The Memory Police
by Yoko Ogawa
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Themes and Colors
Memory and Connection  Theme Icon
Loss, Isolation, and Identity Theme Icon
Authoritarianism and Surveillance Theme Icon
Storytelling, Longevity, and Defiance Theme Icon
Fate vs. Free Will Theme Icon
LitCharts assigns a color and icon to each theme in The Memory Police, which you can use to track the themes throughout the work.
Authoritarianism and Surveillance Theme Icon
Authoritarianism and Surveillance Theme Icon

In The Memory Police, objects on an unnamed island mysteriously “disappear,” meaning that people suddenly forget them. Following a disappearance, the townspeople will typically destroy these items, often tossing them into the river or burning them in bonfires. However, there is a subset of people who are immune: they don’t forget like they’re supposed to and don’t physically destroy the objects. So, the government creates a law enforcement branch called the Memory Police to hunt these people down. This militia spies on citizens, makes arrests without warning or reason, and operates in secret and with total impunity. The level of surveillance is so intense that the island’s inhabitants live in a constant state of fear. At a certain point, even people who are suspected of hiding an immune person are subject to arrest, and the island’s inhabitants grow colder to one another so as not raise suspicion. This shows how relationships and cooperation are undermined in an authoritarian state where people are constantly surveilled.

However, by the end of the novel, the Memory Police’s role in the narrative gets significantly smaller. The losses from disappearances become increasingly serious (even people’s body parts begin to disappear), and the citizens are so good at adhering to the rules of the regime that they start to enforce them without really thinking about it. Their behavior demonstrates that if people live under an authoritarian regime for long enough, their entire way of thinking can be altered, and the state may not even need to intervene to get people to act a certain way. There is some ambiguity to the novel’s ending, though, since it’s possible that the Memory Police themselves have even disappeared. Before the unnamed narrator herself “disappears,” she tells R (her editor who is unaffected by the disappearances) that even the Memory Police are gone. So, R is able to leave the room he was hiding in and go out into the world. In this way, the book ends by suggesting that authoritarian regimes are so destructive and antithetical to humane life that they may eventually even be their own undoing.

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Authoritarianism and Surveillance Quotes in The Memory Police

Below you will find the important quotes in The Memory Police related to the theme of Authoritarianism and Surveillance.

Chapter 4  Quotes

“But why do they take people away? They haven’t don’t anything wrong.”

“The island is run by men who are determined to see things disappear. From their point of view, anything that fails to vanish when they say it should is inconceivable. So they force it to disappear with their own hands.”

“Do you think my mother was killed?” I knew it was pointless to ask R, but the question slipped out.

“She was definitely under observation, being studied.” R chose his words carefully.

Related Characters: The Unnamed Narrator (speaker), R (speaker), The Narrator’s Mother, The Memory Police
Page Number and Citation: 25
Explanation and Analysis:
This passage is one of the first conversations the narrator has with her editor, R, and it is one of the only conversations they have outside of the secret room where he eventually hides. They talk together in the publishing house where R works—later on, when the Memory Police gain even more power, this sort of talk in a public place becomes inconceivable. It's very important that the narrator feels this comfortable talking to R so early in the story, even though their relationship is strictly professional here. This type of conversation—where the narrator questions the motives and the actions Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earu

Chapter 5  Quotes

“It’s terribly kind of you to be concerned, but I think it would be best not to tell you anything about the safe house. It’s not that we’re worried you might let something slip—if that were the case, we would never have brought the sculptures here in the first place. But we can’t allow ourselves to cause you any more trouble than we already have. The more deeply you become involved, the more danger you’ll be in. You can’t be forced to reveal what you don’t know, but if you do know something, there’s no telling what they might do to get it out of you. So I beg of you, please don’t ask about the safehouse.”

Related Characters: Professor Inui (speaker), The Unnamed Narrator
Page Number and Citation: 38
Explanation and Analysis:
In this passage, Professor Inui and his family are about to go into hiding. They stop at the narrator’s home to tell her, which is already an act of complete trust. But they don’t go so far as to tell her where they are hiding, since they are scared that doing so would put everyone in danger. Though this shows that the narrator and the Inui family are closely connected, it also shows that people on the island must keep each other at arm’s length these days, which ultimately isolates them from each other. This quote is one of the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit.

Chapter 7  Quotes

“It’s true, I know, that there are more gaps in the island than there used to be. When I was a child, the whole place seemed…how can I put this?...a lot fuller, a lot more real. But as things got thinner, more full of holes, our hearts got thinner, too, diluted somehow. I supposed that kept things in balance. And even when that balance begins to collapse, something remains. Which is why you shouldn’t worry.”

Related Characters: The Old Man (speaker), The Unnamed Narrator
Page Number and Citation: 54
Explanation and Analysis:
This quote comes from a conversation between the old man and the narrator, when the narrator expresses concern about the difficulties of living on the island as things disappear. The old man is very kind and always seems to try to make the narrator feel better. But, in this moment, even though he is telling her not to worry, he admits that people’s hearts are “thinning” and “diluting,” showing how the connections between people are also thinning. It’s difficult to know how to feel about the old man’s statement: on the one hand, he really believes that leaving things up Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hi

Chapter 10  Quotes

R let out a little gasp of surprise as I rolled up the carpet and lifted the trapdoor.

“Like a cave floating in the sky,” he murmured.

“It’s a bit tight, I know, but at least you’ll be safe here. No one can see you from outside, and there’s not much chance of them hearing you either.”

Related Characters: R (speaker), The Unnamed Narrator (speaker), The Old Man, The Memory Police , The Narrator’s Father
Page Number and Citation: 77
Explanation and Analysis:
This passage comes as R sees the small, secret room where he will spend the rest of book (until the final page). He goes into hiding because the Memory Police are hunting down people who do not forget things that have disappeared. The security of this room, hidden in the floor of the narrator’s father’s office and only available through a trapdoor, shows how serious the job of hiding someone from the Memory Police is. The narrator had to make sure it was hidden from view from the outside and that no one around them would hear any noise R Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incid

Chapter 12  Quotes

The tapping of the key striking the paper was the only sound in the room. Snow had begun to fall again, covering the tracks I had made […] He continued to hold me tighter […] The bell in the clock tower began to chime. Five o’clock. The vibration came from far above, rattling the window glass and passing through our bodies, before being absorbed by the snow below. The only motion was the falling of the snowflakes. I held my breath, unable to move, as though locked inside the typewriter.

Related Characters: The Woman (speaker), The Unnamed Narrator (speaker), The Typing Teacher
Related Symbols: Snow
Page Number and Citation: 91
Explanation and Analysis:
This passage comes from the third time an excerpt from the narrator’s manuscript appears. The narrator often draws on the things happening to her in the real world as inspiration for her fictional story. Because of this, her manuscript is a way to further understand how the narrator is thinking or feeling. In this section of the manuscript, the narrator’s protagonist—the woman—takes a typing class. Her typing teacher, with whom she has started a relationship, stands behind her. Though the woman mysteriously lost her voice in a previous section, there hasn’t been much tension in the manuscript up to this Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui digni

In this way we managed to live in relative security. Everything went according to plan, and we seemed to have solutions for any problems that did occur. The old man did much to help us, and R did his best to adjust quickly to the secret room.

But quite apart from the small satisfactions we enjoyed, the world outside was deteriorating day by day. The disappearances, which had slowed down after the roses, returned with two in quick succession: first, photographs, and then fruits of all sorts.

Related Characters: The Unnamed Narrator (speaker), R, The Old Man
Page Number and Citation: 94
Explanation and Analysis:
This passage shows the difference between the pleasant daily life that the narrator, R, and the old man settle into, as well as the harsh realities of the outside world. The three characters begin to work as a team, and they feel like they can manage the difficulties of day-to-day life with R in the secret room. But, as the second part of the quote shows, the disappearances make the characters feel as though they actually have little control over their lives, since they can’t anticipate when the next important thing will vanish. The idea of “small satisfactions” is important Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspicia

Chapter 15  Quotes

“You’ll forget you ever had a voice,” he continued. “You may find it annoying at first, until you get used to it. You’ll move your lips as you just did, go looking for a typewriter, a notepad. But soon enough you’ll see how pointless it is. You have no need to talk, no need to utter a single word. There’s nothing to worry about, nothing to fear. Then, at last, you’ll be all mine.”

Related Characters: The Typing Teacher (speaker), The Unnamed Narrator (speaker), The Woman, The Memory Police
Page Number and Citation: 131
Explanation and Analysis:
This passage comes from an excerpt of the unnamed narrator’s manuscript. The tide of her story just officially turned, and the typing teacher—previously a benign character—reveals himself to be a sadistic man who traps the woman in the top room of a clocktower. The typing teacher, now completely in control of the woman’s life, seems to represent the narrator’s worst fears in the larger narrative. He is an oppressive figure, forcing the woman to stay locked in the room for as long as he wants (which ends up being forever). He took away her voice, and now he’s taken away Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperia

Chapter 17  Quotes

Just then, three shadows emerged from the house to the east of mine. It was too dark to distinguish their features, but they walked wearily through the snow, backs bent, the Memory Police pushing them from behind, the light glinting cruelly off their guns.

Snatches of my neighbors’ voices could be heard in the dark.

“I had no idea they were hiding people in there,” said the former hatmaker. “Who would have thought it?”

“Seems as though both the husband and wife were in a secret group that help folks like that.”

“I guess that’s why they didn’t get to know anyone in the neighborhood.”

“Look at him. He’s just a child.”

Related Characters: The Unnamed Narrator (speaker), The Memory Police , The Young Couple
Page Number and Citation: 155
Explanation and Analysis:
This passage appears when the Memory Police raid the narrator’s neighborhood. Luckily, the Memory Police do not find R that night, even though they search the house. However, the quiet couple next door (that neighbors previously thought were standoffish) turned out to also be hiding somebody, showing how people need to pull away from their neighbors for their safety and the safety of others. The child that the other neighbors refer to is the person that the young couple was hiding—a teenage boy. The young couple and the boy are arrested and never heard from again, proving to be another Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut.

Chapter 22  Quotes

I’d heard rumors that people who had been hiding were forced to wander the streets when their homes were destroyed by the earthquake or the fires that followed it. And that the Memory Police had been rounding them up and taking them into custody one after the other. But I had no way to know whether the Inui family had actually been in that truck or not. All I could do was pray that someone had continued to cut the little boy’s fingernails and that the blue gloves were still protecting him.

Related Characters: The Unnamed Narrator (speaker), Professor Inui, The Inuis’ Son , The Memory Police
Page Number and Citation: 207
Explanation and Analysis:
This passage appears after the earthquake that rattles the island and immediately after the narrator thinks she sees the Inuis’ son in a Memory Police van. The Memory Police rounding up people in the wake of a natural disaster, like the earthquake, is a particularly cruel turn of events, but it’s completely in line with the brutality that they’ve shown throughout the story. It’s disturbing to think how the people on the island live in fear of natural disasters and of their government, when governments are supposed to be there to aid citizens after an environmental catastrophe. It's also particularly Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eli

Chapter 28  Quotes

For a very long time, he sat staring at the void in his palms. When at last he had convinced himself that there was nothing left, he let his arms drop wearily. Then he climbed the ladder one rung at a time, lifted the trapdoor, and went out into the world. Sunlight came streaming in for one moment but vanished again as the door creaked shut. The faint sound of the rug being rolled out on the floor came to me from above.

Closed in the hidden room, I continued to disappear.

Related Characters: The Unnamed Narrator (speaker), R
Page Number and Citation: 269
Explanation and Analysis:
This passage is the last page of the novel. Despite the bravery that R, the narrator, and the old man show throughout the book, there is no neat and happy ending—the narrator herself “disappears,” becoming one with the hidden room, which means that even R can’t find or save her. This passage is mystical in a way that the rest of the story is not, even though the book contains supernatural elements. The disappearances, though mysterious, do seem to follow logic within the novel: the physical things don’t actually disappear—only the memories of those things legitimately disappear (until people burn Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui voluptatum. Voluptatibus sed