Blues for an Alabama Sky

by Pearl Cleage
Guy Jacobs is a costume designer and Angel’s best friend. He and Angel moved from Georgia to Harlem together, with Guy following Angel north to escape the dual oppression he faced as a gay Black man as well as to pursue a career in design. Now that the pressures of the Great Depression are beginning to overtake the Harlem Renaissance, Guy hopes to escape once again––this time to Paris, the home of his idol, Josephine Baker. Though Angel doubts Guy’s dream of working for Baker will ever come true, Guy never gives up hope. He constantly sends designs to Baker’s managers, and one day, at last, he receives a response. Baker expresses interest in his designs, and eventually she invites him to Paris to work for her. Guy’s success highlights the importance of retaining faith in dreams even when they seem impossible. His unwavering support for Angel also serves as a model for small-scale, interpersonal community support. He refuses to tolerate the intersecting oppressive systems of racism and sexism that seek to bring Angel down and resists them through the simple act of always being there to support his friend.

Guy Jacobs Quotes in Blues for an Alabama Sky

The Blues for an Alabama Sky quotes below are all either spoken by Guy Jacobs or refer to Guy Jacobs. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Migration Theme Icon
).

Act 1, Scene 1 Quotes

GUY. There are still plenty of clubs in Harlem looking for a fine woman who can sing.

ANGEL. I can’t sing anymore. My heart is broken.

GUY. You can sing the blues.

ANGEL. Everybody in Harlem is singing the blues.

Related Characters: Angel Allen (speaker), Guy Jacobs (speaker)
Related Symbols: The Blues
Page Number and Citation: 12
Explanation and Analysis:

GUY. Paris has never seen costumes like the ones I’m designing for La Bakaire!

DELIA. Do you ever think you won’t go?

GUY. I’m going. Besides I have no choice. The matter is now officially out of my hands. Angel wasn’t the only one who got fired last evening. […] Well, I couldn’t hardly stand by and let Bobby toss her bodily out on the street, could I?

DELIA. What are you going to do?

GUY. I’m going to drive Josephine crazy until she sends for me. […]

DELIA. I’ve got a little money saved if you need anything.

GUY. Aren’t you sweet?

He kisses her.

I’m fine for now. […] Do me a favor?

DELIA. Sure.

GUY. Don’t tell Angel. I don’t want her to panic. I can take care of both of us if I have to. I won’t be the first time.

Related Characters: Guy Jacobs (speaker), Delia Patterson (speaker), Angel Allen, Josephine Baker
Page Number and Citation: 16
Explanation and Analysis:

Act 1, Scene 2 Quotes

GUY. Look, even in your current sorry state, you’re better off than most of the Negroes in Harlem. You’ve got a place to stay and I’m not gonna let you starve to death. We’ll figure it out.

ANGEL. I should be figuring things out for myself.

GUY. Shoulda, coulda, woulda. […] Have I ever let you down?

ANGEL. You know you haven’t.

GUY. I know I haven’t, but I’m asking you.

A beat. He waits.

ANGEL. No, you have never let me down.

Related Characters: Guy Jacobs (speaker), Angel Allen (speaker), Nick
Page Number and Citation: 20
Explanation and Analysis:

DELIA. He was wonderful! He got so worked up at the end of his sermon, he came out of the pulpit, walked straight down the middle aisle and right up Seventh Avenue. His robe was billowing out around him like wings…

GUY. That Negro ought to quit preaching and go on into full-time show business.

[…]

DELIA. I talked to him about the clinic.

GUY. You did?

DELIA: And I wasn’t even nervous. I was in line to shake his hand after service and he said he was happy to see I had decided to make Abyssinian my church home. And I said I was proud to be a part of a church that had a sense of responsibility to the masses. […] He knew what I meant! The people of Harlem.

Related Characters: Delia Patterson (speaker), Guy Jacobs (speaker), Reverend Adam Clayton Powell, Jr.
Page Number and Citation: 24
Explanation and Analysis:

Act 1, Scene 3 Quotes

GUY. You can’t make it real just because you want it to be.

ANGEL. Are you really going to Paris?

GUY. It’s not the same thing.

ANGEL. Why isn’t it? Because you’re some kind of genius with a dream and I’m just a colored woman out of a job?

GUY. Is that your dream? Singing for gangsters? And then what?

ANGEL. Then I’ll have to figure out something else. Isn’t that what you always tell me? ‘One step at a time.’

GUY. Okay. One step at a time. Audition. Sing your heart out and if he acts a fool, me and Sam will cut his heart out for him.

Related Characters: Angel Allen (speaker), Guy Jacobs (speaker), Nick, Tony
Related Symbols: The Blues
Page Number and Citation: 35
Explanation and Analysis:

GUY. For prospects, you gotta look past 125th Street. No law says we gotta live and die in Harlem, USA, just ‘cause we happened to wind up here when we finally blew out of Savannah. […] I can look out of this very window and see us walking arm in arm down the Champs Elysées.

ANGEL. Remember how you used to take those old broke-up binoculars whenever we’d go to the beach at home? The only Negro in the world ever tried to see Paris from the coast of Georgia.

GUY. I am not! Langston said he used to… I almost forgot! He’s back! […] [T]he group is gathering at his place later for a welcome home. […] Want to go preen?

ANGEL. Can I wear your tux?

GUY. I’m wearing my tux! Why don’t you go very femme? You’ll probably be the only lady at this affair.

Related Characters: Guy Jacobs (speaker), Angel Allen (speaker), Nick, Tony
Page Number and Citation: 37
Explanation and Analysis:

ANGEL. The myth of the magical Josephine. She practically lives with us but so far I haven’t seen her share of the rent money!

DELIA. Guy says he expects to hear from her by the end of the month.

ANGEL. Guy says, Guy says! He’s been sending her sketches for a year but have you seen a return cable? A letter? A postcard of the Eiffel Tower? Nothing! Nothing but that damn picture hanging up there grinning at me all day and all night! (A beat.) Guy’s a dreamer. He always was and he always will be, but I'm gonna hitch my star to somebody a little closer to home.

Related Characters: Delia Patterson (speaker), Angel Allen (speaker), Leland Cunningham, Guy Jacobs, Josephine Baker
Page Number and Citation: 39
Explanation and Analysis:

Act 1, Scene 5 Quotes

[LELAND] hands her the cable.

ANGEL. From Josephine?

She grabs it and reads quickly. When she is finished, she speaks sarcastically.

She says she just loves everything, of course. She can’t really commit to a job or anything, of course, but if he can just send three or four finished pieces, she’s almost certain they might be able to at least think about giving him a try.

She crumples the cable and tosses it down.

LELAND. He said it was a dream come true...

ANGEL. I’m tired of Negro dreams. All they ever do is break your heart.

Related Characters: Leland Cunningham (speaker), Angel Allen (speaker), Josephine Baker, Tony, Guy Jacobs
Page Number and Citation: 65
Explanation and Analysis:

Act 2, Scene 1 Quotes

ANGEL. I wish you’d be more careful.

GUY. Walking up to the corner in broad daylight?

ANGEL. Leland knows some of these guys and he said...

GUY. What guys?

ANGEL. Like the ones who...stopped you at the store.

GUY. They didn’t stop me. They offered to kick my ass.

ANGEL. You know they’ll spot you dressed like that!

GUY. Spot me? I’m not hiding! Look, I’m leaving this place as fast as I can, but until I do? I plan to walk where I please, wearing what I please, whenever I please.

Related Characters: Angel Allen (speaker), Guy Jacobs (speaker), Leland Cunningham
Page Number and Citation: 70
Explanation and Analysis:

GUY. I’m sewing for whatever clubs are left in Harlem and I got two weddings coming up if all else fails. We’ll make it, Angel. I promise.

ANGEL. You’re a hell of a provider, Big Daddy.

GUY. You wouldn’t dismiss it all so fast if I was a straight man offering to take you to Paris.

ANGEL. But you’re not that, are you?

SAM and Delia arrive.

[…]

GUY. Angel and I have been fighting about my effectiveness as a provider.

SAM. A provider of what?

ANGEL. Let’s talk about something else.

DELIA. Is Leland coming?

ANGEL. Any minute now.

SAM. Should I be asking about this Negro’s intentions?

GUY. Maybe you should ask him if he’s a good provider.

SAM. He seems to be an honest, hard-working man. You can’t hardly ask for more than that, can you?

Related Characters: Angel Allen (speaker), Sam Thomas (speaker), Delia Patterson (speaker), Guy Jacobs (speaker), Leland Cunningham
Page Number and Citation: 71–42
Explanation and Analysis:

LELAND. Men flirting with men?

GUY. They were homosexuals, for God’s sake. What’s wrong with you?

LELAND. Don’t put God’s name in the stuff you’re talking about! I don’t know how sophisticated New York people feel about it, but in Alabama, there’s still such a thing as abomination!

GUY (standing). Get out.

ANGEL. Guy! Don’t!

GUY. Then I think you better.

ANGEL (looking at LELAND helplessly). Will you wait for me downstairs for just a minute, honey?

Related Characters: Angel Allen (speaker), Leland Cunningham (speaker), Guy Jacobs (speaker)
Page Number and Citation: 76
Explanation and Analysis:

Act 2, Scene 3 Quotes

ANGEL. I don't want to have this baby, Sam.

A beat.

SAM. What about Leland?

ANGEL. What about him? (A beat.) I don’t know. I just know I’m going to Paris. Guy booked passage for me and we sail next Friday.

SAM. Did you tell him about the baby?

ANGEL. Of course I told him. He was surprised at first, maybe a little mad at me. He sounded like you. ‘What about Leland? What about Leland?’ What about me?

SAM. This will kill him, Angel.

ANGEL. No, it won’t! He’ll live through it just fine. And so will I. (A beat.) This is my chance to live free, Doc, and I’m taking it.

Related Characters: Sam Thomas (speaker), Angel Allen (speaker), Guy Jacobs, Josephine Baker, Leland Cunningham
Page Number and Citation: 93
Explanation and Analysis:

Act 2, Scene 5 Quotes

GUY. Harlem was supposed to be a place where Negroes could come together and really walk about, and for a red-hot minute, we did. But this isn’t the end of the world, you know. It’s just New York City.

[…]

When I first met Angel at Miss Lillie’s, she was already saving her getaway money. […] She was headed up to Harlem as fast as she could get there and she believed it so hard, I believed it, too. […] And I’d be lying there with my eyes closed, letting those old men touch me wherever they felt like it, but it didn’t matter, because in my mind, I was stomping at the Savoy! […] [W]hen she was ready to make a move, I’d be ready too. […] I met her at the train station. She was happy to see me, but she sure would have left without me.

Related Characters: Guy Jacobs (speaker), Angel Allen, Delia Patterson
Page Number and Citation: 101
Explanation and Analysis:
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Guy Jacobs Character Timeline in Blues for an Alabama Sky

The timeline below shows where the character Guy Jacobs appears in Blues for an Alabama Sky. The colored dots and icons indicate which themes are associated with that appearance.
Act 1, Scene 1
Community Support Theme Icon
...the summer of 1930 in Harlem, New York. At 3:00 a.m. on a Sunday morning, Guy and Leland help Angel get home after a night of drinking. As Guy and Leland... (full context)
Migration Theme Icon
Dreams, Enjoyment, and Escapism Theme Icon
Guy promises Angel that he will take her to Paris one day, where they will see... (full context)
Act 1, Scene 2
Community Support Theme Icon
The next morning, Angel panics as she realizes she has lost her job. Guy returns to his apartment with a few of Angel’s things he was able to retrieve... (full context)
Migration Theme Icon
Women’s Autonomy Theme Icon
Dreams, Enjoyment, and Escapism Theme Icon
Angel tries to recall the previous night. She vaguely remembers Leland, whom Guy describes as “a real Southern gentleman.” He also mentions that they saw Sam, a Black... (full context)
Dreams, Enjoyment, and Escapism Theme Icon
...go out for a Sunday meal, except for Angel, who is still hungover. Delia and Guy step out to get dressed, leaving Angel and Sam alone. Angel notes that Sam looks... (full context)
Act 1, Scene 3
Gender and Sexuality  Theme Icon
Dreams, Enjoyment, and Escapism Theme Icon
Community Support Theme Icon
...a bright dress that is different from her usual practical style. Meanwhile, Angel returns to Guy’s apartment and looks around until she finds a hidden bottle of liquor, which she drinks... (full context)
Migration Theme Icon
Women’s Autonomy Theme Icon
Dreams, Enjoyment, and Escapism Theme Icon
Community Support Theme Icon
Guy confesses that he ran into Nick, and Nick suggested Angel work for a friend of... (full context)
Gender and Sexuality  Theme Icon
Dreams, Enjoyment, and Escapism Theme Icon
Guy informs Angel that Langston Hughes is back in town, and they make plans to attend... (full context)
Dreams, Enjoyment, and Escapism Theme Icon
Angel returns to Guy’s apartment, where she and Guy prepare for the party. Eventually, they depart. Sam arrives to... (full context)
Act 1, Scene 4 
Women’s Autonomy Theme Icon
Gender and Sexuality  Theme Icon
...from a rehearsal for her audition. She gets dressed for her date with Leland as Guy casually tells her about a recent attack on a gay couple they are friends with.... (full context)
Migration Theme Icon
Sam and Delia return triumphant from a successful meeting with the deacon. Guy invites the pair to wait with him and Angel for Leland, so they are all... (full context)
Act 1, Scene 5
Gender and Sexuality  Theme Icon
Dreams, Enjoyment, and Escapism Theme Icon
Community Support Theme Icon
Guy finally hears back from Josephine Baker and her agents, who are interested in seeing a... (full context)
Migration Theme Icon
Leland arrives at Guy’s apartment, looking for Angel. He plans to celebrate her new job, but Guy tells Leland... (full context)
Act 2, Scene 1
Gender and Sexuality  Theme Icon
Dreams, Enjoyment, and Escapism Theme Icon
Two weeks later, on Sunday, Angel is decorating Guy’s apartment for a high tea to celebrate the completion of the costumes he is sending... (full context)
Women’s Autonomy Theme Icon
Gender and Sexuality  Theme Icon
Sam and Delia arrive and discuss with Guy the logistics of sending the costumes to Josephine Baker. They discuss Leland, and Guy and... (full context)
Women’s Autonomy Theme Icon
Gender and Sexuality  Theme Icon
The conversation turns to romance, and Guy recalls the beautiful men he saw at Langston Hughes’s welcome home party. Leland is appalled... (full context)
Act 2, Scene 2
Community Support Theme Icon
...Neither of them knows where Leland has gone, and Angel finds an eviction notice at Guy’s apartment. She and Guy have one week to find enough money to pay the rent.... (full context)
Migration Theme Icon
Community Support Theme Icon
Guy leaves Angel in the apartment, and Leland comes to see her. He tells her that... (full context)
Act 2, Scene 3
Migration Theme Icon
Gender and Sexuality  Theme Icon
Dreams, Enjoyment, and Escapism Theme Icon
Guy arrives with a letter from Josephine Baker praising his designs and promising to use all... (full context)
Act 2, Scene 4 
Women’s Autonomy Theme Icon
Community Support Theme Icon
The next day, Angel returns to Guy’s apartment and tells him she had an abortion. He tries to take care of her,... (full context)
Migration Theme Icon
Women’s Autonomy Theme Icon
Gender and Sexuality  Theme Icon
...again for another baby, but Angel tells him she wants to go to Paris with Guy. She promises that she will marry Leland when she returns, but Leland suspects she no... (full context)
Act 2, Scene 5
Migration Theme Icon
Dreams, Enjoyment, and Escapism Theme Icon
Community Support Theme Icon
Two weeks later, Delia reads the newspaper while Guy sits with a suitcase looking at his photograph of Josephine Baker. Guy has sent the... (full context)
Migration Theme Icon
Guy invites Delia to join him in Paris. He reflects that Harlem was supposed to be... (full context)
Gender and Sexuality  Theme Icon
Dreams, Enjoyment, and Escapism Theme Icon
Delia wants to go to Paris, but she is nervous. Guy asks her what Sam would think, and she knows that Sam, who was always in... (full context)