- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In this passage, Mrs Kearney’s insistence on payment for her daughter despite the concerts’ changing circumstances—poor turnout on Wednesday and Thursday as well as a cancellation on Friday—demonstrates her stubbornness and her focus on using the Nationalist cause for personal gain. She is not concerned about the concerts’ failure for their own sake, but for her own reputation and her daughter’s paycheck. Her social ambitions and desire to enhance her wealth prevent her from being flexible, and Mr Fitzpatrick’s stonewalling of her questions reveals how inept all members of the Society appear to be. The inefficacy of the Committee and…