The Rise of Silas Lapham

by William Dean Howells

Irene Lapham Character Analysis

Irene is the younger daughter of Lapham and Persis and is Penelope’s sister. Her most notable quality is her beauty, which even people like Anna and Bromfield (who look down on the Laphams) can’t help commenting on. When Tom starts spending time with the Laphams, Irene (and everyone else) assumes that he’s interested in her, particularly after he gives her a gift of some wood shavings that resemble flowers. But Irene struggles to make conversation with Tom when Penelope isn’t around, revealing how she and Tom are incompatible. Notably, after some initial frustration, Irene gets over losing Tom, unlike what would happen in a more sentimental romance. Like Penelope, Irene upends the traditional expectations of a sentimental novel, showing how even a beautiful, innocent person might nevertheless end up alone.

Irene Lapham Quotes in The Rise of Silas Lapham

The The Rise of Silas Lapham quotes below are all either spoken by Irene Lapham or refer to Irene Lapham. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Class Theme Icon
).

Chapter 2 Quotes

Their two girls had gone to the public schools, where they had not got on as fast as some of the other girls; so that they were a year behind in graduating from the grammar-school, where Lapham thought that they had got education enough. His wife was of a different mind; she would have liked them to go to some private school for their finishing. But Irene did not care for study; she preferred house-keeping, and both the sisters were afraid of being snubbed by the other girls, who were of a different sort from the girls of the grammar-school… ended in their going part of a year. But the elder had an odd taste of her own for reading, and she took some private lessons, and read books out of the circulating library.

Related Characters: Silas Lapham , Persis Lapham, Irene Lapham, Penelope Lapham, Bartley Hubbard
Page Number and Citation: 25
Explanation and Analysis:

Chapter 7 Quotes

“Well, Silas Lapham, if you can’t see now that he’s after Irene, I don’t know what ever can open your eyes. That’s all.”

Related Characters: Persis Lapham (speaker), Tom Corey, Penelope Lapham, Irene Lapham, Silas Lapham
Related Symbols: Paint
Page Number and Citation: 90
Explanation and Analysis:

Chapter 8 Quotes

“Oh! it’s in regard to the paint, and not the princess, that he’s made up his mind. Well, I think you were wise to let him alone, Anna. We represent a faded tradition. We don’t really care what business a man is in, so it is large enough, and he doesn’t advertise offensively; but we think it fine to affect reluctance.”

Related Characters: Bromfield Corey (speaker), Anna Corey, Silas Lapham , Persis Lapham, Irene Lapham, Tom Corey
Related Symbols: Paint
Page Number and Citation: 102
Explanation and Analysis:

Chapter 9 Quotes

He bent forward and picked up from the floor the shaving with which they had been playing, and put it to his nose. “It’s like a flower. May I offer it to you?” he asked, as if it had been one.

Related Characters: Tom Corey (speaker), Irene Lapham
Related Symbols: Shavings, Houses
Page Number and Citation: 116
Explanation and Analysis:

Chapter 11 Quotes

“Oh, it was a splendid call! I didn’t suppose I could make it go off so well. We talked nearly the whole time about you!”

Related Characters: Irene Lapham (speaker), Tom Corey, Penelope Lapham
Related Symbols: Shavings
Page Number and Citation: 152
Explanation and Analysis:

Chapter 13 Quotes

Finally, all that dress-making in the house began to scare him with vague apprehensions in regard to his own dress. As soon as he had determined to go, an ideal of the figure in which he should go presented itself to his mind.

Related Characters: Silas Lapham , Persis Lapham, Anna Corey, Penelope Lapham, Irene Lapham
Related Symbols: Houses
Page Number and Citation: 182
Explanation and Analysis:

Chapter 16 Quotes

“But it wasn’t self-sacrifice—or not self-sacrifice alone. She was sacrificing him too; and for some one who couldn’t appreciate him half as much as she could. I’m provoked with myself when I think how I cried over that book—for I did cry. It’s silly—it’s wicked for any one to do what that girl did. Why can’t they let people have a chance to behave reasonably in stories?”

Related Characters: Penelope Lapham (speaker), Tom Corey, Irene Lapham
Page Number and Citation: 217
Explanation and Analysis:

Chapter 17 Quotes

“If I could give him to her, I would. But he isn’t mine to give.” She added in a burst of despair, “He isn’t mine to keep!”

“Well,” said Mrs. Lapham, “she has got to bear it. I don’t know what’s to come of it all. But she’s got to bear her share of it.”

Related Characters: Persis Lapham (speaker), Penelope Lapham (speaker), Irene Lapham, Tom Corey
Page Number and Citation: 228
Explanation and Analysis:

Chapter 18 Quotes

“One suffer instead of three, if none is to blame?” suggested Sewell. “That’s sense, and that’s justice. It’s the economy of pain which naturally suggests itself, and which would insist upon itself, if we were not all perverted by traditions which are the figment of the shallowest sentimentality.”

Related Characters: Sewell (speaker), Penelope Lapham, Persis Lapham, Silas Lapham , Tom Corey, Irene Lapham
Page Number and Citation: 241
Explanation and Analysis:

Chapter 19 Quotes

Oh! Never! Never for an instant! How could you think such a thing? It was impossible! I never thought of her. But I see—I see! I can explain—no, there’s nothing to explain! I have never knowingly done or said a thing from first to last to make you think that. I see how terrible it is!” he said; but he still smiled, as if he could not take it seriously. “I admired her beauty—who could help doing that?—and I thought her very good and sensible.”

Related Characters: Tom Corey (speaker), Bromfield Corey, Silas Lapham , Penelope Lapham, Irene Lapham
Related Symbols: Paint
Page Number and Citation: 254
Explanation and Analysis:

Chapter 22 Quotes

One of the papers had slipped through the crevice of the lid, and lay upon the floor. Mrs. Lapham kept on at her sewing, but after a while she picked the paper up to lay it on the desk. Then she glanced at it, and saw that it was a long column of dates and figures, recording successive sums, never large ones, paid regularly to “Wm. M.” The dates covered a year, and the sum amounted at least to several hundreds.

Related Characters: Persis Lapham, Irene Lapham, Tom Corey, Typist/Miss Dewey/Zerrilla, Silas Lapham , Jim, Penelope Lapham
Page Number and Citation: 285
Explanation and Analysis:

Chapter 26 Quotes

“We never cared for the money,” said Mrs. Corey. “You know that.”

Related Characters: Anna Corey (speaker), Penelope Lapham, Tom Corey, Bromfield Corey, Irene Lapham, Silas Lapham
Page Number and Citation: 346
Explanation and Analysis:
Get the entire The Rise of Silas Lapham LitChart as a printable PDF.
"My students can't get enough of your charts and their results have gone through the roof." -Graham S.
The Rise of Silas Lapham PDF

Irene Lapham Character Timeline in The Rise of Silas Lapham

The timeline below shows where the character Irene Lapham appears in The Rise of Silas Lapham. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1
Class Theme Icon
...his family, and Bartley makes a somewhat cheeky remark about how good Lapham’s youngest daughter, Irene, looks. Lapham goes on to point out the other people in the photo, which include... (full context)
Realism vs. Melodrama Theme Icon
...Bartley goes home to his wife, Marcia, and recounts the interview. He mentions how beautiful Irene was in the photo, which annoys Marcia. (full context)
Chapter 2
Class Theme Icon
...reached a point where they had more money than they knew what to do with. Irene and Penelope both went to public schools, each graduating a year late, although Penelope picked... (full context)
Class Theme Icon
Love and Communication Theme Icon
Lapham and Persis have often discussed how to get Penelope and Irene more involved in society. Lapham has considered building a house on the Back Bay, a... (full context)
Chapter 3
Love and Communication Theme Icon
One winter, a Texas newspaper arrives in the mail for Irene. She takes it to her room and reads it very carefully. Lapham and Persis suspect... (full context)
Chapter 4
Realism vs. Melodrama Theme Icon
Love and Communication Theme Icon
...and started to argue, they go back to their routines. Lapham says that Penelope and Irene would like to go see the house, so Persis agrees that all four of them... (full context)
Love and Communication Theme Icon
...at a ranch in Texas but just recently got back to Boston. He bows to Irene, who introduces Lapham and Penelope. Lapham invites Tom to take a look around at the... (full context)
Love and Communication Theme Icon
That night, Penelope and Irene stay up late talking about Tom’s nose and tease each other about their noses. Penelope... (full context)
Chapter 5
Class Theme Icon
...asks about the Laphams, whom Tom used to visit the previous summer. Tom admits that Irene is rich but says Lapham might be too focused on business and not educated enough... (full context)
Love and Communication Theme Icon
After putting Irene and Penelope to bed, Lapham repeats to Persis that he really thinks he could turn... (full context)
Chapter 6
Class Theme Icon
Love and Communication Theme Icon
...the article was unkind to Persis. He began to doubt more when Penelope and even Irene made jokes about the article. But Tom hasn’t even heard about the article. (full context)
Love and Communication Theme Icon
When Lapham, Tom and Penelope make it back home, Irene isn’t feeling well. Lapham blames it on her taking too long walks on the beach,... (full context)
Chapter 7
Love and Communication Theme Icon
Penelope tells the sick Irene that Tom has come to visit. Irene doesn’t believe her at first, then, when she... (full context)
Love and Communication Theme Icon
While Penelope, Irene, and Persis are in the parlor, Tom and Lapham come back in. They all talk... (full context)
Love and Communication Theme Icon
While Lapham and Persis are alone, Persis says she thinks Tom is after Irene. Lapham insists that Tom came about business—after all, if he came for Irene, why would... (full context)
Love and Communication Theme Icon
Persis persists in her hope that Tom might marry Irene, even though Lapham himself remains skeptical that it’ll happen. Lapham thinks to himself how he... (full context)
Chapter 8
Class Theme Icon
Love and Communication Theme Icon
...Tom, who is “not brilliant,” and there’s also the possibility yet that he could marry Irene. But Anna doesn’t like her, feeling that she’s “insipid.” (full context)
Class Theme Icon
Love and Communication Theme Icon
...Tom what the Laphams are like. Tom mentions how Penelope is a big reader and Irene has a sense of humor. He says he plans to start working for Lapham at... (full context)
Chapter 9
Love and Communication Theme Icon
...that they shouldn’t make Tom feel like they’re chasing after him—if he wants to see Irene, he’ll have to figure that out on his own. She suggests that it sounds like... (full context)
Class Theme Icon
...main house, Lapham sometimes takes Tom to the house-in-progress, and one time there, they see Irene. (full context)
Love and Communication Theme Icon
Tom asks Irene about Middlemarch, a novel by George Eliot that Penelope was reading earlier and that Tom... (full context)
Love and Communication Theme Icon
Tom offers to write down the names of several authors he’s recommended to Irene. They look over the wood shavings that a carpenter has left on the ground, and... (full context)
Love and Communication Theme Icon
When Irene gets back home, Penelope tells Irene that she had better put the “flower” in her... (full context)
Love and Communication Theme Icon
The next day, Persis asks Penelope about the shaving in Irene’s belt. Penelope reveals that it was a gift from Tom but calls it “just some... (full context)
Chapter 10
Class Theme Icon
Love and Communication Theme Icon
...to invite Tom over for dinner. They all have dinner, then Penelope leads Tom and Irene out to the veranda to look at the moonlight. While Lapham and Persis are alone,... (full context)
Love and Communication Theme Icon
Lapham and Persis hear Penelope talking from the veranda, with Irene and Tom laughing. Persis worries that maybe Penelope gets too many ridiculous ideas from reading.... (full context)
Chapter 11
Class Theme Icon
Love and Communication Theme Icon
...Penelope’s room, saying she that Penelope should go be in the parlor with Tom and Irene, or else the two of them will never talk. Penelope refuses. Eventually, though, Penelope hears... (full context)
Love and Communication Theme Icon
Right after Tom leaves, Penelope goes down to the parlor. Irene says that all she and Tom talked about the whole time was Penelope. Irene isn’t... (full context)
Chapter 12
Class Theme Icon
...is tall and dark. They all hear rumors that Tom has taken an interest in Irene and aren’t thrilled, but Anna half-heartedly defends Irene. They all decide to try to make... (full context)
Class Theme Icon
Love and Communication Theme Icon
...she heard about Lapham and Bromfield’s meeting. Tom talks about the good qualities of both Irene and Penelope. Afterwards, Anna talks with Bromfield, telling him that Tom was very complimentary of... (full context)
Class Theme Icon
Love and Communication Theme Icon
...surprised to hear that Tom has been going out to look at the sea with Irene and Penelope, since Tom is usually too involved with business to appreciate nature. She says... (full context)
Love and Communication Theme Icon
Irene comes back just in time to see Anna’s carriage going away. Penelope says sarcastically that... (full context)
Love and Communication Theme Icon
Anna reports back to Bromfield. She is convinced that Irene loves Tom and Persis knows it. She also reports that Penelope seemed “thoroughly disagreeable,” although... (full context)
Class Theme Icon
Morality and Compassion Theme Icon
...want their dinner to give the appearance that they’re ashamed of Tom’s potential match with Irene. A part of them feels that the match might be inevitable, so they’ll try to... (full context)
Chapter 13
Class Theme Icon
...the ignorance” of the Laphams and make them feel welcome without encouraging Tom’s match with Irene too much. Nanny and Lily help with the guest list. (full context)
Class Theme Icon
...of their social circle. Anna adds that she doesn’t want to give “that young girl” (Irene) or Persis the wrong idea with the dinner invitation and suggest something more than Tom... (full context)
Class Theme Icon
...explain this to Lapham, she can’t recall anything actually insulting that Anna said or did. Irene says she always knew there was nothing wrong with Anna’s visit, and she urges Persis... (full context)
Class Theme Icon
...is—she isn’t sure how to talk to people like Anna. Still, she saw how pleased Irene was when the invitation came. Persis tells Lapham she thinks Tom is fine enough, particularly... (full context)
Class Theme Icon
...about the dinner at first, he gets worried after seeing how much preparation Persis and Irene put into it. They put so much thought into their clothes that Lapham begins to... (full context)
Class Theme Icon
...decided conclusively not to go, but Lapham takes consolation in the fact that at least Irene seems excited. When they’re gone, Penelope cries in her room. (full context)
Chapter 14
Realism vs. Melodrama Theme Icon
Lapham overhears some words between Tom and Irene, which seem to suggest that they’re speaking of Penelope. Lapham remains annoyed that Penelope couldn’t... (full context)
Class Theme Icon
Love and Communication Theme Icon
Lapham notices that Irene looks beautiful with Tom, but she’s not talking—Lapham once again is annoyed that Penelope didn’t... (full context)
Class Theme Icon
...wants to go home. She also feels that the dinner went well for her and Irene. (full context)
Chapter 16
Realism vs. Melodrama Theme Icon
Love and Communication Theme Icon
...goes to visit Lapham at his home but finds that he’s out, and Persis and Irene are also away at a concert. When Penelope hears that Tom’s in the drawing-room, she... (full context)
Realism vs. Melodrama Theme Icon
Love and Communication Theme Icon
Tom mentions that he and Irene were talking about Penelope at the dinner. He says he only talks about Penelope so... (full context)
Class Theme Icon
Love and Communication Theme Icon
...says he has a confession he must make: He loves Penelope. He is surprised that Irene hasn’t already told Penelope. A shocked Penelope asks Tom what he’s done—she can’t believe that... (full context)
Chapter 17
Love and Communication Theme Icon
The next morning, Lapham complains to Persis that Penelope and Irene never come to breakfast on time anymore. He wonders to Persis what Tom wanted when... (full context)
Love and Communication Theme Icon
...she did start to care for him, but she tried to force herself to help Irene with him. (full context)
Realism vs. Melodrama Theme Icon
...since things have gotten so far along. Eventually, Persis comes to the conclusion that, while Irene might be disappointed when she learns the truth, Penelope hasn’t done anything wrong. Persis feels... (full context)
Love and Communication Theme Icon
...to Lapham’s office, telling him she’d like to ride with him later that day. When Irene sees Persis, Irene continues to talk about the dinner at the Coreys’ place. Irene asks... (full context)
Chapter 18
Love and Communication Theme Icon
...important. She reveals that the whole time Tom has been coming to see Penelope, not Irene. (full context)
Love and Communication Theme Icon
Morality and Compassion Theme Icon
...both love each other. But Persis doesn’t want Penelope to marry a man who breaks Irene’s heart, and she accuses Lapham of being more interested in having Tom as a son-in-law.... (full context)
Realism vs. Melodrama Theme Icon
Love and Communication Theme Icon
Morality and Compassion Theme Icon
Ultimately, Sewell says that most people would consider Penelope heroic if she sacrificed herself for Irene’s happiness, but Sewell feels this view is foolish. Getting passionate, he says that marriage must... (full context)
Chapter 19
Realism vs. Melodrama Theme Icon
Love and Communication Theme Icon
...all that when he doesn’t have to be the one to break the news to Irene. Lapham volunteers to deliver the news, but Persis steels herself, goes to Irene, and explains... (full context)
Realism vs. Melodrama Theme Icon
Love and Communication Theme Icon
Irene starts giving Penelope all the things Tom has given her, including the wood shavings. Irene... (full context)
Realism vs. Melodrama Theme Icon
Irene tells Lapham not to talk as they walk. She leads him over to their new... (full context)
Realism vs. Melodrama Theme Icon
The next morning, Irene comes to breakfast looking better-rested than the others and says she’ll be fine. She says... (full context)
Class Theme Icon
Love and Communication Theme Icon
The next day, Irene, Persis, and Lapham go to the train station to go to Lapham. Lapham drops them... (full context)
Realism vs. Melodrama Theme Icon
Love and Communication Theme Icon
...and the promise had to be broken. Tom explains that he never intended to give Irene the wrong impression. The newspaper Irene received from Texas, which everyone assumed was from Tom,... (full context)
Realism vs. Melodrama Theme Icon
Love and Communication Theme Icon
Penelope says the problem is that Irene herself believed Tom loved her. Tom insists that he would only be able to love... (full context)
Chapter 20
Realism vs. Melodrama Theme Icon
Persis comes back after two weeks but leaves Irene in Vermont. She tells Lapham that Irene is still hurting, but she seems to be... (full context)
Class Theme Icon
Love and Communication Theme Icon
...angrily cries out that she has made the same mistake as the Laphams—Tom never liked Irene. (full context)
Class Theme Icon
Love and Communication Theme Icon
Looking back, Anna supposes she did have moments where she doubted whether Tom liked Irene. She tells Tom that she is just surprised because she doesn’t know as much about... (full context)
Love and Communication Theme Icon
...actions. Bromfield wonders how they’ll explain Tom’s pick of Penelope to their friends—at least with Irene, they would’ve been able to give the excuse that she was beautiful. Bromfield stays he’s... (full context)
Chapter 22
Realism vs. Melodrama Theme Icon
The next morning a letter comes from Irene, and it has a casual mention of her cousin Will. Persis take the letter to... (full context)
Chapter 24
Love and Communication Theme Icon
Persis gets a letter from Irene where she encourages Penelope to stop being “foolish.” Persis is so relieved that she forgets... (full context)
Chapter 26
Realism vs. Melodrama Theme Icon
...reveals that Lapham has gone back to New York again. While they’re having this conversation, Irene makes her surprise return home. (full context)
Love and Communication Theme Icon
Irene has heard from her uncle about Lapham’s financial problems. Apparently, the telegram she sent earlier... (full context)
Chapter 27
Realism vs. Melodrama Theme Icon
Irene denies to Persis that she has any intention of marrying her cousin Will, saying that... (full context)
Realism vs. Melodrama Theme Icon
Love and Communication Theme Icon
The next day, Irene is still tired from her journey and Persis is also unwell, so Penelope hosts Bromfield... (full context)
Class Theme Icon
Morality and Compassion Theme Icon
...Surprisingly, Lapham is the only one who seems upset by this, as Persis, Penelope, and Irene all realize they have bad memories associated with the Boston house. (full context)
Love and Communication Theme Icon
Tom returns to Boston to tell his family he’s getting married. Irene asks Penelope if she really sent Tom away again, but Penelope says this time Tom... (full context)
Realism vs. Melodrama Theme Icon
...a new alliance with the Coreys. Both Persis and Lapham can’t help feeling bad for Irene on the wedding day, even though they don’t believe anything wrong is happening with the... (full context)
Realism vs. Melodrama Theme Icon
Morality and Compassion Theme Icon
...Sewell’s wife says she has known since the dinner that Tom liked Penelope instead of Irene. One day Sewell comes to visit the Laphams in Vermont and sees how much humbler... (full context)