnerability and limitations: he is far from immune to suffering, and he ultimately struggles to impart his wisdom. These limitations are what make him a prophet and not a god.

Almustafa Quotes in The Prophet

The The Prophet quotes below are all either spoken by Almustafa or refer to Almustafa. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Prophets and Intelligibility Theme Icon
).

Pages 9-26 Quotes

Am I a harp that the hand of the mighty may touch me, or a flute that his breath may pass through me? A seeker of silences am I, and what treasure have I found in silences that I may dispense with confidence?

Related Characters: Almustafa (speaker)
Related Symbols: Music
Page Number: 13
Explanation and Analysis:

Your children are not your children. They are the sons and daughters of Life’s longing for itself. They come through you but not from you, And though they are with you yet they belong not to you. You may give them your love but not your thoughts, For they have their own thoughts.

Related Characters: Almustafa (speaker)
Page Number: 24
Explanation and Analysis:

Pages 27-44 Quotes

And what is fear of need but need itself? Is not dread of thirst when your well is full, the thirst that is unquenchable?

Related Characters: Almustafa (speaker)
Page Number: 27
Explanation and Analysis:

When you work you are a flute through whose heart the whispering of the hours turns to music. Which of you would be a reed, dumb and silent, when all else sings together in unison?

Related Characters: Almustafa (speaker)
Related Symbols: Music
Page Number: 35
Explanation and Analysis:

Your joy is your sorrow unmasked. And the selfsame well from which your laughter rises was oftentimes filled with your tears. And how else can it be? The deeper that sorrow carves into your being, the more joy you can contain.

Related Characters: Almustafa (speaker)
Page Number: 39
Explanation and Analysis:

Pages 44-59 Quotes

Forget not that modesty is for a shield against the eye of the unclean. And when the unclean shall be no more, what were modesty but a fetter and a fouling of the mind?

Related Characters: Almustafa (speaker)
Page Number: 45
Explanation and Analysis:

And this also, though the word lie heavy upon your hearts: The murdered is not unaccountable for his own murder, And the robbed is not blameless in being robbed. The righteous is not innocent of the deeds of the wicked, And the white-handed is not clean in the doings of the felon. Yea, the guilty is oftentimes the victim of the injured, And still more often the condemned is the burden bearer for the guiltless and unblamed. You cannot separate the just from the unjust and the good from the wicked; For they stand together before the face of the sun even as the black thread and the white are woven together.

Related Characters: Almustafa (speaker)
Related Symbols: Mist
Page Number: 49-51
Explanation and Analysis:

People of Orphalese, you can muffle the drum, and you can loosen the strings of the lyre, but who shall command the skylark not to sing?

Related Characters: Almustafa (speaker)
Related Symbols: Music
Page Number: 56
Explanation and Analysis:

In truth that which you call freedom is the strongest of these chains, though its links glitter in the sun and dazzle your eyes.

Related Characters: Almustafa (speaker)
Page Number: 58
Explanation and Analysis:

Pages 59-75 Quotes

And could you keep your heart in wonder at the daily miracles of your life, your pain would not seem less wondrous than your joy […]

Related Characters: Almustafa (speaker)
Page Number: 62
Explanation and Analysis:

Your hearts know in silence the secrets of the days and the nights. But your ears thirst for the sound of your heart’s knowledge. You would know in words that which you have always known in thought. You would touch with your fingers the naked body of your dreams. And it is well you should.

Related Characters: Almustafa (speaker)
Page Number: 63
Explanation and Analysis:

You talk when you cease to be at peace with your thoughts; And when you can no longer dwell in the solitude of your heart you live in your lips, and sound is a diversion and a pastime. And in much of your talking, thinking is half murdered. For thought is a bird of space, that in a cage of words may indeed unfold its wings but cannot fly. There are those among you who seek the talkative through fear of being alone. The silence of aloneness reveals to their eyes their naked selves and they would escape. And there are those who talk, and without knowledge or forethought reveal a truth which they themselves do not understand. And there are those who have the truth within them, but they tell it not in words. In the bosom of such as these the spirit dwells in rhythmic silence.

Related Characters: Almustafa (speaker)
Related Symbols: Music
Page Number: 69
Explanation and Analysis:

You are good in countless ways, and you are not evil when you are not good, You are only loitering and sluggard. Pity that the stags cannot teach swiftness to the turtles. In your longing for your giant self lies your goodness: and that longing is in all of you.

Related Characters: Almustafa (speaker)
Page Number: 74
Explanation and Analysis:

Pages 75-90 Quotes

Oftentimes in denying yourself pleasure you do but store the desire in the recesses of your being. Who knows but that which seems omitted today, waits for tomorrow? Even your body knows its heritage and its rightful need and will not be deceived. And your body is the harp of your soul, And it is yours to bring forth sweet music from it or confused sounds.

Related Characters: Almustafa (speaker)
Related Symbols: Music
Page Number: 81
Explanation and Analysis:

All these things have you said of beauty, Yet in truth you spoke not of her but of needs unsatisfied, And beauty is not a need but an ecstasy. It is not a mouth thirsting nor an empty hand stretched forth, But rather a heart enflamed and a soul enchanted. It is not the image you would see nor the song you would hear, But rather an image you see though you close your eyes and a song you hear though you shut your ears.

Related Characters: Almustafa (speaker)
Page Number: 84
Explanation and Analysis:

And an old priest said, Speak to us of Religion. And he said: Have I spoken this day of aught else?

Related Characters: Almustafa (speaker)
Page Number: 85
Explanation and Analysis:

For life and death are one, even as the river and the sea are one […] Only when you drink from the river of silence shall you indeed sing.

Related Characters: Almustafa (speaker)
Related Symbols: Music
Page Number: 88-89
Explanation and Analysis:

Pages 90-107 Quotes

The mist that drifts away at dawn, leaving but dew in the fields, shall rise and gather into a cloud and then fall down in rain. And not unlike the mist have I been.

Related Characters: Almustafa (speaker)
Related Symbols: Mist
Page Number: 93
Explanation and Analysis:

I only speak to you in words of that which you yourselves know in thought. And what is word knowledge but a shadow of wordless knowledge?

Related Characters: Almustafa (speaker)
Page Number: 96
Explanation and Analysis:

Forget not that I shall come back to you.

Related Characters: Almustafa (speaker)
Page Number: 106
Explanation and Analysis:
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Almustafa Character Timeline in The Prophet

The timeline below shows where the character Almustafa appears in The Prophet. The colored dots and icons indicate which themes are associated with that appearance.
Pages 9-26
Prophets and Intelligibility Theme Icon
The story opens in the fictional city of Orphalese, where the titular prophet Almustafa, “the chosen and the beloved,” has been waiting 12 years for a ship that will... (full context)
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As Almustafa goes down to greet the ship, however, he sees the locals laying aside their work... (full context)
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The crowd catches up to Almustafa. The elders, priests, and priestesses begin emotionally declaring that they have thought of him not... (full context)
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The crowd moves to the town square, and a female Seer named Almitra, Almustafa’s first friend and supporter when he arrived 12 years ago, emerges from the temple. She... (full context)
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After a pause, Almustafa replies with a long, poetic speech, urging the crowd to yield to love when it... (full context)
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Next, Almitra asks about marriage. Almustafa replies that marriage speaks to an eternal togetherness outlasting death, but that lovers should not... (full context)
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Next, a woman holding a baby asks about children. Almustafa answers that children don’t belong to their parents, they belong to Life itself, and parents... (full context)
Pages 27-44
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A rich man then asks Almustafa to speak about charitable giving. Almustafa replies that mere giving of one’s possessions is insignificant... (full context)
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Next, an old innkeeper asks about eating and drinking. Almustafa responds that ideally, man would survive on sunlight like the plants. Since he must kill... (full context)
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A ploughman then asks Almustafa about work. The prophet replies that work is done to “keep pace with the earth... (full context)
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A woman then asks about joy and sorrow. Almustafa replies that joy and sorrow are two faces of the same reality, and that they... (full context)
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A mason then steps forward and asks the prophet about houses. Almustafa replies that one’s house is an extension of one’s body. Ideally, man would live out... (full context)
Pages 44-59
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A weaver then asks about clothes. Almustafa says that clothes hide beauty but fail to hide the unbeautiful. He says that the... (full context)
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Next, a merchant asks about buying and selling. Almustafa paints a picture of an ideal economy based on bartering with goods obtained through labor... (full context)
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A judge then asks about crime and punishment. Almustafa says that spiritual wandering leads to committing crimes. He then suggests that human beings contain,... (full context)
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Next, a lawyer asks about laws. Almustafa is skeptical of laws, likening them to attempts by people who are fearful and limited... (full context)
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An orator then asks about freedom. Almustafa talks about how he has seen the citizens paradoxically enslaving themselves to their sense of,... (full context)
Pages 59-75
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Next, a priestess asks the prophet to speak about reason and passion. Almustafa answers that the soul is frequently a battlefield where reason and passion are locked in... (full context)
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A woman in the crowd then asks about pain. Almustafa replies that pain is a sign of expanding understanding, and that if properly appreciated, it... (full context)
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A man asks the prophet about self-knowledge. Almustafa answers that self-knowledge already resides in an obscure way in everyone’s heart, but people naturally... (full context)
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Next, a teacher asks about teaching. Almustafa tells the crowd that all teaching is merely an awakening of “half asleep” knowledge already... (full context)
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A youth then asks about friendship. Almustafa says that a friend answers one’s needs, and that friendship persists and even strengthens in... (full context)
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Next, a scholar asks about talking. Almustafa replies with a negative view of talking as a sign of inner turmoil. Talking confines... (full context)
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An astronomer then asks about time. Almustafa criticizes the human effort to calculate and demarcate time as linear, when in reality time... (full context)
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An elder asks about good and evil. Almustafa dismisses evil as merely good having strayed under pressure. He suggests that all actions aim... (full context)
Pages 75-90
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Next, a priestess asks about prayer. Almustafa says he wishes that the citizens would pray in times of joy and not just... (full context)
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A hermit then asks about pleasure. Almustafa commends pleasure, in contrast to common denunciations of it; he calls it a “freedom song.”... (full context)
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At this point, a poet asks about beauty. Almustafa gives several examples of people defining beauty as reflections of their own personalities and whatever... (full context)
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A priest now asks about religion. Almustafa replies that everything he has been speaking of today falls under that category, as religion... (full context)
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Almitra now speaks again, asking finally about death.  Almustafa responds that death can only be known if one opens oneself wholly to life, “[f]or... (full context)
Pages 90-107
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By now, evening has fallen. Almustafa goes down from the temple to the ship, and the crowd follows. He turns and... (full context)
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Almustafa says that he has been like the mist, seeming to dissipate before gathering as rain.... (full context)
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Almustafa says that the idea that the people are like a chain as weak as its... (full context)
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Almustafa acknowledges some of the townspeople’s complaints that he is either proud or shy in his... (full context)
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Almustafa tells the people that they are not confined to their bodies, and that their true... (full context)
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With this, Almustafa turns to his ship, where the captain is waiting. He gives a fond farewell to... (full context)