The Bondwoman’s Narrative
by Hannah Crafts

The Bondwoman’s Narrative: Chapter 3: Progress in Discovery Summary & Analysis

Summary
Analysis
Mr. Trappe—the man who served as the mistress’s guardian between the death of her father and her marriage—stays on through the winter. Hannah learns more about him from Lizzy, the mistress’s personal maid, a  “delicate Quadroon” who takes great pride in her White heritage, even though it hasn’t saved her from a life of enslavement and trauma. Lizzy tells Hannah that the mistress’s father made Mr. Trappe the executor of his will, and she details how Mr. Trappe’s attitude toward the mistress changed after he gained access to a secret hidden in her father’s papers. She makes cryptic remarks about Mr. Trappe’s desire to “sell” the mistress, which she refuses to explain.
Hannah’s description of Lizzy emphasizes her White heritage and her White appearance (things Hannah herself shares). Although many arguments in defense of enslavement and racialized segregation were founded in ideas about the allegedly inherent inferiority of Black people, it’s clear that these aren’t real biological distinctions. Ideas about race must be conveyed and reinforced socially (Lizzy’s pride in her White ancestors, for example) in order to maintain the hierarchies necessary for slavery to exist.
Active Themes
Race as a Social Construct Theme Icon
Quotes
The mistress treats Hannah and Lizzy more as “companions than servants,” asking them to keep her company during the day and allowing both to read freely from her collection of books. The master is fond of the mistress but does not, Hannah observes, seem to notice how stressed Mr. Trappe’s extended stay makes her. Hannah wonders what secret knowledge he holds.
While it’s possible that the mistress is just a nicer person than the master, the way she treats Hannah and Lizzy continues to suggest that the mistress many not, in fact, be a White person after all. Notably, she defies her husband’s wishes in not just allowing but encouraging her maids to read books—a risky move from the point of view of the enslaver because it does in fact give Hannah ides about her own worth.
Active Themes
The Cruelties of Slavery Theme Icon
Race as a Social Construct Theme Icon
One day, a letter arrives for Mr. Trappe, which alarms the mistress. The next morning, while Hannah sits hidden behind a curtain in the drawing room, secretly reading a book, she overhears a tense conversation between the two about the letter and their “agreement.” Mr. Trappe reminds the mistress that he had expected her to provide him with a generous monthly stipend, a house, and servants in exchange for keeping her secret safe. She protests that she can’t help the fact that she lost all her money when her bank failed, and that she’s tried to keep her end of the bargain by providing him with lodging at Lindenhurst. Mr. Trappe says he’s only accepted the hospitality so that he could keep an eye on her while he planned his next move.
Active Themes
The Cruelties of Slavery Theme Icon
Race as a Social Construct Theme Icon
Enslavement as Gothic Horror Theme Icon
Having discovered that the master is also too poor to take over the mistress’s obligations, Mr. Trappe says that he plans to get the money he wants from her father’s creditors, who will pay for the knowledge that there is some “valuable property” left over from her father’s estate. The mistress maintains a defiant silence, so Mr. Trappe reminds her that she could have avoided this unfortunate situation if only she’d agreed to marry him back when he first asked. But, he recalls, she said she’d rather be “the veriest slave in existence” than marry an “old man” she didn’t love.
Active Themes
The Cruelties of Slavery Theme Icon
Race as a Social Construct Theme Icon
Enslavement as Gothic Horror Theme Icon
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Ignoring the mistress’s pleas for mercy, Mr. Trappe refuses to tell her anything about the letter except that it touches on “business” connected with her. He’s leaving today to conclude this business, but he warns her he will be back soon. In the meantime, he “command[s]” her to stop the “mop[ing]” and “pin[ing]” that are sapping her beauty and that might make her husband suspicious. And above all else, he orders her not to make an attempt on her own life. Then, he insists that they must part as “friends,” and he forces her to shake his hand. 
Active Themes
Race as a Social Construct Theme Icon
Enslavement as Gothic Horror Theme Icon