The Bondwoman’s Narrative
by Hannah Crafts
The master is the last member of the de Vincent family descended from Sir Clifford. Although he’s significantly less overtly cruel than Sir Clifford when it comes to the treatment of the people he enslaves, he still doesn’t have a high opinion of Black people. He does not permit his enslaved workers to be taught to read or anything else, and he prosecutes Aunt Hetty and Uncle Siah when he learns that they’ve educated Hannah. He appears devoted to the mistress after their marriage. He becomes extremely distressed after her flight, and he takes his own life (according to the rumors related to Hannah by Horace) after Mr. Trappe reveals the truth about the mistress’s Black heritage. Because the story comes to Hannah by hearsay and gossip, however, it isn’t clear whether the master’s suicide happens in response to his grief over the mistress’s departure or his shame over inadvertently marrying a Black woman.

Master Quotes in The Bondwoman’s Narrative

The The Bondwoman’s Narrative quotes below are all either spoken by Master or refer to Master. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
The Cruelties of Slavery Theme Icon
).

Chapter 1: In Childhood Quotes

Hitherto I had not contemplated my Master’s picture; for all my thoughts had been with the dead, but now I looked for it, where it hung solitary, and thought how soon it would have a companion like the others, and what a new aspect would thereby be given to the apartment. But was it prophecy, or presentiment, or why was it that this idea was attended to my mind with something painful? That it seemed the first scene in some fearful tragedy; the foreboding of some great calamity; a curse of destiny that no circumstances could avert or soften. And why was it that as I mused the portrait of my master […] seemed to change from its usually kind and placid expression to one of wrath and gloom, that the calm brow should become wrinkled with passion, the lips turgid with malevolence—yet thus it was.

Related Characters: Hannah (speaker), Sir Clifford de Vincent, Master, Mistress
Page Number and Citation: 17
Explanation and Analysis:

Though filled with superstitious awe I was in no haste to leave the room; for there surrounded by mysterious associations I seemed suddenly to have grown old, to have entered a new world of thoughts, and feelings and sentiments. I was not a slave with these pictured memorials of the past. They could not enforce drudgery, or condemn me on account of my color to a life of servitude. As their companion I could think and speculate. In their presence my mind seemed to run riotous and exult in its freedom as a rational being, and one destined for something higher and better than this world can afford.

Related Characters: Hannah (speaker), Master
Page Number and Citation: 17-18
Explanation and Analysis:

Chapter 4: A Mystery Unraveled Quotes

One day contrary to his usual custom he requested the pleasure of seeing me in his room. Trembling with apprehension I ascended the staircase, passed through the hall, and stood before him. He was seated at a low table, upon which lay a great pile of books and papers that he seemed particularly interested in examining—so much indeed as […] not to notice my presence. This gave me an opportunity to look around his apartment. Its chief furniture was books and piles of papers. There were books on the floor, books in the corners, and books heaped up and piled up in an antique cupboard. Some of them seemed to have been recently used, but on others the dust had thickly accumulated. I touched one of them; it fell with a rattling sound, still he did not look round, and I began to construe his silence into studied neglect.

Related Characters: Mistress (speaker), Lizzy, Mrs. Wheeler, Mr. Trappe, Hannah, Father, Master
Related Symbols: Books
Page Number and Citation: 47
Explanation and Analysis:

[“]You must fly from this house, from this place, from this country, fly immediately—to[-]night—or stay. I have a better plan. My master as yet knows nothing of it. Mr Trappe is gone you can go away in open daylight and in your carriage giving out that you design to visit a relative.[”]

My mistress was delighted with the plan. Her first thought was to escape from the horrible doom impending over her, and she eagerly grasped the least shadow of hope. She thanked me, she kissed me, and for the first time she wept over me.

[“]And you will go with me? [”] she inquired.

“I will, my dear mistress.”

[“]Call me mistress no longer. Henceforth you shall be to me as a very dear sister” she said embracing me again. “Oh: to be free, to be free.”

Related Characters: Hannah (speaker), Mistress (speaker), Master, Mr. Trappe
Page Number and Citation: 49
Explanation and Analysis:

Chapter 16: In North Carolina Quotes

Of course the family residence was stocked with slaves of a higher and nobler order than those belonging to the fields. They were better dressed, better provided for and better looking. It was necessary that those surrounding the person of the Mistress should have nothing offensive or disgusting about them. It was necessary, not for him but her, that the coachmen should be cleanly and well kept, that the cook should be neat, with well washed hands and a snowy apron, and that all her attendants should well understand their part and preserve appearances. Yet I thought they exhibited little pleasure on the return of their master and mistress. [… There] was no hardy demonstrations of delight, but merely a cold formal welcome scarcely removed from positive indifference or something worse.

Related Characters: Hannah (speaker), Master, Mrs. Henry, Mr. Wheeler, Mrs. Wheeler, Bill
Page Number and Citation: 207-208
Explanation and Analysis:
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Master Character Timeline in The Bondwoman’s Narrative

The timeline below shows where the character Master appears in The Bondwoman’s Narrative. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1: In Childhood
The Cruelties of Slavery Theme Icon
The Virtuous Woman’s Life Theme Icon
Religion and Hypocrisy Theme Icon
...that she could pass as White—she works in the house of the man she calls Master rather than the fields. He doesn’t believe in educating his enslaved workers, but Hannah nevertheless... (full context)
The Cruelties of Slavery Theme Icon
But eventually, Master’s overseer catches Hannah with Aunty Hetty and Uncle Siah. Although Hannah escapes direct punishment, to... (full context)
Enslavement as Gothic Horror Theme Icon
About a year after Aunt Hetty’s and Uncle Siah’s disappearance, Master prepares to marry. All of the enslaved workers at Lindenhurst work hard to prepare the... (full context)
The Virtuous Woman’s Life Theme Icon
Enslavement as Gothic Horror Theme Icon
...light, the expressions on the painted faces seem to change; a dark cloud passes over Master’s portrait. But Hannah can’t pull herself away—the beauty of the paintings elevates her soul. A... (full context)
Chapter 2: The Bride and the Bridal Company
Race as a Social Construct Theme Icon
Enslavement as Gothic Horror Theme Icon
...Eventually, one guest comments on the creaking of the linden tree’s branches, prompting a nervous-looking Master to swear he is going to have the tree cut down in the morning. At... (full context)
Chapter 3: Progress in Discovery
The Cruelties of Slavery Theme Icon
Race as a Social Construct Theme Icon
...during the day and allowing both to read freely from her collection of books. The master is fond of the mistress but does not, Hannah observes, seem to notice how stressed... (full context)
The Cruelties of Slavery Theme Icon
Race as a Social Construct Theme Icon
Enslavement as Gothic Horror Theme Icon
Having discovered that the master is also too poor to take over the mistress’s obligations, Mr. Trappe says that he... (full context)
Chapter 4: A Mystery Unraveled
The Virtuous Woman’s Life Theme Icon
Enslavement as Gothic Horror Theme Icon
...plan initially, but soon begins to have doubts. She dislikes the idea of deceiving the master. She grows increasingly distraught in a way that suggests to Hannah that she might not... (full context)
Chapter 5: Lost, Lost, Lost
The Cruelties of Slavery Theme Icon
Religion and Hypocrisy Theme Icon
...back to her husband. Sadly, the kindest of the men, Horace, says they can’t; the master is dead. (full context)
The Cruelties of Slavery Theme Icon
Race as a Social Construct Theme Icon
Enslavement as Gothic Horror Theme Icon
...on an improvised litter while Horace escorts Hannah. He tells her he’s heard that the master took his own life in the drawing room, under the portraits of his ancestors. Her... (full context)
Chapter 8: A New Master
The Cruelties of Slavery Theme Icon
Religion and Hypocrisy Theme Icon
...suffering, especially because few enslavers are likely to be as forgiving or lax as the master was. Hannah recognizes that he gives this advice maliciously, just to remind her of her... (full context)
Chapter 19: An Old Friend
The Cruelties of Slavery Theme Icon
The Virtuous Woman’s Life Theme Icon
Religion and Hypocrisy Theme Icon
While Hannah eats, Aunt Hetty explains what happened after that long ago day when the master’s overseer discovered her giving lessons to Hannah. The master had Aunt Hetty and Uncle Siah... (full context)