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The stagecoach offers Odette an unpleasant reminder of the way Aboriginal people were neglected and forthrightly abused by White culture. It is literally the vehicle for forced cultural assimilation by means of family separation. By placing the stagecoach in the junkyard, the book not-so-subtly suggests that the attitudes and actions of those who marginalize Aboriginal (or other Indigenous) populations belong on the trash heap of history. Henry’s invocation of the space race helps to situate the events in the book in the early- or mid-1960s.