Dialectic Term Analysis

Now I am myself, Phaedrus, a lover of these divisions and collections, so that I may be able both to speak and to think; and if I find anyone else who I think has the natural capacity to look to one and to many, I pursue him ‘in his footsteps, behind him, as if he were a god’. And the name I give those who can do this - whether it’s the right one or not, god knows, but at any rate up till now I have called them ‘experts in dialectic’.

Yes, Phaedrus, because I think writing has this strange feature, which makes it truly like painting. The offspring of painting stand there as if alive, but if you ask them something, they preserve a quite solemn silence. Similarly with written words: you might think that they spoke as if they had some thought in their heads, but if you ever ask them about any of the things they say out of a desire to learn, they point to just one thing, the same each time. And then once it is written, every composition trundles about everywhere in the same way, in the presence both of those who know about the subject and of those who have nothing at all to do with it, and it does not know how to address those it should address and not those it should not. When it is ill-treated and unjustly abused, it always needs its father to help it; for it is incapable of either defending or helping itself.

But I think it is far finer if one is in earnest about those subjects: when one makes use of the science of dialectic and, taking a fitting soul, plants and sows in it words accompanied by knowledge, which are sufficient to help themselves and the one who planted them, and are not without fruit but contain a seed from which others grow in other soils, capable of rendering that seed forever immortal, and making the one who has it as happy as it is possible for a man to be.