Cathedral
by Raymond Carver
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Robert is a friend of the narrator’s wife who comes to stay at their home after visiting his recently deceased wife’s family. Since the long-ago summer when the narrator’s wife worked for Robert (who is a social worker), the narrator’s wife and Robert have exchanged audio recordings in which they recount their thoughts and experiences. Robert’s unfailing kindness and empathy, as well as his patience and his ability to listen conscientiously to others, allow him to form a close friendship with the narrator’s wife, who seems emotionally closer to Robert than to the narrator, with whom she does not always share her thoughts. For the narrator’s wife, her friendship with Robert seems unique, but it seems like Robert has a great many friends he values. He says, for instance, that as an amateur radio operator, he made friends who come from everywhere from Alaska to Tahiti. The narrator of the story does not seem like he wants to be Robert’s friend, at least at first. But despite the narrator’s mocking and exclusion of Robert, Robert remains kind to the narrator and ultimately wins him over, facilitating the narrator’s spiritual transformation by encouraging him to draw a cathedral.

Robert Quotes in Cathedral

The Cathedral quotes below are all either spoken by Robert or refer to Robert. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Vision Theme Icon
).

Cathedral Quotes

But she and the blind man had kept in touch. They made tapes and mailed them back and forth. I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me. My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing eye dogs. A blind man in my house was not something I looked forward to.

Related Characters: Narrator (speaker), The Narrator’s Wife, Robert
Related Symbols: Blindness
Related Literary Devices:
Page Number and Citation: 209
Explanation and Analysis:
Here, early in the story, the narrator gives context for the visitor he and his wife are about to receive at his home. The narrator displays discomfort with the idea of the blind man’s visit on the basis of not knowing him. This not knowing functions in two ways. First, the narrator doesn’t personally know this person who has a separate friendship with the narrator’s wife. It is implied that this intimacy that Robert has with the narrator’s wife makes the narrator uncomfortable, as it is something he has no part in. Second, the narrator is uncomfortable with Robert simply Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus

Once she asked me if I’d like to hear the latest tape from the blind man. This was a year ago. I was on the tape, she said. So I said okay, I’d listen to it. I got us drinks and we settled down in the living room. We made ready to listen. First she inserted the tape into the player and adjusted a couple of dials. Then she pushed a lever. The tape squeaked and someone began to talk in this loud voice. She lowered the volume. After a few minutes of harmless chitchat, I heard my own name in the mouth of this stranger, this blind man I didn’t even know! And then this: “From all you’ve said about him, I can only conclude”— But we were interrupted, a knock at the door, something, and we didn’t ever get back to the tape. Maybe it was just as well. I’d heard all I wanted to.

Related Characters: Narrator (speaker), Robert (speaker), The Narrator’s Wife
Related Symbols: Blindness
Related Literary Devices:
Page Number and Citation: 212
Explanation and Analysis:
Here the narrator further reveals his reasons for being hesitant about Robert’s impending visit. While his discomfort at Robert’s blindness remains, at the forefront now is his discomfort with the depth of his wife’s friendship with Robert. Note how he expresses his discomfort through mildly denigrating language: describing the conversation on the tape as “chit-chat,” subtly making the tape seem cheap by describing it’s “squeak.” Just a bit earlier in the story, the narrator described his wife’s attempted suicide at her depression in her first marriage, and how these tapes helped her through that time (though he describes the tapes Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Lib

A woman who could go on day after day and never receive the smallest compliment from her beloved. A woman whose husband could never read the expression on her face, be it misery or something better. Someone who could wear makeup or not—what difference to him? She could if she wanted, wear green eye-shadow around one eye, a straight pin in her nostril, yellow slacks, and purple shoes, no matter.

Related Characters: Narrator (speaker), Robert
Related Symbols: Blindness
Related Literary Devices:
Page Number and Citation: 213-214
Explanation and Analysis:
Here the narrator is describing his impressions of what the life of Robert’s recently-deceased wife, Beulah, must have been like—of his sense of how depressing it must be to be the wife of a blind man. In this description, the narrator betrays his own sense of what is important in a relationship between a husband and wife. That the narrator pities Robert’s wife because she could never experience being appreciated for her appearance, communicates more about the narrator, of course, than it does about Robert or Beulah. The narrator can’t conceive that Robert—that anyone—might offer other forms of love, empathy, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. I

My wife said, “I want you to meet Robert. Robert, this is my husband. I’ve told you all about him.” She was beaming. She had this blind man by his coat sleeve. The blind man let go of his suitcase and up came his hand. I took it. He squeezed hard, held my hand, and then he let it go. “I feel like we’ve already met,” he boomed. “Likewise,” I said. I didn’t know what else to say. Then I said, “Welcome. I’ve heard a lot about you.”

Related Characters: Narrator (speaker), The Narrator’s Wife (speaker), Robert (speaker)
Related Symbols: Blindness
Page Number and Citation: 214-215
Explanation and Analysis:
After much build-up, the narrator and Robert finally meet, thus introducing the central conflict of the story. Robert is amicable: he gives the narrator a friendly handshake and gives him a familiar, warm greeting. The narrator on the other hand is somewhat cold and stumbles to respond. This difference is notable in that it shows how dissimilar the two men are. The interaction highlights Robert’s intimate, empathetic nature and the narrator’s closed-off mentality, which is transformed at the end of the story through the experience of drawing a cathedral with Robert. The narrator’s wife’s positive and excited attitude is also Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occa

I’ve never met, or personally known, anyone who was blind. This blind man was late forties, a heavy-set, balding man with stooped shoulders, as if he carried a great weight there. He wore brown slacks, brown shoes, a light-brown shirt, a tie, a sports coat. Spiffy. He also had this full beard. But he didn’t use a cane and he didn’t wear dark glasses. I’d always thought dark glasses were a must for the blind.

Related Characters: Narrator (speaker), Robert
Related Symbols: Blindness
Related Literary Devices:
Page Number and Citation: 215-216
Explanation and Analysis:
Here the narrator uses his primary mode of perception, his ability to see, to examine Robert. The narrator notes Robert’s physical appearance with a noticeable amount of irony and condescension, thus betraying his distaste for having Robert as a guest in his house. The narrator’s tone furthers the dramatic tension between the two characters, though it should be said that this tension is mostly one-sided — Robert is nothing but friendly to the narrator, despite the narrator’s rudeness and flippant attitude. Furthermore, the narrator shows his superficial understanding of others—his notion of blindness is stereotypical in that he seems shocked Dolorem et quae. Exercitationem non aut

When we sat down at the table for dinner, we had another drink. My wife heaped Robert’s plate with cube steak, scalloped potatoes, green beans. I buttered him up two slices of bread. I said, “Here’s bread and butter for you.” I swallowed some of my drink. “Now let us pray,” I said, and the blind man lowered his head. My wife looked at me, her mouth agape. “Pray the phone won’t ring and the food doesn’t get cold,” I said.

Related Characters: Narrator (speaker), The Narrator’s Wife, Robert
Related Symbols: Blindness
Related Literary Devices:
Page Number and Citation: 217
Explanation and Analysis:
With his glib pre-dinner prayer, the narrator introduces the theme of the secular and sacred into the story, which has otherwise focused on the tension between the narrator and Robert up to this point. The narrator’s mocking imitation of the thankful blessing a religious family would say prior to eating a meal together, continues to establish the narrator’s generally shallow and sarcastic view of everything. At the same time, the moment communicates more than he intends. First, his wife’s shock at his fake prayer again captures the chasm between them. But also, the fake prayer, which generally falls flat, suggests Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Opt

From time to time, he’d turn his blind face toward me, put his hand under his beard, ask me something. How long had I been in my present position? (Three years.) Did I like my work? (I didn’t.) Was I going to stay with it? (What were the options?) Finally, when I thought he was beginning to run down, I got up and turned on the TV.

Related Characters: Narrator (speaker), Robert
Related Symbols: Blindness
Related Literary Devices:
Page Number and Citation: 218
Explanation and Analysis:
The tension between Robert and the narrator, which is wholly fueled by the narrator’s attitude, bubbles to the surface again. Robert attempts to draw out the narrator by taking an interest in the narrator’s work. The narrator, however, shows little interest in engaging with Robert. The contrast here highlights the difference between Robert’s empathetic manner and the narrator’s superficial and skeptical responses. At the same time, the narrator’s responses continue to be revealing: his work life seems to be as empty as every other part of his life, and he moves through it with a sense that he has no Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores

The news program ended. I got up and changed the channel. I sat back down on the sofa. I wished my wife hadn’t pooped out. Her head lay across the back of the sofa, her mouth open. She’d turned so that her robe had slipped away from her legs, exposing a juicy thigh. I reached to draw her robe back over her, and it was then that I glanced at the blind man. What the hell! I flipped the robe open again.

Related Characters: Narrator (speaker), Robert, The Narrator’s Wife
Related Symbols: Blindness
Page Number and Citation: 221
Explanation and Analysis:
This is an interesting moment in the story. On the one hand, it marks a continuation of the narrator’s general dismissal of Robert on the grounds of Robert’s blindness. At the same time, it marks something of a shift in the narrator’s sense of jealousy toward Robert and the relationship that Robert has with the narrator’s wife. In some ways, the narrator seems to be less threatened by Robert, even as the narrator remains dismissive of him.

“That’s all right,” I said. Then I said, “I’m glad for the company.”

And I guess I was. Every night I smoked dope and stayed up as long as I could before I fell asleep. My wife and I hardly ever went to bed at the same time. When I did go to sleep, I had these dreams. Sometimes I’d wake up from one of them, my heart going crazy.

Related Characters: Narrator (speaker), Robert
Page Number and Citation: 222
Explanation and Analysis:
This is a key turning point in the story, though the narrator seems not to entirely realize it. It’s a turning point in two ways. First because at this point the narrator’s animosity toward Robert has disappeared. He’s now feeling at least mildly comfortable with Robert. But more important, he’s finding that being with another person, that having company, is better than his usual cut-off and solitary state. Second, the narrator’s description of his dreams are key. While the narrator has seemed generally glib and uncaring up until now — while he’s seemed mainly to be an unfeeling and uncaring Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde eni

Something about the church and the Middle Ages was on the TV. Not your run-of-the-mill TV fare. I wanted to watch something else. I turned to the other channels. But there was nothing on them, either. So I turned back to the first channel and apologized. “Bub, it’s all right,” the blind man said. “It’s fine with me. Whatever you want to watch is okay. I’m always learning something. Learning never ends. It won’t hurt me to learn something tonight. I got ears,” he said.

Related Characters: Narrator (speaker), Robert (speaker)
Related Symbols: Cathedral, Blindness
Page Number and Citation: 222
Explanation and Analysis:
The symbol of the cathedral emerges in this quote, once again introducing the story’s focus on the secular and the sacred. It is telling that the narrator seems reluctant to watch a program on cathedrals in Europe. This coupled with his referring to Catholicism as simply “the church” suggests that the narrator has previously had some experience with religion in his life, and most likely Catholicism. It suggests he used to have at least some religious life, which he has lost or left behind. And, regardless of what’s on the other channels, it is significant that the narrator in the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos

There were times when the Englishman who was telling the thing would shut up, would simply let the camera move around over the cathedrals. Or else the camera would tour the countryside, men in fields walking behind oxen. I waited as long as I could. Then I felt I had to say something. I said, “They’re showing the outside of this cathedral now. Gargoyles. Little statues carved to look like monsters. Now I guess they’re in Italy. Yeah, they’re in Italy. There’s paintings on the walls of this one church.”

Related Characters: Narrator (speaker), Robert
Related Symbols: Cathedral, Blindness
Page Number and Citation: 223
Explanation and Analysis:
While watching the show, the narrator begins to explain what European cathedrals look like to the blind Robert. The passage implies that the narrator tries to hold off on describing what’s on the screen to Robert, with the implication that the narrator is embarrassed to so directly expose Robert’s disability. That the narrator can’t hold back, though, shows that his regard for Robert’s experience in watching the show outweighs his embarrassment. And it is this that begins to forge a connection with Robert. Robert, after all, isn’t embarrassed about being blind; he doesn’t even wear dark glasses. The narrator’s embarrassment, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo min

“That’s all right, bub,” the blind man said. “Hey, listen. I hope you don’t mind my asking you. Can I ask you something? Let me ask you a simple question, yes or no. I’m just curious and there’s no offense. You’re my host. But let me ask if you are in any way religious? You don’t mind my asking?” I shook my head. He couldn’t see that, though. A wink is the same as a nod to a blind man. “I guess I don’t believe in it. In anything. Sometimes it’s hard. You know what I’m saying?”

Related Characters: Narrator (speaker), Robert (speaker)
Related Symbols: Cathedral, Blindness
Page Number and Citation: 225
Explanation and Analysis:
This conversation between Robert and the narrator reveals a key piece of information about the narrator’s state of mind. As someone who likely had experience practicing religion and most likely Catholicism, the narrator now shows himself to be uncertain. He also shows himself to struggle with the issue of faith not only in religion but also in the world around him by saying he doesn’t believe in “anything.” Robert’s empathy and interest in the narrator have been present through the entire story, but here the narrator finally accepts Robert’s unflagging kindness and answers one of Robert’s questions sincerely and fully. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt d

So I began. First I drew a box that looked like a house. It could have been the house I lived in. Then I put a roof on it. At either end of the roof, I drew spires. Crazy. “Swell,” he said. “Terrific. You’re doing fine,” he said. “Never thought anything like this could happen in your lifetime, did you, bub? Well, it’s a strange life, we all know that. Go on now. Keep it up.”

Related Characters: Narrator (speaker), Robert (speaker)
Related Symbols: Cathedral, Blindness
Page Number and Citation: 227
Explanation and Analysis:
Here the narrator describes the process of drawing a cathedral for Robert, as Robert holds his own hand over the narrator’s in order to feel the creation of the drawing. The narrator’s previous efforts to describe what the cathedrals look like didn’t succeed, because the narrator was trying to share something that Robert as a blind man couldn’t access. But now the narrator has taken a further step, and has accepted Robert’s suggestion about finding a way that they can share and connect—and in fact they are physically connected, with Robert’s hand held over the narrrator’s. There is some sense Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque pla

“Close your eyes now,” the blind man said to me.

I did it. I closed them just like he said.

“Are they closed?” he said. “Don’t fudge.”

“They’re closed,” I said.

“Keep them that way,” he said. He said, “Don’t stop now. Draw.”

So we kept on with it. His fingers rode my fingers as my hand went over the paper. It was like nothing else in my life up to now.”

Then he said, “I think that’s it. I think you got it,” he said. “Take a look. What do you think?”

But I had my eyes closed. I thought I’d keep them that way for a little longer. I thought it was something I ought to do.

“Well?” he said. “Are you looking?”

My eyes were still closed. I was in my house. I knew that. But I didn’t feel like I was inside anything.

“It’s really something,” I said.

Related Characters: Narrator (speaker), Robert (speaker)
Related Symbols: Cathedral, Blindness
Related Literary Devices:
Page Number and Citation: 228
Explanation and Analysis:
The end of the story reveals a changed narrator who marvels at the feeling of fellowship he has experienced while drawing a cathedral with Robert. Throughout the story, the narrator has shown himself to be a lonely and sarcastic person who has trouble connecting with his wife and Robert, but here he is fully in sync with Robert. For the narrator, this is a transformative experience and perhaps makes him feel a faith that he said he had struggled to feel earlier on in his conversation with Robert. Further, notice how the narrator closes his eyes and keeps them closed. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas.
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Robert Character Timeline in Cathedral

The timeline below shows where the character Robert appears in Cathedral. The colored dots and icons indicate which themes are associated with that appearance.
Cathedral
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Empathy and Listening  Theme Icon
Intimacy and Isolation  Theme Icon
The narrator notes that his wife’s friend, a blind man named Robert, is coming to spend the night after visiting his late wife’s family in Connecticut. The... (full context)
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The narrator says that his wife met Robert when she worked for him one summer in Seattle. She was set to marry a... (full context)
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Over the course of the summer, the narrator’s wife and Robert became good friends, and on her last day at work he asked if he could... (full context)
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...and her husband had moved away to an Air Force base, the narrator’s wife called Robert and he asked her to send him a tape telling him about her life. In... (full context)
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...wife attempted suicide, though the pills she took just made her sick instead. She told Robert about this, too, since by then she told him about most everything—the narrator notes that,... (full context)
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...got a divorce and married the narrator, all the while continuing her audio-tape exchange with Robert. Once, the narrator’s wife asked him if he’d like to hear a tape where he... (full context)
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Before the narrator’s wife goes to the train station to retrieve Robert, the narrator and his wife quarrel. The narrator makes insensitive jokes about Robert’s blindness, asking... (full context)
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The narrator then wonders how Beulah must have felt about Robert’s blindness, saying: “I found myself thinking what a pitiful life this woman must have led.”... (full context)
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Robert and the narrator’s wife arrive back at the house, and the narrator immediately betrays his... (full context)
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The narrator then drops out of the conversation for a few moments to analyze Robert’s appearance. The narrator notices Robert’s clothing, which the narrator sarcastically calls “spiffy.” He then notices... (full context)
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The narrator then offers Robert a drink. Robert asks for Scotch with just a splash of water, and the narrator... (full context)
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...pray,” as if he meant to give thanks in a religious fashion before the dinner. Robert bows his head, but the narrator does not offer a religious prayer, instead saying, “Pray... (full context)
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...three go back to living room to unwind after a large dinner. For a while, Robert and the narrator’s wife talk together about things that have happened since they last saw... (full context)
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The narrator, uncomfortable with Robert’s questions about his life (which the narrator seems to feel are too probing), turns on... (full context)
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...narrator’s wife leaves the room to change into bed clothes. Before she does, she asks Robert if he is “comfortable” and firmly says that she wants Robert to feel “comfortable” at... (full context)
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The narrator’s wife soon dozes off, leaving the narrator to entertain to Robert. The narrator asks if Robert would like to go to sleep, but Robert responds that... (full context)
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While watching the program, the narrator realizes that Robert is not able to fully understand what the cathedrals on television are, as he has... (full context)
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Robert wonders if it would be okay for him to ask the narrator a question, and... (full context)
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Robert suggests that he and the narrator draw a cathedral together so that Robert can “see”... (full context)
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The narrator’s wife wakes up and is confused to find the narrator and Robert drawing. Robert tells the narrator’s wife that everything is fine and encourages the narrator to... (full context)