We the Animals
by Justin Torres

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Paps Character Analysis

Paps is the narrator’s father, an abusive man who is—surprisingly enough—capable of showing love and affection. A dark-skinned Puerto Rican man, he sees the narrator, Manny, and Joel as “mutts” because they’re half-white, so he tries to teach them how to connect with their heritage, though they find this difficult because they live in a predominantly white community. He, on the other hand, grew up in New York City with other Puerto Rican families, deciding to move only because he got Ma pregnant when she was only 14 and therefore needed to go to Texas, where they could legally get married. To that end, Paps can be a very manipulative man, as evidenced by the fact that he told Ma when they first had sex that she couldn’t get pregnant from sleeping with him. In keeping with this, he frequently uses his charm to convince her to forgive him after he beats her or after he runs off with other women for long periods of time. No matter what he does, it seems, he can always endear himself to his family members, and though the narrator and his brothers fear him, they also admire him. Paps is the embodiment of stereotypical masculinity, setting an example for his sons by behaving like a tough, macho man. For this reason, he finds it difficult to understand the narrator’s version of masculinity, which doesn’t align with Paps’ narrow conception of what it means to be a man. When, for example, he sees the narrator dancing one night, he’s confused by the fact that the narrator looks “pretty,” and though he points this out to the narrator in a way that emphasizes his perplexity, he doesn’t condemn his behavior. All the same, he has a negative reaction upon finding out that the narrator is gay, though his anger is perhaps due to the fact that the narrator threatens Ma for reading his journal. In the aftermath of this tense exchange, Paps gives the narrator a bath before taking him to a psych ward, and it remains unclear whether or not this act of bathing his son is a display of tenderness and respect or an attempt to wash away what he sees as the young man’s sinful ways.

Paps Quotes in We the Animals

The We the Animals quotes below are all either spoken by Paps or refer to Paps. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Identity and Belonging Theme Icon
).

1. We Wanted More Quotes

And when our Paps came home, we got spankings. Our little round butt cheeks were tore up: red, raw, leather-whipped. We knew there was something on the other side of pain, on the other side of the sting. Prickly heat radiated upward from our thighs and backsides, fire consumed our brains, but we knew that there was something more, someplace our Paps was taking us with all this. We knew, because he was meticulous, because he was precise, because he took his time. He was awakening us; he was leading us somewhere beyond burning and ripping, and you couldn’t get there in a hurry.

Related Characters: The Narrator (speaker), Manny, Ma, Paps, Joel
Page Number and Citation: 2
Explanation and Analysis:
In this passage, the narrator describes what it’s like for him and his brothers to endure their father’s beatings. Because this paragraph appears in the novella’s first chapter, Torres effectively foregrounds Paps’ violence, marking what will be an important thread throughout the book and framing him as a man who is not only aggressive and hurtful, but habitually violent. After all, he spanks and whips the narrator and his brothers so often that the boys come to expect it and even begin to read into the deeper meaning of their abuse. Rather than acknowledging that Paps’s disciplinary practices are unusually Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inven

But there were times, quiet moments, when our mother was sleeping, when she hadn’t slept in two days, and any noise, any stair creak, any shut door, any stifled laugh, any voice at all, might wake her, those still, crystal mornings, when we wanted to protect her, this confused goose of a woman, this stumbler, this gusher, with her backaches and headaches and her tired, tired ways, […] those quiet mornings when we’d fix ourselves oatmeal and sprawl onto our stomachs with crayons and paper, with glass marbles that we were careful not to rattle, when our mother was sleeping […].

Related Characters: The Narrator (speaker), Manny, Paps, Ma, Joel
Page Number and Citation: 2
Explanation and Analysis:
This is a description of how the narrator and his brothers conceive of their mother’s absent, withdrawn ways. Although she isn’t always locked in her room, Ma often goes through periods during which she sleeps for long stretches of time. The narrator has not yet clarified why, exactly, she does this, but readers already know that her husband is prone to violence, so it’s easy enough to intuit that her poor mental health might be linked to her relationship with him. Either way, though, what’s overwhelmingly clear is that the boys are largely on their own, forced to take care Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum.

2. Never-Never Time Quotes

We had learned not to correct her or try to pull her out of the confusion; it only made things worse. Once, before we’d known better, Joel refused to go to the neighbors and ask for a stick of butter. It was nearly midnight and she was baking a cake for Manny.

“Ma, you’re crazy,” Joel said. “Everyone’s sleeping, and it’s not even his birthday.”

She studied the clock for a good while, shook her head quickly back and forth, and then focused on Joel; she bored deep in his eyes as if she was looking past his eyeballs, into the lower part of his brain. Her mascara was all smudged and her hair was stiff and thick, curling black around her face and matted down in the back. She looked like a raccoon caught digging in the trash: surprised, dangerous.

“I hate my life,” she said.

Related Characters: The Narrator (speaker), Joel, Ma, Manny, Paps
Page Number and Citation: 5
Explanation and Analysis:
In this section, the narrator outlines the strained dynamic that often arises when his mother finally comes out of isolation and tries to reenter the life she’s been neglecting. This, it seems, happens on a regular basis, considering that the narrator and his brothers have developed techniques to help them deal with her fragile state of mind in the aftermath of her depressive episodes. One of these techniques requires refraining from correcting her when she’s confused, instead simply going along with whatever she says. They have adopted this tactic because of an uncomfortable situation that took place one time when Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impe

3. Heritage Quotes

“Mutts,” he said. “You ain’t white and you ain’t Puerto Rican. Watch how a purebred dances, watch how we dance in the ghetto.” Every word was shouted over the music, so it was hard to tell if he was mad or just making fun.

He danced, and we tried to see what separated him from us. He pursed his lips and kept one hand on his stomach. His elbow was bent, his back was straight, but somehow there was looseness and freedom and confidence in every move.

Related Characters: The Narrator (speaker), Joel, Paps, Manny
Page Number and Citation: 10
Explanation and Analysis:
In this scene, the narrator and his brothers enter the kitchen to find Paps listening to loud music, drinking beer, cooking, and dancing. Seeing them, he tells them to dance in various styles, first ordering them to move as if they’re white and then—when he finds this unsatisfactory—telling them to dance like Puerto Ricans. According to him, they fail at this, too, so he calls them “mutts,” pointing out that they’re neither fully white nor fully Puerto Rican. This idea underscores the boys’ struggle to come to terms with their racial and cultural identities. Growing up in upstate New York, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corpori

4. Seven Quotes

“Loving big boys is different from loving little boys—you’ve got to meet tough with tough. It makes me tired sometimes, that’s all, and you, I don’t want you to leave me. I’m not ready.”

Then Ma leaned in and whispered more in my ear, told me more, about why she needed me six. She whispered it all to me, her need so big, no softness anywhere, only Paps and boys turning into Paps.

Related Characters: The Narrator (speaker), Joel, Ma, Manny, Paps
Page Number and Citation: 17
Explanation and Analysis:
On the narrator’s seventh birthday, Ma tells him he won’t be close to her now that he’s no longer six. When he asks why, she explains that Manny and Joel both grew away from her after turning seven. Adding to this, she says that her relationship with his older brothers has changed because they’re older, meaning that she has to “meet tough with tough.” This idea is worth noting because it underlines Ma’s conflation of masculinity, coming of age, and toughness. According to her, all boys grow up to be hard and insensitive because this, it seems to her, is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint a

I grabbed hold of both of her cheeks and pulled her toward me for a kiss.

The pain traveled sharp and fast to her eyes, pain opened up her pupils into big black disks. She ripped her face from mine and shoved me away from her, to the floor. She cussed me and Jesus, and the tears dropped, and I was seven.

Related Characters: The Narrator (speaker), Paps, Ma, Manny, Joel
Page Number and Citation: 17
Explanation and Analysis:
When Ma asks the narrator to remain six years old for the rest of his life, he agrees, wanting to give her the “softness” that she claims her life so sorely lacks. Surrounded by macho men like Paps, Manny, and Joel, she wants the narrator to be different, wants him to resist the pull of age because she thinks that this is the only way for him to avoid becoming hard and tough. In reality, though, it isn’t age that turns men into society’s stereotypical image of masculinity, but rather the way they grow up. If Ma truly wanted to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus

5. The Lake Quotes

Of course, it was impossible for me to answer her, to tell the truth, to say I was scared. The only one who ever got to say that in our family was Ma, and most of the time she wasn’t even scared, just too lazy to go down into the crawlspace herself, or else she said it to make Paps smile, to get him to tickle and tease her or pull her close, to let him know she was only really scared of being without him. But me, I would have rather let go and slipped quietly down to the lake’s black bottom than to admit fear to either one of them.

Related Characters: The Narrator (speaker), Ma, Paps
Page Number and Citation: 20
Explanation and Analysis:
When the narrator and his family visit a nearby lake, Paps drags Ma and the narrator into the deepest waters, even though neither of them knows how to swim. Ma explains that she can’t swim because she never got the chance to learn until she was an adult. However, she points out that the narrator has grown up around lakes, so she asks him to tell her his excuse for not knowing how to swim. The answer, he knows, is that he’s afraid, but he feels incapable of expressing the way he feels. This is because his family is one Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Volup

But the incident itself played and played in my mind, and at night, in bed, I could not sleep for remembering. How Paps had slipped away from us, how he looked on as we flailed and struggled, how I needed to escape Ma’s clutch and grip, how I let myself slide down and down, and when I opened my eyes what I discovered there: black-green murkiness, an underwater world, terror. I sank down for a long time, disoriented and writhing, and then suddenly I was swimming—kicking my legs and spreading my arms just like Paps had shown me long before […].

Related Characters: The Narrator (speaker), Ma, Paps
Page Number and Citation: 23
Explanation and Analysis:
After Paps drags Ma and the narrator into the middle of the lake, he lets go of them, forcing them to flail for their lives in the deep water. Frantically, Ma grabs hold of the narrator and tries to stay afloat by clawing at him and pushing him beneath the surface. Although this is a very common thing that non-swimmers do while drowning, it is also a perfect representation of the inverted relationship that Ma has with her sons; instead of doing whatever she can to support them, she turns to them to support her. In order to save himself, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint ap

10. You Better Come Quotes

[…] when I looked at her face she looked like she was in pain, but she didn’t look frightened, like it was a kind of pain she wanted.

[…] The faucet poked into the base of her spine, and it must have hurt her, all of it must have hurt her, because Paps was much bigger and heftier, and he was rough with her, just like he was rough with us. We saw that it must hurt her, too, to love him.

Related Characters: The Narrator (speaker), Ma, Paps, Manny, Joel
Page Number and Citation: 48
Explanation and Analysis:
When Paps returns after mysteriously staying away for a long stretch of time, he and Ma are deeply intimate with one another. They’re so intimate, in fact, that they don’t even care if their sons see them engaging in sexual activity, which is what happens in this scene when they start having sex while the narrator and his brothers are several feet away. The entire family is in the bathroom, and though Ma and Paps know the boys are hiding behind the shower curtain and that they’re supposed to go “find” them, they start having sex instead. As they do Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus poss

Then we were all three kicking and slapping at once, and they didn’t say a word, they didn’t even move; the only noise was the noise of skin and impact and breath, and then our protests, why don’t you come find us, why don’t you do what you’re supposed to do, come and find us, why don’t ya, because you’re bad, bad, bad, bad, bad, why don’t you do right, why can’t you do right, we hate you, come and find us, we hate you, everyone hates you, you better come and find us, next time, next time you better come.

We hit and we kept on hitting; we were allowed to be what we were, frightened and vengeful—little animals, clawing at what we needed.

Related Characters: The Narrator (speaker), Manny, Joel, Ma, Paps
Related Symbols: Animals
Page Number and Citation: 50
Explanation and Analysis:
While Ma and Paps have sex, Ma notices the narrator peering out at them from behind the shower curtain, reminding her that all of her sons are still in the room. She then convinces Paps to stop and asks him to go fetch her shoes so she can get ready for work, but when he leaves the bathroom, she gets behind the shower curtain with the boys and prepares to jump out at Paps. When they do this, Ma tackles Paps, who goes down laughing. This is a moment of joy and love, but the boys’ laugher soon gives way Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut

11. Night Watch Quotes

“He crying?” Joel whispered.

“What, with his fist?”

It didn’t seem much like crying, seemed like something else, meaner than crying; steadier, too, but not one of us had ever actually seen him cry, so we couldn’t know for sure—and Paps, he didn’t say a word about it, just the thump, thump, thump, for miles. When we thought he would stop, he didn’t; when we thought he would speak or scream or cuss, he was silent. His breathing calmed some, but the water and snot kept coming, and the wheeze, and the gasp.

Related Characters: The Narrator (speaker), Manny, Paps, Joel
Page Number and Citation: 58
Explanation and Analysis:
This scene takes place after one of Paps’s coworkers finds out that he’s been taking his sons to work with him on the nightshift. The two men have an argument while the boys wait in the car, and it seems overwhelmingly likely that Paps will lose his job. Consequently, he’s raw and emotional on the ride home. Instead of simply crying, though, he starts pounding on the dashboard with his fist. The narrator and his brothers are used to seeing him use physical force, but they’re not used to seeing anything more when it comes to emotional expression. Now, though, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt.

13. Ducks Quotes

Ma flipped the ignition, and the engine jumped to life. We drove back the way we came, and eventually we pulled into the driveway, home again. We had been terrified she might actually take us away from him this time but also thrilled with the wild possibility of change. Now, at the sight of our house, when it was safe to feel let down, we did. I could feel the bitterness in my brothers’ silence; I wondered if Ma felt it too.

Related Characters: The Narrator (speaker), Ma, Paps, Joel, Manny
Page Number and Citation: 72
Explanation and Analysis:
In this passage, Ma drives the narrator and his brothers home after taking them to a park for the day with the intention of leaving Paps forever. Throughout the day, Ma naps in the truck while the boys try to entertain themselves in the park, unsure what, exactly, the future holds for them. When she wakes up, though, she asks them to tell her what she should do, and they’re—understandably—unable to answer her question, not wanting to go against their father but also not wanting to force her to return to a life of misery. Responding to their silence, then, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui d

17. Niagara Quotes

“I stood in that doorway, watching you dance, and you know what I was thinking?” He paused, but I didn’t answer or turn to look at him; instead I closed my eyes.

“I was thinking how pretty you were,” he said. “Now, isn’t that an odd thing for a father to think about his son? But that’s what it was. I was standing there, watching you dance and twirl and move like that, and I was thinking to myself. Goddamn, I got me a pretty one.”

Related Characters: The Narrator (speaker), Paps
Page Number and Citation: 101
Explanation and Analysis:
Speaking to the narrator, Paps tries to express what it was like for him to see his son dancing prettily in an empty museum exhibit. The narrator was dancing this way because Paps left him for multiple hours, so he entertained himself by standing in the light of a projector in a room showing footage of people going over Niagara Falls in barrels. One thing that’s important to keep in mind about this moment is that Paps suddenly brings this up after multiple hours of driving in silence. This means he’s been mulling it over on his own for quite Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Mole

18. The Night I Am Made Quotes

See me there with them, in the snow—both inside and outside their understanding. See how I made them uneasy. They smelled my difference—my sharp, sad, pansy scent. They believed I would know a world larger than their own. They hated me for my good grades, for my white ways. All at once they were disgusted, and jealous, and deeply protective, and deeply proud.

Related Characters: The Narrator (speaker), Paps, Manny, Joel, Ma
Page Number and Citation: 105
Explanation and Analysis:
In this chapter, the narrator and his brothers are several years older than they are in the rest of the book. By now, it has become clear to everyone in his family that the narrator is uniquely his own person, despite how close he is to his brothers. This is partially because he’s academically gifted, unlike Manny and Joel, who are struggling in school. However, there is also something else that sets him apart from his brothers—namely, the fact that he doesn’t perfectly align with their family’s narrow conception of what it means to be a man. For this reason, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non i

If the lot was full enough, I could emerge from the hedge and walk between two parked buses to the men’s room without anyone’s seeing. There was no one to explain any of this to me; I figured out the routine on my own, in small, paranoid steps. For weeks I’d been sneaking to this bus station, lurking, indecisive. I hid in the stalls, peeked through the cracks. At the sink, I washed and washed my hands, unable to return the frank stares in the mirror. I didn’t know how to show these men I was ready.

Related Characters: The Narrator (speaker), Ma, Paps, Joel, Manny
Page Number and Citation: 113
Explanation and Analysis:
After the narrator tries to provoke his brothers into hurting him, he makes his way to the town’s bus station. This is something he’s been doing recently, knowing that the station’s public restrooms are a place where men meet to have sex. This passage makes it clear that he put this information together on his own, just as he figured out that he could walk from the woods to the public bathroom without being seen. In fact, everything he’s doing he has had to learn for himself. “There was no one to explain any of this to me,” he notes, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequat

Paps lunged, and my brothers, for the first time in their lives, restrained him. But that restraint shifted before my eyes into an embrace; somehow, at the same time that they were keeping him back, they were supporting him, holding Paps upright, preventing him from sliding to the floor himself, and in that moment I realized that not just Ma, but each and every one of them had read the fantasies and delusions, the truth I had written in my little private book.

Related Characters: The Narrator (speaker), Ma, Manny, Paps, Joel
Page Number and Citation: 116
Explanation and Analysis:
This is an explanation of the chaotic scene in which the narrator comes home to discover that his mother has found and read his journal, which contains vivid details about his sexual fantasies involving other men. Realizing what she has done, he drops to his knees and tells her he’s going to kill her, at which point Paps jumps out of his seat and flings himself toward the narrator. However, Manny and Joel catch him and hold him back, using their strength to protect their brother. This is the first time they’ve ever “restrained” him—a significant fact, since it demonstrates Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mo
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Paps Character Timeline in We the Animals

The timeline below shows where the character Paps appears in We the Animals. The colored dots and icons indicate which themes are associated with that appearance.
1. We Wanted More
Violence, Aggression, and Love Theme Icon
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...warm together. In other moments, though, the brothers fight each other, yearning for destruction until Paps comes home, at which point they prepare themselves for spankings. As he hits them, they... (full context)
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Beatings from Paps don’t deter the narrator and his brothers from living wildly. However, there are periods during... (full context)
3. Heritage
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One day, the narrator and his brothers come home from school to find Paps in the kitchen. He’s listening to music as he cooks, and his eyes are shining... (full context)
Identity and Belonging Theme Icon
Paps tells the boys to dance like they’re rich. Sticking up their noses, they try to... (full context)
4. Seven
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Paps brings Ma home one day and carries her inside. Laying her down in bed, he... (full context)
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...She needs him to remain soft, she adds, unlike his brothers, who are turning into Paps. (full context)
5. The Lake
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...the family visits a lake. The narrator and Ma don’t know how to swim, so Paps paddles them into deeper waters. He keeps swimming and swimming, taking them to the center... (full context)
Violence, Aggression, and Love Theme Icon
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Once in the middle of the lake, Paps announces that the narrator and Ma are going to finally learn how to swim. Saying... (full context)
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...“What kind of…” but doesn’t finish his sentence. The boys then hear Ma yelling at Paps to let her go. When they’re all back in the car, Paps drives in silence... (full context)
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...wriggling in the water until he realized he was swimming on the surface just like Paps had tried to teach him when he was younger. Ma was clutching Paps once again,... (full context)
6. Us Proper
Identity and Belonging Theme Icon
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...that they speak as a single unit, saying things like, “Us hungry.” During one of Paps’s beatings, the narrator turns to Joel and says, “Us scared,” to which Joel replies, “Us... (full context)
Violence, Aggression, and Love Theme Icon
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...about sex. Ma, for her part, never learned about sex, which is why she asked Paps if she could get pregnant after the first time they had sex, when Ma was... (full context)
7. Lina
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For a stretch of days, Paps disappears and Ma stops going to work. She also stops eating and cooking, leaving the... (full context)
8. Other Locusts
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...about Ma dying, and though the narrator notes that their mother is still distraught because Paps hasn’t come home, he thinks about the fact that she’s still very much alive. Joel,... (full context)
9. Talk To Me
Violence, Aggression, and Love Theme Icon
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...phone rings. Ma doesn’t get up to answer it, but she says it must be Paps. The boys sit at the table and listen to it ring, waiting for her to... (full context)
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...the fake phone call, Joel and the narrator apologize to each other. Pretending to be Paps, Joel says he got a job, but then the conversation takes a turn and the... (full context)
10. You Better Come
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One day after Paps returns, the family crowds into the bathroom as he gives the boys a bath. While... (full context)
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Upon finishing at the toilet, Paps zips his pants and comes up behind Ma, putting his arms around her and sliding... (full context)
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...empty bathtub and hide behind the shower curtain. Their parents pretend not to notice, and Paps playfully asks Ma where they went. Excitedly, they wait for their parents to look for... (full context)
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...the narrator and his brothers looking out from behind the shower curtain, so she tells Paps to stop. Discouraged, he begrudgingly separates from her so she can get ready for work,... (full context)
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As Ma pins Paps on the floor, the brothers tickle him. Eventually, she tells them to stop, but they... (full context)
11. Night Watch
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Paps gets a job as a nighttime security guard, and because Ma also works nights, the... (full context)
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In the commotion of trying to round up their belongings, Manny starts laughing, but Paps slaps him across the face and tells him to take the narrator and Joel to... (full context)
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In the car, Joel suggests to his brothers that the argument between Paps and the security guard isn’t their fault, since Paps himself fell asleep. However, Manny points... (full context)
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...says he’s certain his father could unlock the caged light. The other brothers agree, but Paps doesn’t say anything, simply clearing his throat, though he soon starts beating the dashboard with... (full context)
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The chanting continues even when Paps and the boys enter the house. The noise startles Ma, who rushes over to Paps... (full context)
12. Big-Dick Truck
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When the family’s car dies, Paps goes to the dealership and comes home with a large pickup truck. The boys spot... (full context)
Violence, Aggression, and Love Theme Icon
Paps slaps Ma on the side of the head, but she doesn’t stop berating him, yelling,... (full context)
13. Ducks
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One evening, Paps comes home and starts lustfully reaching for Ma, who’s already late for work. She tells... (full context)
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...comes home, she wakes them up and tells them to get into the truck, which Paps never returned. She then drives to a park, where she tells them to play while... (full context)
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...to her sons and asks them what she should do—should they go back home to Paps, or should they leave forever? She tells them she’ll do anything they tell her to... (full context)
14. Trench
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One summer morning, the narrator and his brothers wake up to find Paps digging a hole in the backyard. They joke that he’s digging a grave, but then... (full context)
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Exiting the hole, Paps goes to get Ma from work, but several hours later Ma returns drunk and angry,... (full context)
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...gets lost in the moment, and it isn’t until he hears Joel, Manny, Ma, and Paps laughing above him that he snaps back to attention. His brothers laugh at him, calling... (full context)
15. Trash Kites
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...the remaining daylight hours flying them in the wind. When it’s dark, the lights of Paps’s truck suddenly appear, and Manny curses, wishing aloud that they’d chosen to set up camp... (full context)
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...incredibly tense, thinking he might even cry out or scream. Instead, though, Manny tells him Paps apologized for hitting him with closed fists. Apparently, Paps said he was afraid something bad... (full context)
16. Wasn’t No One To Stop This
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...go home. They heard other parents calling their children in for dinner, but Ma and Paps haven’t summoned them (nor, it seems, will they). Moving through the dark woods, Manny and... (full context)
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...and her daughter accidentally entered the men’s changing room at the public pool, where he, Paps, his brothers, and other men were in various states of undress. Startled, the mother impulsively... (full context)
17. Niagara
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Paps has to deliver a package to Niagara Falls, so he takes the narrator with him,... (full context)
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...comes in and asks where the narrator’s parents are, and when the narrator says that Paps will be back soon, the man looks concerned. Before exiting the room, he says he... (full context)
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After many hours on the road, Paps and the narrator finally pull into the driveway late that night, at which point Paps... (full context)
18. The Night I Am Made
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Recently, Ma and Paps have been talking to the narrator about his academic success, telling him that he’ll be... (full context)
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Enraged that the narrator would threaten his own mother, Paps jumps at him, but Manny and Joel manage (for the first time ever) to keep... (full context)
Identity and Belonging Theme Icon
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...though, he looks at his family members in the living room, his brothers holding up Paps, his mother putting a hand on his chest to keep him back. This is the... (full context)
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When the narrator calms down, Paps takes him in his arms and brings him to the bathroom, where he lowers him... (full context)