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Susanna’s wish for plague to bring her father home of course tempts fate—the very thing she has wished for has come about but not in the way she meant it. As she leaves, she slams the door and wakes Hamnet, but before he can think or act, the chapter ends. Almost all of the chapters set in 1596 end in this way, on a character’s suspended action. This contributes to a sense of momentum and forward progress even as the events of the past regularly punctuate the narrative in the present.