- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In the book’s final passage, Wash steps out into a heavy sandstorm as Tanna calls out to him. The description here is a callback to the scene at the end of Part 2, when Titch abandoned Wash and stepped out into a snowstorm—only here, Wash is walking away from Titch. The ending passage seems deliberately ambiguous—it’s unclear whether Wash will return to Tanna and his life, or will similarly disappear in the way that Titch did. Parts of the passage indicate some hope: Wash’s gaze at the “orange blur” suggests that the sun is rising, a symbol of hope and…