Throughout the first half of his report, the Narrator reveals little to no emotion about the order he has been given to fire Singlebury and other employees, describing the events in fairly neutral, business-like terms. However, midway through the report, the reader detects that behind the impersonal language, the Narrator in fact feels quite guilty and has been repressing his shame. Initially, small cracks appear in his professional façade. For example, when workers circulate a rumor about Singlebury being suicidal, he brushes it off in public but betrays his own alarm when he asks his wife, a social worker, to check in on the elderly man. Similarly, when he receives orders to attend the Superior’s party, he feels dismayed because he knows it’s a reward for firing Singlebury, an act he is now coming to view as a violation of justice. By the end of the story, the Narrator can no longer repress his agony over taking part in Singlebury’s fate. He begins seeing images of violence when he’s leaving the Superior’s party—including blood on the collar of his coat—and he spends the weekend growing increasingly anxious. When he encounters a bloody and wounded Singlebury in the final scene, he is approaching hysteria, but at the same time he has expected this outcome: his wrongful act has caught up with him. Nevertheless, he tries to repress his shame once again in the concluding image. He sits with his back to Singlebury’s cubby-hole, refusing to confirm if Singlebury is a ghost or a real man in need of help. Through the narrator’s increasing desperation to repress his guilt—and the fact that it’s never clear if the horrors he sees are real or not—the story darkly suggests that unjust corporate demands cost workers their morality and even their sanity.
Guilt and Repression ThemeTracker
Guilt and Repression Quotes in The Axe
The Axe Quotes
From this point on I feel able to write more freely, it being well understood, at office-managerial level, that you do not read more than the first two sentences of any given report. You believe that anything which cannot be put into two sentences is not worth attending to, a piece of wisdom which you usually attribute to the late Lord Beaverbrook.
The actual notification to the redundant staff passed off rather better, in a way, than I had anticipated. By that time everyone in the office seemed inexplicably conversant with the details, and several of them had gone far beyond their terms of reference, young Patel, for instance, who openly admits that he will be leaving us as soon as he can get a better job, taking me aside and telling me that to such a man as Singlebury dismissal would be like death. Dismissal is not the right word, I said. But death is, Patel replied.
Meanwhile Singlebury’s desk had not been cleared—that is, of the trays, pencil-sharpener and complimentary calendar which were, of course, office property. The feeling that he would come back—not like Mrs. Horrocks, who has rung up and called round incessantly—but simply come back to work out of habit and through not knowing what else to do, was very strong, without being openly mentioned. I myself half expected and dreaded it […]. Nothing happened, however, and on Thursday I personally removed the ‘things’ from the cubby-hole into my own room.
I would describe my feeling at this point as resentment, and I cannot identify exactly the moment when it passed into unease. I do know that I was acutely uneasy as I crossed the hall and saw two of your domestic staff, a man and a woman, holding my coat, which I had left in the lobby, and apparently trying to brush it. […] Then I saw they were not smiling at my coat but that they seemed to be examining their fingers and looking at me earnestly and silently, and the collar or shoulders of my coat was covered with blood. As I came up to them, although they were still both absolutely silent, the illusion or impression passed, and I put on my coat and left the house in what I hope was a normal manner.
The feeling of uneasiness which I have described as making itself felt in your house has not diminished during this past weekend, and partly to take my mind off it and partly for the reasons I have given, I decided to work overtime again tonight. Monday the 23rd. This was in spite of the fact that the damp smell had become almost a stench, as of something putrid, which must have affected my nerves to some extent, because when I went out to get something to eat at Dino’s I left the lights on, both in my own office, and in the entrance hall.
As I stood in the empty hallway I could hear the numerous creakings, settlings and faint tickings of an old building, possibly associated with the plumbing system. The lifts for reasons of economy do not operate after 6:30 p.m., so I began to walk up the stairs. After one flight I felt a strong creeping tension in the nerves of the back such as any of us feel when there is danger from behind; one might say that the body was thinking for itself on these occasions. I did not look round, but simply continued upwards as rapidly as I could. At the third floor I paused, and could hear footsteps coming patiently up behind me. This was not a surprise; I had been expecting them all evening.
As he appeared in the outer doorway I saw that I had not been correct about the reason for the odd movement of the head. The throat was cut from ear to ear so that the head was nearly severed from the shoulders. It was this which had given the impression of nodding, or rather, lolling. As he walked into his cubbyhole Singlebury raised both hands and tried to steady the head as though conscious that something was wrong. The eyes were thickly filmed over, as one sees in the carcasses in a butcher’s shop.
I have passed the time so far as best as I could in writing this report. One consideration strikes me. If what I have next door is a visitant which should not be walking but buried in the earth, then its wound cannot bleed, and there will be no stream of blood moving slowly under the door. However I am sitting at the moment with my back to the door, so that, without turning round, I have no means of telling whether it has done so or not.



