Sara Quotes in Tell Me Everything
Book 1, Chapter 1 Quotes
[Lucy] shook her head and said, “Jesus Christ. All these unrecorded lives, and people just live them.” Then she looked at Olive and said, “Sorry for swearing.”
“Phooey, swear all you want.” Olive added, “Well, that’s the story. I always wanted to tell someone. But for whatever reasons I never did.”
Lucy said, contemplatively, “I wonder how many people in long marriages live with ghosts beside them.”
Shortly after Lucy meets Olive Kitteridge for the first time, Olive tells Lucy the story of her mother Sara, who pined after her first love Stephen Turner even decades into her marriage with Olive’s father. Lucy’s reaction to Olive’s story (“Jesus Christ”) suggests the disappointment that seems to have pervaded Sara’s life. Specifically, Lucy knows that while Sara’s love for Stephen might seem romantic in Olive’s retelling, Sara experienced her own heartbreak as “unrecorded,” not as something to mythologize but as something to “live” day in and day out. Firstly, then, this exchange is notable because it gets at the power of narrative to “record” life. In finally sharing the story with Lucy (“I always wanted to tell someone but never did,” Olive confesses), Olive gives new shape and permanence to her mother’s life.
Secondly, the story of Sara and Stephen Turner introduces the idea of marriages lived “with ghosts beside them”—meaning, literally, that past lovers or imagined love affairs can haunt present unions. Over and over again, the marriages in the novel will indeed be plagued by “ghost[ly]” desires, including for Lucy herself (who finds herself falling for her beloved friend Bob Burgess). But importantly, in providing this metaphor so early on, the novel suggests that such adulterous desires do not need to be acted on for their presence to be felt in a marriage. Instead, these “ghosts” can show up in more subtle ways, living “beside” marriages even as the marriages themselves continue.
Sara Quotes in Tell Me Everything
Book 1, Chapter 1 Quotes
[Lucy] shook her head and said, “Jesus Christ. All these unrecorded lives, and people just live them.” Then she looked at Olive and said, “Sorry for swearing.”
“Phooey, swear all you want.” Olive added, “Well, that’s the story. I always wanted to tell someone. But for whatever reasons I never did.”
Lucy said, contemplatively, “I wonder how many people in long marriages live with ghosts beside them.”
Shortly after Lucy meets Olive Kitteridge for the first time, Olive tells Lucy the story of her mother Sara, who pined after her first love Stephen Turner even decades into her marriage with Olive’s father. Lucy’s reaction to Olive’s story (“Jesus Christ”) suggests the disappointment that seems to have pervaded Sara’s life. Specifically, Lucy knows that while Sara’s love for Stephen might seem romantic in Olive’s retelling, Sara experienced her own heartbreak as “unrecorded,” not as something to mythologize but as something to “live” day in and day out. Firstly, then, this exchange is notable because it gets at the power of narrative to “record” life. In finally sharing the story with Lucy (“I always wanted to tell someone but never did,” Olive confesses), Olive gives new shape and permanence to her mother’s life.
Secondly, the story of Sara and Stephen Turner introduces the idea of marriages lived “with ghosts beside them”—meaning, literally, that past lovers or imagined love affairs can haunt present unions. Over and over again, the marriages in the novel will indeed be plagued by “ghost[ly]” desires, including for Lucy herself (who finds herself falling for her beloved friend Bob Burgess). But importantly, in providing this metaphor so early on, the novel suggests that such adulterous desires do not need to be acted on for their presence to be felt in a marriage. Instead, these “ghosts” can show up in more subtle ways, living “beside” marriages even as the marriages themselves continue.