A Gentleman in Moscow
A Gentleman in Moscow
by Amor Towles

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Bolshevism and Class Struggle Theme Analysis

Themes and Colors
Imprisonment, Freedom, and Purpose Theme Icon
Change and Adaptation Theme Icon
Friendship, Family, and Love Theme Icon
Chance, Luck, and Fate Theme Icon
Bolshevism and Class Struggle Theme Icon
LitCharts assigns a color and icon to each theme in A Gentleman in Moscow, which you can use to track the themes throughout the work.
Bolshevism and Class Struggle Theme Icon
Bolshevism and Class Struggle Theme Icon

The political backdrop of A Gentleman in Moscow largely focuses on the rise of the Communist Bolshevik Party following the Russian Revolution of 1917. The Count is often at odds with the Bolsheviks because he was a member of the nobility, which the Bolsheviks abolished after the revolution. Although the story focuses on the Count, Towles makes a point of providing different perspectives on Bolshevism and the class struggle. On the one hand, the Bolsheviks try to eliminate economic inequality and some of the Bolsheviks are portrayed sympathetically. At the same time, the Count laments that traditional values like etiquette and tact are no longer valued simply because they are traditional. He also dislikes the fact that some of the Bolsheviks seem bent on destroying old ways of life simply to make their party stronger, even at the expense of poor citizens. Through these varied opinions, Towles makes the argument that while class inequality leads to a privileged elite, communist notions of creating an egalitarian society can also harm people.

A Bolshevik Party member named Osip Ivanovich Glebnikov, who asks the Count to tutor him in French and English, provides the strongest argument for the necessity of the Revolution and the overthrow of the nobility. He says that in 1916, Russia was the most illiterate nation in Europe and most of its population lived in modified serfdom. For the majority of people, society had not progressed for five hundred years. On an individual level, Towles also critiques the Count at the beginning of the novel for his obsession with possessions, as the Count chooses to overcrowd his room and limit his already small living space significantly rather than relinquish any of his furniture. Towles also implies that the Count values his possessions even more than he values his family and friends. Much of the rest of the novel’s criticisms of the elite come from a person whom the Count refers to only as the Bishop (due to his appearance and demeanor). The Bishop is a Bolshevik who begins the novel as a waiter, before rising to the position of hotel manager. He upbraids the Count harshly for his elitism, “How convinced you have always been of the rightness of your actions,” he sneers, “as if God Himself was so impressed with your precious manners and delightful way of putting things that He blessed you to do as you pleased.” Thus, the Bishop highlights a major critique of the nobility: their belief that their wealth and manners alone justify superior treatment.

Yet the Count also makes some worthy points about the hypocrisy of the new ruling class. He not only points out how the comrades are just as drawn to superiority and pomp as the former aristocracy, but also how their notions of “progress” often come at the expense of the people. Towles makes a point of highlighting that the new Soviet constitution drafted in 1922 guarantees freedoms of conscience, expression, and assembly, but also that these rights could be revoked if they are “utilized to the detriment of the socialist revolution.” Thus, Party loyalty is valued more than actual freedom. Though the Bolsheviks put a high premium on technology and progress, sometimes this progress is at the detriment of common people. For example, churches are razed so that the metal in the bells can be reclaimed, but as a result, many people have to go to great lengths in order to find a place to pray. Worse, when the farms are collectivized, many of the peasants are resistant and so they slaughter their livestock rather than join the collectivization efforts. As a result, they are exiled, but the lack of skilled farmers then causes a widespread famine in Russia. Thus, the desire to promote the common good is, in fact, what initiates the starvation of millions of people.

While the idea of eradicating economic inequality is a valiant one, Towles demonstrates that the goals of the Bolsheviks are sometimes at odds with the people they propose to be supporting. In addition, the book also shows that just because something is traditional doesn’t automatically make it classist, and that some traditions (like etiquette, or the Russian tradition of serving bread when one is hosting another person) are worth preserving because they truly improve society.

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Bolshevism and Class Struggle Quotes in A Gentleman in Moscow

Below you will find the important quotes in A Gentleman in Moscow related to the theme of Bolshevism and Class Struggle.

Prologue Quotes

History has shown charm to be the final ambition of the leisure class. What I do find surprising is that the author of the poem in question could have become a man so obviously without purpose.

Related Characters: The Count Alexander Ilyich Rostov
Page Number and Citation: 5
Explanation and Analysis:
At the beginning of the novel, the Count is on trial in 1922 as a former member of the aristocracy. He charms the gallery with his jokes, but one of the Bolshevik Secretaries presiding over his trial comments that he is not surprised the Count is so charming. The Secretary’s first sentence exemplifies the class struggle that serves as the backdrop of the novel. Here, the Secretary criticizes the Count (who has never held a job) and the rest of the aristocracy because they have led lives of leisure at the expense of the lower classes. While history demonstrates that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ip

Book 1, 1922, An Ambassador Quotes

Thus did the typewriters clack through the night, until that historic document had been crafted which guaranteed for all Russians freedom of conscience (Article 13), freedom of expression (Article 14), freedom of assembly (Article 15), and freedom to have any of these rights revoked should they be “utilized to the detriment of the socialist revolution” (Article 23)!

Related Characters: The Count Alexander Ilyich Rostov
Page Number and Citation: 15
Explanation and Analysis:
When the Count moves from his third-floor suite to his sixth-floor room, he laments the loss of space but is glad to have moved away from the typists occupying the second floor.  In this footnote, the narrator describes the different articles of the country’s new constitution (the document being typed on the second floor). The narrator notes with irony that the constitution grants different freedoms, but also reserves the freedom to revoke any of them if they are used against the Bolsheviks—for what is the point of providing a right to freedom if that freedom can be taken away at Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dol

Book 1, An Appointment Quotes

Ever since its opening in 1905, the hotel’s suites and restaurants had been a gathering spot for the glamorous, influential, and erudite; but the effortless elegance on display would not have existed without the services of the lower floor.

Related Characters: Nina Kulikova, The Count Alexander Ilyich Rostov
Page Number and Citation: 33
Explanation and Analysis:
On the second day of the Count’s imprisonment, he goes to his religiously kept appointment with the hotel barber at the stroke of noon. On his way down the stairs, the narrator takes a moment to acknowledge the working-class members of society who have allowed the world to run both outside and inside the Metropol. While the Count has certainly experienced the fruits of that excellent service and accommodation, and while he appreciates the skill of those who are good at their jobs, it is only after his imprisonment that he starts to gain a true view of those jobs Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut

And when that celestial chime sounds, perhaps a mirror will suddenly serve its truer purpose—revealing to a man not who he imagines himself to be, but who he has become.

Related Characters: The Count Alexander Ilyich Rostov
Page Number and Citation: 37
Explanation and Analysis:
During the Count’s weekly scheduled trip to the barber just one day into his imprisonment, a customer grows angry because he believes the Count has cut him in line and snips off one side of the Count’s moustache. The Count is forced to survey himself in the mirror, which he says he believes is often a tool of self-deceit because one can alter one’s own appearance in a mirror quite drastically. Yet this moment serves as a reckoning for the Count. He had up to this point maintained a long handlebar moustache typical of the aristocracy. In a first acknowledgement Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit ea

Book 1, Around and About Quotes

For however decisive the Bolsheviks’ victory had been over the privileged classes on behalf of the Proletariat, they would be having banquets soon enough.

Related Characters: The Count Alexander Ilyich Rostov
Page Number and Citation: 59
Explanation and Analysis:
On one of the Count’s first explorations of the hotel with Nina, they find the hotel’s silver service—everything from gravy boats to asparagus servers—in a locked closet in the basement. The Count wonders why the Bolsheviks did not take it away, but he and Nina come to figure that the Bolsheviks will eventually need it for the grand banquets they will surely be having. This quote represents another aspect of the critiques that the narrator and the Count level against the Bolsheviks. In noting that eventually all leaders like a little pomp and grandeur, the quote implies that the Bolsheviks Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Un

Book 2, 1924, Anonymity Quotes

Yes, a bottle of wine was the ultimate distillation of time and place; a poetic expression of individuality itself. Yet here it was, cast back into the sea of anonymity, that realm of averages and unknowns.

Related Characters: The Bishop, The Count Alexander Ilyich Rostov, Andrey Duras
Page Number and Citation: 144
Explanation and Analysis:
About two years into the Count’s imprisonment, he is dining in the Boyarsky when the Bishop informs him that the restaurant is now only serving Red or White wine. Not comprehending, the Count goes to the basement with Andrey to discover what the Bishop meant: all of the labels have been removed from the wine bottles, because the Bishop had complained that the wine list runs counter to the Bolshevik ideals. This act hits the Count particularly hard, due to a few different factors: first, he is upset by the absurdity of the reasoning behind the action, viewing it as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Volupta

Because the Bolsheviks, who were so intent upon recasting the future from a mold of their own making, would not rest until every last vestige of his Russia had been uprooted, shattered, or erased.

Related Characters: The Count Alexander Ilyich Rostov, The Bishop
Page Number and Citation: 144
Explanation and Analysis:
After the Count discovers the travesty of the removal of the wine labels, he is shocked when he hears that it is because the Bishop complained that the wine list ran counter to the ideals of the Revolution. He is upset because he feels not only the aristocracy as an institution disappearing, but also the way of life that had been attached to the upper class disappearing, such as the ability to pair wines, the knowledge how to arrange seats at a party, or the tact of anticipating a guest’s needs. This worry stems from the appearance that the Bolsheviks Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam

Book 3, Antics, Antitheses, an Accident Quotes

Our churches, known the world over for their idiosyncratic beauty, for their brightly colored spires and improbable cupolas, we raze one by one. We topple the statues of old heroes and strip their names from the streets, as if they had been figments of our imagination. Our poets we either silence, or wait patiently for them to silence themselves.

Related Characters: Mikhail Fyodorovich Mindich (Mishka) (speaker), The Count Alexander Ilyich Rostov
Related Literary Devices:
Page Number and Citation: 290
Explanation and Analysis:
This quote comes from Mishka, when he visits the Count in the Metropol after he has been sent to Siberia and given a Minus Six sentence (meaning he is exiled from the six principle cities of Russia). He returns to speak to the Count, telling him that the burning of Moscow was one of Russia’s greatest contributions. This monologue exhibits how far Mishka has fallen out of step with the ideology of the Bolsheviks. Whereas at first, he was excited by the prospect of empowering the working class and also forming a new style of poetry, Mishka has become disenchanted Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrup

Book 5, Antagonists at Arms (And an Absolution) Quotes

“Your sort,” he sneered. “How convinced you have always been of

the rightness of your actions. As if God Himself was so impressed with your precious manners and delightful way of putting things that He blessed you to do as you pleased. What vanity.”

Related Characters: The Bishop (speaker), The Count Alexander Ilyich Rostov
Page Number and Citation: 433
Explanation and Analysis:
One day before the Count makes his escape, the Bishop discovers the plan for Sofia to run away. The Count then holds the Bishop at gunpoint, waiting to move until the middle of the night. As they sit in the Bishop’s office, their rivalry comes to a head as the Bishop reveals the reasoning behind so much of his hatred. The Bishop’s critiques are the crux of many of those raised against the upper class: that because they have been blessed with wealth, they feel their superiority is justified and that the inequality between themselves and the lower classes is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Veli