The Blind Assassin

by

Margaret Atwood

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The Blind Assassin: Chapter 8 Summary & Analysis

Summary
Analysis
In The Bind Assassin, the man moves again, away from the building with the janitor’s room. He moves to a new neighborhood where Emma Goldman is supposedly also living after having been exiled from the U.S. It is a poor, Jewish neighborhood filled with immigrants. The woman buys three apples as a “peace offering” for the man. Later, in bed, the man asks where the woman has been, noting that it has been weeks since he last saw her. However, the woman hesitates, saying that they should get back to the story instead. In the man’s story, the blind assassin tells the Servant of Rejoicing that he and the girl have a holy message for him, but that it must be delivered in private.
The detail about Emma Goldman living in the neighborhood is a reminder that the novel is a work of historical fiction with close references to the real events that were occurring in Toronto at the time. Emma Goldman was a Lithuanian Jewish immigrants to the U.S. who ended up being deported to Canada due to her anarchist activities. The fact that she and Alex are hiding in the same neighborhood gives a sense of the kind of subversive activities with which Alex may have been involved.
Themes
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Oppression vs. Resistance Theme Icon
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Emulation, Repetition, and Identity Theme Icon
Once the blind assassin is alone with the girl and the Servant of Rejoicing, he tells the Servant he will instruct him how to sneak into Sakiel-Norn. First, the Servant should send a few men to give the password (which the assassin knows) at the gate, then these men should float a rope back down the canal so more of the People of Joy can pull themselves in against the current. Once enough people are inside, they can kill the guard at the gate and open it for all the rest to join. However, the assassin says that before any of this happens, he and the girl must make a kind of holy pilgrimage to a mountain.
At the Labour Day dinner in the main narrative, Alex explained that he survives by his wits. Given that the man in The Blind Assassin is based on Alex, there is a clear parallel between Alex’s life and what’s happening in the man’s science-fiction story. In this part of the story the man is telling, the blind assassin uses his wits to manipulate the Servant of Rejoicing into allowing him and the girl to escape. There is evidently an extent to which the blind assassin is a (somewhat idealized) version of Alex himself: highly skilled, ingenious, brave, and good at escaping from the clutches of authority. 
Themes
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Oppression vs. Resistance Theme Icon
Violence and Death Theme Icon
Emulation, Repetition, and Identity Theme Icon
This mountain is where the escaped slaves of Sakiel-Norn live in peaceful communities. They pretend to be wolves and undead women in order to scare away others and protect themselves, but in reality they will accept the girl and the blind assassin as fellow fugitives. The woman expresses shock that the man ends his story with private escape into a life of contentment rather than championing the greater good for all, but the man says that he is just reflecting historical truths. He says that while the blind assassin and the girl escape, the People of Joy raze Sakiel-Norn, killing all its inhabitants, so that “An entire culture is wiped from the universe.”
The destruction of Sakiel-Norn has an ambiguous status within the overall narrative. On one hand, the man presented Sakiel-Norn as a decidedly evil society with corrupt values and horrific levels of violence. At the same time, it is a tragedy for any civilization to be entirely “wiped from the universe,” particularly considering it will not have only been the evil Snilfards who were exterminated, but the oppressed Ygnirods too.
Themes
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Doomed Love Theme Icon
Oppression vs. Resistance Theme Icon
Violence and Death Theme Icon
Emulation, Repetition, and Identity Theme Icon
The blind assassin and girl escape, only to learn that the supposedly peaceful community of fugitives really is made up of undead women and wolves who eat them alive. The woman complains about this twist, but the man says that he must honor the way things are in reality, which means that there must be wolves. The woman asks the man if he is ever “unfaithful,” to which he replies, “No more than you are to me.” Yet after teasing her, he assures her that he never sleeps with other women. The woman then reveals the thing she had to tell him: she is going away for a month on a trip related to the upcoming war. The man is angry, even when the woman insists that she doesn’t want to go and doesn’t enjoy the luxurious life she leads.
The man’s frequent claim that he must honor the reality of life is interesting considering the fact that he is not a writer of social realism, but rather science fiction. Of course, all science fiction inevitably reflects human culture to some degree, due to the fact that it is written by humans. At the same time, there is no demand that the worlds of science fiction resemble the real world, and it is thus curious that the man uses this excuse as a reason for why his stories are so depressing and brutal.
Themes
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Emulation, Repetition, and Identity Theme Icon
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A July 1936 article in Mayfair describes a luxury ship called the Queen Mary, comparing it to “a Waldorf-Astoria hotel,” afloat. Dances take place every evening onboard, with women dressed in the latest fashions.
The fact that this luxury liner makes its debut while the world has not yet fully recovered from the Depression highlights the hypocrisy and injustice of capitalism.
Themes
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In The Blind Assassin, the woman asks the man why he tells such sad stories, and he replies, “That’s the kind of stories I know.” Then he says if she insists on hearing a happy story, he can tell her one. This story is set on the Planet Xenor in the 99th year of the “Hundred Years’ War.” The aliens who live on Xenor are Lizard Men who are highly intelligent but also evil. They aim to capture Earthlings and breed a “super-race” of human-Lizard Men who would conquer the universe.
While it is true that the man’s life is blighted by sadness, it also seems true that his desire to tell sad stories stems less from his personal experiences and more from the fact that he wants to convey the sadness of the world at large. This is shown by the fact that he is disdainful of the woman’s desire to hear happy stories, as if he wants to burst the bubble of her privilege and naïveté.
Themes
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Violence and Death Theme Icon
Emulation, Repetition, and Identity Theme Icon
The Lizard Men first invade Earth in 1967 in an attack that kills millions of humans. However, the Earthlings fight back, and by 2066 they’re close to defeating the Xenorians. Two of the human fighters engaged in the war are a pair of old friends named Will and Boyd, who find themselves cornered by Lizard Men. Believing that they are facing death, the friends still manage to find a way to joke with each other. However, they are then suddenly yanked into a gravity field, causing them to pass out. When Will and Boyd regain consciousness, they are lying on golden sofas wearing shiny green robes. They feel peaceful and healthy. 
This kind of pulpy, salacious story was, again, very popular during this era. It is clear from the way in which the man can instantly construct one of these narratives that he’s had a lot of practice writing them.
Themes
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Suddenly, two extraordinarily beautiful women with golden skin and bizarre red net headdresses enter the room. The women welcome Will and Boyd to the plant Aa’A, informing the men that they fell there out of the sky and that their spacecraft was destroyed in the crash. The women express gratitude to the men for protecting Aa’A from the Xenorians. There are no men on Aa’A, meaning the women are virgins. The man doesn’t explicitly describe what happens next, but he indicates that Will and Boyd have sex with the women. Aa’A turns out to be a paradise where the men’s every need is fulfilled. No one is born or dies there—instead, the women renew themselves.
While there is nothing inherently wrong with the kind of widely popular, salacious science-fiction stories from which the man makes his living, as this example shows they did often (though not always) perpetuate stereotypes. This included racial stereotypes, but also, as is the case here, vulgar and objectifying stereotypes of women.
Themes
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Despite the seemingly perfect nature of life on Aa’A, however, Will and Boyd soon grow dissatisfied. Even if they hit the women, they can’t really harm them and they suspect that the women don’t feel real pleasure either. They explored the planet and, having seen its contours, conclude that they are inside “a big transparent tit.” Will concluded that Aa’A was “too good to be true” and that it therefore “must be a trap.” The man ends the story here, saying that the woman wants a happy story and that now she has one. The woman tells the man that he is wrong about the peach women of Aa’A, though she won’t explain why.
In this passage, it becomes clear that the man is not so much making fun of the kinds of stories he is writing, but rather the woman’s desire for a “happy” story. Happiness, the man seems to believe, is a foolish illusion. Indeed, his representation of the false paradise of Aa’A could be seen as a communist critique of capitalist culture, in which consumerist pleasures and the fulfilment of desires are seen as the point of life.
Themes
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Quotes
A September 19, 1936 article in The Mail and Empire describes a speech Richard Griffen gave to the Empire Club in which he condemned the actions of the leftist Republicans and said that General Franco’s far-right intervention was inevitable. He recommends that Canada refrain from intervening in the Spanish Civil War, yet he adds that the fact that Canadian communists are traveling to fight in Spain could be seen as a good thing as it relieves the burden they place on the Canadian taxpayer.
The fact that Richard—a Canadian businessman who has no special expertise or insight into global politics other than being rich—is given a platform to comment on foreign policy could be read as another indictment of capitalist culture.
Themes
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In The Blind Assassin, the man brings the woman to the Top Hat Grill. It is a depressing establishment, populated by lonely, dejected men and off-duty sex workers. As the man recommends the hot beef sandwich to the woman, the woman is suspicious as to why they are going out to eat rather than staying in his room like they usually do. The man jokes that he can pay for the meal thanks to “the Lizard Men of Xenor.” He sold the story, and the check arrived yesterday. Conscious of the strange way the man is talking, the woman asks if he’s been drinking, but the man replies, “Not much.” He then reveals that he’s leaving Canada.
The man frequently behaves in a cynical, callous, and even caustic manner, but at this point it has become obvious that he does this as a method of self-protection when he is feeling frightened, sad, or angry. Although it is his choice to leave Canada, it is likely that he feels conflicted due to not wanting to leave the woman. However, he puts on a callous air in order to conceal his inner turmoil.
Themes
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Doomed Love Theme Icon
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The woman says that she wishes she could come with him, and the man is half-disappointed that she is not having a more extreme reaction. The woman promises to wait for the man and to run away with him when he comes back. The man asks her to “leave him now,” but the woman replies that if she did, she would be stuck without any money. She makes the man promise that he’ll come back alive, saying that she doesn’t know what she’d do if he didn’t. The man suggests they go back to his room.
In this passage, it becomes more explicitly clear that the woman is married to another man. This is a key piece of information: the man is quite clearly based on Alex Thomas, but if the woman is married then she may not be based on Laura as has been indicated thus far. Perhaps, then, she is actually based on Iris. 
Themes
Storytelling, Narrative, and Truth Theme Icon
Doomed Love Theme Icon
Oppression vs. Resistance Theme Icon
Violence and Death Theme Icon
Emulation, Repetition, and Identity Theme Icon