Resurrection
Resurrection
by Leo Tolstoy
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Book 1, Chapter 1 Quotes

All were glad: the plants, the birds, the insects, and the children. But men, grown-up men and women, did not leave off cheating and tormenting themselves and each other. It was not this spring morning men thought sacred and worthy of consideration, not the beauty of God’s world, given for a joy to all creatures—this beauty which inclines the heart to peace, to harmony, and to love—but only their own devices for enslaving one another.

Related Characters: Katusha Maslova
Page Number and Citation: 5
Explanation and Analysis:
This observation opens the novel, contrasting the vitality of spring with the moral blindness of human society. Tolstoy juxtaposes the innocence of nature with the corruption of civilization to illustrate a central tension in Resurrection: the gulf between the natural world’s harmony and human institutions’ cruelty. While “plants, birds, insects, and children” rejoice instinctively in the season’s renewal, “grown-up men and women” remain trapped in cycles of deceit and domination. This division marks adulthood as moral degradation—a loss of connection to what is essential and good. The diction—“cheating,” “tormenting,” “enslaving”—emphasizes how society substitutes man-made systems of punishment and hierarchy for Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque

Book 1, Chapter 2 Quotes

And shouts and jokes, and brawls and music and tobacco and wine, and wine and tobacco, from evening until daylight, no relief till morning, and then heavy sleep; the same every day and all the week. Then at the end of the week came the visit to the police station, as instituted by the Government, where doctors—men in the service of the Government—sometimes seriously and strictly, sometimes with playful levity, examined these women, completely destroying the modesty given as a protection not only to human beings but also to animals, and gave them written permissions to continue in the sins they and their accomplices had been committing all the week. Then followed another week of the same kind: always the same every night, summer and winter, work days and holidays.

Related Characters: Katusha Maslova
Page Number and Citation: 13
Explanation and Analysis:
This passage captures the mechanical cruelty of Maslova’s life in prostitution, where every element—from the nightly chaos to the weekly inspections—is part of a relentless, dehumanizing cycle. The disorder of her nights, filled with noise, intoxication, and physical exhaustion, erases any distinction between pleasure and punishment. Rather than freedom or indulgence, the life she leads is marked by monotony and spiritual numbness. The state’s involvement only deepens the violation: official medical examinations masquerade as public health but serve to enforce humiliation as routine. These inspections reduce the women to bodies for regulation, stripping away not only privacy but the natural Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus

Book 1, Chapter 13 Quotes

Then he had looked on his spirit as his I; now it was his healthy strong animal I that he looked upon as himself.

And all this terrible change had come about because he had ceased to believe himself and had taken to believing others. This he had done because it was too difficult to live believing one’s self: believing one’s self, one had to decide every question, not in favour of one’s animal I, which is always seeking for easy gratification, but in almost every case against it. Believing others, there was nothing to decide; everything had been decided already, and always in favour of the animal I and against the spiritual.

Related Characters: Dmitri Ivanich Nekhlyudov
Page Number and Citation: 53
Explanation and Analysis:
This passage is part of Nekhlyudov’s retrospective recognition of his moral decline during the years he abandoned his youthful ideals. Tolstoy frames the transformation as a shift in identity—from a self rooted in spiritual conscience to one defined by bodily instincts and social ease. The contrast between the “spirit” and the “animal I” echoes the broader moral dichotomy in Resurrection between inner truth and external conformity. The phrase “healthy strong animal I” evokes physical vitality, but also suggests a regression, a surrender to appetites and impulses. The tragedy, as Tolstoy sees it, lies not in weakness but in self-betrayal: Nekhlyudov Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beata

Book 1, Chapter 17 Quotes

When she left him, trembling and silent, giving no answer to his words, he again went out into the porch and stood trying to understand the meaning of what had happened.

It was getting lighter. From the river below, the creaking and tinkling and sobbing of the breaking ice came still louder, and a gurgling sound could now also be heard. The mist had begun to sink, and from above it the waning moon dimly lit up something black and weird.

‘What is the meaning of it all? Is it a great joy, or a great misfortune, that has befallen me?’ he asked himself.

‘It happens to everybody—everybody does it’, he said to himself, and went to bed and to sleep.

Related Characters: Dmitri Ivanich Nekhlyudov (speaker), Katusha Maslova
Page Number and Citation: 69
Explanation and Analysis:
This passage follows Nekhlyudov’s rape of Maslova, capturing his immediate attempt to rationalize a serious act of violation. Tolstoy uses the dissonance between the natural world and Nekhlyudov’s inner monologue to expose the moral rupture he refuses to confront. The “creaking and tinkling and sobbing” of the breaking ice mirrors the violence just committed. The scene’s atmosphere, filled with mist, moonlight, and “something black and weird,” conveys a profound spiritual distortion. Nekhlyudov’s question—“Is it a great joy, or a great misfortune?”—is less a genuine inquiry than a failure to acknowledge Maslova’s suffering. His perspective remains self-centered, concerned not with the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sin

Book 1, Chapter 18 Quotes

‘I have come to say goodbye’, he said, crumpling in his hand an envelope with a hundred-rouble note inside. ‘There, I—’

She guessed what he meant, knit her brows, and shaking her head pushed his hand away.

‘Take it; oh, you must!’ he stammered, and thrust the envelope into the bib of her apron, and ran back to his room, groaning and frowning as if he had hurt himself. And for a long time he strode up and down writhing as in pain, and even stamping and groaning aloud as he thought of this last scene.

Related Characters: Dmitri Ivanich Nekhlyudov (speaker), Katusha Maslova
Related Symbols: The 100-Rouble Note
Page Number and Citation: 71
Explanation and Analysis:
This scene occurs the morning after Nekhlyudov has raped Maslova, and it marks his first clumsy attempt to distance himself from guilt while preserving the illusion of decency. The 100-rouble note becomes a symbol of moral evasion and degradation. Though Nekhlyudov frames it as a farewell “gesture,” the note functions as payment for services rendered. By slipping it into Maslova’s apron despite her refusal, he reduces the assault to a transaction and her to a sex worker, whether he consciously admits it or not. The physical intrusion of forcing the envelope into her clothing mirrors the violation from the night Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque od

Book 1, Chapter 21 Quotes

Maslova said nothing in her defence. When the president told her she might do so, she only lifted her eyes to him, cast a look round the room like a hunted animal, and, dropping her head, began to cry, sobbing aloud.

‘What’s the matter?’ the merchant asked Nekhlyudov, hearing him utter a strange sound. This was a forcibly suppressed sob. Nekhlyudov had not yet understood the significance of his present position, and attributed the sobs he could hardly keep back and the tears that filled his eyes to the weakness of his nerves. He put on his pince-nez in order to hide the tears, then got out his handkerchief and began blowing his nose.

Related Characters: Dmitri Ivanich Nekhlyudov , Katusha Maslova
Page Number and Citation: 82
Explanation and Analysis:
This scene takes place at the end of the trial, after Maslova is invited to speak but instead breaks down in tears, while Nekhlyudov sits in the audience, unable to contain his own emotional reaction. Maslova’s silence is that of pure resignation. After being publicly humiliated, misrepresented, and disowned by her co-defendants, she offers no defense because she has nothing left to say. Her breakdown shows that she no longer believes in the possibility of being heard. Nekhlyudov’s physical response—tears he cannot suppress—signals that the weight of what he has done is beginning to press against the defenses he has Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus

Book 1, Chapter 28 Quotes

The difference between what he had been then and what he now was, was enormous: just as great, if not greater, than the difference between Katusha in church that night, and the prostitute who had been carousing with the merchant and whom they had condemned this morning. Then he was free and fearless, and innumerable possibilities lay ready to open before him; now he felt himself caught in the meshes of a stupid, empty, valueless, frivolous life, out of which he saw no means of extricating himself even if he wished to, which he hardly did. He remembered how proud he was at one time of his straightforwardness, how he had made a rule of always speaking the truth, and really had been truthful; and how he was now sunk deep in lies, the most dreadful of lies—lies considered as truth by all who surrounded him. And, as far as he could see, there was no way out of these lies. He had sunk in the mire, got used to it, wallowed in it.

Related Characters: Dmitri Ivanich Nekhlyudov , Katusha Maslova
Page Number and Citation: 110
Explanation and Analysis:
This passage occurs just after Nekhlyudov returns from the courtroom, shaken by Maslova’s sentence and beginning to confront the moral emptiness of his life. Tolstoy draws a parallel between Nekhlyudov’s internal corruption and Maslova’s outward fall, refusing to let his protagonist distance himself from the very degradation he helped cause. The comparison is meant to collapse the class distinctions that once insulated him from moral scrutiny. Both Nekhlyudov and Maslova have been transformed since their youth, but where society condemns her as a fallen woman, he has been rewarded for a descent that is no less complete. What makes his Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Vol

Book 1, Chapter 32 Quotes

It was the smothered sobbing of the red-haired woman. The red-haired woman was crying because she had been abused and had not got any of the vodka she wanted so badly; also because she remembered how all her life she had been abused, mocked at, offended, and beaten. Trying to comfort herself she brought back to mind her love for the factory workman, Fedka Molodenkov, her first love, but then she remembered too how that love had ended. This Molodenkov, being drunk one day, for fun smeared her with vitriol on a tender part, and while she writhed in pain he and his companions roared with laughter. Remembering this she pitied herself, and, thinking no one heard her, began to cry as children cry, sniffing with her nose and swallowing the salt tears.

Related Characters: Katusha Maslova
Page Number and Citation: 126
Explanation and Analysis:
This passage occurs after a brawl in Maslova’s prison cell, when the red-haired woman, previously loud and confrontational, begins to weep quietly in the dark. Tolstoy shifts from external chaos to interior pain, revealing a hidden depth beneath the woman’s coarse behavior. Her sobbing, at first tied to a petty grievance—the denied vodka—expands into a flood of remembered suffering. What surfaces is a lifetime of humiliation, beginning with poverty and ending in betrayal by the only person she once loved. The attempt to soothe herself through memory backfires; her first love, meant to comfort, becomes another wound when she recalls Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligen

Book 1, Chapter 34 Quotes

Nekhlyudov would have liked to tell all the jurymen about his relations to yesterday’s prisoner. ‘By rights’, he thought, ‘I ought to have got up yesterday during the trial and disclosed my guilt.’ But when he entered the Court with the other jurymen, and witnessed the same procedure as on the day before: ‘The Court is coming’, again proclaimed, again three men with embroidered collars ascending the platform, the same settling of the jury on their high-backed chairs, the same gendarmes, the same portrait, the same priest: Nekhlyudov felt that though it ought to have been done, he would have been as unable yesterday as today to interrupt all this solemnity.

Related Characters: Dmitri Ivanich Nekhlyudov (speaker), Katusha Maslova
Page Number and Citation: 131
Explanation and Analysis:
This moment comes as Nekhlyudov returns to the courtroom and reflects on his failure to confess his past crime against Maslova during her trial. Nekhlyudov’s desire to admit his guilt is genuine, but it falters in the face of the court’s rigid formalism. The repetition of ceremonial details—the embroidered uniforms, the priest, the portrait, the procession—creates an atmosphere of choreographed authority that renders dissent not only difficult but almost unthinkable. These outward displays of order and tradition give the illusion of justice while silencing moral spontaneity. Nekhlyudov recognizes what he should have done but also sees why he didn’t: the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commod

Book 1, Chapter 44 Quotes

These recollections did not correspond with her present conception of the world, and were therefore quite struck out of her memory, or, rather, lay somewhere buried and untouched, closed up and plastered over so that they should not escape; as bees, in order to protect the results of their labour, sometimes plaster up a nest of wax-worms. Therefore, the present Nekhlyudov was not the man she had once loved with a pure love, but only a rich gentleman whom she could and must make use of, and with whom she could have only the same relations as with men in general.

Related Characters: Katusha Maslova , Dmitri Ivanich Nekhlyudov
Page Number and Citation: 165-166
Explanation and Analysis:
This reflection occurs during Nekhlyudov’s first prison visit with Maslova, as he begins to realize how deeply she has changed—and how much she has had to change to survive. The novel portrays Maslova’s psychological transformation not as moral failure but as a form of self-preservation. Her “recollections,” once a source of love and identity, no longer align with the hardened worldview she has developed through years of exploitation and betrayal. Rather than reconcile the past with the present, she seals it off completely. The metaphor of bees plastering over wax-worms is striking: it suggests not forgetting but containment, an active, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi

Book 1, Chapter 59 Quotes

One of the most widespread superstitions is that every man has his own special definite qualities: that he is kind, cruel, wise, stupid, energetic, apathetic, and so on. Men are not like that. We may say of a man that he is more often kind than cruel, more often wise than stupid, more often energetic than apathetic, or the reverse; but it would not be true to say of one man that he is kind and wise, of another that he is bad and stupid. And yet we always classify mankind in this way. And this is false. Men are like rivers: the water is the same in one and all; but every river is narrow here, more rapid there, here slower, there broader, now clear, now dull, now cold, now warm. It is the same with men. Every man bears in himself the germs of every human quality; but sometimes one quality manifests itself, sometimes another, and the man often becomes unlike himself, while still remaining the same man.

Related Characters: Katusha Maslova , Dmitri Ivanich Nekhlyudov
Page Number and Citation: 211
Explanation and Analysis:
This reflection occurs as Nekhlyudov leaves his meeting with Maslova, buoyed by the hope that she can change and that he can redeem himself by helping her. The passage articulates one of Tolstoy’s central philosophical ideas: the fluid, contradictory, and changeable nature of human character. The “superstition” that individuals possess fixed qualities is, to Tolstoy, not only reductive but fundamentally false. By invoking a metaphor of rivers, he challenges essentialist notions of identity, emphasizing variability over permanence. Like rivers, people are subject to shifting conditions: external forces, internal moods, and moral choices all influence behavior. This simile also suggests a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Elige

Book 2, Chapter 5 Quotes

‘And was it a fine baby?’ Nekhlyudov asked.

‘Such a baby, that if you wanted a finer you could not find one. Your very image’, the old woman added, with a wink.

‘Why did it sicken? Was the food bad?’

‘Eh, what food? Only just a pretence of food. Naturally, when it’s not one’s own child. Only enough to get it there alive. She said she just managed to get it to Moscow and there it died. She brought a certificate—all in order. She was such a wise woman.’

And this was all Nekhlyudov could find out about his child.

Related Characters: Dmitri Ivanich Nekhlyudov (speaker), Martha , Katusha Maslova
Page Number and Citation: 235
Explanation and Analysis:
This conversation takes place in Martha’s hut as Nekhlyudov tries to learn what became of the child Maslova bore after he abandoned her. What he finds is not clarity but a casual, matter-of-fact account that reflects how completely the child’s death has been absorbed into the rhythms of poverty and neglect. Martha’s offhand manner and disjointed story suggest that such outcomes are too common to provoke emotion. The baby was given the bare minimum of care, just enough to satisfy appearances, before being handed off to an institution where its death was expected. The system offers no accountability—only vague recollections Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores

Book 2, Chapter 6 Quotes

Everything seemed so clear to him now, that he could not stop wondering how it was that everybody did not see it, and that he himself had been so long in perceiving what was so clearly evident. The people were dying out; had got used to the dying-out process, and so had formed habits of life adapted to it: there was the great mortality among the children, the overworking of the women, and the underfeeding, especially of the aged. And so gradually had the people come to this condition that they did not realize the full horror of it, and did not complain, and we therefore considered their condition natural and proper. Now it seemed as clear as daylight that the chief cause of the people’s deep poverty was one that they themselves knew and always pointed out, namely, that the land which alone could feed them had been taken from them by the landlords.

Related Characters: Dmitri Ivanich Nekhlyudov
Page Number and Citation: 238
Explanation and Analysis:
This quote comes after Nekhlyudov witnesses the suffering of the peasants on his estate and resolves to give up his land and profits for their benefit. Tolstoy presents a moment of moral clarity that doubles as an indictment of both personal blindness and collective denial. Nekhlyudov is stunned by how long it took him—and society at large—to acknowledge what the peasants have always known: that land theft lies at the heart of their suffering. The passage draws attention to the insidious power of normalization. The slow erosion of life—child mortality, malnutrition, the grinding down of women and the elderly—has been Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae.

Book 2, Chapter 14 Quotes

The Countess Catherine Ivanovna, however strange it may be and however little in keeping with the rest of her character, was a staunch adherent to that teaching which holds that the essence of Christianity lies in a belief in the Redemption. She went to meetings where this teaching, then in fashion, was being preached, and assembled ‘the faithful’ in her own house. Though this teaching repudiated all ceremonies, icons, and sacraments, Catherine Ivanovna had icons in every room, and even one on the wall above her bed, and observed all that the Church prescribed, without noticing any contradiction.

Related Characters: Countess Charskaya , Dmitri Ivanich Nekhlyudov
Page Number and Citation: 271
Explanation and Analysis:
This description of Countess Catherine Ivanovna appears as Nekhlyudov reenters aristocratic society in Petersburg, encountering those who preach morality while upholding the systems he now seeks to dismantle. Tolstoy presents the Countess as a figure of self-serving piety, whose religious commitments are less about belief than about fashion, identity, and control. Her selective embrace of doctrine—professing faith in Redemption while maintaining the rituals her sect ostensibly rejects—illustrates the shallow moral theater of the upper class. The tension between her creed and her behavior is not accidental but unconscious; she “does not notice” the contradiction because her faith is performative, structured Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placea

Book 2, Chapter 19 Quotes

‘Goodbye, my dear fellow; do not take it amiss. It is my affection that makes me say it. Do not keep company with such people as we have here. There are no innocent ones among them. All these people are most immoral. We know them’, he said, in a tone that admitted no possibility of doubt.

And he did not doubt; not because the thing was so, but because if it were not so, he would have to admit himself to be, not a noble hero living out the last days of a good life, but a scoundrel, who had sold, and still in his old age continued to sell, his conscience.

Related Characters: Dmitri Ivanich Nekhlyudov
Page Number and Citation: 294
Explanation and Analysis:
This statement comes at the end of Nekhlyudov’s meeting with an old general, a man who defends the brutal treatment of political prisoners by invoking duty and moral certainty. The general’s warning is delivered with the veneer of paternal concern, but it masks a deep moral corruption. His insistence that all prisoners are “immoral” is not grounded in evidence but in the need to protect a carefully constructed self-image. He does not reason his way to this belief; he clings to it because to question it would unravel the foundation of his entire life. Acknowledging even one innocent prisoner would Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accus

Book 2, Chapter 23 Quotes

And so he adopted all the usual sophisms which go to prove that a single human intellect cannot know the truth; that the truth is only revealed to an association of men, and can only be known by revelation, which revelation is kept by the Church, and so on, and from that time forth, without being conscious of the lie, he managed, with a quiet mind, to be present at prayers and masses for the dead, to confess, to make signs of the cross in front of icons, and to continue in the service which gave him the feeling of being useful, and afforded him some relief from his joyless family life. Although he believed thus, he felt with his entire being that this religion of his, more than all else, was not ‘the right thing’, and that is why his eyes always looked sad.

Related Characters: Selenin (speaker)
Page Number and Citation: 308
Explanation and Analysis:
This quotation is part of Selenin’s inner monologue, as he confronts the quiet, lifelong compromise between his early ideals and the hollow routines of his public and private life. The passage demonstrates how belief, when detached from personal conviction, becomes a mechanism of survival rather than meaning. Selenin embraces religious orthodoxy because it offers a sanctioned escape from doubt—a set of ready-made answers that justify participation in a system he no longer respects. The logic he adopts is deliberately circular: since no individual can know the truth, one must defer to the Church, which claims to possess it. This move Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur e

Book 2, Chapter 25 Quotes

When Nekhlyudov repeated in his mind the thoughts of the day before, he was surprised that he could have believed them for a moment. However new and difficult it might be to do what he had decided on, he knew that it was the only possible way of life for him now; and however easy and natural it might be to return to his former state, he knew that state to be death. Yesterday’s temptation seemed like the feeling when one awakes from deep sleep, and, without feeling sleepy, wants to lie comfortably in bed a little longer, knowing nevertheless that it is time to rise and begin the glad and important work that awaits one.

Related Characters: Dmitri Ivanich Nekhlyudov , Katusha Maslova
Page Number and Citation: 316
Explanation and Analysis:
This moment takes place the morning after Nekhlyudov briefly wavers in his commitment to Maslova and to renouncing his former life of privilege. The metaphor of waking from sleep encapsulates the shift from passive comfort to conscious moral action. Nekhlyudov’s former life—once filled with ease, status, and social acceptance—is now seen as a kind of spiritual sleep, a state that offers physical rest but no purpose. The temptation to return to it is not dramatized as some great crisis but as something seductively mundane: the desire to stay in bed. This framing allows the passage to convey both the seriousness Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa.

Book 2, Chapter 32 Quotes

‘How can you hope to reform her after the life she has led?’ she asked.

He sat quite straight on a small chair and listened attentively, trying to understand her and to answer rightly. The state of mind called forth in him by his last interview with Maslova still filled his soul with quiet joy and goodwill to all men.

‘It is not her but myself I wish to reform,’ he replied.

Nataly sighed.

‘There are other ways than marriage to do that.’

‘But I think it is the best. Besides, it leads me into a world in which I can be of use.’

‘I cannot believe you will be happy’, said Nataly.

‘My happiness is not the point.’

Related Characters: Dmitri Ivanich Nekhlyudov (speaker), Katusha Maslova , Nataly
Page Number and Citation: 345
Explanation and Analysis:
This exchange takes place during Nekhlyudov’s conversation with Nataly, who challenges his decision to marry Maslova as a means of atonement. Tolstoy uses this moment to crystallize Nekhlyudov’s moral shift from self-interest to self-sacrifice. His insistence that “it is not her but myself I wish to reform” marks a reversal of the logic that has governed his past life—one in which women were judged, controlled, or discarded based on their usefulness to men’s desires. Now, he centers his own guilt and accepts personal responsibility rather than framing Maslova as a project to fix. Nataly’s concern betrays a more conventional worldview, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligen

Book 2, Chapter 40 Quotes

‘We may deal with things without love—we cut down trees, make bricks, hammer iron without love—but we cannot deal with men without it, just as one cannot deal with bees without being careful. If one deals carelessly with bees one will injure them and will oneself be injured. And so with men. It cannot be otherwise, because mutual love is the fundamental law of human life. It is true that a man cannot force another to love him as he can force him to work for him, but it does not follow that one may deal with men without love, especially if one demands or expects anything from them.’

Related Characters: Dmitri Ivanich Nekhlyudov (speaker)
Page Number and Citation: 383
Explanation and Analysis:
These thoughts occur as Nekhlyudov stands on a platform, shaken by the death of a prisoner and the indifferent routines of state power. The passage distills the central ethical revelation of Resurrection: that love is not a sentiment but a moral necessity in all human relations. Tolstoy draws a sharp distinction between how we handle objects—trees, bricks, iron—and how we must treat people. Objects can be shaped by force; people cannot. The comparison to bees is precise: like human beings, bees are social, complex, and easily harmed by careless interference. To deal with them requires patience, humility, and attentiveness—all of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleni

Book 3, Chapter 3 Quotes

Maslova could see that Mary Pavlovna knew, and was even pleased to know, that she was beautiful, yet the effect her appearance had on men was not at all pleasing to her: she was even afraid of it, and had an absolute disgust and fear of all falling in love. Her men companions knew this, and never fell in love with her—or, at any rate, concealed it if they did—and behaved to her as they would to a man; but with strangers, who often molested her, the great physical strength on which she prided herself stood her in good stead.

Related Characters: Katusha Maslova , Mary Pavlovna
Page Number and Citation: 400
Explanation and Analysis:
This passage offers insight into Mary Pavlovna’s character as seen through Maslova’s eyes, highlighting the unusual balance of beauty, strength, and guardedness that defines her role within the group of political prisoners. Unlike the men who have shaped and damaged Maslova’s life, Mary Pavlovna resists being defined or diminished by her physical appearance. Though she is aware of her beauty, she regards its effect on men as a danger to her autonomy. Her disgust toward romantic attraction stems from a principled rejection of the way desire distorts relationships—particularly for women. This attitude, shared in part by Maslova, becomes a foundation Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non invento

Book 3, Chapter 5 Quotes

He felt for her something he had never experienced before. This feeling had nothing in common with his first poetic love for her, still less with the sensual love that had followed, or even with the satisfaction of a duty fulfilled (not unmixed with self-admiration) with which, after the trial, he decided to marry her. The present feeling was simply one of pity and tenderness […] It was the same feeling he now had, only with this difference: that whereas formerly it was momentary, now it became permanent.

Related Characters: Katusha Maslova , Dmitri Ivanich Nekhlyudov
Page Number and Citation: 405
Explanation and Analysis:
This quote occurs as Nekhlyudov observes Maslova’s transformation among the political prisoners and begins to understand the depth of his feeling for her. The passage marks a decisive shift in Nekhlyudov’s moral development, distinguishing his current emotion from the layered self-interest of his past. Where his earlier attachments were shaped by idealism, desire, or the self-congratulatory sense of doing the right thing, what he feels now is stripped of those distortions. It is not romanticized, possessive, or transactional. Instead, it is rooted in sustained compassion—an unadorned recognition of another person’s suffering and strength. What once appeared as pity has deepened Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciu

Book 3, Chapter 12 Quotes

He was ascetic by habit, contenting himself with very little, and, like all who have been used to work from childhood and whose muscles have been developed, he could work much and easily and was quick at any manual labour; but what he valued most was the leisure in prisons and at the halting-stations, which enabled him to continue his studies. He was now studying the first volume of Karl Marx, and carefully hid the book in his sack, as if it were a great treasure. He behaved with reserve and indifference to all his comrades except Novodvorov, to whom he was greatly attached, and whose arguments on all subjects he accepted as irrefutable truths.

Related Characters: Novodvorov , Kondratyev , Dmitri Ivanich Nekhlyudov
Page Number and Citation: 430-431
Explanation and Analysis:
This passage introduces Kondratyev not just as a character, but as a symbol of a new, emerging force within Russian society at the turn of the 20th century. His ascetic lifestyle, formed through years of physical labor, marks him as a product of the working class—disciplined, self-reliant, and quietly defiant. The fact that he treasures Das Kapital and hides it like contraband reflects both the radical potential of Marxist theory and the danger it represented in Tsarist Russia. His devotion to Novodvorov, whose arguments he accepts without question, signals how ideological structures could fill the void once occupied by religious Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissim

Book 3, Chapter 17 Quotes

‘You must decide’, Nekhlyudov repeated.

‘What am I to decide? Everything has long been decided.’

‘No, you must decide whether you will accept Vladimir Simonson’s offer’, said Nekhlyudov.

‘What sort of a wife can I be—I, a convict? Why should I ruin Vladimir Simonson too?’ she said, with a frown.

Related Characters: Katusha Maslova (speaker), Dmitri Ivanich Nekhlyudov (speaker), Vladimir Simonson
Page Number and Citation: 443
Explanation and Analysis:
This exchange takes place after Maslova learns of Simonson’s proposal and Nekhlyudov urges her to consider it seriously. Maslova resists the idea because she struggles to imagine herself as someone worthy of love or a new beginning. When she says that “everything has long been decided,” she does not mean the decision about Simonson specifically, but rather the role society has cast her in. Years of abuse, imprisonment, and shame have taught her to see herself as ruined, and she carries that view even into this new context of compassion and respect. She does not reject Simonson outright; instead, she Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde e

Book 3, Chapter 18 Quotes

‘What we have been doing is not the thing at all. Not to argue, but all to unite …to destroy them.’

‘But they are also human beings’, said Nekhlyudov.

‘No, they are not human: men who can do what they are doing…No…It is said that some kind of bombs and balloons have been invented. Well, one ought to go up in a balloon, and sprinkle them with bombs, as if they were bugs, till they are all exterminated.’

Related Characters: Kriltsov (speaker), Dmitri Ivanich Nekhlyudov (speaker), Neverov
Page Number and Citation: 445
Explanation and Analysis:
This conversation comes after Kriltsov learns of Neverov’s death and erupts in fury at the system that crushed him, declaring that only violent revolution can end such injustice. Kriltsov’s outburst shows the emotional and psychological toll of sustained exposure to state cruelty. His call to “destroy them” suggests a loss of faith not only in reform but in the humanity of the oppressors. The comparison of officials to “bugs” strips them of personhood in the same way the state strips prisoners of theirs—a rhetorical mirroring that exposes how violence, even in the name of justice, risks reproducing the very logic Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minim

Book 3, Chapter 21 Quotes

‘There are many faiths, but the spirit is one—in me, and in you, and in him. So that if everyone believes himself, all will be united; everyone be himself and all will be as one.’

Related Characters: Dmitri Ivanich Nekhlyudov
Page Number and Citation: 456
Explanation and Analysis:
This line is spoken by the unnamed barefoot man on the ferry, a figure who rejects organized religion and institutional authority in favor of a direct, inner moral compass. Tolstoy uses this character to articulate a radical vision of spiritual unity based on individual conscience. The idea that “the spirit is one” is a core tenet of Tolstoy’s late philosophy. He believed that true faith resides not in rituals or doctrines but in the living moral awareness shared by all people. By insisting that “if everyone believes himself,” unity will follow, the speaker inverts traditional ideas of religious conformity. Unity, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas deb

Book 3, Chapter 28 Quotes

Hoping to find a confirmation of this thought in the Gospel Nekhlyudov began reading it from the beginning. When he had read the Sermon on the Mount, which had always touched him, he saw in it today for the first time not beautiful abstract thoughts, setting forth for the most part exaggerated and impossible demands, but simple, clear, practical laws, which if carried out in practice (and this is quite possible) would establish perfectly new and surprising conditions of social life, in which the violence that filled Nekhlyudov with such indignation would not only cease of itself, but the greatest blessing attainable by men—the kingdom of heaven on earth—would be reached.

Related Characters: Dmitri Ivanich Nekhlyudov
Related Symbols: The New Testament
Page Number and Citation: 481
Explanation and Analysis:
This moment is the culmination of Nekhlyudov’s moral and spiritual transformation as he rereads the Sermon on the Mount with fresh eyes after a night of restless reflection. Tolstoy presents a decisive shift in how spiritual truth is perceived—not as lofty idealism, but as actionable guidance for social and personal life. What once seemed “exaggerated and impossible” now appears “simple, clear, practical,” suggesting that it is not the demands of the Gospel that are unrealistic, but the values of the society that dismiss them. Nekhlyudov’s revelation frames Christian teaching as a radical blueprint for present justice. The idea that such Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat.
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