Burial Rites
by Hannah Kent
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Themes and Colors
Truth and Liberation Theme Icon
Women, Violence, and Innocence Theme Icon
Literacy, Language, and the Icelandic Landscape Theme Icon
Names, Superstition, and Christianity Theme Icon
Class, Colonization, and Hierarchies of Power Theme Icon
LitCharts assigns a color and icon to each theme in Burial Rites, which you can use to track the themes throughout the work.
Names, Superstition, and Christianity Theme Icon
Names, Superstition, and Christianity Theme Icon

Kent places special significance on the role of naming and how names reflect and inspire meaning. Names in Icelandic culture have different significance than names in most English-speaking cultures, and Kent even goes so far as to preface her novel with an explanation of the Icelandic naming system. The Icelandic naming system, unlike the Western European one, is patronymic, meaning that the last name of each person is taken from their father’s first name. Notably, this reflects both the patriarchal structure of 19th-century Iceland and Iceland’s cultural distinctiveness from mainland Europe.

Not only does the system of naming people clearly set Iceland apart culturally, but names for things in general are clearly extremely significant for Kent’s characters. At one point in the novel, Agnes recites the names of all the places she has lived, and when she gets to Natan’s farm “Illugastadir”, she feels disturbed, believing that “the name is everything that went wrong.” Clearly, Agnes has the sense that the name of the place is not only a word, but also the essence of the place itself and the pain she associates with it—the name Illugastadir is, itself, everything wrong. At another point in the novel, Natan asks Agnes what the “name” is for the “space between the stars,” and when Agnes responds that there is no name, Natan implores her to invent one. Agnes tells Natan the name is “the soul asylum,” and Natan says that that is the same as “heaven.” Agnes objects to the idea that they are synonymous, highlighting how different names for the same concept can radically change meaning or nuance, and how distinctions in naming matter.

In turn, the use of certain names for people becomes the subject of discomfort and scrutiny. For example, when Agnes first arrives at Kornsá, Margrét thinks it feels wrong to call such a violent criminal by a Christian name. Clearly, Margrét finds something disturbing about the use of a “Christian” name—a given, religiously linked name—for someone that Margrét sees as entirely immoral. As she mulls over the best way to address Agnes, Margrét finally concludes that the best name for Agnes is no name at all, and only silence. This silence, in a sense, denies Agnes of her personhood, and even refuses to acknowledge her existence. In fact, throughout the book, characters address Agnes through silence rather than by actually calling her a name, so uncomfortable are they with using her Christian name because she is an alleged murderer. As the execution draws nearer, Agnes worries about the silence surrounding her name and thinks that if no one says her name she will be forgotten. Although this seems to stem from the characters’ sense of morality and their respect for Christianity, it also smacks of deep superstition—as if by calling Agnes “Agnes,” they would be bringing on bad luck.

The silence surrounding Agnes’s name is not the only place that this superstition comes in, and there is plenty of mythology and rumor surrounding Natan’s name as well. Natan’s name is rumored to reveal his association with the devil, an association that people also suspect because of his relative wealth and his lack of interest in religion. According to the stories, Natan’s mother named Natan after Satan, changing only the letter “S” to “N.”

Clearly, names for Kent’s characters do not only possess symbolic meaning, but rather represent the essence of the named thing’s being and its relationship to God and morality. As characters discuss the meaning of names, evoke emotions with them, and use or refuse to use them, they reinforce the fact that names in Kent’s novel contain a spiritual power unto themselves.

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Names, Superstition, and Christianity Quotes in Burial Rites

Below you will find the important quotes in Burial Rites related to the theme of Names, Superstition, and Christianity.

Prologue Quotes

I imagine, then, that we are all candle flames…fluttering in the darkness and the howl of the wind, and in the stillness of the room I hear footsteps, awful coming footsteps, coming to blow me out and send my life up away from me…I will vanish into the air and the night. They will blow us all out, one by one, until it is only their own light by which they see themselves. Where will I be then?

Related Characters: Agnes Magnúsdottir (speaker)
Page Number and Citation: 2
Explanation and Analysis:
In this quote, which Kent uses to open her novel, Agnes, who has not yet been introduced by name, meditates on the nature of life and death. As she does throughout the book, Agnes imagines the nature of mortality as being outside of the Christianity that dominates society in the book, preferring to think of human lives as candles lights. Instead of imagining that her soul will go to the Christian afterlife, Agnes pictures herself “vanish[ing] into the air and the night.” She expresses uncertainty about exactly where she will go after death, asking “where will I be then?’ Agnes’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis.

Chapter 1 Quotes

As he traveled over the north peninsula with its thin lip of ocean on the horizon, the clouds began to clear and the soft red light of the late June sun flooded the pass…The dread that Tóti had felt so firmly lining his stomach dissipated as he fell into a quiet appreciation of the countryside before him.
We are all God’s children, he thought to himself. This woman is my sister in Jesus, and I, as her spiritual brother, must guide her home… “I will save her,” he whispered.

Related Characters: Assistant Reverend Thorvardur Jónsson (Tóti) (speaker), Agnes Magnúsdottir
Page Number and Citation: 33
Explanation and Analysis:
This quote describes the scene as Tóti sets out on horseback to Kornsá to minister to Agnes for the first time. Tóti, who is extremely nervous to begin his work with Agnes, observes the landscape as he rides. While the Icelandic climate and landscape is often a stark and hostile presence in the novel, this quote shows the positive side of Icelandic nature as Tóti takes in the view of the ocean and the soft, red summer light. The spare yet beautiful landscape begins to set the scene for all the events of the novel, and here the scenery seems Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti s

Chapter 2 Quotes

How can I say what it was like to breathe again? I felt newborn. I staggered in the light of the world and took deep gulps of fresh sea air. It was late in the day: the wet mouth of the afternoon was full on my face. My soul blossomed in that brief moment as they led me out-of-doors. I fell, my skirts in the mud, and I turned my face upwards as if in prayer. I could have wept from the relief of light.

Related Characters: Agnes Magnúsdottir (speaker)
Page Number and Citation: 35-36
Explanation and Analysis:
Agnes narrates this quote just after she is released from the storeroom where she was being imprisoned at Stora-Borg. From there she will ride to Kornsá, where she will be imprisoned again. Agnes, who has been kept in wretched, unsanitary conditions and not allowed outside, is thrilled to be outdoors. Agnes describes going outside again as a nearly religious experience. She talks about feeling “newborn” as she sees light for the first time in months, and she falls to her knees “as if in prayer” from the “relief of light.” Agnes’s pleasure at being outside and in the Icelandic nature Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expe

Cruel Birds, ravens, but wise. And creatures should be loved for their wisdom if they cannot be loved for kindness.

Related Characters: Agnes Magnúsdottir (speaker)
Related Symbols: Ravens
Page Number and Citation: 38
Explanation and Analysis:
Agnes explains the symbolic meaning of ravens in Icelandic superstition—according to her, ravens can indicate that death is nearby. This naturally makes them ominous creatures, yet Agnes finds them sympathetic for their wisdom. In Agnes’s description of her sympathy for ravens, the reader may draw a parallel between the birds’ bad reputation and Agnes’s own. Like Agnes, the birds are disliked and mistrusted for their intelligence, as the birds’ foreknowledge of death makes people afraid of them. Agnes, meanwhile, is considered to be too smart for a woman, and so is presumed guilty of the murders of Pétur and Natan. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas

Chapter 3 Quotes

I prefer a story to a prayer. They whipped me for that at this farm, Kornsá, once, when I was young and fostered out to watch over the home field. The farmer Björn did not like that I knew the sagas better than him. You’re better off keeping company with the sheep, Agnes. Books written by man, not God, are faithless friends and not for your kind.

Related Characters: Agnes Magnúsdottir (speaker), Björn
Page Number and Citation: 69
Explanation and Analysis:
In this quote, Agnes discusses her love of literature and how her foster father disapproved of her literary talent. Agnes begins by saying that she prefers “a story to a prayer,” setting literature in opposition to religion. This is interesting because, at various other points in the novel, Christianity and reading are closely linked, since many children learn to read through the church and the Bible. Agnes is punished for her preference for non-religious stories as a child—perhaps an early sign of Agnes’s skepticism towards mainstream Christianity. Agnes believes that Björn is jealous of her superior knowledge of the sagas, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusan

Chapter 4 Quotes

To know what a person has done, and to know who a person is, are very different things…It’s not fair. People claim to know you through the things you’ve done, and not by sitting down and listening to you speak for yourself. No matter how much you try to live a godly life, if you make a mistake in this valley, it’s never forgotten…Who was she really?…she made mistakes and others made up their minds about her. People around here don’t let you forget your misdeeds. They think them the only things worth writing down.

Related Characters: Agnes Magnúsdottir (speaker), Ingveldur Rafnsdóttir, Assistant Reverend Thorvardur Jónsson (Tóti)
Page Number and Citation: 103-104
Explanation and Analysis:
In this quote, Agnes talks to Tóti about how society has unfairly judged her mother without really understanding her as a person. As Agnes draws distinctions between her mother’s deeds and her mother’s identity, the reader may feel that Agnes could be talking about the public’s judgment of her own deeds, identity, and guilt as well. Agnes, frustrated with how people conflate actions and identity, thinks that people do not “[sit] down and [listen] to you speak for yourself” and instead let actions define who people are. Agnes believes that the truth of who someone is cannot be found in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis.

“No such thing as truth,” Agnes said, standing up. Tóti stood up also…“There is truth in God,” he said, earnestly, recognizing an opportunity to do his spiritual duty. “John, chapter eight, verse thirty-two: ‘And ye…’”
“‘Shall know the truth, and the truth shall make you free.’ Yes, I know. I know,” Agnes said. She bundled her knitting things together… “Not in my case, Reverend Thorvardur,” she called to him. “I’ve told the truth and you can see for yourself how it has served me.”

Related Characters: Assistant Reverend Thorvardur Jónsson (Tóti) (speaker), Agnes Magnúsdottir (speaker)
Page Number and Citation: 105-106
Explanation and Analysis:
In this quote, Agnes and Tóti debate the function of truth. Agnes argues that objective truth does not actually exist at all. Tóti, meanwhile, who comes from a highly religious point of view, states that there is “truth in God.” Agnes and Tóti’s different understandings of truth reflect their very different experiences of religion. While Agnes expresses skepticism towards Christianity throughout the book, Tóti finds truth and direction in God and his rigorous religious education. Tóti’s faith in the Christian teaching that “the truth shall make you free” also reflects the fact that Tóti views religious truth as an inevitable Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. A

Chapter 5 Quotes

He built his church from wives’ tales and the secret language of weather; saw the blinking eye of God in the habits of the sea, the swooping merlin, the gnashing teeth of his ewes. When he caught me knitting on the doorstep he accused me of lengthening the winter. “Do not think nature is not watchful of us,” he warned me. “She is as awake as you and I.” He smiled at me. Passed the smooth breadth of his palm over my forehead. “And as secretive.”

Related Characters: Natan Ketilsson (speaker), Agnes Magnúsdottir (speaker)
Page Number and Citation: 114
Explanation and Analysis:
In this quote, Agnes describes Natan’s spiritual philosophy. Agnes equates Natan’s spiritual and superstitious views to Christian religion when she describes it as a “church” “built…from wives’ tales and the secret language of weather.” Natan’s religious views are highly connected to nature and the Icelandic landscape, and Agnes describes how he found “God” in “the habits of the sea, the swooping merlin… his ewes.” Interestingly, and although other characters describe Natan in ways that suggest that he lacks religion, Agnes sees Natan as highly religious and spiritual, although he is not a member of an organized Christian church. Natan also Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusanda

Chapter 6 Quotes

I explained that I had begun to dig a grave for Mamma. Uncle Ragnar frowned and told me I shouldn’t call her Mamma, and wasn’t I ashamed of myself, thinking to bury her near the doorstep where everyone would tread on her, and not in the holy ground of a churchyard.

Related Characters: Agnes Magnúsdottir (speaker), Uncle Ragnar, Inga
Page Number and Citation: 147
Explanation and Analysis:
In this quote, Agnes recounts how her Uncle Ragnar found her trying to dig a grave for Inga several months after her death. The family had not yet been able to bury Inga because the ground was too frozen. When Ragnar finds Agnes digging the grave, he seems to consider her endeavor inappropriate. Agnes, who is only a child, is digging the grave near the doorstep and not in a churchyard, meaning that she does not understand the need for Christian burial rites and revealing, Ragnar seems to think, Agnes’s lack of respect for Inga. Moreover, Ragnar objects to Agnes Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui au

Chapter 7 Quotes

Tóti nodded, and slowly picked up the swan feather… “You mean to make an example of her,” he said quietly.
“I mean to deliver God’s justice here on earth,” Blöndal said, frowning. “I mean to honor the authorities who have appointed me by fulfilling my duty as a lawkeeper.”
…“I hear that you have appointed Gudmundur Ketilsson as executioner.”
…“I do not have to explain my decisions to you, Reverend. I am not accountable to parish priests. I am accountable to Denmark. To the King…We are not her to discuss my performance. We are here to discuss yours.”

Related Characters: Assistant Reverend Thorvardur Jónsson (Tóti) (speaker), Björn Blöndal (speaker), Gudmundur Ketilsson, Agnes Magnúsdottir
Page Number and Citation: 164-165
Explanation and Analysis:
This dialogue takes place during Tóti’s meeting with Blöndal, after Blöndal has explained his perception of the events the night of Natan’s murder. Tóti turns the tables on Blöndal in this dialogue, subtly implying his objections to Blöndal’s use of Agnes as an “example” and his appointment of Gudmundur Ketilsson, Natan’s brother, as the executioner. While Tóti sees Blöndal’s execution of Agnes as a demonstration of Blöndal’s power and the power of the authorities, Blöndal reframes the execution as delivering “God’s justice here on earth” and “honoring the authorities who appointed [him].” Blöndal conflates Christianity and God’s justice with his Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus

When I was sixteen years old I dreamt that I was walking barefoot in a lava field…In every direction there was nothing but rock and snow, and great chasms and crack in the ground…Just when I thought I would die from fear, a young man appeared …and even though I was still terrified, I had his hand in mine, and it was a comfort. Then suddenly, in my dream, I felt the ground give way beneath my feet…and I fell into a chasm…I was dropped into the earth, buried in silence, and it was unbearable, and then I woke.

Related Characters: Agnes Magnúsdottir (speaker), Assistant Reverend Thorvardur Jónsson (Tóti)
Page Number and Citation: 175
Explanation and Analysis:
In this quote, Agnes tells Tóti about a dream she had when she was sixteen, in which she met Tóti for the first time. Agnes is crossing a lava field covered in snow and she is frightened, but Tóti finds her and helps her. Agnes then falls into a chasm and is swallowed into the earth. Agnes’s dream is one of many throughout the book that carry symbolic significance. Agnes’s dream clearly is prophetic, as are several dreams in the novel, since she had never met Tóti before she saw him in this vision. The dream seems to be a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus

She said Natan had started giving himself some airs, calling himself Lyngdal, not Ketilsson, though neither of us could work out why—it was a strange sort of name to have, not Icelandic in the slightest. María thought it was probably to make himself out to be a Dane, and I wondered that he was allowed to change his name at all. María told me that men might do as they please, and that they are all Adams, naming everything under the sun.

Related Characters: Agnes Magnúsdottir (speaker), Natan Ketilsson, María Jónsdóttir
Page Number and Citation: 182
Explanation and Analysis:
In this quote, Agnes’s friend Maria tells Agnes about Natan before she meets him for the first time. Maria describes how Natan has supposedly changed his last name from “Ketilsson” to “Lyngdal.” Because names are so significant in the novel and evoke strong emotions or indicate what is essential about a person or place, Natan’s multiple names suggest that his identity is amorphous or splintered. This makes sense with how polarizing a figure he is (many people hate him, while others love him) and how he can be viewed in so many different lights—and, further, how he presents different facades Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque pl

Chapter 8 Quotes

“What’s the name for the space between stars?”
“No such name.”
“Make one up.”
I thought about it. “The soul asylum.”
“That’s another way of saying heaven, Agnes.”
“No, Natan. It’s not.”

Related Characters: Agnes Magnúsdottir (speaker), Natan Ketilsson (speaker)
Page Number and Citation: 209
Explanation and Analysis:
In this dialogue, Natan and Agnes, who are just beginning their romance, are looking at the sky together when Natan asks Agnes, “What’s the name for the space between stars?” When Agnes tells Natan that the space between stars is called “the soul asylum,” she links the night sky with spirituality as she evokes the idea of a “soul.” Natan, clearly picking up on the spiritual resonance she is evoking, tells Agnes that “soul asylum” is the same thing as “heaven.” Agnes, however, objects. Agnes has already made it clear that she sees distinctions in names as very important. While Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusan

Chapter 9 Quotes

Agnes Jónsdóttir. I never thought it could be that easy to name yourself…Let everyone know whose bastard I truly am. Agnes Jónsdóttir. She sounds like the woman I should have been…She could even be the sister of Sigurlaug and Steinvör Jónsdóttir. Margrét’s daughter. Born blessed under a marriage. Born into a family that would not be ripped apart by poverty. Agnes Jónsdóttir would not have been so foolish as to love a man who spent his life opening veins, mouths, legs…She would have been assured of a place in heaven. She would have believed in heaven.

Related Characters: Agnes Magnúsdottir (speaker), Jón of Brekkukot
Page Number and Citation: 221
Explanation and Analysis:
Agnes narrates this quote just after the local priest visits to record the names and literacy levels of every member of the household. Agnes, who previously went by Agnes Magnúsdóttir, tells the priest her name is Agnes Jónsdóttir to reflect the fact that she believes her real father was named Jón. Agnes expresses how her name change gives her a sense of comfort and relief. Throughout the book, Agnes shows that she believes names are supremely important for defining the essence of who someone is, so Agnes experiences her own name change as a kind of rebirth. Changing her name Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. U

“What do you do with the kit after you kill its parents?”
“Some hunters leave it there to die. They are no use for market— the skins are too small.”
“What do you do?”
“I stove their heads in with a rock.”
“That is the only decent thing to do.”
“Yes. To leave them is cruelty.”

Related Characters: Agnes Magnúsdottir (speaker), Natan Ketilsson (speaker)
Page Number and Citation: 221-222
Explanation and Analysis:
In this section of dialogue, Natan and Agnes discuss Natan’s methods of fox hunting. Natan describes how he breaks the legs of a fox kit (cub) to use as bait, and this dialogue begins as Agnes inquires about what he does with the fox kit afterward. Natan tells her that he kills the kit. Agnes and Natan’s agreement that the best thing to do is to kill the kit foreshadows how Agnes later murders Natan in order to limit his suffering after Fridrik’s attack. Even the method Natan uses to kill the kits (hitting their heads with a rock) mimics Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. U

Chapter 10 Quotes

What else is God good for other than a distraction from the mire we’re all stranded in? We’re all shipwrecked. All beached in a peat bog of poverty. When was the last time I even attended church? Not while I was at Illugastadir…Perhaps things would have been different if Natan had let me go to church at Tjörn. I might have made friends there. I might have met a family to turn to when it all became twisted…But he didn’t let me go, and there was no other friend, no light to head towards in that wintered landscape.

Related Characters: Agnes Magnúsdottir (speaker), Natan Ketilsson
Page Number and Citation: 236
Explanation and Analysis:
In this quote, Agnes wonders how her life at Natan’s farm might have been different if she had been allowed to attend church. Clearly, Agnes does not have a lot of optimistic Christian faith (she wonders “what else is God good for other than a distraction”— not an especially rosy portrait of Christianity). Still, Agnes admires and wishes for the community that many Icelanders find in religion and thinks that this kind of social network could have helped her escape from Natan’s abuse. Instead, Agnes has “no light to head towards in that wintered landscape.” Agnes, who loves the outdoors, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis conse

Chapter 13 Quotes

I am crying and my mouth is open and filled with something, it is choking me and I spit it out. On the ground is a stone, and I look back at Margrét, and see that she did not notice. “The stone was in my mouth,” I say.

Related Characters: Agnes Magnúsdottir (speaker), Margrét, Ingveldur Rafnsdóttir
Related Symbols: Agnes’s Mother’s Stone
Page Number and Citation: 307
Explanation and Analysis:
This quote comes when Agnes is preparing to leave Kornsá for her execution. As she is saying goodbye to everyone, Agnes feels something in her mouth and spits out a stone. It is uncertain whether the stone actually exists or whether it is Agnes’s imagination. It seems likely, however, that Agnes, who is extremely emotionally distressed, is hallucinating the stone. The stone seems to be the stone Agnes’s mother gave her years ago, which Ingveldur said she could use to talk to birds. The significance of Agnes finding the stone in her mouth is somewhat unclear, but seems to represent Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. A

“Will they drown me?” I ask, and someone shakes her head. It is Lauga. “Agnes,” she says, and I say, “That is the first time you have called me by my name,” and that is it, she collapses as though I have stabbed her in the stomach.

Related Characters: Agnes Magnúsdottir (speaker), Lauga Jónsdóttir (speaker)
Page Number and Citation: 307-308
Explanation and Analysis:
In this quote, as Agnes says goodbye to the family at Kornsá before her execution, Lauga, who hated Agnes during most of Agnes’s stay and was occasionally quite cruel to her, speaks Agnes’s name for the first time. In the book as a whole, names carry strong significances, and Lauga speaking Agnes’s name represents her acknowledgment of Agnes’s humanity. When Agnes points this out to Lauga, who in the last few weeks seems to have realized and repented her cruelty to Agnes, Lauga is so deeply troubled that she collapses. Agnes’s comment that Lauga’s collapse is “as though I have Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium re