Where the Crawdads Sing
Where the Crawdads Sing
by Delia Owens

Jumpin’ Character Analysis

Jumpin’ is a kindhearted man who owns a gas dock and bait shop that sits between Kya’s area of the marsh and Barkley Cove. Although Kya is white and Jumpin’ is black—and although they live in a racially segregated community—they become quite close, since Jumpin’ does what he can to help Kya survive when her entire family abandons her. When Kya tries to think of a way to make money, Jumpin’ agrees to buy sacks of mussels from her several times a week, though he warns her that other fishermen also bring him mussels, adding that he can only buy so many. Because of this, Kya catches fish and smokes them, hoping that Jumpin’ will sell those instead. And though these fish look disgusting, Jumpin’ agrees to take them, later bringing them to his wife, Mabel, who also feels sorry for Kya. Wanting to help her, Mabel and Jumpin’ decide to tell Kya that they know somebody who wanted to trade the fish for clothing and other supplies. In reality, though, Mabel and Jumpin’ collect these supplies from their church without trading the fish. This is the kind of support that they continue to show Kya, even when she’s on trial for Chase’s murder. Jumpin’ dies years after Kya is found not guilty, and Kya feels as if she has lost her true father.

Jumpin’ Quotes in Where the Crawdads Sing

The Where the Crawdads Sing quotes below are all either spoken by Jumpin’ or refer to Jumpin’. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Survival, Necessity, and Violence Theme Icon
).

Chapter 12 Quotes

“Lawd, we gotta do something 'bout that child. Ain’t nobody gonna buy them fish; I can cook ’em up in stew. Our church can come up wif some clothes, other things for her. We’ll tell ’er there’s some family that’ll trade jumpers for carpies. What size is she?”

Related Characters: Mabel (speaker), Kya (Catherine Danielle Clark), Jumpin’
Page Number and Citation: 83
Explanation and Analysis:
Mabel says this to Jumpin’ when he brings home a bucket of smoked fish that Kya wants to sell him. Because other fishermen sometimes beat Kya to Jumpin’s and sell him mussels before she can, Kya is forced to come up with another way to make money. Consequently, she catches as many fish as possible and smokes them, and Jumpin’ tells her that he’ll take them on consignment, despite the fact that they look disgusting. When he brings the fish to Mabel, they both agree that nobody will want them. Nevertheless, Mabel expresses her desire to help Kya, saying that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetu

Chapter 53 Quotes

Ladies and gentlemen of the jury, I grew up in Barkley Cove, and when I was a younger man I heard the tall tales about the Marsh Girl. Yes, let’s just get this out in the open. We called her the Marsh Girl. Many still call her that. Some people whispered that she was part wolf or the missing link between ape and man. That her eyes glowed in the dark. Yet in reality, she was only an abandoned child, a little girl sur­viving on her own in a swamp, hungry and cold, but we didn’t help her. Except for one of her only friends, Jumpin’, not one of our churches or community groups offered her food or clothes. Instead we labeled and rejected her because we thought she was different. But, ladies and gen­tlemen, did we exclude Miss Clark because she was different, or was she different because we excluded her? If we had taken her in as one of our own—I think that is what she would be today. If we had fed, clothed, and loved her, invited her into our churches and homes, we wouldn’t be prejudiced against her. And I believe she would not be sit­ting here today accused of a crime.

Related Characters: Tom Milton (speaker), Kya (Catherine Danielle Clark), Jumpin’
Related Literary Devices:
Page Number and Citation: 340
Explanation and Analysis:
This is the closing argument that Tom Milton delivers on Kya’s behalf during Kya’s murder trial. As Tom speaks, he goes out of his way to emphasize the cruelty to which the townspeople of Barkley Cove have subjected Kya. This is because he wants to show the jury that their impressions of her are most likely informed by the region’s lore about people who live in the swamp. According to this notion, the jurors have been predisposed to make certain assumptions about Kya because for years they’ve heard stories about how the “Marsh Girl” has eyes that glow in the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. D
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Jumpin’ Character Timeline in Where the Crawdads Sing

The timeline below shows where the character Jumpin’ appears in Where the Crawdads Sing. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 9. Jumpin’: 1952
Independence vs. Human Connection Theme Icon
Education, Coming of Age, and Adulthood Theme Icon
Prejudice, Intolerance, and Acceptance Theme Icon
With Pa in the motorboat, Kya goes to get gas from a black man named Jumpin’, who owns a gas dock and bait shop between their shack and Barkley Cove. When... (full context)
Chapter 11. Croker Sacks Full: 1956
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
...For this reason, Kya decides to pretend that Pa is still alive when she visits Jumpin’ for gas. (full context)
Independence vs. Human Connection Theme Icon
Kya gets up at the crack of dawn and collects mussels before motoring to Jumpin’s. When Kya arrives, she says that she heard that Jumpin’ purchases mussels, and he tells... (full context)
Chapter 12. Pennies and Grits: 1956
Survival, Necessity, and Violence Theme Icon
Education, Coming of Age, and Adulthood Theme Icon
One morning, Kya goes to Jumpin’s only to find that somebody else has already sold him mussels. Because of this, Jumpin’... (full context)
Independence vs. Human Connection Theme Icon
Prejudice, Intolerance, and Acceptance Theme Icon
That night, Jumpin’ takes the bucket of Kya’s smoked fish back to his home in “Colored Town,” a... (full context)
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
Education, Coming of Age, and Adulthood Theme Icon
The next morning, Mabel goes to work with Jumpin’ and introduces herself to Kya, telling her that they know a family who wants to... (full context)
Chapter 16. Reading: 1960
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
Prejudice, Intolerance, and Acceptance Theme Icon
...him racial slurs and throwing rocks at him. Suddenly, Kya realizes that the man is Jumpin’, so she bursts out of the woods just after he turns a corner, cutting off... (full context)
Chapter 17. Crossing the Threshold: 1960
Independence vs. Human Connection Theme Icon
As Kya pulls up to Jumpin’s one morning, he tells her that several men from Social Services came looking for her.... (full context)
Independence vs. Human Connection Theme Icon
Education, Coming of Age, and Adulthood Theme Icon
While Kya’s filling up at Jumpin’s one morning, Mabel tells her to come into the bait shop, where she gives her... (full context)
Independence vs. Human Connection Theme Icon
Education, Coming of Age, and Adulthood Theme Icon
...when they arrive, she waves at him from land. The next morning, she goes to Jumpin’s and asks to speak to Mabel. When Mabel arrives, Kya shyly tells her that she... (full context)
Chapter 21. Coop: 1961
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
Education, Coming of Age, and Adulthood Theme Icon
Kya stays to herself for the following month. When she finally has to go to Jumpin’s for supplies, she doesn’t linger to talk to him, determined to avoid building yet another... (full context)
Chapter 22. Same Tide: 1965
Independence vs. Human Connection Theme Icon
Kya starts going to Jumpin’s more frequently, hoping to encounter Chase. When this finally happens one morning, Chase introduces himself... (full context)
Chapter 23. The Shell: 1965
Independence vs. Human Connection Theme Icon
Education, Coming of Age, and Adulthood Theme Icon
Prejudice, Intolerance, and Acceptance Theme Icon
Kya replays the way Chase looked at her when they spoke at Jumpin’s, thinking that nobody—including Tate—has ever gazed at her like he did. As she thinks this,... (full context)
Chapter 29. Seaweed: 1967
Independence vs. Human Connection Theme Icon
...Kya throughout the winter, occasionally talking about their future together. However, when Kya goes to Jumpin’s one day for gas, she sees Chase standing with a group of his friends, his... (full context)
Chapter 31. A Book: 1968
Independence vs. Human Connection Theme Icon
One day, Jumpin’ tells Kya that a group of developers plans to cut down trees and drain parts... (full context)
Independence vs. Human Connection Theme Icon
Prejudice, Intolerance, and Acceptance Theme Icon
...him in the marsh, and she assures him that she will. Later, Kya goes to Jumpin’s and gives him the book, thanking him and Mabel for all of their help over... (full context)
Chapter 32. Alibi: 1969
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
Ed and Joe are unable to track down Kya, but they learn from Jumpin’ that she was out of town on the night of Chase’s murder. When Jumpin’ tells... (full context)
Chapter 37. Gray Sharks: 1969
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
Shortly before Christmas, Kya goes to Jumpin’s earlier than usual because she knows that Ed and Joe might be looking for her,... (full context)
Chapter 41. A Small Herd: 1969
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
Prejudice, Intolerance, and Acceptance Theme Icon
...police would believe Chase over the “Marsh Girl.” Thinking this way, Kya avoids going to Jumpin’s for as long as she can and spends the next few nights in the cabin... (full context)
Survival, Necessity, and Violence Theme Icon
...life in fear, she returns to her shack, though she still puts off going to Jumpin’s for as long as possible. While sitting on the porch that evening, Kya watches two... (full context)
Chapter 42. A Cell: 1970
Independence vs. Human Connection Theme Icon
...and is where Kya has been staying ever since Ed and Joe arrested her at Jumpin’s. Since then, she has languished in the half-darkness of the cell, yearning for the outdoors.... (full context)
Chapter 43. A Microscope: 1969
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
...her editor at the end of October. Hearing this, Tate tells her to go to Jumpin’s to look at the bus schedule. She thanks him and prepares to go, but before... (full context)
Chapter 44. Cell Mate: 1970
Independence vs. Human Connection Theme Icon
Jacob, the jailer, leads Kya back to her cell, where she finds a package from Jumpin’ including paints, brushes, and paper, along with some muffins. As Jacob tries to convince her... (full context)
Chapter 45. Red Cap: 1970
Independence vs. Human Connection Theme Icon
Prejudice, Intolerance, and Acceptance Theme Icon
During the next day of Kya’s trial, there is a disruption in the courthouse when Jumpin’ and Mabel walk into the “white area” of the seating and sit next to Tate,... (full context)
Chapter 46. King of the World: 1969
Independence vs. Human Connection Theme Icon
Prejudice, Intolerance, and Acceptance Theme Icon
In October of 1969, Kya goes to Jumpin’s to look at the bus schedule. As she copies down the times, she tells him... (full context)
Chapter 48. A Trip: 1969
Independence vs. Human Connection Theme Icon
Kya goes to Jumpin’s on the morning of October 28th, 1969. She says farewell because Jumpin’ had asked her... (full context)
Chapter 50. The Journal: 1970
Independence vs. Human Connection Theme Icon
...hope and private joy upon seeing Jodie, who is sitting next to Tate, Mabel, and Jumpin’. At the same time, though, Kya feels ashamed that he now knows she’s on trial... (full context)
Chapter 57. The Firefly
Survival, Necessity, and Violence Theme Icon
Independence vs. Human Connection Theme Icon
Education, Coming of Age, and Adulthood Theme Icon
...for sure that he’ll return. When he gets back, though, he gives her bad news: Jumpin’ died in his sleep the night before. This stings Kya, who has only ever experienced... (full context)