The Axe

by Penelope Fitzgerald

Narrator Character Analysis

The Narrator is a middle manager at a firm who gets tasked with firing several employees. The Narrator writes an account to his Superior that details the aftermath of dismissing the employees, including Singlebury, an elderly man who is the firm’s most loyal and responsible worker. At first, the Narrator seems unaffected by his participation in Singlebury’s fate, but later it becomes clear that he is repressing a deep guilt about it. Worried that Singlebury might commit suicide, he asks his wife, a social worker, to look in on the man, but Singlebury has disappeared, and no one knows what happened to him. By the end of the story, the Narrator appears to be suffering from violent delusions caused by his extreme remorse.

Narrator Quotes in The Axe

The The Axe quotes below are all either spoken by Narrator or refer to Narrator. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Work and Identity Theme Icon
).

The Axe Quotes

From this point on I feel able to write more freely, it being well understood, at office-managerial level, that you do not read more than the first two sentences of any given report. You believe that anything which cannot be put into two sentences is not worth attending to, a piece of wisdom which you usually attribute to the late Lord Beaverbrook.

Related Characters: Narrator (speaker), Superior
Page Number: 311
Explanation and Analysis:

Singlebury had no wife or dependants, and was by no means a communicative man. His room is, or was, a kind of cubby-hole adjoining mine—you have to go through it to get into my room—and it was always kept very neat. About his ‘things’ he did show some mild emotion. They had to be ranged in a certain pattern in respect to his in and out trays, and Singlebury stayed behind for two or three minutes every evening to do this.

Related Characters: Narrator (speaker), Singlebury
Related Symbols: Cubby-Hole
Page Number: 312
Explanation and Analysis:

The actual notification to the redundant staff passed off rather better, in a way, than I had anticipated. By that time everyone in the office seemed inexplicably conversant with the details, and several of them had gone far beyond their terms of reference, young Patel, for instance, who openly admits that he will be leaving us as soon as he can get a better job, taking me aside and telling me that to such a man as Singlebury dismissal would be like death. Dismissal is not the right word, I said. But death is, Patel replied.

Related Characters: Narrator (speaker), Patel (speaker), Singlebury
Page Number: 312
Explanation and Analysis:

His place, when we eventually got to it, seemed particularly inconvenient, the entrance being through a small cleaner’s shop. It consisted of one room and a shared toilet on the hall-landing. The room itself was tidy, arranged, so it struck me, much on the lines of his cubby-hole, but the window was shut and it was oppressively stuffy. This is where I bury myself, said Singlebury.

Related Characters: Narrator (speaker), Singlebury (speaker)
Related Symbols: Cubby-Hole
Page Number: 313
Explanation and Analysis:

Meanwhile Singlebury’s desk had not been cleared—that is, of the trays, pencil-sharpener and complimentary calendar which were, of course, office property. The feeling that he would come back—not like Mrs. Horrocks, who has rung up and called round incessantly—but simply come back to work out of habit and through not knowing what else to do, was very strong, without being openly mentioned. I myself half expected and dreaded it […]. Nothing happened, however, and on Thursday I personally removed the ‘things’ from the cubby-hole into my own room.

Related Characters: Narrator (speaker), Singlebury, Mrs. Horrocks
Related Symbols: Cubby-Hole
Page Number: 314
Explanation and Analysis:

I would describe my feeling at this point as resentment, and I cannot identify exactly the moment when it passed into unease. I do know that I was acutely uneasy as I crossed the hall and saw two of your domestic staff, a man and a woman, holding my coat, which I had left in the lobby, and apparently trying to brush it. […] Then I saw they were not smiling at my coat but that they seemed to be examining their fingers and looking at me earnestly and silently, and the collar or shoulders of my coat was covered with blood. As I came up to them, although they were still both absolutely silent, the illusion or impression passed, and I put on my coat and left the house in what I hope was a normal manner.

Related Characters: Narrator (speaker), Superior
Page Number: 314-315
Explanation and Analysis:

The feeling of uneasiness which I have described as making itself felt in your house has not diminished during this past weekend, and partly to take my mind off it and partly for the reasons I have given, I decided to work overtime again tonight. Monday the 23rd. This was in spite of the fact that the damp smell had become almost a stench, as of something putrid, which must have affected my nerves to some extent, because when I went out to get something to eat at Dino’s I left the lights on, both in my own office, and in the entrance hall.

Related Characters: Narrator (speaker)
Related Symbols: Strange Smell
Page Number: 315
Explanation and Analysis:

As I stood in the empty hallway I could hear the numerous creakings, settlings and faint tickings of an old building, possibly associated with the plumbing system. The lifts for reasons of economy do not operate after 6:30 p.m., so I began to walk up the stairs. After one flight I felt a strong creeping tension in the nerves of the back such as any of us feel when there is danger from behind; one might say that the body was thinking for itself on these occasions. I did not look round, but simply continued upwards as rapidly as I could. At the third floor I paused, and could hear footsteps coming patiently up behind me. This was not a surprise; I had been expecting them all evening.

Related Characters: Narrator (speaker)
Page Number: 315
Explanation and Analysis:

As he appeared in the outer doorway I saw that I had not been correct about the reason for the odd movement of the head. The throat was cut from ear to ear so that the head was nearly severed from the shoulders. It was this which had given the impression of nodding, or rather, lolling. As he walked into his cubbyhole Singlebury raised both hands and tried to steady the head as though conscious that something was wrong. The eyes were thickly filmed over, as one sees in the carcasses in a butcher’s shop.

Related Characters: Narrator (speaker), Singlebury
Related Symbols: Cubby-Hole
Page Number: 315
Explanation and Analysis:

I have passed the time so far as best as I could in writing this report. One consideration strikes me. If what I have next door is a visitant which should not be walking but buried in the earth, then its wound cannot bleed, and there will be no stream of blood moving slowly under the door. However I am sitting at the moment with my back to the door, so that, without turning round, I have no means of telling whether it has done so or not.

Related Characters: Narrator (speaker), Superior, Singlebury
Related Symbols: Cubby-Hole
Page Number: 316
Explanation and Analysis:
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Narrator Quotes in The Axe

The The Axe quotes below are all either spoken by Narrator or refer to Narrator. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Work and Identity Theme Icon
).

The Axe Quotes

From this point on I feel able to write more freely, it being well understood, at office-managerial level, that you do not read more than the first two sentences of any given report. You believe that anything which cannot be put into two sentences is not worth attending to, a piece of wisdom which you usually attribute to the late Lord Beaverbrook.

Related Characters: Narrator (speaker), Superior
Page Number: 311
Explanation and Analysis:

Singlebury had no wife or dependants, and was by no means a communicative man. His room is, or was, a kind of cubby-hole adjoining mine—you have to go through it to get into my room—and it was always kept very neat. About his ‘things’ he did show some mild emotion. They had to be ranged in a certain pattern in respect to his in and out trays, and Singlebury stayed behind for two or three minutes every evening to do this.

Related Characters: Narrator (speaker), Singlebury
Related Symbols: Cubby-Hole
Page Number: 312
Explanation and Analysis:

The actual notification to the redundant staff passed off rather better, in a way, than I had anticipated. By that time everyone in the office seemed inexplicably conversant with the details, and several of them had gone far beyond their terms of reference, young Patel, for instance, who openly admits that he will be leaving us as soon as he can get a better job, taking me aside and telling me that to such a man as Singlebury dismissal would be like death. Dismissal is not the right word, I said. But death is, Patel replied.

Related Characters: Narrator (speaker), Patel (speaker), Singlebury
Page Number: 312
Explanation and Analysis:

His place, when we eventually got to it, seemed particularly inconvenient, the entrance being through a small cleaner’s shop. It consisted of one room and a shared toilet on the hall-landing. The room itself was tidy, arranged, so it struck me, much on the lines of his cubby-hole, but the window was shut and it was oppressively stuffy. This is where I bury myself, said Singlebury.

Related Characters: Narrator (speaker), Singlebury (speaker)
Related Symbols: Cubby-Hole
Page Number: 313
Explanation and Analysis:

Meanwhile Singlebury’s desk had not been cleared—that is, of the trays, pencil-sharpener and complimentary calendar which were, of course, office property. The feeling that he would come back—not like Mrs. Horrocks, who has rung up and called round incessantly—but simply come back to work out of habit and through not knowing what else to do, was very strong, without being openly mentioned. I myself half expected and dreaded it […]. Nothing happened, however, and on Thursday I personally removed the ‘things’ from the cubby-hole into my own room.

Related Characters: Narrator (speaker), Singlebury, Mrs. Horrocks
Related Symbols: Cubby-Hole
Page Number: 314
Explanation and Analysis:

I would describe my feeling at this point as resentment, and I cannot identify exactly the moment when it passed into unease. I do know that I was acutely uneasy as I crossed the hall and saw two of your domestic staff, a man and a woman, holding my coat, which I had left in the lobby, and apparently trying to brush it. […] Then I saw they were not smiling at my coat but that they seemed to be examining their fingers and looking at me earnestly and silently, and the collar or shoulders of my coat was covered with blood. As I came up to them, although they were still both absolutely silent, the illusion or impression passed, and I put on my coat and left the house in what I hope was a normal manner.

Related Characters: Narrator (speaker), Superior
Page Number: 314-315
Explanation and Analysis:

The feeling of uneasiness which I have described as making itself felt in your house has not diminished during this past weekend, and partly to take my mind off it and partly for the reasons I have given, I decided to work overtime again tonight. Monday the 23rd. This was in spite of the fact that the damp smell had become almost a stench, as of something putrid, which must have affected my nerves to some extent, because when I went out to get something to eat at Dino’s I left the lights on, both in my own office, and in the entrance hall.

Related Characters: Narrator (speaker)
Related Symbols: Strange Smell
Page Number: 315
Explanation and Analysis:

As I stood in the empty hallway I could hear the numerous creakings, settlings and faint tickings of an old building, possibly associated with the plumbing system. The lifts for reasons of economy do not operate after 6:30 p.m., so I began to walk up the stairs. After one flight I felt a strong creeping tension in the nerves of the back such as any of us feel when there is danger from behind; one might say that the body was thinking for itself on these occasions. I did not look round, but simply continued upwards as rapidly as I could. At the third floor I paused, and could hear footsteps coming patiently up behind me. This was not a surprise; I had been expecting them all evening.

Related Characters: Narrator (speaker)
Page Number: 315
Explanation and Analysis:

As he appeared in the outer doorway I saw that I had not been correct about the reason for the odd movement of the head. The throat was cut from ear to ear so that the head was nearly severed from the shoulders. It was this which had given the impression of nodding, or rather, lolling. As he walked into his cubbyhole Singlebury raised both hands and tried to steady the head as though conscious that something was wrong. The eyes were thickly filmed over, as one sees in the carcasses in a butcher’s shop.

Related Characters: Narrator (speaker), Singlebury
Related Symbols: Cubby-Hole
Page Number: 315
Explanation and Analysis:

I have passed the time so far as best as I could in writing this report. One consideration strikes me. If what I have next door is a visitant which should not be walking but buried in the earth, then its wound cannot bleed, and there will be no stream of blood moving slowly under the door. However I am sitting at the moment with my back to the door, so that, without turning round, I have no means of telling whether it has done so or not.

Related Characters: Narrator (speaker), Superior, Singlebury
Related Symbols: Cubby-Hole
Page Number: 316
Explanation and Analysis: