Paul’s Case
by Willa Cather
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Part 1 Quotes

Paul was always smiling, always glancing about him, seeming to feel that people might be watching him and trying to detect something.

Related Characters: Paul
Related Literary Devices:
Page Number and Citation: 171
Explanation and Analysis:
Paul has been invited before a panel and subjected to a kind of trial, in which his teachers attempt to characterize the nature of his “crimes.” Here the narrator describes Paul’s attitude during this hearing: unlike many other boys in similar situations, he doesn’t grow visibly or angry, instead “smiling” and maintaining a seemingly casual, carefree mood. This happy-go-lucky demeanor is part of what the teachers find so infuriating and incomprehensible about him. At the same time, however, this passage also signals that there is more to Paul’s attitude than meets the eye. His smile, it seems, might be more Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. A

He seemed to feel himself go after her up the steps, into the warm, lighted building, into an exotic, a tropical world of shiny, glistening surfaces and basking ease.

Related Characters: Paul, The German soloist
Page Number and Citation: 174
Explanation and Analysis:
Paul has just left Pittsburgh’s Carnegie Hall, where he was enraptured by the German soloist, who represents for him the peak of glamor and beauty. After the show, dreading his return home, Paul instead follows the soloist to the hotel where she is staying, and stares in through the windows. The hotel, like Carnegie Hall, represents for Paul an entirely different universe, one that doesn’t obey the same rules and middle-class dreariness of his own environment. This other world is described in terms of both aesthetic beauty and leisure: the “glistening surfaces” reflect Paul’s desire for everything around him to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus cor

It was a highly respectable street, where all the houses were exactly alike, and where business men of moderate means begot and reared large families of children, all of whom went to Sabbath-school and learned the shorter catechism, and were interested in arithmetic; all of whom were as exactly alike as their homes, and of a piece with the monotony in which they lived.

Related Characters: Paul
Page Number and Citation: 175
Explanation and Analysis:
Paul is returning home to Cordelia Street from the concert, and the narrator begins to describe the neighborhood where he lives with his father and sister. The repetition of language in this passage contributes to the depiction of Cordelia Street as deadening in its monotony, almost unbearable in the homogeneity of its inhabitants. Paul, it’s suggested, is one of the only people who is different—or in any case he imagines himself to be so. Indeed, it seems in this passage that Cather herself is rather sympathetic to Paul’s disdain for Cordelia Street (even if the story will go on to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas.

Part 2 Quotes

When he was shown to his sitting-room on the eighth floor, he saw at a glance that everything was as it should be; there was but one detail in his mental picture that the place did not realize, so he rang for the bell boy and sent him down for flowers.

Related Characters: Paul
Page Number and Citation: 182
Explanation and Analysis:
Paul has arrived in his room at the Waldorf Hotel in New York, and at this moment it appears that the distance between reality and his fantasies has finally been bridged. A devout aesthete and a dandy, Paul revels in aesthetic beauty, especially when coupled with luxury and wealth. He has a mental image of how a room “should be” that is constructed in large part in opposition to what it shouldn’t be: no yellow wall-paper, no smells of cooking, no sappy, embroidered, scriptural mottos on the walls, like in his room at home. Colorful, bright, and alive, flowers are Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error

There had always been the shadowed corner, the dark place into which he dared not look, but from which something seemed always to be watching him—and Paul had done things that were not pretty to watch, he knew.

Related Characters: Paul
Page Number and Citation: 183
Explanation and Analysis:
Paul is reflecting on his successful escape from Pittsburgh to New York, and is thinking about how he feels freer and lighter in his hotel room than he’s ever felt before. Here, the narrator closely follows Paul’s stream of consciousness in describing, somewhat cryptically his feelings of alienation and despair in a very private sense. It’s not solely, that is, that Paul feels like he cannot express himself to the people around him, but also that there’s something within himself that he doesn’t fully understand. This is one of the places in the story where Cather’s oblique language serves to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque

Here and there on the corners whole flower gardens blooming behind glass windows, against which the snow flakes stuck and melted; violets, roses, carnations, lilies of the valley—somehow vastly more lovely and alluring that they blossomed thus unnaturally in the snow.

Related Characters: Paul
Page Number and Citation: 184
Explanation and Analysis:
Paul has left the Waldorf Hotel just after the snow has stopped falling, and is taking a carriage ride to Central Park. As he rides past the shops on Manhattan’s grand avenues, he looks through the shop windows at the bouquets of flowers—far more extravagant arrangements than the one he had asked to be placed in his hotel room. This passage emphasizes the way in which Paul sees New York itself as a theatrical stage, designed and performed for his own benefit. Just as the narrator had, earlier, depicted Paul’s love of beauty as being a love of all things Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a

Had he ever known a place called Cordelia Street, a place where fagged looking business men boarded the early car? Mere rivets in a machine they seemed to Paul—sickening men, with combings of children’s hair always hanging to their coats, and the smell of cooking in their clothes.

Related Characters: Paul
Page Number and Citation: 185
Explanation and Analysis:
The longer Paul stays in New York, the more his hometown comes to seem unreal and far-away. Here, however, Paul does think back to Cordelia Street, only to consider how much of a contrast it makes with the luxurious, elegant world that he is inhabiting at the Waldorf. This passage is one of the places where the story, in recording how Paul views the people around him, shows how he dehumanizes others just as they have dehumanized him. The details that he’s chosen—the smell of cooking, and their exhausted (“fagged”) demeanor—have more to do with their socioeconomic status than with Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperi

He felt now that his surroundings explained him. Nobody questioned the purple; he had only to wear it passively.

Related Characters: Paul
Page Number and Citation: 185
Explanation and Analysis:
One of Paul’s first tasks once he arrived in New York was to purchase an entirely new set of clothing, transforming his costume from the shabby overcoat he was wearing in the story’s first scenes to a fancy “street suit.” The change signals in many ways Paul’s attempt to fashion a fantasy world of pleasure and spectacle for himself, and leave behind everyday life on Cordelia Street—its banality only further emphasized by its penny-pinching values—for good. Paul’s new wardrobe is continuous with his dandyish aesthetic throughout the story, and is of a piece with the red carnation he wears and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenet

It was to be worse than jail, even; the tepid waters of Cordelia Street were to close over him finally and forever […] He had the old feeling that the orchestra had suddenly stopped, the sinking sensation that the play was over.

Related Characters: Paul
Related Literary Devices:
Page Number and Citation: 187
Explanation and Analysis:
Paul has read in the newspapers that his father has paid back his theft and is on his way to New York to fetch him and bring him back to Pittsburgh. In this passage, the accumulation of different metaphors serves to underline Paul’s intensely evocative sensations at this particular moment. Cordelia Street is compared to a jail and then to a river where he might drown, while his situation is compared to the end of a play or orchestra performance—a particularly notable metaphor given that, as the narrator described earlier in the story, the end of a show always makes Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum

He had not a hundred dollars left; and he knew now, more than ever, that money was everything, the wall that stood between all he loathed and all he wanted.

Related Characters: Paul
Related Literary Devices:
Page Number and Citation: 188
Explanation and Analysis:
Although Paul’s despair is initially triggered by learning that his father has come to fetch him in New York, he also must come to terms with the fact that his theft from Denny & Carson has only gotten him so far. Now, even if it weren’t for his father’s imminent arrival, Paul would no longer be able to afford his luxurious costume, meals, and hotel room, all of which have allowed him to live out his dreams of aesthetic pleasure as if they constituted his new reality. Money is the key to freedom for Paul, the vehicle to “all he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperio

Paul took one of the blossoms carefully from his coat and scooped a little hole in the snow, where he covered it up.

Related Characters: Paul
Page Number and Citation: 189
Explanation and Analysis:
Having taken the train back from New York to Newark, Paul is now wandering next to the train tracks as snow is falling. He thinks back to the bright bouquets of flowers in the shop windows he’d seen his first night, and as it occurs to him that those flowers must all have died by now, he comes to terms with the fact that these objects—for him symbolic of life and brilliancy and cheer—have a limited shelf life, an expiration date. So, too, he recognizes that the theatrical act of his escape to New York was necessarily limited. By burying Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit.

As he fell, the folly of his haste occurred to him with merciless clearness, the vastness of what he had left undone. There flashed through his brain, clearer than ever before, the blue of Adriatic water, the yellow of Algerian sands.

Related Characters: Paul
Page Number and Citation: 189
Explanation and Analysis:
At the end of the story, Paul hurls himself in front of an approaching train, and the narration follows his consciousness all the way up to the moment of his death. Here, the narrator suggests that Paul’s suicide was a mistake—that despite what seemed to be a clear-cut decision and carefully executed plan, it was in fact one taken in “folly” and “haste.” Paul seemed to have no other option than to kill himself; here, however, the story implies that his feelings of confinement and alienation are themselves limited, that there is a larger world with more possibilities and opportunities Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserun
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