Blues for an Alabama Sky

by Pearl Cleage
Themes and Colors
Migration Theme Icon
Women’s Autonomy Theme Icon
Gender and Sexuality  Theme Icon
Dreams, Enjoyment, and Escapism Theme Icon
Community Support Theme Icon
LitCharts assigns a color and icon to each theme in Blues for an Alabama Sky, which you can use to track the themes throughout the work.
Migration Theme Icon
Migration Theme Icon

Blues for an Alabama Sky follows residents of Harlem who moved to New York during the Great Migration, the movement of millions of Black Americans from the South to the North in the early and mid-20th century to escape the South’s Jim Crow laws. Angel and Guy came to Harlem from Savannah, Georgia, and they have thoroughly adjusted to life in a Northern city. In addition to seeking an escape from Jim Crow and the legacy of slavery in the South, Guy and Angel faced additional hardships in Georgia that they hoped to leave behind by relocating in a northern city. Guy, a gay man, left Savannah to escape judgment and homophobia, while Angel left to escape her life as a sex worker and start a career as a showgirl. They made a home for themselves in the progressive and artistic environment of the Harlem Renaissance, and their shared past speaks to how migration can yield opportunity.

However, their home begins to fall apart over the course of the play, as it becomes clear that Guy and Angel did not leave violence and oppression in Georgia. The debate about a family planning clinic opening in Harlem dredges up disagreements about women’s autonomy and fears of White social workers controlling Black families. Guy is attacked on the street by homophobic young men. Tony, an Italian man, leverages his wealth, race, and gender to coerce Angel into becoming his mistress in exchange for protection. All the while, the residents of Harlem struggle to provide for themselves amid the Great Depression. The northern promise of safety is a false one, and that becomes clear through the character of Leland. Angel begins a relationship with Leland, who has much more trouble than she did adapting to a New York lifestyle after he moves to Harlem from Alabama. Leland has internalized a specific, restrictive narrative for what respectable Blackness looks like, and when Angel strays from that narrative by aborting her pregnancy, Leland kills Sam, the doctor who performed the abortion. Leland’s murder of Sam demonstrates that members of marginalized communities can reproduce the violence inflicted upon them, and that the pain of that violence does not disappear with relocation. Guy and Angel successfully flee the overt injustice of Jim Crow, only to discover less obvious but equally harmful violence in New York. They cannot run from the oppression that the play presents as built into the foundation of American culture.

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Migration ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Migration appears in each scene of Blues for an Alabama Sky. Click or tap on any chapter to read its Summary & Analysis.
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Migration Quotes in Blues for an Alabama Sky

Below you will find the important quotes in Blues for an Alabama Sky related to the theme of Migration.

Act 1, Scene 1 Quotes

GUY. Paris has never seen costumes like the ones I’m designing for La Bakaire!

DELIA. Do you ever think you won’t go?

GUY. I’m going. Besides I have no choice. The matter is now officially out of my hands. Angel wasn’t the only one who got fired last evening. […] Well, I couldn’t hardly stand by and let Bobby toss her bodily out on the street, could I?

DELIA. What are you going to do?

GUY. I’m going to drive Josephine crazy until she sends for me. […]

DELIA. I’ve got a little money saved if you need anything.

GUY. Aren’t you sweet?

He kisses her.

I’m fine for now. […] Do me a favor?

DELIA. Sure.

GUY. Don’t tell Angel. I don’t want her to panic. I can take care of both of us if I have to. I won’t be the first time.

Related Characters: Guy Jacobs (speaker), Delia Patterson (speaker), Angel Allen, Josephine Baker
Page Number and Citation: 16
Explanation and Analysis:

Act 1, Scene 3 Quotes

GUY. For prospects, you gotta look past 125th Street. No law says we gotta live and die in Harlem, USA, just ‘cause we happened to wind up here when we finally blew out of Savannah. […] I can look out of this very window and see us walking arm in arm down the Champs Elysées.

ANGEL. Remember how you used to take those old broke-up binoculars whenever we’d go to the beach at home? The only Negro in the world ever tried to see Paris from the coast of Georgia.

GUY. I am not! Langston said he used to… I almost forgot! He’s back! […] [T]he group is gathering at his place later for a welcome home. […] Want to go preen?

ANGEL. Can I wear your tux?

GUY. I’m wearing my tux! Why don’t you go very femme? You’ll probably be the only lady at this affair.

Related Characters: Guy Jacobs (speaker), Angel Allen (speaker), Nick, Tony
Page Number and Citation: 37
Explanation and Analysis:

ANGEL. Look at you, Deal. You got bags under your eyes like an old woman. All tired and frowned up. […] Sit down here for a minute. Can I take your hair aloose?

DELIA. Angel...

ANGEL. This will only take a minute, I promise.

DELIA sits, and ANGEL begins to massage her head expertly. As ANGEL talks, we see DELIA’s body relax.

A New Orleans Voodoo woman showed me how to do this when I was a little girl back in Savannah.

DELIA. What was she doing in Savannah?

ANGEL. The Voodoo woman? What does anybody do anywhere? How does that feel?

DELIA. Wonderful.

Related Characters: Angel Allen (speaker), Delia Patterson (speaker)
Page Number and Citation: 41
Explanation and Analysis:

Act 2, Scene 1 Quotes

LELAND. Men flirting with men?

GUY. They were homosexuals, for God’s sake. What’s wrong with you?

LELAND. Don’t put God’s name in the stuff you’re talking about! I don’t know how sophisticated New York people feel about it, but in Alabama, there’s still such a thing as abomination!

GUY (standing). Get out.

ANGEL. Guy! Don’t!

GUY. Then I think you better.

ANGEL (looking at LELAND helplessly). Will you wait for me downstairs for just a minute, honey?

Related Characters: Angel Allen (speaker), Leland Cunningham (speaker), Guy Jacobs (speaker)
Page Number and Citation: 76
Explanation and Analysis:

Act 2, Scene 2 Quotes

LELAND. The night I found you, I went to bed early, like I always do, but I couldn’t sleep. I was just laying there, wide awake. So I got up and went out for a walk. I was missing that Alabama sky where the stars are so thick it’s bright as day. So, I looked up between the buildings and I thought I was dreaming. Didn’t even look like Harlem. Stars everywhere, twinkling at me like a promise. And then I saw you. And that was all I saw. Just you. (A beat.) Marry me, Angel. I’ll never leave you again.

ANGEL. Swear it.

LELAND. I swear it.

ANGEL. I was hoping you would come.

LELAND. You were?

ANGEL. Yes. I want your son to grow up with his father.

Related Characters: Angel Allen (speaker), Leland Cunningham (speaker)
Related Symbols: The Blues
Page Number and Citation: 86
Explanation and Analysis:

Act 2, Scene 4  Quotes

ANGEL. Listen to me, Alabama. This isn’t about you and it isn’t about all the dead mamas and all the dead babies and all the things that are supposed to move me. I’m not that kind of colored woman! I just don’t want to think about all that anymore. I’m tired of it! I’m going away. From you. From Harlem. From all those crying colored ghosts who won’t shut up and let me live my life!

LELAND. Don’t talk like that, Angel! We’ll have lots of beautiful babies. I promise.

ANGEL. I don’t want any babies. Not yours or anybody’s.

A beat.

LELAND. What do you mean?

[…]

ANGEL. Nothing.

LELAND. You’re lying.

ANGEL. You want me to lie! That’s all you ever wanted. Pretend I’m Anna. Pretend I love you. I’m through with it!

LELAND grabs her arms and turns her toward him roughly.

Related Characters: Leland Cunningham (speaker), Angel Allen (speaker)
Page Number and Citation: 98
Explanation and Analysis:

Act 2, Scene 5 Quotes

GUY. Harlem was supposed to be a place where Negroes could come together and really walk about, and for a red-hot minute, we did. But this isn’t the end of the world, you know. It’s just New York City.

[…]

When I first met Angel at Miss Lillie’s, she was already saving her getaway money. […] She was headed up to Harlem as fast as she could get there and she believed it so hard, I believed it, too. […] And I’d be lying there with my eyes closed, letting those old men touch me wherever they felt like it, but it didn’t matter, because in my mind, I was stomping at the Savoy! […] [W]hen she was ready to make a move, I’d be ready too. […] I met her at the train station. She was happy to see me, but she sure would have left without me.

Related Characters: Guy Jacobs (speaker), Angel Allen, Delia Patterson
Page Number and Citation: 101
Explanation and Analysis: