Music in The Prophet represents the cosmic harmony that can only be heard and channeled by cultivating silence and passive receptivity within oneself. Throughout The Prophet, Almustafa repeatedly uses musical imagery in his analogies, always emphasizing the passive, receptive character of true musical expression. At the beginning, Almustafa wonders how he will impart his knowledge to the townspeople, asking, “Am I a harp that the hand of the mighty may touch me, or a flute that his breath may pass through me?” On the autonomy of marital partners, he says, “Even as the strings of a lute are alone though they quiver with the same music.” On work, he says, “When you work you are a flute through whose heart the whispering of the hours turns to music.” These recurring analogies suggest that Almustafa sees music as an example of what it might look like to achieve harmony with others. The “music” he means is not a mere diversion, indeed not something within human agency at all, but something that comes from the divine, which one can simply do one’s best to become a medium for. Almustafa thus brings together silence and music, suggesting that seeking silence and stillness will make one a medium for a more profound music than one could generate on one’s own: a music of divine truth. At one point, Almustafa summarizes this unexpected dependency of music on silence: “Only when you drink from the river of silence shall you indeed sing.”
Music Quotes in The Prophet
Pages 9-26 Quotes
Am I a harp that the hand of the mighty may touch me, or a flute that his breath may pass through me? A seeker of silences am I, and what treasure have I found in silences that I may dispense with confidence?
Pages 27-44 Quotes
When you work you are a flute through whose heart the whispering of the hours turns to music. Which of you would be a reed, dumb and silent, when all else sings together in unison?
Pages 44-59 Quotes
People of Orphalese, you can muffle the drum, and you can loosen the strings of the lyre, but who shall command the skylark not to sing?
Pages 59-75 Quotes
You talk when you cease to be at peace with your thoughts; And when you can no longer dwell in the solitude of your heart you live in your lips, and sound is a diversion and a pastime. And in much of your talking, thinking is half murdered. For thought is a bird of space, that in a cage of words may indeed unfold its wings but cannot fly. There are those among you who seek the talkative through fear of being alone. The silence of aloneness reveals to their eyes their naked selves and they would escape. And there are those who talk, and without knowledge or forethought reveal a truth which they themselves do not understand. And there are those who have the truth within them, but they tell it not in words. In the bosom of such as these the spirit dwells in rhythmic silence.
Pages 75-90 Quotes
Oftentimes in denying yourself pleasure you do but store the desire in the recesses of your being. Who knows but that which seems omitted today, waits for tomorrow? Even your body knows its heritage and its rightful need and will not be deceived. And your body is the harp of your soul, And it is yours to bring forth sweet music from it or confused sounds.
For life and death are one, even as the river and the sea are one […] Only when you drink from the river of silence shall you indeed sing.



