Fear and Trembling

by Søren Kierkegaard

Johannes de silentio / Søren Kierkegaard Character Analysis

The narrator and author of Fear and Trembling. Kierkegaard’s pseudonym roughly translates into “John of the silence,” which could refer to the silence between Abraham and Isaac as they traveled to Mount Moriah, or the fact that Kierkegaard can’t adequately communicate the experience of faith because he himself doesn’t truly have it. Through Johannes, Kierkegaard explores the story of Abraham and Isaac and illustrates how Abraham’s faith is what made him great. To do this, he asks three primary questions: is there a “teleological suspension of the ethical” that justifies Abraham’s actions? Do we have a duty to God? Was it justifiable of Abraham not to tell Sarah, Isaac, or Eleazar why he was bringing Isaac to Mount Moriah? Kierkegaard reaches the conclusion that the answer to all of these questions must be yes or else Abraham is entirely corrupt or even mad, not the great man of faith Western Christian civilization recognizes him as. Kierkegaard expresses more than once that he himself is not courageous enough to take the necessary leap into the absurd that one must take before they can have faith. Because of this, he struggles to really understand Abraham even though he can feel that Abraham was a great and admirable man. Even though Kierkegaard doesn’t have faith, he has a deep love of God and mourns the fact that so many people in the modern world try to go beyond faith, choosing philosophy, doubt, and science instead.

Johannes de silentio / Søren Kierkegaard Quotes in Fear and Trembling

The Fear and Trembling quotes below are all either spoken by Johannes de silentio / Søren Kierkegaard or refer to Johannes de silentio / Søren Kierkegaard. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Belief vs. Doubt Theme Icon
).

Preface Quotes

Today nobody will stop with faith; they all go further. It would perhaps be rash to inquire where to, but surely a mark of urbanity and good breeding on my part to assume that in fact everyone does indeed have faith, otherwise it would be odd to talk of going further. In those old days it was different. For then faith was a task for a whole lifetime, not a skill thought to be acquired in either days or weeks.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker)
Page Number and Citation: 42
Explanation and Analysis:

Speech in Praise of Abraham Quotes

If there were no eternal consciousness in a man, if at the bottom of everything there were only a wild ferment, a power that twisting in dark passions produced everything great or inconsequential; if an unfathomable, insatiable emptiness lay hid beneath everything, what then would life be but despair?

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker)
Page Number and Citation: 49
Explanation and Analysis:

Therefore no one who was great will be forgotten: and however long it takes, even if a cloud of misunderstanding should take the hero away, his lover still comes, and the more time goes by the more faithfully he sticks by him.

No! No one shall be forgotten who was great in this world; but everyone was great in his own way, and everyone in proportion to the greatness of what he loved. For he who loved himself became great in himself, and he who loved others became great through his devotion, but he who loved God became greater than all. They shall all be remembered, but everyone became great in proportion to his expectancy.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker)
Page Number and Citation: 50
Explanation and Analysis:

There was one who was great in his strength, and one who was great in his wisdom, and one who was great in hope, and one who was great in love; but greater than all was Abraham, great with that power whose strength is powerlessness, great in that wisdom whose secret is folly, great in that hope whose outward form is insanity, great in that love with is hatred of self.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker), Abraham
Page Number and Citation: 50
Explanation and Analysis:

Had Abraham wavered he would have renounced it. He would have said to God: ‘So perhaps after all it is not your will that it should happen; then I will give up my desire, it was my only desire, my blessed joy. My soul is upright, I bear no secret grudge because you refused it.’ He would not have been forgotten, he would have saved many by his example, yet he would not have become the father of faith; for it is great to give up one’s desire, but greater to stick to it after having given it up; it is great to grasp hold of the eternal but greater to stick to the temporal after having given it up.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker), Abraham
Page Number and Citation: 51-52
Explanation and Analysis:

Preamble from the Heart Quotes

Conventional wisdom aims presumptuously to introduce into the world of spirit that same law of indifference under which the outside world groans. It believes it is enough to have knowledge of large truths. No other work is necessary. But then it does not get bread, it starves to death while everything is transformed into gold.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker)
Page Number and Citation: 57-58
Explanation and Analysis:

If the rich young man whom Christ met on the road had sold all his possessions and given them to the poor, we would praise him as we praise all great deeds, but we would not understand even him without some labour. Yet he would not have become an Abraham even had he given away the best he had. What is left out of the Abraham story is the anguish; for while I am under no obligation to money, to a son the father has the highest and most sacred of obligations. Yet anguish is a dangerous affair for the squeamish, so people forget it, notwithstanding they want to talk about Abraham. So they talk and in the course of conversation they interchange the words ‘Isaac’ and ‘best.’

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker), Abraham, Isaac
Page Number and Citation: 58
Explanation and Analysis:

The ethical expression for what Abraham did is that he was willing to murder Isaac; the religious expression is that he was willing to sacrifice Isaac; but in this contradiction lies the very anguish that can indeed make one sleepless; and yet without that anguish Abraham is not the one he is. […] For if you remove faith as a nix and nought there remains only the raw fact that Abraham was willing to murder Isaac, which is easy enough for anyone without faith to imitate; without the faith, that is, which makes it hard.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker), Abraham, Isaac
Page Number and Citation: 60
Explanation and Analysis:

Love, after all, has its priests in the poets, and occasionally one hears a voice that knows how to keep it in shape; but about faith one hears not a word, who speaks in this passion’s praises? Philosophy goes further. Theology sits all painted at the window courting philosophy’s favour, offering philosophy its delights. It is said to be hard to understand Hegel, while understanding Abraham, why, that’s a bagatelle. To go beyond Hegel, that is a miracle, but to go beyond Abraham is the simplest of all.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker), Abraham
Page Number and Citation: 62
Explanation and Analysis:

I have seen horror face to face, I do not flee it in fear but know very well that, however bravely I face it, my courage is not that of faith and not at all to be compared with it. I cannot close my eyes and hurl myself trustingly into the absurd, for me it is impossible, but I do not praise myself on that account. I am convinced that God is love; this thought has for me a pristine lyrical validity. When it is present to me I am unspeakably happy, when it is absent I yearn for it more intensely than the lover for the beloved; but I do not have faith; this courage I lack.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker)
Page Number and Citation: 63
Explanation and Analysis:

Let us go further. We let Isaac actually be sacrificed. Abraham had faith. His faith was not that he should be happy sometime in the hereafter, but that he should find blessed happiness here in this world. God could give him a new Isaac, bring the sacrificial offer back to life. He believed on the strength of the absurd, for all human calculation had long since be suspended.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker), Abraham, Isaac
Page Number and Citation: 65
Explanation and Analysis:

Abraham I cannot understand; in a way all I can learn from him is to be amazed. If one imagines one can be moved to faith by considering the outcome of this story, one deceives oneself, and is out to cheat God of faith’s first movement, one is out to suck the life-wisdom out of the paradox. One or another may succeed, for our age does not stop with faith, with its miracle of turning water into wine; it goes further, it turns wine into water.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker), Abraham
Page Number and Citation: 66-67
Explanation and Analysis:

He drains in infinite resignation the deep sorrow of existence, he knows the bliss of infinity, he has felt the pain of renouncing everything, whatever is most precious in the world, and yet to him finitude tastes just as good as to one who has never known anything higher, for his remaining in the finite bore no trace of a stunted, anxious training, and still he has this sense of being secure to take pleasure in it, as though it were the most certain thing of all. […] He resigned everything infinitely, and then took everything back on the strength of the absurd.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker)
Related Symbols: Knight of Faith
Page Number and Citation: 69-70
Explanation and Analysis:

The absurd is not one distinction among others embraced by understanding. It is not the same as the improbable, the unexpected, the unforeseen.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker)
Page Number and Citation: 75
Explanation and Analysis:

I can see then that it requires strength and energy and freedom of spirit to make the infinite movement of resignation; I can also see that it can be done. The next step dumbfounds me, my brain reels; for having made the movement of resignation, now on the strength of the absurd to get everything, to get one’s desire, whole, in full, that requires more-than-human powers, it is a marvel.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker)
Page Number and Citation: 76
Explanation and Analysis:

Problema 1 Quotes

Seen as an immediate, no more than sensate and psychic, being, the single individual is the particular that has its telos in the universal, and the individual’s ethical task is always to express himself in this, to abrogate his particularity so as to become the universal.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker)
Page Number and Citation: 83
Explanation and Analysis:

Faith is just this paradox, that the single individual as the particular is higher than the universal, is justified before the latter, not as subordinate but superior, though in such a way, be it noted, that it is the single individual who, having been subordinate to the universal as the particular, now by means of the universal becomes that individual who, as the particular, stands in an absolute relation to the absolute. This position cannot be mediated, for all mediation occurs precisely by virtue of the universal; it is and remains in all eternity a paradox, inaccessible to thought. And yet faith is this paradox.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker)
Page Number and Citation: 84-85
Explanation and Analysis:

Then why does Abraham do it? For God’s sake, and what is exactly the same, for his own. He does it for the sake of God because God demands this proof of his faith; he does it for his own sake in order to be able to produce the proof. The unity here is quite properly expressed in the saying in which this relationship has always been described: it is a trial, a temptation. A temptation, but what does that mean? What we usually call a temptation is something that keeps a person from carrying out a duty, but here the temptation is the ethical itself which would keep him from doing God’s will. But then what is the duty? For the duty is precisely the expression of God’s will.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker), Abraham
Page Number and Citation: 89
Explanation and Analysis:

But it is the outcome that arouses our curiosity, as with the conclusion of a book, one wants nothing of the fear, the distress, the paradox. One flirts with the outcome aesthetically; it comes as unexpectedly and yet as effortlessly as a prize in the lottery; and having heard the outcome one is improved. And yet no robber of temples hard-labouring in chains is so base a criminal as he who plunders the holy in this way, and not even Judas, who sold his master for thirty pieces of silver, is more contemptible than the person who would thus offer greatness for sale.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker), Abraham, Isaac
Page Number and Citation: 92
Explanation and Analysis:

Problema 2 Quotes

To the question, why?, Abraham has no other answer than that it is a trial and a temptation, which, as remarked above, is what makes it a unity of being for both God’s sake and his own. […] On one hand it contains the expression of extreme egoism (doing this dreadful deed for his own sake) and on the other expression of the most absolute devotion (doing it for God’s sake). Faith itself cannot be mediated into the universal, for in that case it would be cancelled. Faith is this paradox, and the single individual is quite unable to make himself intelligible to anyone.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker), Abraham
Page Number and Citation: 98-99
Explanation and Analysis:

The moment he is ready to sacrifice Isaac, the ethical expression for what he does is this: he hates Isaac. But if he actually hates Isaac he can be certain that God does not require this of him; for Cain and Abraham are not the same. Isaac he must love with all his soul. When God asks for Isaac, Abraham must if possible love him even more, and only then can he sacrifice him; for it is indeed this love of Isaac that in its paradoxical opposition to his love of God makes his act a sacrifice. But the distress and anguish in the paradox is that, humanly speaking, he is quite incapable of making himself understood. Only in the moment when his act is in absolute contradiction with his feeling, only then does he sacrifice Isaac, but the reality of his act is that in virtue of which he belongs to the universal, and there he is and remains a murderer.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker), Abraham, Isaac
Page Number and Citation: 101-102
Explanation and Analysis:

The tragic hero renounces himself in order to express the universal; the knight of faith renounces the universal in order to be the particular.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker)
Related Symbols: Knight of Faith, Tragic Hero
Page Number and Citation: 103
Explanation and Analysis:

The true knight of faith is a witness, never a teacher, and in this lies the deep humanity in him which is more worth than this foolish concern for others’ weal and woe which is honoured under the name of sympathy, but which is really nothing but vanity. A person who wants only to be a witness confesses thereby that no one, not even the least, needs another person’s sympathy, or is to be put down so another can raise himself up. But because what he himself won he did not win on the cheap, so neither does he sell it on the cheap; he is not so pitiable as to accept people’s admiration and pay for it with silent contempt; he knows that whatever truly is great is available equally for all.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker)
Related Symbols: Knight of Faith
Page Number and Citation: 107-108
Explanation and Analysis:

Problema 3 Quotes

The ethical is as such the universal; as the universal it is in turn the disclosed. Seen as an immediate, no more than sensate and psychic being, the individual is concealed. So his ethical task is to unwrap himself from this concealment and become disclosed in the universal. Thus whenever he wants to remain in concealment, he sins and is in a state of temptation, from which he can emerge only by disclosing himself.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker)
Page Number and Citation: 109
Explanation and Analysis:

Abraham is silent—but he cannot speak, therein lies the distress and anguish. For if when I speak I cannot make myself understood, I do not speak even if I keep talking without stop day and night. This is the case with Abraham. He can say what he will, but there is one thing he cannot say and since he cannot say it, i.e. say it in a way that another understands it, he does not speak. The relief of speech is that it translates me into the universal. Now Abraham can say the most beautiful things any language can muster about how he loves Isaac. But this is not what he has in mind, that being the deeper thought that he would have to sacrifice Isaac because it was a trial. This no one can understand, and so no one can but misunderstand the former.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker), Abraham, Isaac
Page Number and Citation: 137
Explanation and Analysis:

But as the task is given to Abraham, it is he who must act, so he must know at the decisive moment what he is about to do, and accordingly must know that Isaac is to be sacrificed. If he doesn’t definitely know that, he hasn’t made the infinite movement of resignation, in which case his words are not indeed untrue, but then at the same time he is very far from being Abraham, he is less significant than a tragic hero, he is in fact an irresolute man who can resolve to do neither one thing nor the other, and who will therefore always come to talk in riddles. But such a Haesitator [waverer] is simply a parody of the knight of faith.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker), Abraham, Isaac
Related Symbols: Knight of Faith, Tragic Hero
Page Number and Citation: 143
Explanation and Analysis:
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Johannes de silentio / Søren Kierkegaard Character Timeline in Fear and Trembling

The timeline below shows where the character Johannes de silentio / Søren Kierkegaard appears in Fear and Trembling. The colored dots and icons indicate which themes are associated with that appearance.
Preface
Belief vs. Doubt Theme Icon
Faith and the Absurd Theme Icon
Johannes de silentio writes that, in the modern day, ideas are bought and sold on the... (full context)
Attunement
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Faith and the Absurd Theme Icon
The Unintelligibility of Faith Theme Icon
Johannes tells the story of a man who had learned about and loved the biblical story... (full context)
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The Unintelligibility of Faith Theme Icon
Johannes writes that a mother who is weaning her baby “blackens her breast” so the baby... (full context)
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The Unintelligibility of Faith Theme Icon
Johannes writes that when the baby is old enough to be weaned, the mother covers her... (full context)
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Johannes writes that when a mother weans her baby, she becomes sad because she and her... (full context)
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Johannes writes that when the mother is prepared to wean her baby, she keeps solid food... (full context)
Speech in Praise of Abraham
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Johannes writes that if humanity didn’t have an “eternal consciousness” or if everything beyond the temporal... (full context)
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...patience to wait for decades for the son God promised him he’d have with Sarah. Johannes notes that if Abraham ever wavered in his faith, he would have given up on... (full context)
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However, as Johannes explains, God tested Abraham further by commanding him to take Isaac to Mount Moriah and... (full context)
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Johannes writes that when God asked Abraham where he was, Abraham was confident and ready to... (full context)
Preamble from the Heart
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Johannes states that the temporal world is imperfect—frequently hard work isn’t enough to earn the same... (full context)
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Johannes writes that there’s something that people leave out of Abraham’s story: the anguish he must... (full context)
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Johannes says that the only safe way to talk about Abraham’s story is to make his... (full context)
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...of attention to faith. Philosophy and theology leave faith in the dust, which is why Johannes believes it’s easy to “go beyond” Abraham but nearly impossible to go further than Hegel.... (full context)
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Johannes says that he prefers to talk about Abraham’s story as if it recently happened so... (full context)
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Johannes proposes to take the story one step further and imagine that Abraham really did sacrifice... (full context)
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Johannes writes that if anyone feels like they have become faithful after hearing the outcome of... (full context)
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Although Johannes has never met a true knight of faith, he believes that if he ever did,... (full context)
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Johannes says he wants to illustrate these movements by telling a story about a young man... (full context)
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Johannes moves on to describe how the young man would handle the situation as a knight... (full context)
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Johannes states that faith is something more than a purely “aesthetic emotion” that one develops all... (full context)
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Johannes writes that he is strong enough to renounce everything temporal, especially if he continues to... (full context)
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Referring to his original observation that many modern people want to “go further” than faith, Johannes wonders if it’s possible that his generation really has grasped faith and, if they have,... (full context)
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Johannes returns to Abraham, saying that many people focus on the ending and skip over the... (full context)
Problema 1: Is There a Teleological Suspension of the Ethical?
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Johannes remarks that the ethical is part of the universal and thus applies to everyone at... (full context)
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Johannes states that Abraham’s story involves a “teleological suspension of the ethical.” Abraham embodies faith, which... (full context)
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Johannes writes that if a father had to make a sacrifice similar to Abraham’s under different... (full context)
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Johannes explains that Abraham was willing to sacrifice Isaac for both his own sake and God’s—God’s... (full context)
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...above the universal. But how does anyone know if they are justified in their actions? Johannes points out that most people would say this should be determined by the outcome, and... (full context)
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Johannes urges the audience not to speak of greatness like it’s very far away, but to... (full context)
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Johannes says that Abraham was either a murderer every minute of his trial up until the... (full context)
Problema 2: Is There an Absolute Duty to God?
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For the second problema, Johannes begins by stating that the ethical is the universal, but it’s also part of the... (full context)
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Johannes brings up a verse in the Gospel of Luke in the New Testament which says... (full context)
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Johannes points out that even if it’s the “Church” that demands something of a person, whatever... (full context)
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...secure, inspiring, and glorious it must be to make sacrifices for the universal. In fact, Johannes theorizes that Abraham likely wished that God had asked him to love Isaac instead of... (full context)
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...or to be sold faith because truly great things are already available to everyone equally. Johannes concludes that there must be an absolute duty to God as he’s explained it, or... (full context)
Problema 3: Was it Ethically Defensible of Abraham to Conceal his Purpose from Sarah, from Eleazar, from Isaac?
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Johannes writes that, as the universal, the ethical is also the “disclosed.”. When a person conceals... (full context)
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...idea is concealed, the drama is likely a tragedy. For the purposes of this investigation, Johannes says he will deal exclusively with the tragic, such as when two lovers are nearly... (full context)
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...to her himself. Still, there are times when people achieve greatness through keeping a secret. Johannes argues that silence can be both divine (communion between divinity and the individual) or demonic... (full context)
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Johannes says that before he returns to Abraham’s story, he will examine some other poetic figures.... (full context)
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The story of the bridegroom had to do with the divine, and now Johannes will share a similar story that has to do with the demonic: Agnete and the... (full context)
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Johannes says that if the Merman chooses to repent alone, he’s choosing to be a concealer;... (full context)
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...stay hidden and hope the divine will save Agnete or be saved by marrying Agnete. Johannes says it’s important for him to point out that through sin the individual can be... (full context)
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...to make either movement; they are the ones who have given up on really living. Johannes remarks that very few people enter monasteries, but this doesn’t mean that the majority of... (full context)
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Johannes moves on to a story from the Book of Tobit, but he modifies it somewhat... (full context)
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Johannes writes that Faust also tried to save the universal by his silence. Most people see... (full context)
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Johannes turns his attention back to Abraham, who didn’t tell Sarah, Eleazar, or Isaac about God’s... (full context)
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...lamb (this in response to Isaac’s question about where the lamb they are sacrificing is). Johannes says he will explore Abraham’s last words, which gives his story more depth. There is... (full context)
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...do show that Abraham is constantly making the double movement of infinite resignation and faith. Johannes believes this becomes more obvious because Abraham knew what would happen on Mount Moriah—Abraham will... (full context)
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Johannes says that he can understand Abraham, but he lacks the courage to speak or act... (full context)
Epilogue
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Johannes reminisces about a time when the spice market in Holland slowed down so much that... (full context)
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...but many people may not get that far; it’s doubtful that anyone can go further. Johannes leaves it to his audience to determine whether many people in the current generation get... (full context)