A Taste of Honey
by Shelagh Delaney
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Act 1: Scene 1 Quotes

HELEN: When I find somewhere for us to live I have to consider something far more important than your feelings . . . the rent. It’s all I can afford.

JO: You can afford something better than this old ruin.

HELEN: When you start earning you can start moaning.

JO: Can’t be soon enough for me. I’m old and my shoes let water . . . what a place. . . and we’re supposed to be living off her immoral earnings.

HELEN: I’m careful. Anyway, what’s wrong with this place? Everything in it’s falling apart, it’s true, and we’ve no heating—but there’s a lovely view of the gasworks, we share a bathroom with the community and this wallpaper’s contemporary. What more do you want? Anyway it’ll do for us.

Related Characters: Helen (speaker), Jo (speaker)
Page Number and Citation: 7
Explanation and Analysis:
The opening lines of A Taste of Honey show Helen and her seventeen-year-old daughter Jo entering their new apartment, which Helen has rented once again without making Jo part of the decision-making process in any way. Helen’s attitude toward the apartment is ambiguous. On the one hand, she counters her daughter’s critiques by defending the various advantages that the apartment supposedly has, such as the view and the bathroom. This attitude of satisfaction culminates in her rhetorical question: “What more do you want?” which aims to discredit her daughter’s complaints, attacking them as unfounded and unreasonable. On the other hand, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta

JO: I’m going to unpack my bulbs. I wonder where I can put them.

HELEN: I could tell you.

JO: They’re supposed to be left in a cool, dark place.

HELEN: That’s where we all end up sooner or later. Still, it’s no use worrying, is it?

JO: I hope they bloom. Always before when I’ve tried to fix up a window box nothing’s ever grown in it.

HELEN: Why do you bother?

JO: It’s nice to see a few flowers, isn’t it?

Related Characters: Helen (speaker), Jo (speaker)
Related Symbols: Jo’s Flower Bulbs
Page Number and Citation: 11
Explanation and Analysis:
As Jo and her mother begin to unpack, Jo finds flower bulbs that she wants to use to liven up the apartment. The two women’s reaction to these bulbs reveals a stark contrast between Helen and Jo’s attitudes toward life. Whereas Jo wants to make their general living conditions more pleasant and to take care of something besides herself, Helen finds such efforts senseless. She does not understand why her daughter would want to engage in an enterprise that requires so much effort and has failed in the past. This highlights Helen’s lack of interest in enjoying some simple, natural Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non in

JO: See yourself. I’ve got to find somewhere for my bulbs.

HELEN: See yourself! Do everything yourself. That’s what happens. You bring’em up and they turn round and talk to you like that. I would never have dared talk to my mother like that when I was her age. She’d have knocked me into the middle of next week. Oh! my head. Whenever I walk, you know how it is! What a journey! I never realized this city was so big. Have we got any aspirins left, Jo?

Related Characters: Jo (speaker), Helen (speaker)
Related Symbols: Jo’s Flower Bulbs
Page Number and Citation: 12
Explanation and Analysis:
When Helen asks Jo to go see if the water for her coffee is boiling, Jo asks her to do so herself while she takes care of her plants. Helen reacts with exaggerated indignation to what she considers Jo’s defiance, calling her daughter selfish and ungrateful. Helen’s aggressive words iterate commonplace tropes about rebellious children who fail to respect their parents. This is highly ironic within the context of Jo and Helen’s relationship, which is far from traditional because of the instability of their lives and because Helen has failed to instill either respect or a sense of gratitude in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro p

JO: Anyway I’m not getting married like you did.

HELEN: Oh!

JO: I’m too young and beautiful for that.

HELEN: Listen to it! Still, we all have funny ideas at that age, don’t we—makes no difference though, we all end up same way sooner or later.

Related Characters: Jo (speaker), Helen (speaker)
Related Symbols: Engagement Rings
Page Number and Citation: 13
Explanation and Analysis:
After Jo and her mother discuss the possibility of Jo working in a bar and thus, according to Helen, potentially “ruining” her life, Jo accuse Helen of already ruining her own. She concludes that she does not want to get married and end up like her mother. Helen’s ironic comment about her daughter’s hopes suggests that she herself has no hope that Jo will make the right decisions in her life, or even that she is special at all. Instead, she believes that everyone ends up “the same way.” This comment might indicate death, since everyone is bound to die, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut.

HELEN: […] Have you ever thought of going to a proper art school and getting a proper training?

JO: It’s too late.

HELEN: I’ll pay. You’re not stupid. You’ll soon learn.

JO: I’ve had enough of school. Too many different schools and too many different places.

HELEN: You’re wasting yourself.

JO: So long as I don’t waste anybody else. Why are you so suddenly interested in me, anyway? You’ve never cared much before about what I was doing or what I was trying to do or the difference between them.

HELEN: I know, I’m a cruel, wicked woman.

Related Characters: Jo (speaker), Helen (speaker)
Page Number and Citation: 15
Explanation and Analysis:
After Helen discovers Jo’s drawings and realizes that her daughter has talent, she becomes enthusiastic and offers to pay for her artistic education. Jo’s refusal to let her do so is stubborn and frustrating, given that attending school could potentially give her better opportunities in life. It also reveals the lasting consequences that Helen’s upbringing has had on her daughter. Jo decides not to go to school because she is tired of the instability of her life, which is the result of Helen’s precarious financial decisions and of their constant moving. Jo decides that she would rather achieve financial independence Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissim

PETER: Is she always like this?

HELEN: She’s jealous . . .

PETER: That’s something I didn’t bargain for.

HELEN: Can’t bear to see me being affectionate with anybody.

JO: You’ve certainly never been affectionate with me.

PETER: Still, she’s old enough to take care of herself.

Related Characters: Jo (speaker), Peter Smith (speaker), Helen (speaker)
Related Symbols: Engagement Rings
Page Number and Citation: 19
Explanation and Analysis:
When Jo first meets Peter, he is flirting with her mother and ultimately asks Helen to marry him. Despite her weak efforts at rejecting him, Helen visibly enjoys her lover’s advances and interacts playfully with him. Jo decides to stay in the room and try to interrupt their conversation as often as possible, which makes Helen conclude that she is jealous. Jo’s interference in Peter and Helen’s relationship reveals her desire for attention—a desire that is not egotistical and self-absorbed but, rather, the reflection of the very real threat that Helen might once again abandon her for one of her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non invento

Act 1: Scene 2 Quotes

HELEN: […] There’s two w’s in your future. Work or want, and no Arabian Knight can tell you different. We’re all at the steering wheel of our own destiny. Careering along like drunken drivers. I’m going to get married. [The news is received in silence.] I said, I’m going to get married.

JO: Yes, I heard you the first time. What do you want me to do, laugh and throw pennies?

Related Characters: Helen (speaker), Jo (speaker), Peter Smith
Related Symbols: Engagement Rings
Page Number and Citation: 29
Explanation and Analysis:
When Jo sees an advertisement in a magazine for an Arabian mystic who can read people’s destinies, she mentions it to her mother. This leads Helen to give Jo a speech about life, telling her that there is no point in consulting so-called mystics and that she should rely only on her own discipline. Helen’s vision of life involves a paradoxical mix of control and ignorance. While she claims that Jo should take control of her life and that hard work is the only means for survival, she also accepts that this appearance of control can be entirely blind or Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint ap

HELEN: There’s plenty of food in the kitchen.

JO: You should prepare my meals like a proper mother.

HELEN: Have I ever laid claim to being a proper mother? If you’re too idle to cook your own meals you’ll just have to cut food out of your diet altogether. That should help you lose a bit of weight, if nothing else.

PETER: She already looks like a bad case of malnutrition.

Related Characters: Helen (speaker), Jo (speaker), Peter Smith (speaker)
Page Number and Citation: 35
Explanation and Analysis:
As Helen and Peter are about to leave the apartment to go celebrate their engagement, they both say they are hungry and, when Jo says she is too, Helen claims that she has no responsibility to feed her. Helen’s typical way of avoiding her responsibilities is to attack her daughter. Here, to avoid being reminded that she has a duty to provide for her only child, she calls Jo idle and implies that it is her own fault if she does not have enough food. While Helen’s reactions are often crude and insensitive, demonstrating a lack of interest in Jo’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur

HELEN: You stupid little devil! What sort of a wife do you think you’d make? You’re useless. It takes you all your time to look after yourself. I suppose you think you’re in love. Anybody can fall in love, do you know that? But what do you know about the rest of it?

JO: Ask yourself.

HELEN: You know where that ring should be? In the ashcan with everything else. Oh! I could kill her, I could really.

JO: You don’t half knock me about. I hope you suffer for it.

HELEN: I’ve done my share of suffering if I never do any more. Oh Jo, you're only a kid. Why don’t you learn from my mistakes? It takes half your life to learn from your own.

Related Characters: Helen (speaker), Jo (speaker), Jimmie (“The Boy”), Peter Smith
Related Symbols: Engagement Rings
Page Number and Citation: 41
Explanation and Analysis:
When Helen learns that Jo has gotten engaged to her boyfriend, she reacts with anger and frustration. This is one of the few moments in the play when Helen tries to reason with Jo as best she can and sincerely expresses a desire to help her daughter make the right decision. Despite Helen’s frequent aggression, insults, and threats of physical violence, in this moment she also tries to impart wisdom to Jo and to reason with her. She argues that love and long-term commitment are two separate things, and that Jo is too young to become stuck in marriage. Jo’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime.

HELEN: I don’t suppose you’re sorry to see me go.

JO: I’m not sorry and I’m not glad.

HELEN: You don’t know what you do want.

JO: Yes, I do. I’ve always known what I want.

HELEN: And when it comes your way will you recognize it?

JO: Good luck, Helen.

Related Characters: Helen (speaker), Jo (speaker), Peter Smith
Related Symbols: Engagement Rings
Page Number and Citation: 44
Explanation and Analysis:
When Helen leaves the apartment to go get married to Peter, she assumes that Jo is not upset by her departure. Jo’s equivocal words suggest precisely the opposite. While Jo admits that she is not sorry, thus seemingly confirming her mother’s opinion, she also adds that she is not glad, either. This serves as a subtle, yet noticeable hint that she does actually care for her mother, and that at least part of her would have wanted her to stay. Helen’s failure to notice this suggests that she is incapable of understanding her daughter’s true feelings—or, perhaps, that she does Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta p

Act 2: Scene 1 Quotes

JO: Look, I’ve got a nice comfortable couch, I’ve even got some sheets. You can stay here if you’ll tell me what you do. Go on, I’ve always wanted to know about people like you.

GEOF: Go to hell.

JO: I won’t snigger, honest I won’t. Tell me some of it, go on. I bet you never told a woman before.

GEOF: I don’t go in for sensational confessions.

JO: I want to know what you do. I want to know why you do it. Tell me or get out.

GEOF: Right! [He goes to the door.]

JO: Geof, don’t go. Don’t go, Geof! I’m sorry. Please stay.

Related Characters: Jo (speaker), Geoffrey Ingram (speaker)
Page Number and Citation: 48
Explanation and Analysis:
When Geof first enters Jo’s apartment, Jo can tell that he is hoping to spend the night with her because he has been kicked out of his apartment. Jo intuits that the landlady might have discovered his homosexuality and begins to interrogate him about it, forcing him to share personal details. Jo’s ruthlessness is surprising and her questions lack sensitivity or subtlety. Instead of treating Geof as a vulnerable individual like any other, she considers him representative of an abstract group, “people like you.” Her words are reminiscent of Helen’s own strategies, which tend to favor brutal honesty—to the point, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta i

GEOF: Has anybody ever tried?

JO: What?

GEOF: Taking you in hand.

JO: Yes.

GEOF: What happened to him?

JO: He came in with Christmas and went out with the New Year.

GEOF: Did you like him?

JO: He was all right . . .

GEOF: Did you love him?

JO: I don’t know much about love. I’ve never been too familiar with it. I suppose I must have loved him. They say love creates. And I’m certainly creating at the moment. I’m going to have a baby.

Related Characters: Jo (speaker), Geoffrey Ingram (speaker), Jimmie (“The Boy”)
Related Symbols: Engagement Rings
Page Number and Citation: 49
Explanation and Analysis:
During Geof’s first visit to Jo’s apartment, he harshly criticizes her drawings but still recognizes their potential and Jo’s nascent artistic talent. He encourages her to think about attending art school, concluding that what Jo needs in life is formal guidance. Jo’s refusal to consider going to art school is intimately related to her rejection of being taken care of (what Geof calls being “taken in hand”). This distrust of other people’s care is the consequence of her story with Jimmie, which, as she relates, was short-lived despite the boy’s promise to return to her. More broadly, it can also Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molesti

JO: This place stinks. [Goes over to the door. Children are heard singing in the street.] That river, it’s the colour of lead. Look at that washing, it’s dirty, and look at those filthy children.

GEOF: It’s not their fault.

JO: It’s their parents’ fault. There’s a little boy over there and his hair, honestly, it’s walking away. And his ears. Oh! He’s a real mess! He never goes to school. He just sits on that front doorstep all day. I think he’s a bit deficient.

[The children’s voices die away. A tugboat hoots.]

His mother ought not to be allowed.

GEOF: Who?

JO: His mother. Think of all the harm she does having children.

Related Characters: Geoffrey Ingram (speaker), Jo (speaker), Helen
Related Symbols: Children’s Singing and Nursery Rhymes
Page Number and Citation: 54
Explanation and Analysis:
Throughout the play, most characters comment on how dirty and dilapidated Jo’s apartment and neighborhood are. Jo’s own criticism is not meant as mere observation or as a simple complaint. Rather, she understands that the circumstances people live in are the result of their parentage. Her criticism, then, is personal as well as social. It reflects her disgust with her environment but brings to light an important reality: the fact that people’s upbringing influences their education and opportunities. After watching a child who seems affected by a mental disability, Jo concludes that his mother is responsible for a lot of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Qui

HELEN: Well, come on, let’s have a look at you. [JO turns away.] What’s up? We’re all made the same, aren’t we?

JO: Yes we are.

HELEN: Well then. Can you cut the bread on it yet? [JO turns.] Yes, you’re carrying it a bit high, aren’t you? Are you going to the clinic regularly? Is she working?

Related Characters: Helen (speaker), Jo (speaker), Geoffrey Ingram
Page Number and Citation: 61
Explanation and Analysis:
After Geof tells Helen that Jo is pregnant, Helen comes to the apartment to scold Jo as much as help her. While she initially refuses to accept her responsibilities as a mother, she also proves curious about Jo’s pregnancy and wants to observe her daughter’s stomach. This dialogue shows Helen trying to bond with Jo over the shared experience of being pregnant and giving birth. Her comment that “[w]e’re all made the same” suggests that the two of them are united by a unique female bond, relating to the very nature of their bodies. On a more abstract level, it Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perfere

HELEN: You couldn’t wait, could you? Now look at the mess you’ve landed yourself in.

JO: I’ll get out of it, without your help.

HELEN: You had to throw yourself at the first man you met, didn’t you?

JO: Yes, I did, that’s right.

HELEN: You’re man mad.

JO: I’m like you.

HELEN: You know what they’re calling you round here? A silly little whore!

JO: Well, they all know where I get it from too.

Related Characters: Jo (speaker), Helen (speaker)
Page Number and Citation: 62
Explanation and Analysis:
Before offering Jo money to help her throughout her pregnancy, Helen accuses her of being foolish and misguided. Her various judgments (“man mad,” “a silly little whore”) demonstrate her preoccupation with social categories and for her daughter’s reputation. Instead of helping Jo, these comments are insulting, aiming to add shame and public dishonor to Jo’s pre-existing list of troubles. Jo’s reaction is not to justify her choices but rather to declare her independence from Helen’s judgment while also comparing herself directly to her mother, who is guilty of exactly the same things as Jo. Jo’s resistance to Helen’s attacks shows, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus

JO: It’s taken you a long time to come round to this, hasn’t it?

HELEN: What?

JO: The famous mother-love act.

HELEN: I haven’t been able to sleep for thinking about you since he came round to our house.

JO: And your sleep mustn’t be disturbed at any cost.

Related Characters: Helen (speaker), Jo (speaker), Geoffrey Ingram
Page Number and Citation: 64
Explanation and Analysis:
When Helen asks Jo about her finances, arguing that she should not suffer from any economic problems, Jo reacts aggressively, noting that her mother has never shown such concern for her throughout her life. In this case, too, Helen’s actions do not necessarily reflect true care for another human. Indeed, the only reason for her presence in Jo’s apartment is because Geof decided to inform her of Jo’s pregnancy. The fact that Geof had to reach out to Helen during this trying time, when Jo has been living alone, only emphasizes Helen’s utter detachment from Jo’s life. Furthermore, Helen does Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debit

Act 2: Scene 2 Quotes

JO: You know, some people like to take out an insurance policy, don’t they?

GEOF: I’m a bit young for you to take out one on me.

JO: No. You know, they like to pray to the Almighty just in case he turns out to exist when they snuff it.

GEOF [brushing under the sofa]: Well, I never think about it. You come, you go. It’s simple.

JO: It’s not, it’s chaotic—a bit of love, a bit of lust and there you are. We don’t ask for life, we have it thrust upon us.

GEOF: What’s frightened you? Have you been reading the newspapers?

JO: No, I never do. Hold my hand, Geof.

Related Characters: Helen (speaker), Jo (speaker)
Related Symbols: Jo’s Flower Bulbs
Page Number and Citation: 71
Explanation and Analysis:
When Geof cleans the apartment, he discovers Jo’s flower bulbs under the sofa. These are the same bulbs that Jo had brought with her to the apartment on the day she and Helen moved in and had planned to decorate it with. When Jo discovers that her bulbs are now dead, she reflects on death and the unpredictability of life. Jo realizes that death is so frightening that it can be useful to have hope in something, such as the existence of God, to make its inevitability more tolerable. While it remains unclear whether she plans to try to believe Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Volu

JO: You’ve got nice hands, hard. You know I used to try and hold my mother’s hands, but she always used to pull them away from me. So silly really. She had so much love for everyone else, but none for me.

GEOF: If you don’t watch it, you’ll turn out exactly like her.

JO: I’m not like her at all.

GEOF: In some ways you are already, you know.

Related Characters: Jo (speaker), Geoffrey Ingram (speaker)
Page Number and Citation: 71-72
Explanation and Analysis:
When Jo asks Geof to hold her hand after becoming scared by the thought of death, she realizes that her friend is giving her the love her mother never has. This moment is poignant because of Jo’s evident emotional vulnerability. At the same time, while Jo aims to use this moment as an occasion to reflect on her mother’s lack of care, Geof does not let Jo wallow in self-pity. Instead of comforting her, he wants her to become aware of an ugly truth: her similarity with her mother. While Jo is different from Helen in some ways, other aspects Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum

GEOF: That doesn’t mean to say it’s the truth. Do people ever tell the truth about themselves?

JO: Why should she want to spin me a yarn like that?

GEOF: She likes to make an effect.

JO: Like me?

GEOF: You said it. You only have to let your hair grow for a week for Helen to think you’re a cretin.

Related Characters: Jo (speaker), Geoffrey Ingram (speaker), Helen
Page Number and Citation: 73
Explanation and Analysis:
When Geof discovers that Jo believes her father was intellectually challenged (what Jo previously called an “idiot”), he finds the idea preposterous and assumes that Helen was lying when she told Jo the story. Despite Jo’s frequent criticism of her mother and her seemingly lucid knowledge of Helen’s flaws, she is surprised to think that Helen could have lied to her. Jo’s independence of thought thus proves limited, as Geof is capable of making her see her mother—and her own self—from a different perspective. Indeed, Geof proves to Jo that both Helen and she enjoy dramatizing their lives, exaggerating their Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum.

HELEN: What an arty little freak! I wasn’t rude to him. I never said a word. I never opened my mouth.

JO: Look, he’s the only friend I’ve got, as a matter of fact.

HELEN: Jo! I thought you could find yourself something more like a man.

JO: Why were you so nasty to him?

HELEN: I wasn’t nasty to him. Besides, I couldn’t talk to you in front of him, could I? Hey, wait till you see these things for the baby.

JO: You hurt people’s feelings and you don’t even notice.

Related Characters: Jo (speaker), Helen (speaker), Geoffrey Ingram
Page Number and Citation: 79
Explanation and Analysis:
When Helen returns to the apartment after Peter has left her, she insults Geof and makes him leave the apartment. Jo attempts to defend her friend and to make her mother understand that her epithets for Geof, which depict him as an effeminate “freak,” are harmful. However, Jo’s attitude is naïve. While she believes that her mother merely doesn’t notice when she hurts people, she does not understand that Helen is intentionally trying to provoke Geof in order to make him leave—which she ultimately succeeds in doing. Helen does not want to discuss Geof’s presence. Instead, she tries to change Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserun

JO: So we’re back where we started. And all those months you stayed away from me because of him! Just like when I was small.

HELEN: I never thought about you! It’s a funny thing, I never have done when I’ve been happy. But these last few weeks I’ve known I should be with you.

JO: So you stayed away.

HELEN: Yes. I can’t stand trouble.

JO: Oh, there’s no trouble. I’ve been performing a perfectly normal, healthy function. We’re wonderful! Do you know, for the first time in my life I feel really important. I feel as though I could take care of the whole world. I even feel as though I could take care of you, too!

Related Characters: Jo (speaker), Helen (speaker), Peter Smith, Geoffrey Ingram
Related Symbols: Engagement Rings
Page Number and Citation: 81
Explanation and Analysis:
By the end of A Taste of Honey, Jo and Helen are living together again, just as they were at the beginning of the play. Jo realizes that this situation is one that she has experienced repeatedly throughout her life, as time and again her mother has left her for her boyfriends and then returned when those relationships have failed. Helen’s present return, then, cannot be a reflection of any long-term commitment. Helen does not try to contradict her daughter. Rather, she emphasizes her independence from any motherly responsibilities, as she explains that her happiness is completely separate from Jo’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laboru
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