The Bride Comes to Yellow Sky
by Stephen Crane

The Bride Comes to Yellow Sky: Imagery 4 key examples

Definition of Imagery

Imagery, in any sort of writing, refers to descriptive language that engages the human senses. For instance, the following lines from Robert Frost's poem "After Apple-Picking" contain imagery that engages... read full definition
Imagery, in any sort of writing, refers to descriptive language that engages the human senses. For instance, the following lines from Robert Frost's poem "After... read full definition
Imagery, in any sort of writing, refers to descriptive language that engages the human senses. For instance, the following lines... read full definition
Part 1
Explanation and Analysis—Dazzling Fittings:

In the first part, Crane uses imagery and a simile to describe the train's environment to the reader, as Potter himself explains various features of the train to the bride.

He pointed out to her the dazzling fittings of the coach; and in truth her eyes opened wider as she contemplated the sea-green figured velvet, the shining brass, silver, and glass, the wood that gleamed as darkly brilliant as the surface of a pool of oil.

Explanation and Analysis—Newly Married Pair:

In the initial paragraphs of the story's first part, the narrator uses detailed imagery to describe the physical appearance of the man and woman. Both remain anonymous in the earliest paragraphs, which contributes to the "underclass countenance" that Crane carefully imparts on them. Contrasting their body language and clothing with those of the other passengers, he shows that the married pair have temporarily set foot into a world whose rules they do not know.

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Part 2
Explanation and Analysis—Yellow Sky:

In the first paragraph of the story's second part, the narrator uses visual imagery and alliteration to set the scene of Yellow Sky, gradually zooming out from the initial setting of the Weary Gentleman saloon, to the street outside, and finally to the broader Texan landscape.

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Part 3
Explanation and Analysis—Scratchy Wilson:

The still, silent atmosphere that Crane develops in the beginning of the second part is interrupted when Scratchy Wilson emerges as a character in the story's action. The first paragraphs of the third part, which feature his arrival, are rich with figurative language. The many instances of imagery, metaphor, and simile in these paragraphs enhance the explosive effect of Scratchy Wilson's appearance.

The man’s face flamed in a rage begot of whiskey. His eyes, rolling, and yet keen for ambush, hunted the still doorways and windows. He walked with the creeping movement of the midnight cat. As it occurred to him, he roared menacing information.

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