Definition of Motif
McCarthy includes detailed descriptions of firearms in nearly every scene in No Country for Old Men, going beyond simply calling them "rifles," "shotguns," or "pistols." Each gun is spoken of with a loving, reverent tone, the narrator taking care to reference make, model, action, bullet velocity, etc. Take, for instance, the following scene from Chapter 1, in which McCarthy takes the time to describe Moss's hunting rifle in detail:
The rifle had a Canjar trigger set to nine ounces and he pulled the rifle and the boot toward him with great care and sighted again and jacked the crosshairs slightly up the back of the animal standing most broadly to him. He knew the exact drop of the bullet in hundred yard increments.
Throughout No Country for Old Men, McCarthy often places human beings in the position of animals and vice versa: Chigurh kills humans with a cattle gun and hunts Moss like an animal, bodies are carried out of the desert on a flatbed like one might pile up animal remains, etc. This motif serves as commentary on the dehumanizing nature of violence—especially between strangers.
Note the following passage from Chapter 1, when Chigurh is first introduced to the audience:
Unlock with LitCharts A+Just walked in the door. Sheriff he had some sort of thing on him like one of them oxygen tanks for emphysema or whatever. Then he had a hose that run down the inside of his sleeve and went to one of them stunguns like they use at the slaughterhouse. Yessir. Well that's what it looks like. You can see it when you get in. Yessir. I got it covered. Yessir.
In No Country for Old Men, McCarthy dwells frequently on eyes as a metaphor through which to meditate on human morality and internal life. In his monologue at the beginning of Chapter 1, Bell first mentions the cliched aphorism about eyes being windows to the soul:
Unlock with LitCharts A+They say the eyes are the windows to the soul. I dont know what them eyes was the windows to and I guess I'd as soon not know. But there is another view of the world out there and other eyes to see it and that's where this is goin. It has done brought me to a place in my life I would not of thought I'd of come to.
In No Country for Old Men, McCarthy dwells frequently on eyes as a metaphor through which to meditate on human morality and internal life. In his monologue at the beginning of Chapter 1, Bell first mentions the cliched aphorism about eyes being windows to the soul:
Unlock with LitCharts A+They say the eyes are the windows to the soul. I dont know what them eyes was the windows to and I guess I'd as soon not know. But there is another view of the world out there and other eyes to see it and that's where this is goin. It has done brought me to a place in my life I would not of thought I'd of come to.