- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Before the Monarchs depart from the studio, they watch Miss Churm pose. The artist had hoped that they would get an idea of what models were expected to do, but the Monarchs don’t see Miss Churm’s value. To them, she is simply a lower-class woman who is very different than the Russian princess she is modeling. The artist counters them, warning them that they are ignoring “the alchemy of art.” The artist isn’t intending to document Miss Churm exactly as she is, but rather to interpret her positions and gestures to create a drawing that generates the feeling of a…