Nine Days

by

Toni Jordan

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Nine Days: Chapter 9: Connie Summary & Analysis

Summary
Analysis
Connie lies awake at night. The mild winter air is humid and still, and it feels as if it will rain. Connie peeks at Jean and sees her fast asleep, which is fortunate for both of them. She rises, sees her brothers asleep in their room as well, and creeps to the front door to look out at Richmond in the dark. She closes the door. She knows she should go back to sleep; she has to work in the morning, only a few hours from now. Instead, Connie takes off her nightgown and puts on her daytime dress.
By setting Connie’s narrative as the last, the structure of the book establishes her story as the focal point around which all the other narratives revolve. Additionally, Connie’s narrative describes the scene from the real-life historical photo of a departing soldier kissing a woman through a train window, which inspired the entire book.
Themes
Gender, Stigma, and Shame Theme Icon
When Connie opens the door and steps out again she sees Jack watching her, waiting for her. She steps out to meet him in the night and they are both silent for a long time. Jack is on leave, but he’s returning to combat tomorrow. Connie feels as if they are in a separate world, in a private world that only reaches as far as the small light from the streetlight reveals. They talk about his returning—it’s hard on his parents. They won’t even come to the train station to see him off. The rain begins to fall, but Connie does not want to go inside yet. They’re both soaked within seconds, and Jack grabs her by the hand and leads her to his parents’ stable, where it is warmer and dry.
The fact that Jack is on leave from the military implies that he has already enlisted, which means that it takes place at least several months after Jack’s narrative earlier in the story. The fact that Jack’s mother won’t come to see him off as he ships off for war suggests that she does not respect his decision. However, for Jack, going off to war likely seems like a good way to put distance between himself and his overbearing mother once again, so that he can stand as an adult on his own.
Themes
First Impressions, Perspective, and Personal Growth Theme Icon
Mothers and Sons Theme Icon
The Far-Reaching Effects of War Theme Icon
Jack and Connie talk and pet Charlie. Jack says he wished he’d come home from the station years earlier, but he didn’t realize how good the neighbors were. Connie he remarks soon he’ll be off again, this time farther away. When Jack mentions that Mrs. Husting thinks Connie will be engaged to Mr. Ward any day now, Connie decides she’ll make a run for home through the rain. She needs to get back to her own bed, to Jean and her family. Jack stands close to her and asks her not to go. He slides her dress sleeve up her arm and runs his hand down the length of it, wicking away the water.
Jack’s remark about the neighbors implies that he wishes he’d have gotten to know Connie sooner than he did, since they grew up right next to each other and never realized the relationship they could have had during that time. Connie’s stated wish to return to her own bed suggests that she feels the growing tension and allure between them, and is caught between acting on her desires or returning to her sensible, responsible life.
Themes
First Impressions, Perspective, and Personal Growth Theme Icon
Gender, Stigma, and Shame Theme Icon
The Far-Reaching Effects of War Theme Icon
Jack puts his hands on her waist and tells Connie that he thinks about her every night when he walks the city, and tonight she is here. She looks into his eyes, dark and beautiful, and steps toward him, pressing the full length of her body against him. Jack whispers that if she lets him kiss her, he can die “a happy man.” He kisses her and she kisses him back, until they almost fall over and find themselves sitting on the floor, Connie across Jack’s lap.
Despite Connie’s initial hesitation, pressing her body against Jack’s clearly suggests that she already feels a desire for him. Connie’s hesitation seems then to be a consequence of society’s repression of women’s sexuality outside of marriage during this time, and demonstrates the conflict between what she desires to do and the morality with which she has been raised.
Themes
Gender, Stigma, and Shame Theme Icon
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As they continue kissing, Jack takes Connie’s breast in his hand. They both try to stop themselves but unable. Connie thinks that she has kept herself from ever desiring anything in her life until now. In this moment she understands what desire truly is and gives herself over to it. It gives her a sense power. They undress each other and have sex in the stable, and for those brief minutes they are “utterly together.”
Connie’s realization suggests that she has been so burdened and preoccupied with tending to and supporting her family that she has repressed any desires she may feel as a young woman. This contrasts with the comparative sexual freedom Charlotte experiences as a woman in the modern era.
Themes
Gender, Stigma, and Shame Theme Icon
Quotes
As Connie dresses, thinking about how she needs to get home and bathe before the sun comes up, Jack tells her that he doesn’t expect her to wait for him while he’s at war—he knows that she has a life planned out for her and he has “nothing to offer.” Connie says that it’s only the life that Jean planned, and she’ll make her own decisions. Jack only has one request.
Connie’s insistence that marrying Mr. Ward is not her plan, but Jean’s, suggests that had she survived, she would have waited for Jack. Thus, it’s clear that she values love and passion over wealth and security.
Themes
Gender, Stigma, and Shame Theme Icon
Connie and Kip are at the train station, under the pretense of meeting a photographer there for the newspaper to photograph the departing soldiers who are packing the trains. Connie brought a spare camera in case the photographer, who hasn’t arrived, runs out of film. She’s amazed that although she feels entirely different, transformed from the inside, even Kip does not notice a difference in her.
Connie’s feeling of transformation suggests that her brief romance with Jack is a coming of age experience for her, the moment in which she discovers what passion and desire truly mean to her. This development only makes her eventual death more tragic.
Themes
First Impressions, Perspective, and Personal Growth Theme Icon
Gender, Stigma, and Shame Theme Icon
The Far-Reaching Effects of War Theme Icon
Kip spots Jack leaning out of a train car window and points him out to Connie, calling out to him. The photographer still hasn’t arrived, so Connie gives Kip the camera and tells him not to hit the button since it’s already loaded with film. She pushes through the crowd to see Jack one last time. Another soldier sees Jack leaning down and Connie reach up, so he hoists Connie onto his shoulder and lifts her into the air. Connie kisses Jack as the train begins to roll away, carrying her love away from her. The other soldier sets her down and disappears into the crowd. As the soldiers and the crowd leave, Connie fears that she’ll forget that kiss, forget Jack’s face. Kip appears at her side, hands her the camera, and claims he didn’t touch any buttons, just as she said.
Although Kip claims not to have taken any pictures, the existence of the photo (which Alec finds in the biscuit tin many years later) suggests that he secretly did. This also seems to be the first photo Kip takes in the course of his eventual photography career. Connie’s willingness to kiss Jack even in front of a crowd of people, including Kip, suggests that her love and desire for him has given her a new sense of courage, confidence, and something to look forward to in life. Again, this moment, though fictional, is the same moment captured in the historical photo which inspired Toni Jordan to write the novel.
Themes
Gender, Stigma, and Shame Theme Icon
The Far-Reaching Effects of War Theme Icon
Connie lies in bed, night after night, grateful for life even though she doesn’t know what the future will be. She thinks about her brothers, about Jean stuck with no husband and three children, and about her own grandmother, practically enslaved to her husband. In all of it, Connie thinks, the secret to being happy is to be grateful. She has had one night with the man she loves and, “just this once, I have had something that my heart wanted.”
Connie’s reflection of her grandmother’s near-slavery, Jean’s difficult position as a single mother, and Connie’s own lot as a woman in a male-dominated society suggests that she will accept this role, since she has already learned that she can be happy in spite of its limitations.
Themes
Gender, Stigma, and Shame Theme Icon
Quotes