Cloud Cuckoo Land

Stranger, whoever you are, open this to learn what will amaze you.

…how long had those tablets moldered inside that chest, waiting for eyes to read them? While I’m sure you will doubt the truth of the outlandish events they relate, my dear niece, in my transcription, I do not leave out a word. Maybe in the old days men did walk the earth as beasts, and a city of birds floated in the heavens between the realms of men and gods. Or maybe, like all lunatics, the shepherd made his own truth, and so for him, true it was. But let us turn to his story now, and decide his sanity for ourselves.

“But books, like people, die. They die in fires or floods or in the mouths of worms or at the whims of tyrants. If they are not safeguarded, they go out of the world. And when a book goes out of the world, the memory dies a second death.”

From his spot at the base of the big dead tree, Seymour gazes up and the owl gazes down and the forest breathes and something happens: the unease mumbling at the margins of his every waking moment—the roar—falls quiet.

There is magic in this place, the owl seems to say. You just have to sit and breathe and wait and it will find you.

“Our master,” says the tall scribe, “believes that somewhere, perhaps in this old city, slumbering beneath a ruin, is an account that contains the entire world.”

The mid-sized one nods, eyes shining. “And the mysteries beyond.”

Himerius looks up, his mouth full. “And if we were to find it?”

“Our master would be very pleased.”

Anna blinks. A book containing the entire world and the mysteries beyond? Such a book would be enormous. She’d never be able to carry it.

“In a time,” he says, “when disease, war, and famine haunted practically every hour, when so many died before their time, their bodies swallowed by the sea or earth, or simply lost over the horizon, never to return, their fates unknown…” He gazes across the frozen fields to the low, dark buildings of Camp Five. “Imagine how it felt to hear the old songs about heroes returning home. To believe that it was possible.”

Out on the ice of the Yalu far below, the wind drives the snow in long, eddying swirls. Rex sinks deeper into his collar. “It’s not so much the contents of the song. It’s that the song was still being sung.”

Donkey carts hurry past the oxen teams in both directions, the faces of the carters crimped with impatience or fear or anger or all three. Hatred, Omeir sees, is contagious, spreading through the ranks like a disease. Already, three weeks into the siege, some of the men fight no longer for God or the sultan or plunder but out of a fearful rage. Kill them all. Get this over with. Sometimes the anger flares inside Omeir too, and he wants nothing more than for God to plunge a fiery fist through the sky and start crushing buildings one after the next until all the Greeks are dead and he can go home.

“When all you have is a shard of papyrus with a few words on it,” Rex says, “or a single line quoted in somebody else’s text, the potential of what’s lost haunts you. It’s like the boys who died in Korea. We grieve them the most because we never saw the men they would become.” Zeno thinks of his father: how much easier it was to be a hero when you no longer walked the earth.

She hoped that over the course of the night she would be swept to a new land, Genoa or Venice or Scheria, the kingdom of brave Alcinous, where a goddess might conceal her in magical mist and escort her to a palace. But she has been carried only a few miles up the coast. The city is still visible in the distance, a saw’s blade of rooftops capped by the clustered domes of the Hagia Sophia. A few spires of smoke lift into the sky. Are armed men pouring through the neighborhoods, breaking into houses, herding everyone into the streets? Unbidden, an image rises of Widow Theodora and Agata and Thekla and Eudokia dead in the scullery, tea of nightshade in the center of the table, and she forces it away.

He learns of Rex’s death from Hillary in an airmail letter written in purple cursive. Rex, Hillary reports, was in Egypt, working with his beloved papyrus, trying to claw back one more sentence from oblivion, when he had a heart attack.

You were, Hillary writes, very dear to him. His huge, loopy signature takes up half the page.”

SEEMORE6: u still there

MATHILDA: they just said I could have ten xtra minutes

MATHILDA: because u are special u are important u have promise

SEEMORE6: me?

MATHILDA: ya not just to them to me

MATHILDA: to every1

When he opens the little door, light spills through the arched doorway. Atop the stage, Marian stands on a step stool, touching a brush to the gold and silver towers of her backdrop. He watches her climb off the stool to examine her work, then climb back on, dip her brush, and add three more birds swinging around a tower. The smell of fresh paint is strong. Everything is quiet.

To be eighty-six years old and feel this.

Olivia-the-goddess crouches beside Rachel in her sequined dress. “Aethon doesn’t read to the end of the book?”

“That’s how he writes his story on the tablets,” says Rachel. “How they get buried in the tomb with him. Because he doesn’t stay in Cloud Cuckoo Land. He chooses… What’s the word, Mr. Ninis?”

The beating of hearts, the blinking of eyes. Zeno sees himself walk out onto the frozen lake. He sees Rex in the rainy light of the tea room, one hand trembling over his saucer. The children gaze down at their scripts.

“You mean,” says Alex, “Aethon goes home.”

Dear Seymour,

I was happy to hear from you. Here is everything I could gather from the trial, from Mr. Ninis’s house, and that we recovered at the library. The police might have more, I’m not sure. Nobody ever did anything with all this, so I’m trusting you with it. Access is part of the librarian’s creed, after all.

If you can make any sense of it, I think one of the children Zeno worked with would be interested: Natalie Hernandez. Last I heard from her, she’s taking classes at Idaho State in Latin and Greek.

At one time you were a thoughtful and sensitive boy and it is my hope that you have become a thoughtful and sensitive man.

Marian

“I have heard,” Omeir says, “that this is a place that protects books.”

The man glances up and back at the book again and says something to the interpreter.

“He would like to know how you came to possess this.”

“It was a gift,” Omeir says, and he thinks of Anna surrounded by their sons, the hearth glowing, lightning flashing outside, shaping the story with her hands. The second man is busy examining the stitching and binding in the lantern light.

“I assume you would like to be paid?” asks the interpreter. “It is in very bad shape.”

“A meal will suffice. And oats for my donkey.”

Over the course of months, he constructs little blades of code so sharp and refined that when he slips them into the Atlas object code, the system cannot detect them. Inside the Atlas, all over the world, he hides them as little owls: owl graffiti, an owl-shaped drinking fountain, a bicyclist in a tuxedo with an owl mask. Find one, touch it, and you peel back the sanitized, polished imagery to reveal the original truth beneath.

“I,” she says, “am Aethon, a simple shepherd from Arkadia, and—”

“No, no,” says the boy. He bats the page with his hand. “The voice, with the voice.”

She blinks; the planet rotates another degree; beyond her little garden, below the town, a wind hazes the tops of the swells. The boy raises an index finger and pokes the page. Konstance clears her throat.

“And the tale I have to tell is so ludicrous, so incredible, that you’ll never believe a word of it, and yet”—she taps the end of his nose—“it’s true.”